Bach Printed Music Database Search Result |
Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
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1. | Dickinson, Alan Edgar Frederic: The Art of J. S. Bach. (1935), 296p London: Duckworth, 1935, 1936. 296p. - Heinrichsen, 2/1950, 260p.
MTimes lxxvii/1118 (Apr 1936) 328 (W. McN) MTimes xcii/1302 (Aug 1951) 355-356 (W. McN.) MLetters xxxii/2 (Apr 1951) 163-165 (W. S. Mann) Tempo no.19 (Spring, 1951) 37, 39 (Dennis Stevens) Notes viii/3 (Jun 1951) 529 (Helen E. Bush) MReview xii (1951) 234-235 | ||
2. | Gurlitt, Wilibald: Johann Sebastian Bach. Der Meister und sein Werk. (1936), 78p (Vortrag). Berlin: Furche-Verlag, 1936. 78p. - Mit einem vorwort von Alfred Dürr. Kassel [u.a.]: Bärenreiter, 2/1947. 86p; Basel: Reinhardt, 1947. 86p; Kassel [u.a.]: Bärenreiter, 3/1949. 116p; 4/1959. - Kassel [u.a.]: Bärenreiter; München: St. Taschenbuchverlag, 5/1980. 110p. (= dtv. 1534: dtv-Bärenreiter: Biogr)
DieMusik xxix/4 (Jan 1937) 293 (Friedrich W. Herzog) ZsfM civ/2 (1937) 203 (Friedrich Högner) TheolLiteraturZ lxii/17 (1937) 313-314 (W. Luther) MKirche xvii/3 (1947) 87 (Walter Blankenburg) MLetters xxix/4 (1948) 417 (J. A. W.) Mf iii/1 (1950) 76 (Rudolf Steglich) MReview xi (1950) 59 (G. A.) RassegnaM xx/3 (1950) 268-269 (m. m.) MKirche l/1 (1980) 313 (Gerhard Schuhmacher) NZsfM cxli/6 (1980) 582-583 (Rudolf Stephan) OrganistEredienst xlvi/11 (1980) (Jenne Meyster) MGottesd xxxv (1981) 107-108 (Andreas Marti) | ||
3. | Jones, Ifor (ed.): If thou wilt suffer God to guide thee = Wer nur den lieben Gott lässt walten: Cantata No. 93. / J. S. Bach. (1941), 41p Edited and accompaniment arranged by Ifor Jones. English version by J. M. Stein and Ifor Jones. [Vocal Score] - New York: G. Schirmer, [c.1941]. 41p. Pl.-Nr.: 39315. (= J. S. Bach Sacred Choral Works) [BWV 93]
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4. | David, Hans T.; Mendel, Arthur (eds.): The Bach Reader. (1945), 474p A Life of Johann Sebastian Bach in Letters and Documents. N. Y., London: W. W. Norton, 1945, 431p. - Revised, with a Supplement 1966, 474p.
MTimes lxxxvii/1243 (Sep 1946) 268-269 (W. E.); no.1244 (Oct 1946) 313 (S. Godman) MLetters xxvii/4 (Oct 1946) 265-266 (E.B.) MTimes lxxxviii/1247 (Jan 1947) 30-31 (Hans T. David and Arthur Mendel); no.1248 (Feb 1947) 70 (W. E.) MQ xxxii/1 (Jan 1946) 137-140 (Alfred Einstein) MReview viii (1947) 301-302 (Hubert J. Foss) MLetters xxxii/2 (Apr 1951) 195-197 (Richard Capell) Einstein (1957) 45-48 (Alfred Einstein) MTimes cviii/1491 (May 1967) 424-425 (Walter Emery) MLetters xlviii/2 (Apr 1967) 155 (Jack A. Westrup) Composer No.25 (1967) 31 MClubsMag xlvi (1967) 55 ColMSymposium vii (1967) 149 Pan Pipes of Sigma Alpha Jota lx (1967) 44-45 MReview xxix (1968) 52-53 (Hans F. Redlich) HudebniVeda vi/4 (1969) 467-468 (Tomislav Volek) | ||
5. | Grew, Eva Mary; Grew, Sydney: Bach. (1947), 239p London: J.M.Dent & Sons; New York: Farrar, Straus and Cudaby, 1946. xiv, 239p - N.Y.: Farrar, Straus and Giroux, 1965. 239p. (= Master Musicians. New Series) - Reprint Services Corporation. Reprint, 1993. 239p. (= Music Book Index)
MLetters xxix/2 (Apr 1948) 175-177 (W.D.) MReview ix (1948) 134 (E. J. W.) MonMRec lxxviii/898 (1948) 160-161 (G.A.) MSurvey i/2 (Winter 1948) 48 (E. H. W. M.) | ||
6. | Blume, Friedrich: Johann Sebastian Bach im Wandel der Geschichte. MwArb 1 (1947), 39p Kassel [u.a.]: Bärenreiter, 1947, 39p. (= Musikwissenschaftliche Arbeiten, 1)
MReview ix (1948) 57 MKirche xviii/1-2 (1948) 53-56 (Walter Blankenburg) | ||
7. | Oldroyd, George: The Technique and Spirit of Fugue: An historical study. (1948), 220p With a foreword by Sir Stanley Marchant. - London: Oxford Univ. Press, 1948. viii, 220p. Greenwood Press Reprint. ISBN: 0-313-25052-9.
