Bach Printed Music Database Search Result |
Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
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1. | Pauer, Ernst (arr.): Johann Sebastian Bach's Ciaccona für Violine. (1867), 21p Für das Pianoforte bearbeitet. Hon. Seymour Egerton freundschaftlicht gewidmet von E. Pauer. - Leipzig: Bartholf Senff; London: J. J. Ewer & Co., [1867]. 21p. Pl.-Nr. 524. [BWV 1004/5]
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2. | Zimmermann, Agnes (arr.): BOURÉE in E flat by J. S. BACH (1868), 5p arranged for the Pianoforte by AGNES ZIMMERMANN. - London: Novello, Ewer & Co. 1, Berners Street, W. and 35, Poultry, E. C. [1868]. 5p. Pl.-Nr.: 3928. [BWV 1010/5-6]
MStandard ix/214 (5 Sep 1868) 89 | ||
3. | Zimmermann, Agnes (arr.): BOURÉE in C by J. S. BACH (1868), 5p arranged for the Pianoforte by AGNES ZIMMERMANN. - London: Novello, Ewer & Co. 1, Berners Street, W. and 35, Poultry, E. C. [1868]. 5p. Pl.-Nr.: 3926. Price 2/6. [BWV 1009/5]
MStandard ix/214 (5 Sep 1868) 89 | ||
4. | Rimbault, Edward Francis: Johann Sebastian Bach: His Life and Writings. (1869), vii, 122p Adapted from the German of Hilgenfeldt and Forkel with additions from original sources. London: Metzger, 1869. vii, 122p.
MStandard x/256 (26 Jun 1869) 305-306 | ||
5. | Bitter, Carl Hermann: The Life of J. Sebastian Bach. (1873), vi, 153p An abridged translation from the German of C. H. Bitter by Janet E. Kay-Shuttleworth. Preface by Sir Julius Benedict. - London: Houslton & Sons, [1873], vi, 153p.
DwightJM xxxiii/5 (14 Jun 1873) 36-37 | ||
6. | Spitta, Philipp: Johann Sebastian Bach. (1873,1880), 855p; 1014p 2 Bände. Leipzig: Breitkopf & Härtel, I/1873, xxviii, 855, 6p; II/1880, xiv, 1014, 20p; 2. unveränderte Aufl. 1916; 3. unveränderte Aufl. 1921; 4. unveränderte Aufl. 1930; 5., unveränd. Aufl. Fotomechanischer Nachdruck der 4., unverand. Aufl. Wiesbaden: Breitkopf & Härtel; Darmstadt: Wissenschaftliche Buchgesellschaft. 1962. xxviii, 855p, 6p notes. 8/1979. xxviii, 855, 6p; xiv, 1014, 20p.
MhMges vii/9 (1875) 141-144 (R. Eitner) MTimes xviii/411 (1 May 1877) 224, 233 DwightJM xxxvii/4 (1877) 26-27 MTimes xxi/444 (1 Feb 1880) 82-83 MlRückblicke ii (1900) (H. Reimann) | ||
7. | Wesley, Eliza (ed.): Letters of Samuel Wesley to Mr Jacob, Organist of Surrey Chapel, Relating to the Introduction into this Country of the Works of John Sebastian Bach. (Now first published). (1875), 60p Edited by his daughter Eliza Wesley. London: S. W. P. Partridge & Co., 1875. 60p; 2/1878; London, N.Y.: Hinrichsen, R/1958. 6, 50p. (= Facsimile reprints, 1) - Facs. rep. edn. of 2/1878 - New York: Da Capo Press, 1981, 60p.
MOpinion lxxxi (1958) 323, 325 (H. H.) | ||
8. | [Troutbeck, John] (ed.): A STRONGHOLD SURE (EIN' FESTE BURG): A SACRED CANTATA composed by J. S. Bach. (1876), 54p The English translation and adaptation by the Rev. J. Troutbeck. Price One Shilling. [variant titles exist: e.g. 'A stronghold sure = Ein' feste Burg ist unser Gott: cantata for four solo voices, chorus and orchestra: (cantata no. 80) / by J. S. Bach.' ] - London: Novello Co. Ltd ; New York: H.W. Gray, [1876, R/1912, c.1930] 54 p. (= Novello's original octavo edition) [BWV 80]
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9. | Franz, Robert (arr.): God goeth up with shouting: a sacred cantata composed by John Sebastian Bach. (1878), 37p The pianoforte accompaniment arranged by Robert Franz ; the English words translated from the German and adapted by W. H. Milman. - London: Novello, Ewer & Co., [1878] 37p. - repr. London: Novello ; New York: H. W. Gray, [1925] 37p. Pl.-Nr.: Bach's Cantata, 'God goeth up with shouting.' - Novello, Ewer and Co.'s Octtavo Edition. (= Novello's Original Octavo Edition.) [BWV 43]
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10. | Westphal, Rudolf Georg Hermann: Allgemeine Theorie der musikalischen Rhythmik seit J. S. Bach. Auf Grundlage der Antiken und unter Bezugnahme auf ihren historischen Anschluss an die Mittelalterliche. (1880), lxxxii, 298p Mit besonderer Berücksichtigung von Bach's Fugen und Beethoven's Sonaten. - Leipzig: Breitkopf & Härtel, 1880. lxxxii, 298p. - Wiesbaden: Sandig, 1968. xxxii, 298p. ISBN-10: 3253019829; ISBN-13: 978-3253019821
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11. | Reay, Samuel (ed.): Bach's Comic Cantatas. (1882), 38, 50p London, Weekes [1882], 38p, 50p. Pl.-Nr.: W 1671, 1666. [BWV 211, 212]
MTimes xxvi/510 (Aug 1885) 488 | ||
12. | Spitta, Philipp: Johann Sebastian Bach. His work and Influence on the Music of Germany 1685-1750. (1884-85), xvi, 656p; 721p; 422p Trans. by Clara Bell and J. A. Fuller-Maitland. 3 vols. - London: Novello, 1884-85, xvi, 656p; 721p; 422p. - 2/1899. R/1951, 1955. N.Y.: Dover, 1962, R/1992.
The Edinburgh Review or Critical Journal clx/327 (1884) 225-254 MTimes xxiv/489 (1 Nov 1883) 617-620 MTimes xxv/494 (1 Apr 1884) 223-224 MTimes xxvi/505 (1 Mar 1885) 128-130 Notes i (1934) 10 (E J O'M) Notes ix/2 (Mar 1952) 292 (Catharine K. Miller) AmerRecorder xi/1 (1970) 25 (Dale Higbee) | ||
13. | Bridge, J. Frederick; Higgs, James (eds.): Sonatas or trios for two manuals and pedal (IV-VI). OrgWorks(Novello) 5 (1885), 124-162 Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1885]. pp.124-162. Pl.-Nr. 7008. (= The Organ Works of John Sebastian Bach, Book 5) [BWV 528, 529, 530]
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14. | Bridge, J. Frederick; Higgs, James (eds.): Preludes and fugues [1]. OrgWorks(Novello) 7 (1887), 42-87 Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1887]. pp.42-87. Pl.-Nr. 7472. (= The Organ Works of John Sebastian Bach, Book 7) [Prelude & fugue in A minor (BWV 543); Prelude & fugue in B minor (BWV 544); Prelude & fugue in C minor (BWV 546); Prelude & fugue in C major (BWV 531); Prelude & fugue in G major (BWV 550)]
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15. | Franz, Robert (arr.): Twenty Sacred Songs. Composed by Johann Sebastian Bach. 20SacredSongs(Novello) (1889), 37p Selected from the Schemell Collection, and arranged for Voice and Pianoforte Accompaniment by Robert Franz. The English version by the Rev. Dr. Troutbeck. - London: Novello, Ewer and Co.; New York: H. W. Gray, [1889]. 37p. Pl.-Nr.: 7788. [BWV 484, 479, 475, 487, 450, 489, 441, 493, 498, 439, 478, 458, 500, 505, 480, 460, 455, 507, 502, 492]
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16. | MacDowell, Edward (arr.): Six Little Pieces on Sketches by J.S. Bach, for the Pianoforte. (1890), 13p Arranged by Edward MacDowell. - London: Elkin & Co., 1890. 13p. Pl.-Nr.: E&Co587.
