Bach Printed Music Database
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Series : diss.
Year : 2017
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Fojas, Ivar-Nicholas:   J.S. Bach's Suite in G Minor, BWV 995: A Comparison of Manuscripts for Violoncello, Lute and Lute Intabulation as a Model for a Guitar Arrangement of the Suite in D Major BWV 1012. diss. (2017), 113p. DMA diss., The University of Arizona, 2017. 113p.
2. Cressy, Thomas:   19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. diss. (2017), 123, 70, 2p. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract.
3. Krause, Anna:   Zur Ehre Gottes zu musiciren: Composing an Oratorio in the Shadow of J. S. Bach. diss. (2017), 336p. DPhil diss. (composition), University of Oxford, 2017. 336p.
4. Hanova, Aleksandra Nikolaevna:   Oratorii K.F.Č. Baha v kontekste razviti⠞anra diss. (2017), 354p. [The oratorios of C.P.E. Bach in the context of the genre's development] - Kand.,Iskusstvovedenie from Gosudarstvennaâ Konservatoriâ imeni N.A. Rimskogo-Korsakova, Sankt-Peterburg, 2017. 354p.
5. Wersin, Michael:   Die Liedmelodie Herzlich tut mich verlangen im geistlichen Werk Johann Sebastian Bachs: Eine musikalisch-theologische Studie. diss. (2017), 401p. vorgelegt von Michael Wersin. Betreuer: Franz Körndle und Bernd Oberdorfer. - Diss., Universität Augsburg, 2017. 401p.
6. Lie, Siu Yin:   Adapting Bach's Goldberg Variations for the Organ. diss. (2017), ii, 136p. DMA diss., Arizona State University, 2017. ii, 136p.
7. Goldstein, Martin:   Stretto in Bach's Instrumental Fugues. diss. (2017), ii, 366p. PhD diss., Bar-Ilan University, 2017. ii, 366p.
8. Wilder, Rachel:   Liberating Sound: A Study on the Consequence that Performance Practice Research has had on Performances of J. S. Bach's Keyboard Works. diss. (2017), iv, 33p. DMA diss., University of Kansas, 2017. iv, 33p.
9. Messing, Rachel Michelle:   J. S. Bach's Arias for Soprano and Oboe Obbligato: The Oboe Family's Vital Role in the Expressive Dialogue. diss. (2017), iv, 41p. DMA diss., Arizona State University, 2017. iv, 41p.
10. Taylor, Alannah Rebekah:   J. S. Bach's Passions in Nineteenth-century America. diss. (2017), ix, 141p. MMus diss., The Florida State University, 2017. ix, 141p.
11. Chang, Chul Woong:   A guide to suitable bass solo vocal repertoire by J. S. Bach for collegiate baritone. diss. (2017), vi, 57p. DMA diss., University of North Texas, 2017. vi, 57p.
12. Nyírő, Sebestyén:   Devilish Details: Ornament-Related Passages in Selected Works of Johann Sebastian Bach. diss. (2017), vii, 113p. DMA diss., University of Connecticut, 2017. vii, 113p. Latin 2
13. Mongelli, Giancarlo:   A eloquęncia das Palavras năo Escritas: Figuras Retóricas e Simbolismo Religioso no Primeiro Livro do Cravo Bem Temperadode J. S. Bach. diss. (2017), viii, 144p. [The Eloquence of Unwritten Words: Rhetorical Figures and Religious Symbolism in the First Book of the Well Tempered Clavier by J. S. Bach] MMus diss., Instituto Politecnico do Porto (Portugal), 2017. viii, 144p.
14. Raley, Matthew Eric:   Abstraction in J. S. Bach's 'Chaconne': A Model for Reconciling Artist and Audience Today. diss. (2017), viii, 264p. PhD diss., The Southern Baptist Theological Seminary, 2017. viii, 264p.
15. Hafey, Brooks Ryder:   Score Reduction and Simplification as a Learning Tool in J.S. Bach's Allemande from Partita No. 6 in E Minor, BWV 830. diss. (2017), viii, 54p. DM diss., The Florida State University, 2017. viii, 54p.
16. Hadipour, Kia:   Bach's Goldberg Variations: Suggestions for Redistributing the Notes Between the Hands to Facilitate Performance on the Modern Piano. diss. (2017), x, 202p. diss., Louisiana State University and Agricultural & Mechanical College, 2017. x, 202p.
17. Cooper, Jeffrey Thomas:   The seven planets in Bach, Buxtehude, and a Dresden ballet of 1678. diss. (2017), x, 235p. DMA diss., University of Houston, 2017. x, 235p. [BWV 4, 71, BuxWV 251]
18. Boomhower, Daniel F.:   The Manuscript Transmission of J. S. Bach's Mass in B Minor (BWV 232) and the Development of the Concept of Textual Authority, 1750-1850. diss. (2017), xi, 257p. by Daniel Fellers Boomhower. - PhD diss., Case Western Reserve University, May 2017. xi, 257p.
19. Kiefer, Matthew David:   Preparation of the Richard Luby Edition of the Adagio and Fuga from J. S. Bach's Sonata in G Minor for Solo Violin. diss. (2017), xi, 85p. DMA diss., The University of North Carolina at Greensboro, 2017. xi, 85p. [BWV 539/2, 1001]
20. Çabuk, Ulas:   J. S. Bach Viyolonsel Süitlerinin Müzik Ögretmeni Yetistiren Kurumlarda Viyolonsel Egitimi Baglaminda Incelenmesi. diss. (2017), xv, 83p. [An Analysis of J. S. Bach's Cello Suites in Cello Instruction for Pre-Service Music Teachers] MA diss., Bursa Uludag University (Turkey), 2017. xv, 83p.
21. Dieffenbach, Jennifer Elizabeth:   Passion Meditation in Early Eighteenth Century Lutheranism: J.S. Bach's Cantata Texts in Dialogue with Theology. diss. (2017), xviii, 345p. PhD diss., Queen's University Belfast, 2017. xviii, 345p.

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