Bach Printed Music Database Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Epstein, David: Beyond Orpheus: studies in musical structure. (1979), xiv, 244p Foreword by Milton Babbitt. - Cambridge (Mass.); London: M.I.T. Press, 1979. xiv, 244p. ISBN: 0262050161. - Oxford: Oxford University Press, 1987. xiv, 244p. ISBN: 0193151502. Reviews: Notes xxxvi/2 (1979) 357-358 (Larry Stempel) Journal of the Arnold Schoenberg Institute, iii/2 (1979) 194-202 (Jonathan Mark Dunsby) JMTheory xxv/2 (1981) 319-325 (Arnold Whittall) MTheorySpec iii (1981) 150-157 (Gary E. Wittlich) TheoryPractice vi/2 (1981) 47-53 (William Rothstein) MAnalysis ii/2 (1983) 225-227 (Jonathan Harvey) MLetters lxix/3 (1988) 407-409 (Victor Kofi Agawu)
	2.	Beach, David; Thym, Jurgen (trans.): The Art of Strict Musical Composition / Johann Philipp Kirnberger. (1982), xix, 423p Translated by David Beach and Jurgen Thym; introduction and explanatory notes by David Beach. - New Haven; London: Yale University Press, 1982. xix, 423p. ISBN: 0300024835. (= Music theory translation series, 4) Reviews: MReview xliv/1 (1983) 55-56 (Malcolm Boyd) MTheorySpec vi (1984) 100-103 (Raymond Haggh) MLetters lxv/1 (1984) 64-65 (Philip J. Whitmore) JMTheory xxviii/1 (1984) 124-128 (William E. Caplin)
	3.	Schenker, Heinrich: J. S. Bach's chromatic fantasy and fugue. (1984), xii, 103, 17p Critical Edition with commentary. Translated and Edited by Hedi Siegel. N.Y.; London: Longman, 1984. xii, 103, 17p. Reviews: MTheorySpec vii (1985) 203-207 (William Rothstein) EarlyKeyboardJ iv (1985-86) 80-82 (Thomas Warburton) MAnalysis vii/2 (1988) 225-230 (John Rink)
	4.	Dahlhaus, Carl: Die Musiktheorie im 18. und 19. Jahrhundert. Erster Theil: Grundzüge einer Systematik. GesMtheorie(Zaminer) 10 (1984), viii, 181p Darmstadt: Wissenschaftliche Buchgesellschaft, 1989. viii, 181p. (= Geschichte der Musiktheorie, 10) Reviews: NZsfM(2) cxlvi/1 (1985) 41-42 (Rüdiger Weissbach) ZsfMpädag x/30 (1985) 63-65 (Brunhilde Sonntag) Musica xxxix/4 (1985) 392 (Peter Cahn) Mtheorie i/1 (1986) 102-103 (Peter Cahn) OMzs xli/7-8 (1986) 410-411 (Gerold Wolfgang Gruber) LitMFineArts xix (1986) 60-62 (Erhard Karkoschka) Mf xxxix/2 (1986) 180-181 (Rudolf Flotzinger) Jahrbuch für Opernforschung ii (1986) 191-192 (Rudolf Flotzinger) MTheorySpec x (1988) 127-137 (Thomas Christensen) JMTheory xxxii/1 (1988) 41-42 (Lee Allen Rothfarb) Muzyka xxxv/1 (1990) 80-84 (Martina Homma) MKirche lxiii/1 (1993) 29, 32 (Wolfgang Stockmeier)
	5.	Benjamin, Thomas: Counterpoint in the Style of J. S. Bach. (1986), xvi, 448p New York: Schirmer Books; London: Collier Macmillan, 1986, xvi, 448p Reviews: JMTheory xxxi/2 (Autumn 1987) 345-353 (William Thompson) JMTheoryPedag i/2 (1987) 267-277 (Theodore O. Johnson) MTheorySpec xv/2 (1993) 235-240 (Mary H. Wennerstrom)
	6.	Lester, Joel: Between Modes and Keys: German Theory, 1592-1802. HarmonolSer 3 (1989), xxv, 240p Stuyvesant, N. Y.: Pendragon Press, 1989. xxv, 240p. ISBN: 0-918728-77-0. (= Harmonologia series, 3) Reviews: Analisi ii/4 (1991) 24-27 (Paolo Paita) JMTheory xxxv/1-2 (1991) 267-282 (Benito V. Rivera) Notes xlvii/4 (1991) 1103-1106 (Douglas Leedy) JMcolResearch xii (1992) 164s-169s (Ellen S. Beebe) MTheorySpec xv/1 (1993) 94-111 (Thomas Christensen)
