Bach Printed Music Database Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Jorgensen, Owen: Tuning the Historical Temperaments by Ear: a manual of eighty-nine methods for tuning fifty-one scales on the harpsichord, piano, and other keyboard instruments. (1977), xxvii, 435p Marquette: The Northern Michigan Univ. Press, 1977. xxvii, 435p. ISBN: 091861600X. Reviews: Notes xxxiv/3 (1978) 616-617 (Mark Lindley) Diapason lxix/6 (1978) 4 (Bruce Gustafson) JAmerMInstrSoc v-vi (1979-80) 197-200 (Douglas Leedy) JIDoubleReedSoc iii/1 (1980) (Gerald E. Corey) OrganYb xiii (1982) 166-167 (Peter Williams)
	2.	Henkel, Hubert: Beiträge zum historischen Cembalobau. BeitrMwFDDR 11 (1979), 182p Leipzig: Deutscher Verlag für Musik, VEB, 1979. 182p. (= Beiträge zur musikwissenschaftlichen Forschung in der DDR, 11) - Teildr. von: Leipzig, Univ., Sekt. Kulturwiss. u. Germanistik, Diss., 1976. Reviews: OrganYb xi (1980) 151-152 (Grant O'Brien) MTimes cxxii/1655 (1981) 32 (Howard Schott) JAmerMInstrSoc ix (1983) 125-128 (Howard J. Serwer)
	3.	Salmen, Walter (ed.): Jakob Stainer und seine Zeit. Tagungsbericht. InnsbruckBeitrMw 10 (1984), 216p [Report on the 1983 Jakob Stainer conference at Innsbruck] Innsbruck: Helbling, 1984. 216p. (= Innsbrucker Beiträge zur Musikwissenschaft, 10) Reviews: NZsfM(2) cxlvi/1 (Jan 1985) 39-40 (Wolfgang Wendel) JAmerMInstrSoc xiii (1987) 118-121 (Laurence C. Witten, II) GalpinSocJ xli (Oct 1988) 154-156 (Marcus Bennett)
	4.	Dreyfus, Laurence: Bach's Continuo Group: Players and Practices in his Vocal Works. StudHistM(Harvard) 3 (1987), xii, 264p Cambridge, Mass; London: Harvard Univ. Press, 1987, xii, 264p. (= Studies in the History of Music, 3) Reviews: JAMSoc xli/2 (Summer 1988) 349-354 (Peter Williams) Concerto vi/44 (1988) 5-6 (Reinhard Goebel) EarlyM xvi/4 (Nov 1988) 563,565,567 (Keith Elcombe) OrganYb xix (1988) 144-145 (Peter F. Williams) Concerto vi/42 (1989) 35-36 (Thomas Synofzik) BachJb lxxv (1989) 238-239 (Christoph Wolff) JAmerMInstrSoc xl (1989) 125-127 (Gordon Sandford) ARecorder xxxii/2 (1991) 21-22 (Howart Schott) IDoubleReedSoc xiv/3 (1991) 67-68 (Daryl Durran) MLetters lxxiii/1 (Feb 1992) 104-105 (David Ledbetter) PerformPractReview v/1 (Spring 1992) 109-112 (Patrick J Rogers)
	5.	Jorgensen, Owen: Tuning. Containing the Perfection of Eighteenth-Century Temperament, The Lost Art of Nineteenth-Century Temperament and The Science of Equal Temperament, Complete with Instructions for Aural and Electronic Tuning. (1991), xxiii, 798p East Lansing, MI, Michigan State U. Press, 1991, xxiii, 798p. ISBN: 0-87013-290-3. Reviews: EarlyKeyboardJ x (1992) 179-187 (Thomas Nelson McGeary) GalpinSocJ xlv5 (1992) 161-162 (Edgar Hunt) JAmerMInstrSoc xix (1993) 105-109 (John W. Coltman) Notes xlix/4 (1993) 1408-1410 (Malcolm Bilson)
	6.	Thistlethwaite, Nicholas; Webber, Geoffrey (eds.): Cambridge Companion to the Organ. [ce]CambridgeCompanion_Organ (1998), xiv, 340p Cambridge Univ. Press, 1998. xiv, 340p. ISBN: 0-521-57309-2; 0-521-57584-2. Reviews: Organists' review lxxxv/4 (1999) 384-388 (Thomas Chase) BIOS xxiii (1999) 194-196 (Peter F. Williams) MTimes cxl/1867 (1999) 77 (Ann Bond) JAmerMInstrSoc xxvi (2000) 228-231 (Arthur Lawrence) Notes lvi/3 (2000) 693-694 (Peter V. Picerno) CanadianUnivMReview xx/2 (2000) 105-113 (Lynn Cavanagh) MLetters lxxxi/3 (2000) 441-442 (Keith Elcombe) EarlyKeyboardJ xix (2001) 202-205 (Ardyth J. Lohuis)
	7.	Rowland, David (ed.): The Cambridge companion to the piano. [ce]CambridgeCompanion_Piano (1998), xiv, 244p Cambridge University Press, 1998. xiv, 244p. ISBN: 0-521-47470-1; 0-521-47986-X. Reviews: MTimes cxl/1866 (1999) 60 (Susan Bradshaw) McolAustralia xxii (1999) 72-73 (Deborah Crisp) BritishJMEduc xvi/2 (1999) (Richard Crozier) JAmerMInstrSoc xxvi (2000) 221-224 (Stephen Siek) JMusicolResearch xx/1 (2000) 93-96 (Candace Bailey) MLetters lxxxii/2 (2001) 303-307 (Elizabeth Norman McKay)
	8.	Wainwright, Jonathan; Holman, Peter: From Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century. [cr]York1999 (2005), xx, 321p Proceedings of the national early music association conference held, in association with the department of music, University of York and the York Early Music Festival, at the University College of Ripon and York St John, York, 2-4 Juli 1999. Aldershot: Ashgate, 2005. xx, 321p. ISBN: 0 7546 0403 9; ISBN-13 978-0-7546-0403-7. Reviews: EarlyMReview 109 (2005) 31 (Clifford Bartlett) EarlyM xxxiv/3 (2006) 483-486 (Peter Walls) GalpinSocJ lix (2006) 280-281 (Frances Palmer) EarlyMAmer xii/4 (2006) 52-54 (Tina Chancey) PerformPractReview xii (2007) (Rudolf Rasch) JAmerMInstrSoc xxxiii (2007) 264-268 (James B. Kopp)
	9.	Yearsley, David: Bach's Feet: the Organ Pedals in European Culture. (2011), xiv, 298p Cambridge University Press, 2011. xiv, 298p. ISBN:9780521199018. (= Musical Performance and Reception) - Paperback edn. 2017. Reviews: OrganAustralia ix/1 (Mar 2013) 33-35 (Jan-Piet Kniff) EarlyMAmer xix/2 (Summer 2013) 47-48 (Peter Sykes) EarlyM xl/4 (Nov 2012) 691-693 (Robert Quinney) Notes lxx/1 (Sep 2013) 119-122 (David Crean) AmerOrganist(2) xlvii/11 (Nov 2013) 46-47 (James L. Wallmann) JAmerMInstrSoc xxxix (2013) 216-219 (Jane Schatkin Hettrick) JAMSoc lxvii/2 (Summer 2014) 589-598 (Ernest May)

9 matches.