Bach Printed Music Database Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Epstein, David: Beyond Orpheus: studies in musical structure. (1979), xiv, 244p Foreword by Milton Babbitt. - Cambridge (Mass.); London: M.I.T. Press, 1979. xiv, 244p. ISBN: 0262050161. - Oxford: Oxford University Press, 1987. xiv, 244p. ISBN: 0193151502. Reviews: Notes xxxvi/2 (1979) 357-358 (Larry Stempel) Journal of the Arnold Schoenberg Institute, iii/2 (1979) 194-202 (Jonathan Mark Dunsby) JMTheory xxv/2 (1981) 319-325 (Arnold Whittall) MTheorySpec iii (1981) 150-157 (Gary E. Wittlich) TheoryPractice vi/2 (1981) 47-53 (William Rothstein) MAnalysis ii/2 (1983) 225-227 (Jonathan Harvey) MLetters lxix/3 (1988) 407-409 (Victor Kofi Agawu)
	2.	Plum, Karl-Otto: Untersuchungen zu Heinrich Schenkers Stimmführungsanalyse. KölnBeitrMf 102 (1979), iv, 175p [Zugl.: Köln, Univ., Diss., 1978] - Regensburg: Bosse, 1979. iv, 175p. ISBN: 376492198-6. (= Kölner Beiträge zur Musikforschung, 102) Reviews: MLetters lxii/2 (Apr 1981) 212-215 (Jonathan M. Dunsby) Mf xxxiv/4 (1981) 509-511 (Elmar Seidel) MAnalysis ii/1 (Mar 1983) 102-105 (William M. Drabkin)
	3.	Rivera, Benito V.: German Music Theory in the Early 17th Century: The Treatises of Johannes Lippius. StudMcol 17 (1980), 265p Ann Arbor, Mich.: UMI Research Press, 1980. 265p. (= Studies in musicology, 17); Rochester,NY: University of Rochester, 1995. xii, 264p. ISBN: 1-878822-60-8. (= Studies in musicology, 17) Reviews: Notes xxxvii/3 (Mar 1981) 586-587 (Joel Lester) MAnalysis i/2 (Jul 1982) 209-213 (Geoffrey Chew)
	4.	Humphreys, David: The Esoteric Structure of Bach's Clavierübung III. (1983), ix, 99p Cardiff Univ. Press, 1983, ix, 99p. Reviews: MTimes cxxv/1699 (Sep 1984) 530 (Ann Bond) MLetters lxv/4 (Oct 1984) 393-394 (Peter Williams) EarlyM xii/2 (May 1984) 243,245,247 (Keith Elcombe) MAnalysis iv/3 (1985) 303-308 (Alan Street)
	5.	Schenker, Heinrich: J. S. Bach's chromatic fantasy and fugue. (1984), xii, 103, 17p Critical Edition with commentary. Translated and Edited by Hedi Siegel. N.Y.; London: Longman, 1984. xii, 103, 17p. Reviews: MTheorySpec vii (1985) 203-207 (William Rothstein) EarlyKeyboardJ iv (1985-86) 80-82 (Thomas Warburton) MAnalysis vii/2 (1988) 225-230 (John Rink)
	6.	Renwick, William: Analyzing Fugue: A Schenkerian Approach. HarmonolSer 8 (1995), 229p Stuyvesant, N.Y.: Pendragon, 1995. 229p. ISBN: 0-945193-52-1. (= Harmonologia series, 8) Reviews: Yo Tomita, 'On-line Book Review' MLetters lxxvii/1 (1996) 116-119 (Lionel Pike) Notes liii/1 (1996) 93-94 (Heather Anne Platt) Intégral 9 (1995) 99-115 (Robert Gauldin) MAnalysis xvi/2 (1997) 270-281 (Charles Burkhart)
	7.	Beach, David W.: Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. EastmanStudM 33 (2005), xiii, 92p Rochester, NY: University of Rochester Press, 2005. xiii, 92p. ISBN: 1-58046-202-2. (= Eastman studies in music, 33) Reviews: JMTheory xlix/1 (Spring 2005) 181-188 (Robert P. Morgan) EarlyMReview 111 (Feb 2006) 33 (Clifford Bartlett) TheoryPractice xxxii (2007) 203-212 (David Gagné) MAnalysis xxvi/1-2 (Mar-Jul 2007) 217-245 (Matthew McDonald) JSchenkerStud iii (2008) 159-210 (Olli Väisälä)
	8.	Tatlow, Ruth: Bach's numbers: compositional proportion and significance. (2015), xviii, 411p New York: Cambridge University Press, 2015. xviii, 411p. ISBN: 978-1-107-08860-3. Reviews: Pieter Bakker, Postmodern Numbers 2015. Zoltán Szabó, 'On-line Book Review' Bach xlvii/1 (2016) 70-74 (Zoltán Szabó) EarlyM xliv/2 (May 2016) 341-343 (David Ledbetter) MLetters xcvii/3 (Aug 2016) 504-506 (Yo Tomita) MAnalysis xxxvi/2 (Jul 2017) 268-281 (Robert Wells)

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