MReview ix (1948) 203-206 (E. J. D.) RassegnaM xx/3 (1950) 278-279 (Angiola Maria Bonisconti) | ||
8. | Bukofzer, Manfred: Music in the Baroque Era. From Monteverdi to Bach. (1948), 489p New York: Norton, 1947; London: Dent, 1948. xv, 489p.
MLetters xxx/1 (Jan 1949) 64-66 (A. C. L.) MReview x (1949) 57-59 (E. J. D.) RassegnaM xx/3 (1950) 274-276 (m. m.) | ||
9. | Bach, Carl Philipp Emanuel: Essay on the True Art of Playing Keyboard Instruments. (1949), xiii, 449p Translated and edited by William J. Mitchell. London, etc: Cassell and Co., 1949. 1974. xiii, 449p. - London: Eurenburg Books, 1974. xiii, 449p.
MQ xxxv/2 (Apr 1949) 323-329 (Arthur Mendel) MTimes xc (1949) 438-439 (W. E.) MReview xi (1950) 57-58 (G. A.) MLetters xxxi/1 (Jan 1950) 71-73 (R. D.) MSurvey ii/3 (Winter 1950) 193 (E. H. W. M.) MReview xxxix (1978) 69 (A. F. L. T.) | ||
10. | Engel, Hans: Johann Sebastian Bach. (1950), 252p Berlin: Walter de Gruyter, 1950. xi, 252p.
MReview xii (1951) 229-229 (Gerald Abraham) Mf iv/2-3 (1951) 230-232 (Hellmuth Christian Wolff) MSurvey iv/1 (Oct 1951) 352-353 (H. K.) | ||
11. | Aldrich, Putnam: Ornamentation in J. S. Bach's Organ Works. (1950), 61p New York: Coleman-Ross, 1950. 61p. - New York: Da Capo Press 1978. 61p.
MTimes xcii/1300 (Jun 1951) 266-267 (W.E.) MQ xxxvii/2 (1951) 290-294 (Arthur Mendel) Notes ix/2 (Mar 1952) 291 (Hans T. David) AmerOrganist(2) xiv/10 (1980) 8 (Hettrick Jane Schatkin) AmerRecorder xxi/2 (1980) 89-91 (Dale Higbee) | ||
12. | Besseler, Heinrich; Kraft, Günter (eds.): Johann Sebastian Bach in Thüringen. Festgabe zum Gedenkjahr 1950. [ce]JSBiThüringen (1950), 255p Quellenkundliche Studien, vorgelegt von einer Arbeitsgemeinschaft thüringischer Musikforscher. Weimar: Thüringer Volksverlag, 1950, 255p.
Notes ix/1 (Dec 1951) 133-134 (Karl Geiringer) MReview xiii (1952) 65 (G. A.) JAMSoc v/3 (Autumn 1952) 254-255 (Arthur Mendel) | ||
13. | Selbiger, Liselotte: Bach on the Piano. MReview 11/1 (1950), 98-108
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14. | Hamel, Fred: Johann Sebastian Bach. Geistige Welt. (1951), xi, 243p Mit 29 Abb. - Göttingen: Deuerlichsche Verlagsbuchhandlung, 1951. xi, 243p. Vandenhoeck & Ruprecht, 2/1959, 4/1968. xi, 243p. (= Der Siebenstern)
Musica vi (1952) 338-339 (Konrad Ameln) Notes x/2 (Mar 1953) 284-285 (Karl Geiringer) Mf vii/1 (1954) 91-93 (Alfred Dürr) MReview xviii (1957) 343 (H. F. R.) Churchman xciii (1979) 380-381 (Robin A Leaver) | ||
15. | Barbour, J. Murray: Tuning and Temperament: A Historical Survey. (1951), xiv, 228p Michigan: East Lansing, 1951. - N. Y: Da Capo Press, R/1972. xiv, 228p.
JAMSoc vi/2 (1953) 185-186 (Wayne Barlow) | ||
16. | Emery, Walter: Bach's Ornaments. (1953), 164p London: Novello and Co., 1953, 2/1954, 3/1957, 4/1961, 5/1963, 6/1965, 7/1967, 8/1970. 164p.
MonMRec lxxxiii/950 (1953) 217 (G. A.) Notes xi/1 (Dec 1953) 109-110 (Putnam Aldrich) MLetters xxxv/1 (Jan 1954) 48-50 (W. S. M.) MReview xv (1954) 238 (Eric Taylor) Mf vii/1 (1954) 93 (Hans Klotz) MTimes cxi/1533 (Nov 1970) 1107 (Kenneth Holland), followed by the author in cxi/1534 (1970) 1219 and Robert Donington in cxii/1536 (Feb 1971) 130 | ||
17. | Rothschild, Fritz: The lost Tradition in Music. Rhythm and Tempo in J. S. Bach's Time. (1953), 325p London: Adam and Charles Black, 1953. xi, 325p; N.Y.: Dufeur, 1954, 325p.
