Bach Printed Music Database Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Roeder, Michael Thomas: A History of the Concerto. (1994), 480p Portland, Oreg.: Amadeus Press, 1994. 480p. ISBN: 0-931340-61-6. Reviews: BritishJMEduc xii/1 (1995) 85-86 (Kerry Milan) Notes lii/1 (1995) 97-99 (Douglass M. Green) NRivistaMItali xxix/3 (1995) 551-553 (Bietti, Giovanni B.) MusicaAntiqua xii/1 (1995) 41 (Herman Baeten) BeethovenJ x/2 (1995) 80 (Patricia Elliott) CanadianUniversityMReview xvii/1 (1996) 98-107 (Glen Blaine Carruthers)
	2.	Taruskin, Richard: Text and Act. Essays on Music and Performance. (1995), vi, 382p New York; Oxford: Oxford University Press, 1995. vi, 382p. ISBN: 0-19-509437-9; ISBN: 0-19-509458-1. Reviews: BeethovenJ x/2 (Fall-Winter 1995) 83 (Patricia Elliott) BBCMMag iv/11 (Jul 1996) 21 (Ivan Hewett) HistBrassSocNL ix (Summer 1996) 64-65 (Trevor Herbert) Notes liii/2 (Dec 1996) 419-423 (J.M. Balkin; Sanford Levinson) Brio: xxxiv/1 (Spring-Summer 1997) 59-60 (Katharine Hogg) JAesArtCriticism lvi/3 (Summer 1998) 307-308 (David Goldblatt)
	3.	Lang, Paul Henry; Mann, Alfred; Buelow, George J. (eds.): Musicology and performance. [ce]MusicologyPerformance (1997), xii, 254p New Haven: Yale U. 1997. xii, 254p. ISBN: 0-300-06805-0. Reviews: BeethovenJ xii/2 (1997) 87 (Patricia Elliott) JAesthArtCriticism lx/2 (2002) 201-203 (Anthony Gritten)
	4.	Schleuning, Peter: Die Sprache der Natur. Natur in der Musik des 18. Jahrhunderts. (1998), 230p Stuttgart: Metzler, 1998. ix, 230p. ISBN: 3-476-01280-8. Reviews: OMzs liv/4 (1999) 94-95 (Hartmut Krones) NZsfM(2) clx/1 (Jan-Feb 1999) 83 (Friedbert Streller) BeethovenJ xiv/2 (winter 1999) 96 (Patricia Elliott Stroh) Notes lv/3 (Mar 1999) 654-655 (Richard Will) Mtheorie xiv/3 (1999) 278-280 (Anselm Gerhard) Orchester(Mainz) xlvi/11 (1998) 66 (Hubert Unverricht) Mf liii/4 (Oct-Dec 2000) 469-472 (Adolf Fecker) JRMA cxxvii/2 (2002) 305-320 (Rehding, Alexander)
	5.	Newsom, Jon; Mann, Alfred (eds.): The Rosaleen Moldenhauer Memorial: Music from Primary Sources. A Guide to the Moldenhauer Archives. [gs]Moldenhauer (2000), xxviii,733p Washington, DC: Library of Congress, 2000. xxviii, 733p. ISBN: 0-8444-0987-1. Reviews: BeethovenJ xvi/1 (2001) 35 (Patricia Elliott Stroh) Notes lviii/4 (2002) 861-863 (Jane Gottlieb)
	6.	Oppermann, Annette: Musikalische Klassiker-Ausgaben des 19. Jahrhunderts: Eine Studie zur deutschen Editionsgeschichte am Beispiel von Bachs Wohltemperiertem Clavier und Beethovens Klaviersonaten. AbhandlungenMges 10 (2001), x, 364p [Zugl. PhD diss., Universität Hamburg, 1999] Göttingen: Vandenhoeck & Ruprecht, 2001. x, 364p. ISBN: 3-525-27909-4. (= Abhandlungen zur Musikgeschichte, 10) Reviews: BeethovenJ xvi/2 (2001) 99 (Patricia Stroh) Concerto 179 (Dec 2002-Jan 2003) 36 (Georg Günther) Mf lvii/4 (Oct-Dec 2004) 443-444 (Beate Hennenberg)
	7.	Kassler, Michael: A.F.C. Kollmann's Quarterly Musical Register (1812). An Annotated Edition with an Introduction to his Life and Works. (2008), xviii, 307p Aldershot: Ashgate Publishing, 2008. xviii, 307p. ISBN: 978-0-7546-6064-4. Reviews: Yo Tomita, 'On-line Book Review' MTimes cl/1909 (Winter 2009) 115-116 (Peter Williams) BIOSJ xxxiii (2009) 205-206 (Katharine Pardee) BeethovenJ xxiv/1 (Summer 2009) 41 McolAustralia xxxii/1 (Jul 2010) 141-143 (Jason Stoessel) OrganYb xxxix (2010) 159-161 (Peter Williams)
	8.	Gramit, David (ed.): Beyond The art of finger dexterity: Reassessing Carl Czerny. EastmanStudM 53 (2008), xiii, 280p [Carl Czerny International Symposium; Alberta, Canada; 2002] Rochester, NY: University of Rochester, 2008. xii, 280p. ISBN: 1-58046-250-2; 978-1-58046-250-1. (= Eastman studies in music, 53) Reviews: BeethovenJ xxiii/2 (Winter 2008) 95 (Patricia Elliott Stroh) AdParnassum vi/12 (Oct 2008) 155-161 (Rohan H. Stewart-MacDonald) MTimes cxlix/1904 (Fall-Winter 2008) 97-104 (Peter Williams) JMcolResearch xxviii/4 (Oct-Dec 2009) 340-346 (Kenneth Hamilton)
	9.	Shrock, Dennis: Choral monuments: Studies of eleven choral masterworks. (2017), xvii, 438p New York, NY: Oxford University Press, 2017. xvii, 438p. ISBN: 978-0-19-046902-3; 978-0-19-046903-0. Reviews: BeethovenJ xxxii/2 (Winter 2017) 87 (Patricia Stroh)
	10.	Heinemann, Michael: ... dass die Fuge keine Fuge mehr ist: Beethovens poetischer Kontrapunkt. (2019), 182p München: edition text+kritik, 2019. 182p. ISBN: 978-3-86916-775-6; 3-86916-775-0. Reviews: Orchester(Mainz) lxvii/10 (Oct 2019) 58 (Ulrich Bartels) BeethovenJ xxxiv/2 (Winter 2019) 82 (Patricia Stroh) ZsfGMtheorie xvii/2 (2020) 245-253 (Cosima Linke)
	11.	Lehner, Michael; Meidhof, Nathalie; Miucci, Leonardo (eds.): Das flüchtige Werk: Pianistische Improvisationen der Beethoven-Zeit. MfHochsKünsteBern 12 (2019), 212p Schliengen: Edition Argus, 2019. 212p. ISBN: 978-3-931264-92-5; 3-931264-92-0. (= Musikforschung der Hochschule der Künste Bern, 12) Reviews: BeethovenJ xxxiv/2 (Winter 2019) 81 (Patricia Stroh)

11 matches.