Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Van Wyk, Theodore Justin: The Harmonische Seelenlust (1733) by G.F. Kauffmann (1679-1735): A critical study of his organ registration indications. diss. (2005) | |
| 2. | Mikami, Tokiko: J. S. Bach no 'Mubanso Furuto no tame no Partita I-Tancho BWV 1013' o meguru Kosatsu: 'Allemande' ni okeru Saiko-On a3 no Tokuisei o akiraka ni suru. diss. (2005) | |
| 3. | Kambara, Sonoko: Bach beyond the score: Clues to performance issues in Bach's keyboard music. diss. (2005) | |
| 4. | Connolly, Aisling: The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). diss. (2005) | |
| 5. | Pérez Torres, René: Bach's Mass in B Minor: An analytical study of parody movements and their function in the large-scale architectural design of the Mass. diss. (2005), 202p | |
| 6. | Chang, Eun-Un: Die Choralvorspiele zur Regerzeit: ein Beitrag zur gottesdienstlichen Orgelmusik der Spätromantik. diss. (2005), 236p | |
| 7. | Burford, Mark Jon: 'The real idealism of history': Historical consciousness, commemoration, and Johannes Brahms' 'years of study'. diss. (2005), 340p | |
| 8. | Crean, Elise: The Canonic Compositions of Johann Sebastian Bach: An Examination of Their Personal and Historical Context. diss. (2005), 73p | |
| 9. | Gaughan, Warren John: An analysis of George Rochberg's Carnival music: Suite for piano solo. diss. (2005), 75p | |
| 10. | Willner, Channan: Durational Pacing in Handel's Instrumental Works: The Nature of Temporality in the Music of the High Baroque. diss. (2005), 774p | |
| 11. | Yoo, Shirley S.: Four performance editions of J.S. Bach's Well-tempered clavier: Carl Czerny, Carl Tausig, Ferruccio Busoni and Bélá Bartók. diss. (2005), iv, 116p | |
| 12. | Oh, Hea-Seung: Interpreting J. S. Bach's solo violin sonatas and partitas through Leopold Mozart, Joachim/Moser, and Galamian. diss. (2005), ix, 85p | |
| 13. | Wang, Yu-Chi: A Survey of the Unaccompanied Violin Repertoire, Centering on Works by J. S. Bach and Eugene Ysa˙e. diss. (2005), viii, 127p | |
| 14. | McFarland, James Harold: An analysis of two twentieth-century German organ compositions on the B-A-C-H motive composed by Heinz Wunderlich and Hans-Ludwig Schilling. diss. (2005), viii, 148p | |
| 15. | Lee, Kayoung: The Role of the 12/8 time signature in J. S. Bach's Sacred Vocal Music. diss. (2005), x, 196p | |
| 16. | Toumpoulidis, Themistoklis D.: Aspects of musical rhetoric in Baroque organ music. diss. (2005), x, 263p | |
| 17. | Fung, Eric K.: Johann Sebastian Bach's Overture in the French Manner, BWV 831: A Study in Motive, Harmony, and Rhythm. diss. (2005), xiii, 176p | |