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17. | Vincent, Charles (ed.): The Forty-eight Fugues for the Wohltemperirte Clavier. By J. S. Bach in score, with proper clefs (c 1891), 75, 75p Edited by Dr. Charles Vincent. In Two Books, or forty-eight numbers. - London: E. Donajowski, [c.1891]. 75, 75p. (= Students Edition) [BWV 846-893]
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18. | Bridge, J. Frederick; Higgs, James (eds.): Toccata, preludes and fugues. OrgWorks(Novello) 10 (1891), 196-243 Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1891]. [ii]p, pp.196-243. Pl.-Nr. 9158. (= The Organ Works of John Sebastian Bach, Book 10) [Toccata and fugue, d minor (BWV 538, 'Dorian'); Prelude and fugue, a minor (BWV 551); Passacaglia and fugue, c minor (BWV 582); Fugue, c minor (BWV 574); Prelude, a minor (BWV 569)]
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19. | Barry, Charles Ainslie (ed.): Three Songs from Anna-Magdalena Bach's Music-book. (1894) Edited, with a pianoforte accompaniment, by C. A. Barry. - London: Novello, 1894. [1. Gedenke doch, mein Geist, zurücke ... 2. Bist du bei mir ... 3. Erbauliche Gedanken eines Tabaksrauchers]
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20. | Bridge, J. Frederick; Higgs, James (eds.): Four concertos. OrgWorks(Novello) 11 (1894), 54p Edited by J. F. Bridge, ... & James Higgs, ... - London: Novello & Co., [1894]. 54p. Pl.-Nr. 9664. (= The Organ Works of John Sebastian Bach, Book 11) [BWV 592-596]
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21. | Boekelman, Bernardus (ed.): Eight Fugues from Bach's Well-Tempered Clavichord. [Serie II] (1895), 32p With analytical exposition in colours and appended harmonic schemes by Bern. Boekelman. Designed for use in music schools, and for self-instruction. Serie II. - Novello, Ewer and Co. 1894. 1a-16ap, 1-16p. - Boston: Boston Music Co., 1913. 1a-16a, 1-16p. [BWV 847/2, 850/2, 851/2, 861/2, 870/2, 871/2, 880/2, 881/2]
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22. | Pirro, André: L'Orgue de Jean-Sébastien Bach. (1895), xl, 204p Avec une préface de Ch.-M. Widor. - Paris: Librairie Fischbacher, 1895. xl, 204p.
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23. | Bridge, J. Frederick; Higgs, James (eds.): Preludes, fantasias, fugues, trios, &c. OrgWorks(Novello) 12 (1895), 55-114 Edited by J. F. Bridge, ... & James Higgs, .... - London: Novello & Co., [1895]. pp.55-114 Pl.-Nr. 9935. (= The Organ Works of John Sebastian Bach, Book 12) [Fugue in G major (BWV 577 (Anh. II)); Fantasia and fugue in A minor (BWV 561 (Anh. II)); Fantasia with imitation (BWV 563); Fantasia in G major (BWV 571 (Anh. II)); Fugue in D major (BWV 580 (Anh. II)); Fugue in G major (BWV 576 (Anh. II)); Prelude in C major (BWV 567); Fantasia C major (BWV 570); Prelude in C major (BWV 943); Fugue in C minor (BWV 575); Fugue in C major (BWV 946); Pastorale (BWV 590); Trio (BWV 585); Aria (BWV 587)]
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24. | Iliffe, Frederick: The Forty-eight preludes and fugues of John Sebastian Bach analysed for the use of Students. (1896), 194p London; Novello, MDL 1896, 1897, vi, 194p. (= Novello's music primers and educational series, 56)
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25. | Iliffe, Frederick: The Construction as to Form of Bach's Forty-Eight Preludes. ProceedRMA 23 (1896-97), 57-66
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26. | Davey, Henry: Some points in Bach's treatment of the Chorale. ProceedRMA 24 (1897-98), 1-22
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27. | Abdy Williams, Charles Francis: Bach. (1900), xi, 223p With Illustration and Portraits. - London: J. M. Dent; N.Y.: E. P. Dutton, 1900. xi, 223p. 2/1903, 3/1906, 4/1921. (= The Master Musicians. ed. by Frederick J. Crowest) - Newly revised and edited by Eric Blom, 1934. xiii, 239p. (= The Master Musicians. New Series)
MTimes lxxv/1097 (Jul 1934) 619-620 (H.G.) MLetters xv/4 (Oct 1934) 367-368 (Scott Goddard) | ||
28. | Fuller-Maitland, John Alexander: The Age of Bach and Handel. OxfordHistM 4 (1902), xvi, 362p Oxford: Clarendon Press, 1902. xiv, 362p.; London: Oxford Univ. Press, 2/1931; N.Y.: Cooper Square, 1973, xvi, 362p. (= Oxford History of Music, 4)
MTimes lxxiii/1070 (Apr 1932) 324-325 (H.G.) | ||
29. | Sweeting, E. T.: Dr. Crotch on Bach's 'Forty-eight'. MTimes 44/729 (Nov 1903), 717-719
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30. | Boughton, Rutland: Bach. (1907), 170p London: John Lane The Bodley Head, 1907, xiii, 156p. 2/1920, 3/1927 (= 'The music of the masters' series); London: Kegan Paul; J. Curwen & Sons, 1930. xi, 303p.
MTimes lxxi/1054 (Dec 1930) 1087-1088 (H. G.) MTimes lxxii (1931) 23-26 (p.s. by the author) MLetters xii/1 (Jan 1931) 96-97 (Sc. G.) | ||
31. | Pirro, André: L'esthétique de Jean-Sébastien Bach. (1907), 538p Paris: Librairie Fischbacher. 1907, 538p; - Genf: Minkoff, 1973. 548p. R/1984, 508p. ISBN: 2-8266-0040-0.
BachJb iv (1907) 182-189 (A. Schering) Ménéstrel lxxiii (1907) 25 (Julien Tiersot) MTimes xlviii/776 (Oct 1907) 669 MTimes cxxvi/1705 (Mar 1985) 156-157 (Stephen Daw: 'Around Bach') EarlyM xiv/4 (Nov 1986) 587 (Paul Brainard) | ||
32. | Robinson, Percy: Bach's Indebtedness to Handel's Almira. MTimes 48/771 (May 1907), 309-312 London, 1907.
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33. | Parry, Charles Hubert Hastings: Johann Sebastian Bach. The Story of the development of a great personality. (1909), xi, 584p N.Y.; London: G. P. Putnam's Sons, 1909, xi, 584p. 2/1910, [1921]. - Revised by Emily Daymond, R/1927. xi, 584p. 3/1930, 1934, 1936, 1943, 8/1948, 1968. - Westport, Conn: Greenwood. 1970. xi, 584p [reprint of Putnum 1934] - St. Clair Shores, Mich.: Scholarly Press 1977. xi, 584p. [reprint of Putnum 1943]
BachJb vii (1910) 167-170 (Arnold Schering) ZsIMg xi/8 (1910) 256 - 258 [Ch. Maclean] MTimes lxxv/1095 (May 1934) 417 | ||
34. | Richter, Bernhard Friedrich: Über die Motetten Seb. Bachs. BachJb 9 (1912), 1-32
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35. | Terry, Charles Sanford: Bach's Chorals, Part I: The Hymns and Hymn Melodies of the 'Passions' and Oratorios. (1915), xv, 74p Cambridge: Cambridge Univ. Press, 1915. xv, 74p.