MLetters xxxiv/3 (Jul 1953) 250-264 (Walter Emery) MReview xiv (1953) 237-238 MQ xxxix/4 (Oct 1953) 617-630 (Arthur Mendel) Notes xi/2 (Mar 1954) 303-306 (Otto Kinkeldey) Mf (1954) 352-353 (Hans F. Redlich) | ||
18. | Geiringer, Karl: The Bach Family. Seven generations of creative genius. (1954), 514p In collaboration with Irene Geiringer. London: Allen & Unwin 1954, xiv, 514p. - N.Y.: Da Capo Press 1980, 1981, 514p.
Notes xii/2 (Mar 1955) 216-217 (Nathan Broder) MLetters xxxvi/1 (Jan 1955) 74-76 (H. F. R.) MReview xvi (1955) 155-157 MQ xlii/1 (Jan 1956) 99-103 (Walter E. Buszin) JAMSoc xi/1 (Spring 1958) 56-58 (Herberg Livingston) | ||
19. | Dickinson, Alan Edgar Frederic: Bach's Fugal Works. (1956), 280p With an Account of Fugue before and after Bach. London: Pitman, 1956, ix, 280p - Westport, Ct.: Greenwood Press Reprint, 1979.
Notes xiv/2 (Mar 1957) 261-262 (Robert Stevenson) MLetters xxxviii/2 (Aug 1957) 194-195 (E. B.) MReview xviii (1957) 63-65 JMTheory i/1 (Mar 1957) 105-106 (Quincy Porter) | ||
20. | Pirro, André: J. S. Bach. (1957), 269p Trans. by Mervyn Savill. New York: Crown Publ. 1957, 269p. 16 pl. - London: John Calder 1958. 6, 269p.
HiFi viii (Mar 1958) 22f JResearchMEduc vi (1958) 83-84 Notes xv/2 (Mar 1958) 214-215 (Mervyn Savill) MTimes xcix/1387 (Sep 1958) 504 (J. H. Davies) MReview xx/2 (May 1959) 167 (Hans F. Redlich) | ||
21. | David, Johann Nepomuk: Die zweistimmigen Inventionen von Johann Sebastian Bach. KleineVandenhoeckR 34 (1957), 37p Göttingen: Vandenhoeck & Ruprecht: 1957, 1958, 3/1967 37p. (= Kleine Vandenhoeck-Reihe. 34/34a/34b. Sonderbd.)
MLetters xxxviii/3 (Jul 1957) 289-290 (Eric Blom) Mf x/4 (1957) 587-589 (Rudolf Steglich) Hausmusik xxxiii (1958) 33-34 (Elisabeth Heckmann) MonMRecord lxxxviii (Jan-Feb 1958) 30 MReview xix (1958) 244-245 (Hans F. Redlich) NZsfM(2) cxix (1958) 167-168 (Walther Friedländer) RassegnaM xxviii (1958) 62-63 (Alfredo Bonaccorsi) AfMw xix-xx (1962-63) 147-159 (Hellmut Federhofer) | ||
22. | Mann, Alfred: The Study of Fugue. (1958), 341p New Brunswick, New Jersey: Rutgers Univ.Press 1958. - London: Faber & Faber, 1960. 341p. New York W W Norton & Company., 1965. - Greenwood Press Reprint, 1981. 351p. ISBN: 0-313-22623-7. - New York: Dover Publications, 1988. 352p. ISBN: 0486254399.
JMTheory iii/2 (Nov 1959) 316-319 (Donald Loach) MTimes ci (1960) 300 (Arthur Hutchings) MLetters xli (1960) 283-285 (H. K. Andrews) MReview xxii (1961) 55-61 (Roger Bullivant) | ||
23. | Hudson, Frederick (ed.): Trauungskantaten / Johann Sebastian Bach. NBA 1/33 (1958), ix (4p facs), 243p Der Herr denket an uns, BWV 196. O ewiges Feuer, o Ursprung der Liebe, BWV 34a; Herr Gott, Beherrscher aller Dinge, BWV 120a; Gott ist unsre Zuversicht, BWV 197; Dem Gerechten muß das Licht, BWV 195. Hrsg. von Frederick Hudson. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1958. ix, 243p. - 2/1986. Ed.-Nr.: BA 5010. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie I: Kantaten. Band 33)
MReview xxi (1960) 164-165 | ||
24. | Haußwald, Günter; Gerber, Rudolf (eds.): Werke für Violine / Johann Sebastian Bach. NBA 6/1 (1958), v, 208p Drei Sonaten und drei Partiten für Violine solo, BWV 1001-1006; Sonate G-Dur für Violino und Continuo, BWV 1021; Sonate e-Moll für Violino und Continuo, BWV 1023. Hrsg. von Günter Hausswald ; Sechs Sonaten für Violino und Cembalo, BWV 1014-1019. Hrsg. von Rudolf Gerber. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1958. v, 208p. - 2/1974. Ed.-Nr.: BA 5012. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie VI: Kammermusikwerke. Band 1)
MReview xxi (1960) 164 | ||
25. | Bach, Johann Sebastian: Clavier-Büchlein vor Wilhelm Friedemann Bach. (1959), xix, 154p Edited in facsimile with a preface by Ralph Kirkpatrick. Yale University Press; London: Oxford Univ. Press 1959. xix, 154p. - N.Y.: Da Capo Press 1979. xix, 154p.
