Bach Printed Music Database Search Result - Ordered Chronologically

Series : diss.
Year : 2008

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Paech, Katharina Larissa:   Johann Pachelbels geistliche Vokalmusik. DeMusicaDisserenda 4/2 (2008), 43-64
	2.	Wiley, Christopher:   Re-writing composers' lives : critical historiography and musical biography. diss. (2008)
	3.	Yang, Shu-Ting:   Salute to Bach: Modern treatments of Bach-inspired elements in Luigi Dallapiccola's Quaderno musicale di Annalibera and Heitor Villa-Lobos' Bachianas brasileiras no. 4. diss. (2008), 104p
	4.	Dougherty, Michael P.:   Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. diss. (2008), 106p
	5.	Cortens, Evan Philip:   The Installation Cantatas of C. P. E. Bach. diss. (2008), 124p
	6.	Gingrich, M. Linda:   The seen and the unseen: Hidden allegorical links in the Trinity season chorale cantatas of J.S. Bach. diss. (2008), 146p
	7.	Simpson, Will M.B.:   A conductor's guide to J.S. Bach's cantata 150 'Nach Dir, Herr, Verlanget Mich'. diss. (2008), 173p
	8.	Scholz, Anna:   J. S. Bach: Hat szvit szólócsellóra (BWV 1007–1012): Elõadásmód, artikuláció. A források és a kritikai kiadások problematikája. diss. (2008), 192p	Latin 2
	9.	Molèan, Ján:   Vývoj sonátovej formy v klavírnej tvorbe romantikov prvej polovice 19. storoèia (Analýza vplyvov a príèin zmien hudobného myslenia a z toho rezultujúce nároky na interpretáciu). diss. (2008), 203p	Latin 2
	10.	Randwijck, Rutger J. C. van:   Music in Context. Four Case Studies. diss. (2008), 244p
	11.	Kelly, Laura Lynn:   August Halm's Von zwei Kulturen der Musik: A translation and introductory essay. diss. (2008), 257p
	12.	Aschauer, Mario:   Deutschsprachige Clavier-Lehrwerke in der zweiten Hälfte des 18. Jahrhunderts. diss. (2008), 265p
	13.	Corduban, Mihaela-Lidia:   Le Clavier bien tempéré de Jean-Sébastien Bach: Le rôle de la rhétorique dans les stratégies compositionnelles de Bach. diss. (2008), 312p
	14.	Ceballos, Sara Gross:   Keyboard portraits: Performing character in the eighteenth century. diss. (2008), 330p
	15.	Mandelbaum, Karen G.:   The late keyboard rondos of Carl Philipp Emanuel Bach: Issues of genre, form, and voice leading. diss. (2008), 373p
	16.	Scholz, Anna:   J. S. Bach: Six suites for violoncello solo (BWV 1007–1012): Performance, articulation problems of the sources and the critical editions. diss. (2008), 7p	Latin 2
	17.	Lee, Hye Won:   The toccata and the history of touch: A pianist's survey of the symbiosis of style and performance practice of selected toccatas from Froberger to Muczynski. diss. (2008), 84p
	18.	So, Jeong-Hwa:   Rhetorical perspectives on the large settings on the Catechism Chorales in J.S. Bach's Clavierubung III. diss. (2008), 89p
	19.	Colahan, Ellwood P.:   Metric Conflict in The Brandenburg Concertos of J. S. Bach. diss. (2008), iii, 228p
	20.	Lindner, Matthew:   Blood, Wounds and Heart-Religion: J. S. Bach Reception in Late Nineteenth-Century Bethlehem, Pennsylvania. diss. (2008), ix, 143p
	21.	Weman Ericsson, Lena:   '...världens skridskotystnad före Bach': Historiskt informerad uppförandepraxis ur ett kontextuellt musikontologiskt perspektiv, belyst genom en fallstudie av Sonat i E-dur, BWV 1035, av J S Bach. diss. (2008), x, 153p
	22.	Weman Ericsson, Lena:   '...the world in a skater's silence before Bach': Historically Informed Performance in the Perspective of Contextual Musical Ontology, Illustrated through a Case Study of Sonata in E major, BWV 1035, by J. S. Bach. diss. (2008), xi, 176p
	23.	Boelcke, Andreas M.:   Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. diss. (2008), xii, 81p
	24.	Murphy, Michael Troy:   Performance practice of Johann Sebastian Bach's 'Passio Secundum Johannem'. A study of 25 years of recorded history (1982-2007) as influenced by events surrounding the Historically Informed Performance movement. diss. (2008), xiii, 342p
	25.	Chapman, David:   Thoroughbass pedagogy in nineteenth-century Viennese composition and performance practices. diss. (2008), xv, 448p