MLetters xiv (1933) 176 (W. G. Whittaker) | ||
36. | Newman, Ernest: A Little Bach Problem. MTimes 57/878 (Apr 1916), 193-195
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37. | New Light on Bach. MTimes 57/878 (Apr 1916), 195 Occasional notes. (Organ recital by Herbert Hodge)
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38. | Atkins, Ivor (ed.): The chorale preludes. Orgelbüchlein (Little organ book). OrgWorks(Novello) 15 (1916), xii, 123p Edited by Ivor Atkins. With an introduction by Ernest Newman. - London: Novello & Co., [1916]. xii, 123p. Pl.-Nr. 13884. (= The Organ Works of John Sebastian Bach, Book 15) [BWV 599-644]
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39. | Atkins, Ivor (ed.): The chorales used in the organ works of Bach. OrgWorks(Novello) 20 (1916), 91p Together with one or more verses of the originals and an English translation / the harmonizations mainly drawn from the cantatas of John Sebastian Bach. Edited by Ivor Atkins. - London: Novello, [1916, R?/1927]. [ii], 91p. Pl.-Nr.: 14400. (= The Organ Works of John Sebastian Bach, Book 20) [BWV 651-668]
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40. | Forkel, Johann Nicolaus: Johann Sebastian Bach, His Life, Art and Work. (1920), xxxii, 321p Ed. by Charles Sanford Terry. London: Constable, 1920. xxxii, 321p - Repr. New York: Da Capo. 1970., Vienna House 1974, xxxii, 321p.
MLetters ii/2 (Apr 1921) 183 (M. D. C.) MLetters xiv (1933) 176 (W. G. Whittaker) | ||
41. | Grace, Harvey: The Organ Works of Bach. III. 'Little Organ Book'. MTimes 61/932, 933 (Oct, Nov 1920), 671-675; 739-744
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42. | Grace, Harvey: The Organ Works of Bach. V - The Sonatas for Two Manuals and Pedals. MTimes 62/936 (Feb 1921), 88-93
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43. | Tovey, Donald Francis (ed.): Forty-Eight Preludes and Fugues / J. S. Bach. (1924), 183, 197p Edited by Donald Francis Tovey, fingered by Harold Samuel. - New York: Oxford University Press; London: The Associated Board of the Royal Schools of Music, 1924. R/1951. 2 vols. 183, 197p. Pl.-Nr.: A.B.99; A.B.100. (= The Associated Board Edition) [BWV 846-893]
MLetters xii/4 (1931) 378-383 (Ernst Walker) | ||
44. | Terry, Charles Sanford: Bach: The Mass in B minor. (1924), 47p [Rifacimento of the author's 'Bach's Mass in B minor', Glasgow, 1915] London: Oxford Univ. Press, H. Milford, 1924. 47p. - New Edition. 1931; Reprinted 1944, 1947 (= The musical pilgrim)
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45. | Diack, John Michael; Baker, Harry Edgar (ed.): The Coffee Cantata / J. S. Bach. (1924), 51p Arranged for soli and chorus by J. Michael Diack and Harry Edgar Baker. - Glasgow and London: Paterson, Sons & Co., c1924. 51p. Pl.-Nr.: N660. [BWV 211]
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46. | Whittaker, William Gillies: Fugitive Notes on certain Cantatas and the Motets of J. S. Bach. (1924), xii, 298p London: Humphrey Milford, 1924 - Oxford Univ. Press [1924]. xii, 298p.
RevueMcol vi (1925) 187 (M L Pereyra) | ||
47. | [Meynell, Esther]: The Little Chronicle of Magdalena Bach. (1925), 183p London: Chatto and Windus, 1925, 183p
MLetters vi/3 (Jul 1925) 277-278 (Ernest Newman); xv/3 (Jul 1934) 270-271 (M. R. Bonavia) | ||
48. | Terry, Charles Sanford: Bach: the Cantatas and Oratorios. (1925-6), 52, 38p 2 vols. - London: Humphrey Milford; Oxford, 1925 (vol.1), 1926 (vol.2). 52, 38p.; R1972. (= The Musical Pilgrim)
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49. | Terry, Charles Sanford: Joh. Seb. Bach: Cantata Texts, Sacred and Secular. With a reconstruction of the Leipzig Liturgy of his Period. (1926), xx, 656p London: Constable, 1926. xx, 656p; London: Holland Press, 2/1964; Boston: Branden, 1973.
MLetters vii/3 (Jul 1926) 271-272 (S. G.) DieMusik xix/2 (Nov 1926) 123-124 (Hugo Leichtentritt) BachJb xxiii (1926) 165-167 (Arnold Schering) MLetters xiv/2 (Apr 1933) 176 (W. G. Whittaker) | ||
50. | The First Public Performance (1927) of Bach's 'Art of Fugue'. [Music in the foreign press] MTimes 68/1017 (Nov 1927), 998
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51. | Heuß, Alfred: Bachs 'Kunst der Fuge' und die Gegenwart. ZsfM 94/ 2 (Feb 1927), 65-73
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52. | Jackson, Bernard (arr.): Four sacred songs / J. S. Bach. (1928), 10p Edited and arranged by Bernard Jackson for organ. - London: Oxford University Press, c1928. 10p. [Komm, süsser Tod (BWV 478)-- Vergiss mein nicht (BWV 504 or 505) -- O liebe Seele, zieh' die Sinnen (BWV 494) -- Mein Jesu, was für Seelenweh (BWV 487)]
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53. | Terry, Charles Sanford: Bach. A Biography. (1928), xix, 292p London: Oxford University Press, Humphrey Milford, 1928, xix. 292p. 76 pl. - Second and revised edition. London: Oxford Univ. Press, 1932, 1933, 5/1962. 262p, 76 pl.
MTimes lxix/1028 (Oct 1928) 904-905 (H. G.) SundayTimes (1928) (Ernest Newman) MLetters xiv (1933) 176 (W. G. Whittaker) | ||
54. | Hull, Arthur Eaglefield: Bach's Organ Works. (1929), 189p With a complete list of arrangements of the organ works for pianoforte and other instruments by Harold T. Scull. London: Musical Opinion, 1929. 189p.
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55. | Terry, Charles Sanford: The Origin of the Family of Bach Musicians / Ursprung der musikalisch-Bachischen Familie. (1929), 22p Edited with Pedigree Tables and a Facsimile of Bach's Manuscript. - London: Humphrey Milford, Oxford Univ. Press, 1929. 22p.
MLetters xi/1 (Jan 1930) 98-99 (Sc. G.) DieMusik xxii/4 (Jan 1930) 289 (Leo Wendhausen) | ||
56. | Terry, Charles Sanford (ed.): The Four-Part Chorals of J. S. Bach. (1929), xii, 539p With German text of the Hymns and English Translations. Edited, with a Histrical Introduction, Notes and Critical Appendices, by Charles Sanford Terry. 5 parts. - London: Oxford University Press 1929, xii, 539p; R/1964.
MLetters xiv (1933) 176 (W. G. Whittaker) JChurchM vii (1965) 14 MEducatorsJ li/6 (Jul 1965) 87 (Theodore F. Normann) Notes xxii/4 (1966) 1307 (Catharine Keyes Miller) | ||
57. | Terry, Charles Sanford: John Christian Bach. (1929), xvi, 373p London: Oxford Univ. Press, 1929. xvi, 373p. 34 pl. - 2nd edn. London: Oxford University Press, 1933. xx, 292p
MTimes lxxi/1046 (Apr 1930) 324 (G.) RevueMcol xi/34 (May 1930) 132-133 (Dorothy Swainson) DieMusik xxiii/5 (Feb 1931) 377-378 (Willi Kahl) ZsfMw xiv/4 (Jan 1932) 226-227 (Heinrich Miesner) | ||
58. | Ariel: [Bach disarrangement for military band.] MTimes 70/1034, 1035 (Apr, May 1929), 329; 426
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59. | A New Violin Sonata by Bach. MTimes 70/1039 (Sep 1929), 788-789
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60. | Terry, Charles Sanford: Bach. The historical approach. (1930), 157p London; N.Y.: Oxford Univ. Press, 1930. 157p.