Musica xiii/6 (1959) 415 (Günter Haußwald) Notes xvi/3 (Jun 1959) 459-460 (Richard S. Hill) RevueMcol xliii/119 (1959) 117 (André Verchaly) MLetters xli/1 (Jan 1960) 97-98 (J. A. Westrup) MonMRecord xc/1000 (1960) 149-150 (G.A.) JAMSoc xiv/3 (Autumn 1961) 409-413 (Ernest T. Ferand) AmerRecorder xxi/2 (Aug 1980) 89 (Dale Higbee) | ||
26. | Whittaker, William Gillies: The Cantatas of Johann Sebastian Bach. Sacred and Secular. (1959), xvi, 717p; 754p [Edited and revised by Harold Thompson.] 2 Vols. London, N.Y.: Oxford Univ Press. 1959. R/1964. xiv, 717; 754p - R/1978 (paperback edn)
JuilliardReview vii/2 (1960) 18 MensMelodie xv (May 1960) 139-142 (W.C. de Jong) MLetters xli/2 (Apr 1960) 177-179 (Walter Emery) MReview xxi (1960) 157-159 (E.J.G.B.) MonMRecord xc/999 (1960) 110-111 (G.A.) Musica xiv/6 (1960) 396 (Alfred Dürr) MTimes ci/1403 (Jan 1960) 25 (Paul Steinitz) Mf xiii/3 (1960) 354-355 (Alfred Dürr) Notes xvii/2 (Mar 1960) 228-229 (William H. Scheide) ChoralJ xxiii/1 (Sep 1982) 39-41 (Joan Conlon) | ||
27. | David, Johann Nepomuk: Die dreistimmigen Inventionen von Johann Sebastian Bach. KleineVandenhoeckR 75-77 (1959), 35p Göttingen: Vandenhoeck & Ruprecht 1959. 35p. (= Kleine Vandenhoeck-Reihe, 75-77)
MonMRecord lxxxix/996 (1959) 231 (G.A.) NZsfM(2) cxx (1959) 541 Musica xiv/1 (1960) 56 (Siegfried Borris) Mf xiii/4 (1960) 480-481 (Dietrich Kilian) AfMw xix-xx (1962-63) 147-159 (Hellmut Federhofer) | ||
28. | Bodky, Erwin: The Interpretation of Bach's Keyboard Works. (1960), xi, 421p Cambridge, Mass.: Harvard Univ.Press, Oxford Univ. Press 1960, ix, 421p - Westport, Conn.: Greenwood 1976. xi, 421p.
SaturdayReview xliii (26 Nov 1960) 48f JResearchMEduc ix (1961) 167-169 JuilliardReview viii/2 (1961) 13 MLetters xlii/2 (Apr 1961) 158-163 (Walter Emery) MEducatorsJ xlvii/3 (Jan 1961) 98 MReview xxii (1961) 316-324 (Roger F. T. Bullivant) MTimes cii/1415 (Jan 1961) 31 (Walter Emery) Notes xix/2 (Mar 1962) 255-256 (Klaus Speer) BritishJAesth ii (1962) 82-84 (Anthony Milner) AmerRecGuide xxix (1963) 477-480 | ||
29. | Day, James: The Literary Background to Bach's Cantatas. (1961), 115p N.Y.; London: Dobson, 1961, xi, 115p. (= The Student's Music Library - Historical and Critical Studies); Chester Springs, Pa.: Dufour, 1962. R/1966.
MLetters xliii/2 (Apr 1962) 136 (Walter Emery) MJournal xx (Sep 1962) 84 MReview xxiii (1962) 145-148 (Roger F. T. Bullivant) MTeacherPianoStud xli (Mar 1962) 143 MOpinion lxxxv (1962) 345 (B.R.) MTimes ciii/1428 (Feb 1962) 104 (Walter Emery) AmerOrganist l (1967) 7 | ||
30. | Neumann, Werner: Bach. A Pictorial Biography. (1961), 143p Trans. by Stefan de Haan. - London: Thames & Hudson, 1961, 143p. N.Y.: The Viking Press 1961, 143p.
MTimes cii/1425 (Nov 1961) 710 (Walter Emery) MReview xxiii/1 (1962) 67-68 (Hans F. Redlich) | ||
31. | Hutchings, Arthur: The Baroque Concerto. (1961), 363p London: Faber & Faber, 1961. 363p. 2/1964, 3/1973.
