Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Fojas, Ivar-Nicholas: J.S. Bach's Suite in G Minor, BWV 995: A Comparison of Manuscripts for Violoncello, Lute and Lute Intabulation as a Model for a Guitar Arrangement of the Suite in D Major BWV 1012. diss. (2017), 113p. DMA diss., The University of Arizona, 2017. 113p. | |
| 2. | Cressy, Thomas: 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. diss. (2017), 123, 70, 2p. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract. | |
| 3. | Krause, Anna: Zur Ehre Gottes zu musiciren: Composing an Oratorio in the Shadow of J. S. Bach. diss. (2017), 336p. DPhil diss. (composition), University of Oxford, 2017. 336p. | |
| 4. | Hanova, Aleksandra Nikolaevna: Oratorii K.F.Č. Baha v kontekste razvitiâ anra diss. (2017), 354p. [The oratorios of C.P.E. Bach in the context of the genre's development] - Kand.,Iskusstvovedenie from Gosudarstvennaâ Konservatoriâ imeni N.A. Rimskogo-Korsakova, Sankt-Peterburg, 2017. 354p. | |
| 5. | Wersin, Michael: Die Liedmelodie Herzlich tut mich verlangen im geistlichen Werk Johann Sebastian Bachs: Eine musikalisch-theologische Studie. diss. (2017), 401p. vorgelegt von Michael Wersin. Betreuer: Franz Körndle und Bernd Oberdorfer. - Diss., Universität Augsburg, 2017. 401p. | |
| 6. | Lie, Siu Yin: Adapting Bach's Goldberg Variations for the Organ. diss. (2017), ii, 136p. DMA diss., Arizona State University, 2017. ii, 136p. | |
| 7. | Goldstein, Martin: Stretto in Bach's Instrumental Fugues. diss. (2017), ii, 366p. PhD diss., Bar-Ilan University, 2017. ii, 366p. | |
| 8. | Wilder, Rachel: Liberating Sound: A Study on the Consequence that Performance Practice Research has had on Performances of J. S. Bach's Keyboard Works. diss. (2017), iv, 33p. DMA diss., University of Kansas, 2017. iv, 33p. | |
| 9. | Messing, Rachel Michelle: J. S. Bach's Arias for Soprano and Oboe Obbligato: The Oboe Family's Vital Role in the Expressive Dialogue. diss. (2017), iv, 41p. DMA diss., Arizona State University, 2017. iv, 41p. | |
| 10. | Taylor, Alannah Rebekah: J. S. Bach's Passions in Nineteenth-century America. diss. (2017), ix, 141p. MMus diss., The Florida State University, 2017. ix, 141p. | |
| 11. | Chang, Chul Woong: A guide to suitable bass solo vocal repertoire by J. S. Bach for collegiate baritone. diss. (2017), vi, 57p. DMA diss., University of North Texas, 2017. vi, 57p. | |
| 12. | Nyírő, Sebestyén: Devilish Details: Ornament-Related Passages in Selected Works of Johann Sebastian Bach. diss. (2017), vii, 113p. DMA diss., University of Connecticut, 2017. vii, 113p. | Latin 2
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| 13. | Mongelli, Giancarlo: A eloquęncia das Palavras năo Escritas: Figuras Retóricas e Simbolismo Religioso no Primeiro Livro do Cravo Bem Temperadode J. S. Bach. diss. (2017), viii, 144p. [The Eloquence of Unwritten Words: Rhetorical Figures and Religious Symbolism in the First Book of the Well Tempered Clavier by J. S. Bach] MMus diss., Instituto Politecnico do Porto (Portugal), 2017. viii, 144p. | |
| 14. | Raley, Matthew Eric: Abstraction in J. S. Bach's 'Chaconne': A Model for Reconciling Artist and Audience Today. diss. (2017), viii, 264p. PhD diss., The Southern Baptist Theological Seminary, 2017. viii, 264p. | |
| 15. | Hafey, Brooks Ryder: Score Reduction and Simplification as a Learning Tool in J.S. Bach's Allemande from Partita No. 6 in E Minor, BWV 830. diss. (2017), viii, 54p. DM diss., The Florida State University, 2017. viii, 54p. | |
| 16. | Hadipour, Kia: Bach's Goldberg Variations: Suggestions for Redistributing the Notes Between the Hands to Facilitate Performance on the Modern Piano. diss. (2017), x, 202p. diss., Louisiana State University and Agricultural & Mechanical College, 2017. x, 202p. | |
| 17. | Cooper, Jeffrey Thomas: The seven planets in Bach, Buxtehude, and a Dresden ballet of 1678. diss. (2017), x, 235p. DMA diss., University of Houston, 2017. x, 235p. [BWV 4, 71, BuxWV 251] | |
| 18. | Boomhower, Daniel F.: The Manuscript Transmission of J. S. Bach's Mass in B Minor (BWV 232) and the Development of the Concept of Textual Authority, 1750-1850. diss. (2017), xi, 257p. by Daniel Fellers Boomhower. - PhD diss., Case Western Reserve University, May 2017. xi, 257p. | |
| 19. | Kiefer, Matthew David: Preparation of the Richard Luby Edition of the Adagio and Fuga from J. S. Bach's Sonata in G Minor for Solo Violin. diss. (2017), xi, 85p. DMA diss., The University of North Carolina at Greensboro, 2017. xi, 85p. [BWV 539/2, 1001] | |
| 20. | Çabuk, Ulas: J. S. Bach Viyolonsel Süitlerinin Müzik Ögretmeni Yetistiren Kurumlarda Viyolonsel Egitimi Baglaminda Incelenmesi. diss. (2017), xv, 83p. [An Analysis of J. S. Bach's Cello Suites in Cello Instruction for Pre-Service Music Teachers] MA diss., Bursa Uludag University (Turkey), 2017. xv, 83p. | |
| 21. | Dieffenbach, Jennifer Elizabeth: Passion Meditation in Early Eighteenth Century Lutheranism: J.S. Bach's Cantata Texts in Dialogue with Theology. diss. (2017), xviii, 345p. PhD diss., Queen's University Belfast, 2017. xviii, 345p. | |