MTimes lxxii/1066 (Dec 1931) 1095 | ||
61. | Richardson, Alfred Madeley: Helps to Fugue Writing: Based on Bach's ''Das Wohltemperirte Klavier''. (1930), 90p [by] A. Madeley Richardson. ... With a foreword by Rubin Goldmark. ... - New York: The H. W. Gray, 1930. 90p.
MLetters xii (1931) 89-90 (Sc. G.) | ||
62. | [The death of Lord Balfour] MTimes 71/1047 (May 1930), 418-422 Occasional notes.
MTImes lxxi/1050 (Aug 1930) 737 (Herbert Hilton: 'Balfour and Bach') | ||
63. | Terry, Charles Sanford: The 'Christmas Oratorio': Original or Borrowed? MTimes 71/1052, 1053, 1054 (Oct, Nov, Dec 1930), 887-889; 982-986; 1073-1076
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64. | Schmid, Ernst Fritz: Carl Philipp Emanuel Bach und seine Kammermusik (1931), ix, 188, 71p von Ernst Fritz Schmid. Mit 18 Lichtdrucktafeln und einem Notenanhang. [Zugl.: Tübingen, Phil. Diss., 1931] - Kassel: Bärenreiter, 1931. ix, 188, 71p
MTimes lxxiii/1077 (Nov 1932) 999-1000 (M.D.C.) | ||
65. | Arnold, Frank Thomas: The Art of Accompaniment from a Thorough-Bass, as practised in the XVIIth and XVIIIth centuries. (1931), xxiv, 918p London: Oxford Univ. Press, 1931. [xxiv], 918p. - reprint ed. with a new introduction by Denis Stevens. New York: Dover; London: Constable, 1966. Vol.I: xxv, 481p. Vol.II: xii, 534p.
MTimes lxxiii/1067-68 (Jan, Feb 1932) 32-34; 123-125 | ||
66. | Terry, Sanford: [Reporting on Bach's domicile in Cöthen and Quodlibet] MTimes 72/1055 (Jan 1931), 32 Occasional notes.
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67. | Swainson, Dorothy: 'Christmas Oratorio,' Original or Borrowed? MTimes 72/1055 (Jan 1931), 60-61 Letters to the Editor.
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68. | Joachim, Henry: Bach's Solo Violin Sonatas and the Modern Violinist. MTimes 72/1057 (Mar 1931), 221-222
MTimes lxxiii (1933) 537 (Diapason) | ||
69. | Howes, Frank: The 'St. Matthew' Passion: Some Problems of Performance. MTimes 72/1059 (May 1931), 401-404
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70. | Eggar, Katharine E.: The Spinet of King Henri III: A Musical Ghost Story. MTimes 72/1063 (Sep 1931), 792-796
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71. | Terry, Charles Sanford: Bach's Orchestra. (1932), xv, 250p London: Oxford Univ. Press, 1932, 1949, R/1956, 1958, 1961, 1966, xv, 250p. - St. Clair Shores, Mich.: Scholarly Press. 1972. 250p.
MLetters xiv/2 (Apr 1933) 176-177 (W. G. Whittaker) MTimes lxxiv/1085 (Jul 1933) 608-609 MTimes lxxvi/1103 (Jan 1935) 58 (J. E. Duncan); no.1106 (Apr 1935) 350 (Janet Micklethwaite) GalpinSocJ xii (May 1959) 100-102 (Eric Halfpenny) MLetters xl/1 (Jan 1959) 74 (Eric Blom) Musica xiii/3 (1959) 209 (Hermann Keller) MOpinion lxxxii (1959) 243 (H. H.) MTimes c/1395 (May 1959) 265 (Denis Stevens); c/1397 (Jul 1959) 391 (Thurston Dart); c/1399 (Sep 1959) 467 (Walter Emery) TimesLiterarySuppl (27 Feb 1959; 13 Mar 1959) (Walter Emery) RassegnaM xxix (1959) 179-181 (a. m.) Mf xix/2 (Apr-Jun 1966) 220-221 (Georg von Dadelsen) | ||
72. | Howes, Frank: The Organ Music Society. MTimes 73/1067 (Jan 1932), 17-18
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73. | Wilson, Steuart: The Text of the B Minor Mass. MTimes 73/1067, 1068 (Jan, Feb 1932), 30-32; 120-123
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74. | Whittaker, William Gillies: The Art of Accompaniment from a Thorough-Bass. MTimes 73/1067, 1068 (Jan, Feb 1932), 32-34; 123-125
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75. | 'Feste': Round about 'The Art of Fugue'. MTimes 73/1073 (Jul 1932), 601-605 Ad Libitum.
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76. | Waters, Charles F.: Recent Collections of Pre-Bach Organ Music. MTimes 73/1074 (Aug 1932), 731-733
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77. | Turner: Brickbats: No.2, the Cult of Bach. RadioTimes (11 Nov 1932)
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78. | Terry, Charles Sanford: The Music of Bach. An Introduction. (1933), 104p London: Oxford Univ.Press, 1933. 104p. - N.Y.: Dover, 1963, 104p. - London: Constable, 1964. 104p. (Paperback)
AmerMTeacher xiv (1965) 29 JChurchM vii (1965) 14 Clavier iii (1964) 10 Instrumentalist xix (1964) 12 MTeacherPianoStud xliii (1964) 197 Notes xxii/2 (1965/66) 912-913 (Klaus Speer) | ||
79. | Louage, Philippe: [Bach's Violin Bow] CourrierM 35 (1 Jul 1933)
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80. | Roth, Herman: Bachs h-moll Messe in Kammerbesetzung. Melos 12/ 7 (Jul 1933), 247-250
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81. | Gifford, A. M.: Bach on the Modern Organ. MTimes 74/1088 (Oct 1933), 934
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82. | Schweitzer, Albert: Der runde Violinbogen. SchweizerischeMzSängerBl 73/6 (15 Mar 1933), 197-203 (Zum Bach-Konzert von Konzertmeister Rolph Schroeder im Tonkünstlerverein zu Straßburg, am 24. Januar 1933).
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83. | MacPherson, Charles Stewart: A Commentary on Book I of the Forty-Eight Preludes and Fugues (Das wohltemperirte Klavier) of Johann Sebastian Bach. (1934), 107p London: Novello & Co., 1934. 107p. R/1937. (= Novello's Music Primers and Educational Series, 111)
MTimes lxxxi/1166 (Apr 1940) 164 | ||
84. | Meynell, Esther: Bach. (1934), 136p London: Duckworth; Hinrichsen, 1934. 136p. - London; N.Y.: Wyn, 1947, 1949, 144p. - 1962. 140p. (= Great lives, 25)
MTimes lxxvi/1103 (Jan 1935) 29-33 (H.G.) | ||
85. | Gray, Cecil William Turpie: Bach and 'Das Wohltemperirte Klavier.' (1934), 33p London: The Gramophone Company, [1934?] 33p. (= Bach Society. Publications. vol. 1, etc.)
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86. | Klotz, Hans: Über die Orgelkunst der Gotik, der Renaissance und des Barock. Die alten Registrierungs- und Dispositionsgrundsätze. (1934), xxiii, 415p Kassel: Bärenreiter, 1934. xxiii, 415p. - 2., völlig neubearb. Aufl. Kassel [u.a.]: Bärenreiter, 1975. xx, 427p. ISBN: 3-7618-0170-X.