JAMSoc xv/2 (1962) 228-231 (William S. Newman) MReview xxiii (1962) 61-72 (Gerald Abraham) MReview xxxv (1974) 326-327 (Peter J. Pirie) | ||
32. | Ehmann, Wilhelm: 'Concertisten' und 'Ripienisten' in der h-moll-Messe Joh. Seb. Bachs. (1961), 63p Kassel [u.a.]: Bärenreiter, 1961. 63p. (= Sonderdrück aus Musik und Kirche, Jg. 30, H.2-6. 1960)
MReview xxiii (1962) 149-153 (Roger F. T. Bullivant) Musica xvi (1962) 277 (Ludwig Finscher) MTimes ciii (1962) 403-405 (Oliver Neighbour) SvenskTidskrMf xlv (1963) 187-188 (Johan Sundberg) | ||
33. | LaRue, Jan (ed.): International Musicological Society. Report of the Eighth Congress, New York 1961. Volume I -- Papers. [cr]NewYork1961 1 (1961), xi, 472p Edited by Jan LaRue. Published for the International Musicological Society by the American Musicological Society. - Kassel [u.a.]: Bärenreiter, 1961. xi, 472p.
MQ xlvii/4 (Oct 1961) 540-544 (Edward A. Lippman) Notes xx/4 (Autumn 1963) 631-632 (Karl Geiringer) MLetters xliv/3 (Jul 1963) 278-279 (F. W. S.) RevueMcol 49/127 (Dec 1963) 222-223 (Simone Wallon) JIFolkMCouncil xvi (1964) 133-134 (W. R.) MReview xxvi (1965) 64 | ||
34. | LaRue, Jan (ed.): International Musicological Society. Report of the Eighth Congress, New York 1961. Volume II -- Reports. [cr]NewYork1961 2 (1962), xv, 184p Edited by Jan LaRue. Published for the International Musicological Society by the American Musicological Society. - Kassel [u.a.]: Bärenreiter, 1962. xv, 184p.
MQ xlvii/4 (Oct 1961) 540-544 (Edward A. Lippman) Notes xx/4 (Autumn 1963) 631-632 (Karl Geiringer) MLetters xliv/3 (Jul 1963) 278-279 (F. W. S.) RevueMcol 49/127 (Dec 1963) 222-223 (Simone Wallon) JIFolkMCouncil xvi (1964) 133-134 (W. R.) MReview xxvi (1965) 64 | ||
35. | Brennecke, Wilfried; Hasse, Hans (eds.): Hans Albrecht in Memoriam. [gs]Albrecht (1962), 290p Gedenkschrift mit Beiträgen von Freunden and Schülern. Kassel [u.a.]: Bärenreiter, 1962, 1969. 290p.
MReview xxvi (1965) 69 (Hans F. Redlich) MLetters xlvi/2 (Apr 1965) 163-165 (G. A.) | ||
36. | Carrell, Norman: Bach's Brandenburg Concertos. (1963), 130p Foreword by Yehudi Menuhin. Kassel [u.a.]: Bärenreiter; London: George Allen & Unwin, 1963. 130p
MMusicians xii (1964) 45 MEvents xix (1964) 19-22 MEduc xxviii (1964) 28 MTimes cvi/1465 (Mar 1965) 193-194 (Thurston Dart) MReview xxvi (1965) 260-262 | ||
37. | Müller-Blattau, Joseph M.: Geschichte der Fuge. (1963), 184p Mit einem Notenanhang und einer Thementafel. Kassel [u.a.]: Bärenreiter; London: Novello; Lübeck. Dritte, erweiterte Aufl. 1963. 184p.
MLetters xlvi (1965) 56-59 (Roger Bullivant) Mf xx/2 (Apr-Jun 1967) 209-211 (Alfred Dürr) MReview xxviii (1967) 149-150 (Hans F. Redlich) | ||
38. | Lloyd, Llewelyn S.; Boyle, H.: Intervals, Scales and Temperaments. (1963), 264p London: Macdonald, 1963. 264p.
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39. | Abert, Anna Amalie; Pfannkuch, Wilhelm (eds.): Festschrift Friedrich Blume zum 70. Geburtstag. [fs]Blume70 (1963), 426p hrsg. von Anna Amalie Abert und Wilhelm Pfannkuch. - Kassel [u.a.]: Bärenreiter, 1963. 426p.
MLetters xlv (1964) 62-63 (Edward Olleson) MReview xxvii (1966) 68-70 (Franz F. Lanzer) | ||
40. | Gerstenberg, Walter; La Rue, Jan; Rehm, Wolfgang (eds.): Festschrift Otto Erich Deutsch zum 80. Geburtstag am 5. September 1963. [fs]Deutsch80 (1963), 392p hrsg. von Walter Gerstenberg, Jan LaRue und Wolfgang Rehm. - Kassel: Bärenreiter, 1963. 392p.