	7.	Siegel, Hedi (ed.): Schenker Studies. [ce]SchenkerStud (1990), xii, 206p New York: Cambridge University Press, 1990. xii, 206p. ISBN: 0-521-36038-2. Reviews: McolAustralia xiv (1991) 89-92 (Michael Kassler) MTheorySpec xiii/2 (1991) 265-273 (Matthew Gordon Brown) MLetters lxxii/1 (1991) 141-144 (Nicholas Marston) Mf xlv/2 (1992) 177-178 (Hellmut Federhofer) MQ lxxvi/2 (1992) 242-263 (Timothy L. Jackson) Notes xlix/3 (1993) 1048-1053 (Allan R. Keiler) TheoryPractice xix (1994) 121-152 (Walter Everett) RevueMcol lxxxii/2 (1996) 374-375 (Serge Gut)
	8.	Lester, Joel: Compositional Theory in the Eighteenth Century. (1992), 355p Cambridge, MA: Harvard Univ. Press, 1992. 355p. ISBN: 0-674-15522-X. Reviews: Theoria vii (1993) 125-139 (Jane Piper Clendinning) Notes li/1 (Sep 1994) 122-125 (Floyd K. Grave) MTheorySpec xvi/2 (Fall 1994) 286-289 (David A. Damschroder) IndianaTheoryReview xv/2 (Fall 1994) 139-142 (Gordon D. McQuere)
	9.	Yearsley, David: Bach and the Meanings of Counterpoint. (2002), xvi, 257p Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5. Reviews: Yo Tomita, 'On-line Book Review' TijdschrMtheorie viii/2 (May 2003) 168-169 (Thomas Op de Coul) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) EarlyM xxxi/2 (May 2003) 275-276 (David Humphreys) JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg) ColMSymposium xliv (2004) (Jane Solose) McolAustralia xxvii (2004) 135-138 (Denis Collins) 18cM i/1 (Mar 2004) 100-104 (James Currie) MEducatorsJ xc/4 (Mar 2004) 77-78 (Michelle Barnes) CanadianUnivMReview xxiv/2 (2004) 87-90 (Janette Tilley) BachNotesABS 3 (Spring 2005) 6-7 (Paul M. Walker) MTheorySpec xxvii/1 (Spring 2005) 113-117 (Daniel K. L. Chua) JAMSoc lviii/3 (Fall-winter 2005) 710-717 (George B. Stauffer) MTheoryOnline xii/1 (Feb 2006) (Peter N Schubert)
	10.	Reynolds, Christopher A.: Motives for allusion: Context and content in nineteenth-century music. (2003), xii, 230p Cambridge, MA: Harvard University Press, 2003. xii, 230p. ISBN: 0-674-01037-X; 978-0-674-01037-6. Reviews: MResearchForum xix/1 (2004) 84-89 (Kevin Burke) Notes lx/3 (Mar 2004) 668-670 (Christopher Hatch) JAMSoc lviii/3 (Fall 2005) 736-748 (Raymond Knapp) JMcolResearch xxiv/1 (Jan-Mar 2005) 71-75 (R. Larry Todd) SaggiatoreM xii/2 (2005) 466-467 (Andrea Malvano) MTheorySpec xxviii/1 (Spring 2006) 111-118 (Michael L. Klein) Beethoven forum xiii/2 (Fall 2006) 188-205 (Karen Painter) MTheoryOnline, 14, no. 1 (2008) (David B. Easley)
	11.	Benjamin, Thomas: The Craft of Modal Counterpoint. A Practical Approach. (2004), 208p Routledge, 2004. 208p. ISBN: 0415971713. Reviews: MTheorySpec xv/2 (1993) 235-240 (Mary H. Wennerstrom)
	12.	Stein, Deborah (ed.): Engaging Music: Essays in Music Analysis. [ce]EngagingMusic (2004), 368p New York, Oxford: Oxford University Press, 2004. xiv, 346p. ISBN13: 9780195170108; ISBN10: 0195170105 . Reviews: Theoria xiii (2006) 127-137 (Peter Kaminsky) TheoryPractice xxxi (2006) 225-237 (Elizabeth West Marvin) MTheorySpec xxix/2 (Fall 2007) 263-275 (J. Kent Williams) JMTheoryPedag xxi (2007) 161-178 (Gordon Sly)

12 matches.