OrganYb viii (1977) 82-84 (Peter Williams) | ||
87. | Murray, Anthony Gregory: Organ Recital Programmes. MTimes 75/1102 (Dec 1934), 1121
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88. | Terry, Charles Sanford: Johann Sebastian Bach. Eine Lebensgeschichte. (1935), 248p Übertragung von Alice Klengel. Mit einem Geleitwort von Karl Straube. Leipzig; Wiesbaden: Insel-Verlag, 1935, 1950. 250p. - Berlin: Evangelische Verlagsanstalt, 1950, 248p; 2/1951, 246p. - Frankfurt a.M. 1985.
MKirche lv/6 (1985) 300-304 (Renate Steiger) | ||
89. | Dickinson, Alan Edgar Frederic: The Art of J. S. Bach. (1935), 296p London: Duckworth, 1935, 1936. 296p. - Heinrichsen, 2/1950, 260p.
MTimes lxxvii/1118 (Apr 1936) 328 (W. McN) MTimes xcii/1302 (Aug 1951) 355-356 (W. McN.) MLetters xxxii/2 (Apr 1951) 163-165 (W. S. Mann) Tempo no.19 (Spring, 1951) 37, 39 (Dennis Stevens) Notes viii/3 (Jun 1951) 529 (Helen E. Bush) MReview xii (1951) 234-235 | ||
90. | Scholes, Percy A.: Some Puzzles about Temperament. MTimes 76/1111 (Sep 1935), 786-789
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91. | Horn, Gitta: La note pointée dans les œuvres pour clavecin de Jean-Sébastien Bach. RevueMcol 16/53 (Feb 1935), 27-33
MTimes lxxvi/1110 (Aug 1935) 734 (H. Percy Richardson) | ||
92. | Blandford, W. F. H.: Bach's Horn Parts. MTimes 77/1122 (Aug 1936), 748-750
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93. | Whittaker, William Gillies: Bach, Handel, and Robinson. MTimes 77/1123 (Sep 1936), 787-793
MTimes lxxviii/1128 (Feb 1937) 160 | ||
94. | Robinson, Percy: Bach, Handel, and Robinson: A Reply. MTimes 77/1125 (Nov 1936), 982-987
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95. | MacPherson, Charles Stewart: A Commentary on Book II of the 48 Preludes and Fugues of Johann Sebastian Bach. (1937), 79p London: Novello & Co., 1937. 79p (= Novello's Music Primers and Educational Series, 112)
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96. | Robertson, Alec: Bach at the 'Proms'. MTimes 79/1149 (Nov 1938), 815-816
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97. | Swinburne, J.: Ground Noise. MTimes 80/1156 (Jun 1939), 459
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98. | Swinburne, J.: Use of Pedal in Bach's '48'. MTimes 80/1158 (Aug 1939), 619-620
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99. | Grace, Harvey: The Text of the 'Forty-Eight': Some Questions. MTimes 81/1172 (Oct 1940), 393-397
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100. | Taylor, Stainton de Boufflers: The Chorale Preludes of J. S. Bach: a Handbook. HinrichsenEd 1006 (1942), x, 126p With foreword by W. Gillies Whittaker. - London: Oxford Univ. Press, 1942. x, 126p; London et al: Peters, Hinrichsen, R/1971, 96p. (= Hinrichsen edition, 1006)
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101. | David, Hans T.; Mendel, Arthur (eds.): The Bach Reader. (1945), 474p A Life of Johann Sebastian Bach in Letters and Documents. N. Y., London: W. W. Norton, 1945, 431p. - Revised, with a Supplement 1966, 474p.
MTimes lxxxvii/1243 (Sep 1946) 268-269 (W. E.); no.1244 (Oct 1946) 313 (S. Godman) MLetters xxvii/4 (Oct 1946) 265-266 (E.B.) MTimes lxxxviii/1247 (Jan 1947) 30-31 (Hans T. David and Arthur Mendel); no.1248 (Feb 1947) 70 (W. E.) MQ xxxii/1 (Jan 1946) 137-140 (Alfred Einstein) MReview viii (1947) 301-302 (Hubert J. Foss) MLetters xxxii/2 (Apr 1951) 195-197 (Richard Capell) Einstein (1957) 45-48 (Alfred Einstein) MTimes cviii/1491 (May 1967) 424-425 (Walter Emery) MLetters xlviii/2 (Apr 1967) 155 (Jack A. Westrup) Composer No.25 (1967) 31 MClubsMag xlvi (1967) 55 ColMSymposium vii (1967) 149 Pan Pipes of Sigma Alpha Jota lx (1967) 44-45 MReview xxix (1968) 52-53 (Hans F. Redlich) HudebniVeda vi/4 (1969) 467-468 (Tomislav Volek) | ||
102. | Emery, Walter: Bach and the Tremulant. MTimes 87/1242 (Aug 1946), 249 Letters to the Editor. [following from the 'Organ Recital Notes' by A.F. in MTimes lxxxvii/1241 (Jul 1946) 215]
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103. | Cherbuliez, Antoine-Elisée: Johann Sebastian Bach: Sein Leben und sein Werk. MusikerR 1 (1946), 235p Olten: Otto Walter, 1946. IV. 235p 2/1947, 249p. (= Musikerreihe, 1) - Frankfurt a.M.; Hamburg: Fischer Bücherei, 1957. 182p. (= Fischer-Bücherei, 179)
MensMelodie iii/10 (Oct 1948) 318-319 (G. Vellekoop) RevueMcol xl/116 (1957) 225-226 (V. Fedorov) Musica xii (1958) 244 (Christiane Engelbrecht) RassegnaM xxviii (1958) 167-168 (Alfredo Bonaccorsi) | ||
104. | Grew, Eva Mary; Grew, Sydney: Bach. (1947), 239p London: J.M.Dent & Sons; New York: Farrar, Straus and Cudaby, 1946. xiv, 239p - N.Y.: Farrar, Straus and Giroux, 1965. 239p. (= Master Musicians. New Series) - Reprint Services Corporation. Reprint, 1993. 239p. (= Music Book Index)
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105. | A Bach Ornament. MTimes 88/1250 (Apr 1947), 136 Letters to the Editor.
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106. | Aber, Adolf: On the Continuo in Bach. MTimes 89/1264 (Jun 1948), 169-171
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107. | Boult, Adrian Cedric; Emery, Walter: The St Matthew Passion: Its preparation and performance. (1949), vii, 75p London: Novello, 1949, vii, 75p.
MLetters xxxi/3 (1950) 265-266 (Ivor Keys) | ||
108. | Bach, Carl Philipp Emanuel: Essay on the True Art of Playing Keyboard Instruments. (1949), xiii, 449p Translated and edited by William J. Mitchell. London, etc: Cassell and Co., 1949. 1974. xiii, 449p. - London: Eurenburg Books, 1974. xiii, 449p.
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109. | Aldrich, Putnam: Ornamentation in J. S. Bach's Organ Works. (1950), 61p New York: Coleman-Ross, 1950. 61p. - New York: Da Capo Press 1978. 61p.
MTimes xcii/1300 (Jun 1951) 266-267 (W.E.) MQ xxxvii/2 (1951) 290-294 (Arthur Mendel) Notes ix/2 (Mar 1952) 291 (Hans T. David) AmerOrganist(2) xiv/10 (1980) 8 (Hettrick Jane Schatkin) AmerRecorder xxi/2 (1980) 89-91 (Dale Higbee) | ||
110. | Mann, William S.: Introduction to the Music of Johann Sebastian Bach. 1685-1750 (1950), 80p London: Dennis Dobson, 2/1950. 80p.