MReview xxvii (1966) 70-71 (Franz F. Lanzer) | ||
41. | Winternitz, Emanuel: Musical Instruments and their Symbolism in Western Art: Studies in Musical Iconology. (1967), 240p New Haven; London: Yale Univ. Press, 1967. 240p. - 2/1979. 253p.
MTimes cxxi (1980) 178 (Howard Mayer Brown) | ||
42. | Palisca, Claude V.: Baroque music. (1968), 230p Engewood Cliffs. N.J.: Prentice-Hall, 1/1968. vi, 230p. 2/1981 xiv, 300p. (= Prentice Hall History of Music Series, 3)
MReview xxxii (1971) 83-84 MLetters lxii (1981) 432 (Ian Spink) EarlyM x/4 (1982) 537-539 (Denis Arnold) | ||
43. | Landon, H. C. Robbins; Chapman, Roger E. (eds.): Studies in eighteenth-century music. A tribute to Karl Geiringer on his seventieth birthday. [fs]Geiringer70 (1970), 425p London: Allen & Unwin, 1970. 425p.
MLetters lii/2 (1971) 201-202 (Ronald Woodham) AmerRecorder xiii/2 (1972) 63 (Dale Higbee) | ||
44. | Bullivant, Roger: Fugue. (1971), 198p London: Hutchinson, 1971. 198p. ISBN: 0091084407; 0091084415. (= Hutchinson university library)
MTimes cxiii (1972) 463-464 (Michael Tilmouth) MReview xxxv/2 (1974) 170-172 (A. E. F. Dickinson) | ||
45. | Donington, Robert: A Performers Guide to Baroque Music. (1973), 320p London: Faber & Faber: 1973. 320p.
EarlyM ii/2 (1974) 117-121 (Michael Collins); 121-122 (Trevor Pinnock) MQ lx/4 (1974) 658-664 (Frederick Neumann) AmerRecorder xv/2 (1974) 57-59 (Dale Higbee) MTimes cxvi (1975) 626 (Howard Mayer Brown) MReview xxxvi (1975) 148 (Henry Raynor) American reference books annual vi (1975) 499 (Claude V. Palisca) MEducatorsJ lxii/3 (1975) 101-102 (William Pepper) Notes xxxiii/2 (1976) 296-298 (Gilbert L. Blount) Muzsika xxii/3 (1979) 43-45 (András Wilheim) | ||
46. | Smithers, Don L.: The Music and History of the Baroque Trumpet before 1721. (1973), 323p Dent, 1973. 323p. 2nd Edn. Buren: Fritz Knuf, 1988, 352p
MReview xxxv (1974) 327-328 (Henry Raynor) GalpinSocJ xxviii (1975) 137-138 (Anthony Baines) JAMSoc xxix (1976) 320-323 (Mary Rasmussen) GalpinSocJ xliv (1991) 188-191 (M. T. Wright) | ||
47. | Arlt, Wulf; et.al. (eds.): Gattungen der Musik in Einzeldarstellungen: Gedenkschrift Leo Schrade. [gs]Schrade (1973), 895p in Verb. mit Freunden, Schülern und weiteren Fachgelehrten hrsg. von Wulf Arlt, Ernst Lichtenhahn und Hans Oesch unter Mitarb. von Max Haas. Teil. 1. - Bern: Francke, 1973, 895p. ISBN: 3-317-00356-1.
RevueMcol lxi/2 (1975) 335-336 (Michel Huglo) MKirche xlvi/1 (1976) 24-25 (Karlheinz Schlager) | ||
48. | Rubin, Augusta: J. S. Bach. The Modern Composer. (1976), 358p N. Y., Boston: Crescendo Publishing Company. 1976, v, 358p.
MReview xli/2 (1980) 143-144 (Peter Williams) RevueMcol lxvi/2 (1980) 237-238 (Denise Launay) | ||
49. | Critchley, Macdonald; Henson, R. A.: Music and the Brain: studies in the neurology of music. (1977), xiv, 459p with a foreword by Sir Michael Tippett. London: Heinemann Medical, 1977. xiv, 459p. ISBN: 0433067039.
MReview xxxix/2 (1978) 138-140 (R. Gruneberg) | ||
50. | Neumann, Frederick: Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. (1978), 630p Princeton, New Jersey: Princeton University Press 1978. 1983. xiv, 630p.