MTimes xcii/1298 (Apr 1951) 168 (W.McN) MonMRec lxxxi/927 (1951) 132 (A.H.) MSurvey iv/1 (Oct 1951) 357-358 (J. J. N.) | ||
111. | Dürr, Alfred: Studien über die frühen Kantaten J. S. Bachs. BachSt 4 (1951), 243p Zugl.: Göttingen, Phil. F., Diss. v. 14. Febr. 1953 (Nicht f. d. Aust.) - Leipzig: Breitkopf & Härtel, 1951, 243p. R/1971 (= Bach-Studien, 4)
MTimes xciii/1311 (May 1952) 212-213 (W. E.) | ||
112. | Benham, Gilbert: William McKie. MTimes 92/1299 (May 1951), 218-220
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113. | Bonavia-Hunt, N. A.: Bach and the Organ. MTimes 92/1299 (May 1951), 220-221
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114. | Hindemith, Paul: J. S. Bach. Heritage and obligation. (1952), iv, 44p New Haven: Yale Univ. Press., London: Cumberledge. 1952, 44p. - Westport, CT: Greenwood, 1978. iv, 44p.
MTimes xciv/1327 (Sep 1953) 409 (Peter Evans) Notes x/3 (Jun 1953) 456/457 (Hans T. David) MonMRecord lxxxiv/955 (1954) 76-77 (P.T.B) | ||
115. | Hutchings, Arthur: Slur in Bach. MTimes 93/1314, 1318 (Aug, Dec 1952), 369; 557-558
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116. | Jones, Geraint: Is the Organ a Musical Instrument? MTimes 93/1318 (Dec 1952), 543-544
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117. | Emery, Walter: Bach's Ornaments. (1953), 164p London: Novello and Co., 1953, 2/1954, 3/1957, 4/1961, 5/1963, 6/1965, 7/1967, 8/1970. 164p.
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118. | Rothschild, Fritz: The lost Tradition in Music. Rhythm and Tempo in J. S. Bach's Time. (1953), 325p London: Adam and Charles Black, 1953. xi, 325p; N.Y.: Dufeur, 1954, 325p.
MLetters xxxiv/3 (Jul 1953) 250-264 (Walter Emery) MReview xiv (1953) 237-238 MQ xxxix/4 (Oct 1953) 617-630 (Arthur Mendel) Notes xi/2 (Mar 1954) 303-306 (Otto Kinkeldey) Mf (1954) 352-353 (Hans F. Redlich) | ||
119. | Geiringer, Karl: The Bach Family. Seven generations of creative genius. (1954), 514p In collaboration with Irene Geiringer. London: Allen & Unwin 1954, xiv, 514p. - N.Y.: Da Capo Press 1980, 1981, 514p.
Notes xii/2 (Mar 1955) 216-217 (Nathan Broder) MLetters xxxvi/1 (Jan 1955) 74-76 (H. F. R.) MReview xvi (1955) 155-157 MQ xlii/1 (Jan 1956) 99-103 (Walter E. Buszin) JAMSoc xi/1 (Spring 1958) 56-58 (Herberg Livingston) | ||
120. | Jeans, Susi: Baroque Organ Problems in England. MTimes 95/1334 (Apr 1954), 183-185 (20-321)
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121. | Emery, Walter: A Rationale of Bach's Symbolism. MTimes 95/1340, 1341 (Oct, Nov 1954), 533-536; 597-600
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122. | Smend, Friedrich (ed.): Missa · Symbolum Nicenum · Sanctus · Ossana, Benedictus, Agnus Dei et Dona Nobis Pacem. - später genannt: Messe in h-Moll. BWV 232 / Johann Sebastian Bach. NBA 2/1 (1954), v, 288p Hrsg. von Friedrich Smend. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1954. v, 288p. - 2/1964, 3/1976, 4/1980, 5/1986, 6/1996. Ed.-Nr.: BA 5001. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie II: Messen, Passionen und Oratorische Werke. Band 1) [BWV 232]
Notes xv/2 (Mar 1958) 246-247 (Karl Geiringer) Mf xii/3 (1959) 315-334 (Georg von Dadelsen) | ||
123. | Rothschild, Fritz: A Handbook to the performance of the 48 preludes and fugues of J. S. Bach according to the rules of the old tradition. (1955), 78p London: Adam & Charles Black, 1955, 1956. Book I: 1-24. 78p.
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124. | Telmányi, Emil: Some Problems in Bach's Unaccompanied Violin Music. MTimes 96/1343 (Jan 1955), 14-18
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125. | Dickinson, Alan Edgar Frederic: Bach's Fugal Works. (1956), 280p With an Account of Fugue before and after Bach. London: Pitman, 1956, ix, 280p - Westport, Ct.: Greenwood Press Reprint, 1979.
Notes xiv/2 (Mar 1957) 261-262 (Robert Stevenson) MLetters xxxviii/2 (Aug 1957) 194-195 (E. B.) MReview xviii (1957) 63-65 JMTheory i/1 (Mar 1957) 105-106 (Quincy Porter) | ||
126. | Babitz, Sol: The Need for Authentic Performance of Early Music. A reply to Dr. Telmányi. MTimes 97/1355 (Jan 1956), 39
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127. | Schwarzschild, Hugo: New Light on the Forty-Eight. MTimes 97/1358 (Apr 1956), 182-184
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128. | Smend, Friedrich: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 1. Missa · Symbolum Nicenum · Sanctus · Ossana, Benedictus, Agnus Dei et Dona Nobis Pacem. (später genannt 'Messe in h-Moll'). Kritischer Bericht. NBA 2/1 (1956), 408p Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1956. 408p. [Ed.-Nr.: BA 5001-41]
Notes xv/2 (Mar 1958) 246-247 (Karl Geiringer) Mf xii/3 (1959) 315-334 (Georg von Dadelsen) | ||
129. | Smallman, Basil: The Background of Passion Music: J. S. Bach and his Predecessors. (1957), 124p London: SCM Press, 1957, 125p. - Revised and enlarged edn. New York: Dover; London: Constable, 1970. 3, 180p. (= Dover Books on music)
MTimes xcviii/1370 (Apr 1957) 198 (Ronald Tidmarsh) MTimes cxii (1971) 1174-1175 (Roger Bullivant) Notes xxix/3 (Mar 1973) 460-461 (Stanley A. Malinowski) | ||
130. | Emery, Walter: Notes on Bach's Organ Works. A companion to the revised Novello Edition. Books IV-V: Six Sonatas for Two Manuals and Pedal. (1957), 215p London: Novello, 1957, 215p.
MLetters xxxix/1 (Jan 1958) 80 (Bernard Rose) Notes xv/2 (Mar 1958) 214 (Richard Keith) | ||
131. | Pirro, André: J. S. Bach. (1957), 269p Trans. by Mervyn Savill. New York: Crown Publ. 1957, 269p. 16 pl. - London: John Calder 1958. 6, 269p.
HiFi viii (Mar 1958) 22f JResearchMEduc vi (1958) 83-84 Notes xv/2 (Mar 1958) 214-215 (Mervyn Savill) MTimes xcix/1387 (Sep 1958) 504 (J. H. Davies) MReview xx/2 (May 1959) 167 (Hans F. Redlich) | ||
132. | Steinitz, Paul; Clarke, Ian: Bach's Mass in B minor [comments on the broadcast performances on 16 and 17 January] MTimes 98/1369 (Mar 1957), 150-151
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133. | Jacobs, Arthur: Bach Choir's St. Matthew Passion. MTimes 98/1372 (Jun 1957), 333
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134. | Mann, Alfred: The Study of Fugue. (1958), 341p New Brunswick, New Jersey: Rutgers Univ.Press 1958. - London: Faber & Faber, 1960. 341p. New York W W Norton & Company., 1965. - Greenwood Press Reprint, 1981. 351p. ISBN: 0-313-22623-7. - New York: Dover Publications, 1988. 352p. ISBN: 0486254399.
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135. | Emery, Walter: Bach's Inventions. [Associated Board Edition] MTimes 99/1382 (Apr 1958), 202
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136. | Steinitz, Paul: The Performance of Bach's Church Cantatas. MTimes 99/1383, 1384, 1385 (May, Jun, Jul 1958), 278-280; 334-336; 393-396
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137. | Keys, Ivor: Organists' Forum: Counsel from the Console. 'Bach and the Grand Manner'. MTimes 99/1388 (Oct 1958), 565
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138. | Russell, Raymond: The Harpsichord and Clavichord. (1959), 208p, 103pl London: Faber & Faber, 1959. 208p, 103pl. 2/1973
MLetters xli (1960) 57-58 (Thurston Dart) | ||
139. | Newman, William S.: The Sonata in the Baroque Era. (1959), xvi, 447p Chapel Hill, North Carolina Univ. Press; Oxford Univ. Press, 1959. xvii, 447p. - New York: Norton, 4/1983.
MTimes ci (1960) 301 (Wilfrid Dunwell) MLetters xli (1960) 53-56 (Peter Evans) | ||
140. | Whittaker, William Gillies: The Cantatas of Johann Sebastian Bach. Sacred and Secular. (1959), xvi, 717p; 754p [Edited and revised by Harold Thompson.] 2 Vols. London, N.Y.: Oxford Univ Press. 1959. R/1964. xiv, 717; 754p - R/1978 (paperback edn)
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141. | Parrott, Ian: The Coventry Madonna and Bach. MTimes 100/1398 (Aug 1959), 424-425
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142. | Bodky, Erwin: The Interpretation of Bach's Keyboard Works. (1960), xi, 421p Cambridge, Mass.: Harvard Univ.Press, Oxford Univ. Press 1960, ix, 421p - Westport, Conn.: Greenwood 1976. xi, 421p.
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143. | Kenney, Sylvia W.: Catalog of the Emilie and Karl Riemenschneider Memorial Bach Library. (1960), xv, 295p Foreword by Selma M. Riemenschneider. - N.Y.: Columbia Univ. Press; London: Oxford Univ. Press, 1960, xv, 295p. (= Baldwin-Wallace College series)
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144. | Lawrence, H. R. G.: Bach's Organ Works: Plea for New Recording. MTimes 101/1408 (Jun 1960), 383 Correspondence.
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145. | Dahl, Ingolf; Szigeti, Joseph (eds.): Violin Concerto in D minor / J. S. Bach. Reconstructed after the original sources (1961) by Ingolf Dahl. Editorial collaboration and editing of the violin part by Joseph Szigetí. Reduction for violin and piano. [Score and part]. - London: Boosey & Hawkes, 1961. [BWV 1052]
MTimes cii/1425 (Nov 1961) 719 (Thurston Dart) | ||
146. | Day, James: The Literary Background to Bach's Cantatas. (1961), 115p N.Y.; London: Dobson, 1961, xi, 115p. (= The Student's Music Library - Historical and Critical Studies); Chester Springs, Pa.: Dufour, 1962. R/1966.
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147. | Neumann, Werner: Bach. A Pictorial Biography. (1961), 143p Trans. by Stefan de Haan. - London: Thames & Hudson, 1961, 143p. N.Y.: The Viking Press 1961, 143p.
MTimes cii/1425 (Nov 1961) 710 (Walter Emery) MReview xxiii/1 (1962) 67-68 (Hans F. Redlich) | ||
148. | Ehmann, Wilhelm: 'Concertisten' und 'Ripienisten' in der h-moll-Messe Joh. Seb. Bachs. (1961), 63p Kassel [u.a.]: Bärenreiter, 1961. 63p. (= Sonderdrück aus Musik und Kirche, Jg. 30, H.2-6. 1960)
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149. | Weigel, Johann Christoph: Musicalisches Theatrum. DocumentaMcol 1/22 (1961), 36 Bl, xii p Kassel [u.a.]: Bärenreiter; Novello, 1961. 36 Bl., xii p - 2/1964.
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150. | Emery, Walter: Bach versus THE BIBLE. MTimes 102/1418 (Apr 1961), 221-223, 225
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151. | Steglich, Rudolf (ed.): Klavierübung 2.-4. Teil: Italienisches Konzert - Französische Ouverture - 4 Duette - Goldberg-Variationen / Johann Sebastian Bach. (1962), 115p Nach den Originalausgaben und der handschriftlichen Überlieferung / herausgegeben von Rudolf Steglich ; Fingersatz von Walther Lampe. - München-Duisburg: Henle Verlag [1962] 115p. - rev. with pref. in Germ, Engl, French dated 1966. [BWV 971, 831, 802-805, 988]
Musica xviii/1 (1964) 40 (Hans Stephan) Mf xix/3 (Jul-Sep 1966) 349-350 (Reinhold Sietz) | ||
152. | Petzoldt, Richard: The Leipzig Thomaner Chor. (1962), 93p Trans. from the German by Lena Jaeck. - Leipzig: Edition Leipzig 1962. 93p
MTimes cviii/1494 (Aug 1967) 711 (Robert Anderson) MLetters xlix/1 (Jan 1968) 74 (J. A. W.) | ||
153. | Emery, Walter: On the Registration of Bach's Organ Preludes & Fugues. MTimes 103/1432, 1433 (Jun, Jul 1962), 396-398; 467-468
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154. | Carrell, Norman: Bach's Brandenburg Concertos. (1963), 130p Foreword by Yehudi Menuhin. Kassel [u.a.]: Bärenreiter; London: George Allen & Unwin, 1963. 130p
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155. | Donington, Robert: The Interpretation of Early Music. (1963), 605p London, Faber & Faber; N.Y.: St.Martins Press. 1963. 605p. 2/1966, 3/1974, 766p. R/1975. R/1992.
MTimes civ (1963) 633 (Anthony Milner) MTimes cvii (1966) 40 (Anthony Milner) MTimes cxv (1974) 847-848 (Stanley Sadie) MLetters lvi (1975) 202-204 (J. A. Westrup) | ||
156. | Neumann, Werner; Schulze, Hans-Joachim (eds.): Schriftstücke von der Hand Johann Sebastian Bachs. BachDok 1 (1963), 288p Vorgelegt und erläutert von Werner Neumann und Hans-Joachim Schulze. Kritische Gesamtausgabe. Leipzig: VEB Deutscher Verlag für Musik; Kassel: Bärenreiter, 1963. 288p. [Ed.-Nr.: BVK 25] ISBN: 3-7618-0025-8. (= Bach-Dokumente. Hrsg. vom Bach-Archiv Leipzig. Supplement zu: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke, 1)
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157. | Wilson, Michael I.: The St Blasius Organ. MTimes 104/1442 (Apr 1963), 264 Letters to the Editor.
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158. | Langwill, Lyndesay G.: The Bassoon and Contrabassoon. (1965), xiv, 269p London: Ernest Benn, 1965. xiv, 269p, [24]p plates. ISBN: 0510365019.
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159. | Barford, Philip T.: The keyboard music of C.P.E. Bach: Considered in relation to his musical aesthetic and the rise of the sonata principle. (1965), xv, 186p New York: October House; London: Barrie & Rockliff, 1965. xv, 186p.
MTimes cvii/1475 (Jan 1966) 35-37 (Stanley Sadie) Notes xxiii/4 (Jun 1967) 726-727 (David Fuller) Tempo no.77 (Summer, 1966) 26-27 (Robert Donington) Mf xxii/1 (1969) 120-122 (Lothar Hoffman-Erbrecht) | ||
160. | Cable, James H.: Brandenburg 3 [inserting a slow movement]. MTimes 106/1473 (Nov 1965), 854
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161. | Thiman, Eric: Fugue for Beginners. (1966), 15p London: Oxford University Press, 1966. 15p. ISBN: 0193217708; 9780193217706.