MQ lxv/4 (1979) 597-604 (Lowell Lindgren) Brio xvi/1 (1979) 18-19 (Clifford Bartlett) Diapason lxx/9:837 (Aug 1979) 6-9 (Bruce Gustafson) Notes xxxvi/4 (Jun 1980) 886-887 (Edward R. Reilly) OrganYb xi (1980) 153-154 (Peter Williams) JAMSos xxxiii/2 (Summer 1980) 394-402 (David Fuller) FontesArtisM xxvii/3-4 (1980) 233-236 (Sven Hansell) AmerOrganist(2) xiv/2 (1980) 18 (Hettrick Jane Schatkin) MReview xli/1 (1980) 60-62 (Malcolm Boyd) Studies in music xiv (1980) 128-133 (Graham Pont) NZsfM(2) cxli/1 (1980) 67 (Klaus Hortschansky) Tibia v/1 (1980) 49-50 (Hans-Peter Schmitz) EarlyM ix/1 (Jan 1981) 63-64, 67-68 (Neal Zaslaw) AmerRecorder xxi/4 (1981) 175-177 (Dale Higbee) MLetters lxiii/1-2 (Jan-Apr 1982) 96-101 (Peter Williams) Concerto ix/74 (1992) 5-6 (Thomas Synofzik) OMzs xxxvii/12 (1982) 717 (Eduard Melkus) RevueMcol lxix/1 (1983) 109-116 (Dennis Collins) | ||
51. | Steinitz, Paul: Bach's Passions. (1979), ix, 137p London: Paul Elek, 1979, ix, 137p. (= Masterworks of choral music)
MLetters lxi/3-4 (Jul-Oct 1980) 365-367 (Basil Smallman) MReview xlii (1981) 56-57 (Malcolm Boyd) | ||
52. | Williams, Peter F.: A New History of the Organ from the Greeks to the Present Day. (1980), 233p London: Faber & Faber; Bloomington, Indiana, 1980. 233p
FontesArtisM xxvii/3-4 (Jul-Dec 1980) 231-232 (Pierre J. Hardouin) EarlyM ix/1 (Jan-Mar 1981) 106-107 (Howard Schott) GalpinSocJ xxxiv (Mar 1981) 166-168 (Edward Ridley; Keane Alexander) MQ lxvii/1 (Jan 1981) 118-124 (George B. Stauffer) Notes xxxviii/1 (Sep 1981) 71 (George R. Hill) MLetters lxii/3-4 (Jul-Oct 1981) 370-371 (James Dalton) | ||
53. | Drummond, Pippa: The German concerto: five eighteenth-century studies. OxfordMonographsM (1980), ix, 402p Oxford: Clarendon Press, 1980. ix, 402p. ISBN: 0198161220. (= Oxford monographs on music)
Notes xxxvii/4 (1981) 858-859 (Ellen T. Harris) Mf xxxv/1 (1982) 93-94 (Jutta Ruile-Dronke) MReview xliii/2 (1982) 142-147 (Frederick Hudson) | ||
54. | Beach, David; Thym, Jurgen (trans.): The Art of Strict Musical Composition / Johann Philipp Kirnberger. (1982), xix, 423p Translated by David Beach and Jurgen Thym; introduction and explanatory notes by David Beach. - New Haven; London: Yale University Press, 1982. xix, 423p. ISBN: 0300024835. (= Music theory translation series, 4)
MTheorySpec vi (1984) 100-103 (Raymond Haggh) MLetters lxv/1 (1984) 64-65 (Philip J. Whitmore) JMTheory xxviii/1 (1984) 124-128 (William E. Caplin) | ||
55. | Boyd, Malcolm: Bach. (1983), 290p London: J. M. Dent & Sons, 1983. xiv, 290p. - New York: Vintage, 1987. 2nd edition, Oxford Univ. Press, 1990. xiv, 290p - 3rd edition, Oxford Univ. Press, 2000. xvi, 312p. (= Master Musicians Series)
EarlyM xii/2 (May 1984) 241,243 (Basil Smallman) MLetters lxv/4 (1984) 391-393 (Peter F. Williams) Soundings xii (Winter 1984-85) 71-75 (Robin A. Leaver) AmerOrganist(2) xix (1985) 14 (Vernon Gotwals) MReview xlvi/1 (1985) 56 (H.T.E. Miles) Muzyka xxxi/1 (1986) 103-105 (Magdalena Kwiatkowska) Notes lviii/1 (2001) 59-62 (David Schulenberg) AmerOrganist(2) xlii/3 (Mar 2008) 92 (Arthur Lawrence) | ||
56. | Dahlhaus, Carl: Foundations of music history. (1983), x, 177p [Grundlagen der Musikgeschichte] trans. by J. B. Robinson. - Cambridge [u.a.]: Cambridge Univ. Press, 1983. x, 177p. ISBN: 0-521-23281-3.
JRMA cxii/1 (1986-1987) 141-155 (Keith Falconer) | ||
57. | Krapf, Gerhard: Bach: Improvised Ornamentation and Keyboard Cadenzas. An Approach to Creative Performance. (1983), x, 90p Dayton, OH: Sacred Music Press 1983. x, 90p.
MReview xlv/1 (1984) 61 (Malcolm Boyd) MTimes cxxvi/1711 (Sep 1985) 536 (Peter Williams: 'Creative Pitfalls') picked on by Ralph Leavis in no.1714 (Dec 1985) 712 'Interpreting Bach'. | ||
58. | Grant, Kerry Scott: Dr. Burney as critic and historian of music. StudMcol 62 (1983), xiv, 381p [based on PhD diss., Berkeley, Univ. of California, 1977] Ann Arbor, Mich.: UMI Research press, 1983. xiv, 381p. ISBN: 083571375X. (= Studies in musicology, 62)
MLetters lxv/4 (Oct 1984) 360-361 (Peter Le Huray) MReview xlvi/3 (Aug 1985) 217-220 (Malcolm Boyd) | ||
59. | Kirkpatrick, Ralph: Interpreting Bach's Well-tempered Clavier. A Performer's Discourse of Method. (1984), 132p New Haven; London: Yale Univ. Press, 1984, xvii, 132p.
MReview xlvi/1 (1985) 56-58 (Gregory S. Johnson) NZsfM(2) cxlvi/6 (1985) 54-55 (Gerhard Schuhmacher) EarlyKeyboardJ v (1986-87) 70-76 (Sally Fortino) | ||
60. | Finson, Jon W.; Todd, R. Larry (eds.): Mendelssohn and Schumann: essays on their music and its context. [ce]MendelssohnSchumann (1984), 189p ed. by Jon W. Finson and R. Larry Todd. - Durham, NC: Duke Univ.Press, 1984. 189p. ISBN: 0-8223-0569-0.
MQ lxxii/1 (1986) 138-147 (Leon Botstein) MLetters lxvii/2 (Apr 1986) 179-180 (Clive Brown) | ||
61. | Haskell, Harry: The Early Music Revival; A History. (1988), 232p London: Thames and Hudson, 1988. 232p. - Repr. ed. Mineola, NY: Dover, 1996. 232p. ISBN: 0-486-29162-6.
EarlyM xvii/3 (1989) 415-419 (Denis Stevens) MLetters lxx/3 (1989) 382-384 (Elizabeth Roche) MReview li/2 (1990) 145-147 (Judith H. Blezzard) Tibia xv/2 (1990) 145-147 (Hermann Moeck) BBCMMag v/10 (1997) 20 (Bayan Northcott) | ||
62. | Valenti, Fernando: A Performer's Guide to the Keyboard Partitas of J. S. Bach. (1989), 136p New Haven, London: Yale Univ. Press, 1989, viii, 136p
AmerMTeacher xl/4 (1991) 58 (Roberta Goodman) AmerOrganist(2) xxv (1991) 96 (D. DeWitt) MTimes cxxxii/1776 (Feb 1991) 84 (Howard Schott) EarlyKeyboardJ x (1992) 202-205 (Elaine Funaro) MReview liii/4 (1992) 305-306 (Malcolm Boyd) | ||
63. | Helm, E. Eugene: Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. [H] (1989), xxvii, 271p New Haven: Yale University Press, 1989. xxvii, 271p. ISBN: 0-300-02654-4.
NZsfM(2) cli/7-8 (1990) 89 (Anselm Gerhard) MLetters lxxi/4 (Nov 1990) 564-566 (Susan Wollenberg) BachJb lxxvii (1991) 215-221 (Peter Wollny) Notes xlvii/3 (Mar 1991) 743-747 (Leta E Miller) MReview lii/1 (1991) 79-80 (Gregory S. Johnston) EarlyKeyboardJ ix (1991) 163-175 (Darrell M. Berg) FontesArtisM xxxi (1991) 78-79 (Horst Leuchtmann) JMcolResearch xii (1992) 46-49 (Bruce Gustavson) Mf xlv/3 (1992) 317 (Hans-Günter Ottenberg) | ||
64. | Schulenberg, David: The Keyboard Music of J. S. Bach. (1992), 473p New York: Schirmer Books, 1992; London: Victor Gollancz, 1993, 473p. ISBN: 0-575 05518-9. - Second Edition. New York: Routledge, 2006. viii, 535p. ISBN: 0-415-97399-6; 0-415-97400-3; 978-0-415-97399-1; 978-0-415-97400-4.
ContemporaryReview cclxiii (1993) 273-274 (Bruce Pattison) MTimes cxxxiv/1804 (Jun 1993) 333 (Howard Schott) Organists' Review lxxix (1993) 362 (Ivor Keys) Piano&Keyboard No.166 (1994) 82-83 (John Butt) EarlyKeyboardJ xii (1994) 132-136 (Richard Troeger) Fanfare xvii/6 (1994) 355-356 (Bernard D. Sherman) MLetters lxxv/2 (May 1994) 268-270 (Peter Williams) EarlyM xxii/1 (Feb 1994) 137-139 (David Ledbetter) Diapason lxxxv/5:1014 (May 1994) 5-6 (James B. Hartmann) Alison Dunlop, 'On-line Book Review' | ||
65. | Guggenheim, Paul: The Riddle of Bach's Last Fugue: Contrapunctus XIX Theologically Considered with a Completion. (1992), xv, 142p San Francisco: Mellen Research Univ. Press, 1992. xv, 142p. ISBN: 0-7734-9820-6; NY: Lewiston: The Edwin Mellen Press, 1992. xiii, 149p.
Diapason lxxxv/5:1014 (May 1994) 6-7 (Dennis Schmidt) Notes li/1 (Jun 1995) 1317-1321 (David Schulenberg) |
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