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162. | Williams, Peter F.: The European Organ 1450-1850. (1966), 336p London: Batsford, 1966. 336p. - 3/1978. ISBN: 0713407530.
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163. | Kirkendale, Warren: Fuge und Fugato in der Kammermusik des Rokoko und der Klassik. (1966), 379p mit einem Nachwort von Jens Peter Larsen. Tutzing: Schneider, 1966. 379p
Notes xxiv (1967) 43f (Leonard Ratner) Musikhandel cviii (1967) 36 (Paul Mies) MLetters xlviii (1967) 271f (Roger Bullivant) MTimes cix (1968) 542f (Stanley Sadie) SvenskTidskrMf l (1968) 149-152 (Hans Eppstein) OMzs xxiii (1968) 708f (Theophil Antonicek) HaydnYb (1970) 321f (H. C. Robbins Landon) RevueMcol lvi (1970) 246 (Pierre Pidoux) Mf xxiii/3 (Jul-Sep 1970) 351-353 (Ludwig Finscher) HudebniVeda viii (1971) 74 (Tomislav Volek) MErziehung xxiv (1971-72) 143 (Walter Pass) OpusMusicum (1973) 187f (Jiri Sehnal) | ||
164. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. The culmination of an era. (1966), 382p In collaboration with Irene Geiringer. N. Y.: Oxford Univ. Press, 1966. 382p. - Nowich: Jarrold & Sons, London: Allan and Unwin 1967. xi, 382p.
Clavier v (1966) 6 MLetters xlviii/4 (Oct 1967) 380-381 (Jack A. Westrup) MEvents xxii (1967) 27-28 MTimes cviii/1498 (Dec 1967) 1108-1109 (Walter Emery) MEduc xxxi (1967) 639 Pan pipes of Signa Alpha Jota lx (1967) 44-45 Church Music, Nr.2 (1967) 51 AmerChoralReview ix (1967) 46-48 AmerRecGuide xxxiv (1967) 157 MClubsMag xlvi (1967) 55 NATSBul xxiii (1967) 37 Notes xxiv/4 (Jun 1968) 709-710 (Henry Woodward) JAMSos xxi/3 (Autumn 1968) 396-400 (Arthur Mendel) StudMcolAcadSciHungaricae x facs.3/4 (1968) 377-379 (Csomasz K. Tóth) MUnterricht A. lix (1968) 215-216 (Hans Hollander) MEducatorsJ liv/5 (1968) 100-102 (Donald M. McCorkle) MGesellschaft xix/12 (1969) 855-856 (Gerd Schönfelder) MQ lv/1 (Jan 1969) 121-125 (John F. Ohl) | ||
165. | Horsley, Imogene: Fugue: History and Practice. (1966), 399p New York: Free Press; London: Collier-Macmillan, 1966. 399p
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166. | Agricola, Johann Friedrich (trans.): Anleitung zur Singkunst (1757, Faksimile-Nachdruck). (1966), xxxviii, xvi, 239, 44p zusammen mit dem italienischen Original von Pier Francesco Tosi: Opinioni de'cantori antichi e moderni o sieno osservazioni sopra il canto figurato (1723). Neu hrsg., mit einem Vorwort und einem Anhang von Erwin R. Jacobi. [With an English translation of the preface and the appendix by K. B. Tyldesley, and with facsimiles.] Celle: Hermann Moeck Verlag, 1966. xxxviii, xvi, 239, 44p
RevueMcol lii/2 (1966) 247 (Carl de Nys) MLetters xlviii/1 (1967) 86-87 (J. A. Westrup) | ||
167. | Westrup, Jack Allan: Bach Cantatas. BBCMGuides 3 (1966), 60p London: British Broadcasting Corporation, 1966, R/1975. 60p. ISBN: 0563067845. - Seattle: University of Washington Press, 1969. 60p. (= BBC music guides, 3)
MOpinion xc (1967) 631 MEvents xxi (1966) 32 ECM Magazine lxii (1966) 97-98 | ||
168. | Dalton, James: Bach Interpretation - 2: Some Preludes and Fugues. MTimes 107/1479 (May 1966), 440-442
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169. | Dalton, James: Bach Interpretation - 3: Bach Transcribes Vivaldi. MTimes 107/1481 (Jul 1966), 536-538
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170. | Emery, Walter: Some Speculations on the Development of Bach's Organ Style. MTimes 107/1481 (Jul 1966), 596-603
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171. | Dalton, James: Not only for Beginners. MTimes 107/1485 (Nov 1966), 994-995
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172. | Blume, Friedrich: Renaissance and Baroque music. (1967), 180p A comprehensive Survey. - Trans. by M. D. Herter Norton. N. Y.: Faber, 1967. 180p.
MLetters li (1970) 191-192 (Frederick Sternfeld) Consort xxix (1973) 47 (E. J. Godwin) | ||
173. | Winternitz, Emanuel: Musical Instruments and their Symbolism in Western Art: Studies in Musical Iconology. (1967), 240p New Haven; London: Yale Univ. Press, 1967. 240p. - 2/1979. 253p.
MTimes cxxi (1980) 178 (Howard Mayer Brown) | ||
174. | Keller, Hermann: The organ works of Bach. A contribution to their history, form, interpretation and performance. (1967), 312p Trans by Helen Hewitt. - N. Y.: Peters. 1967, 312p.
MLetters xlix/3 (Jul 1968) 237-238 (James Dalton) Notes xxiv/4 (Jun 1968) 711-712 (Richard T. Gore) | ||
175. | Carrell, Norman: Bach the Borrower. (1967), 396p Preface by Basil Lam. - London: George Allen & Uniwin Ltd 1967, 396p.
MEvents xxii (1967) 27-28 MTeacherPianoStudent xlvi (1967) 16 Notes xxiv/3 (Mar 1968) 495-496 (Richard T. Gore) StudMcolAcadSciHungaricae x, fasc.3/4 (1968) 374-377 (Csomasz K. Tóth) MLetters xlix/1 (Jan 1968) 58-60 (Eric Taylor) MUnterricht A. lix (1968) 215-216 (Hans Hollander) MGesellschaft xix/12 (1969) 854-855 (Gerd Schönfelder) BeitrMw xii/2 (1970) 146-148 (Peter Gülke) | ||
176. | Boyd, Malcolm: Harmonizing 'Bach' Chorales. (1967), 39p London: Barrie and Rockliff 1967. 39p
Music i (1967) 44 MEduc xxxi (1967) 582 MTeacherPianoStud xlvi (1967) 16 | ||
177. | Boyd, Malcolm: Bach's Instrumental Counterpoint. (1967), 39p London: Barrie and Rockliff, 1967. 39p. - London: Barrie and Jenkins; Longwood Pub.Group. 1977, 39p. ISBN: 0-214-65961-5.
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178. | Terry, Charles Sanford: John Christian Bach. (1967), lv, 373p 2nd edn. with a foreword by H. C. Robbins Landon. London: Oxford University Press, 1967. lv, 373p.
MTimes cviii/1490 (Apr 1967) 330-331 (Stanley Sadie) MLetters xlviii/3 (Jul 1967) 280 (Jack A. Westrup) Mf xxi/4 (1968) 524-525 (Ludwig Finscher) | ||
179. | Mies, Paul (ed.): Die weltlichen Kantaten Joh. Seb. Bachs und der Hörer von heute. JgIBGSchaffhausen 1966 (1967), 61p Wiesbaden: Breitkopf & Härtel 1967. 61p (= Jahresgabe der Internationalen Bach-Gesellschaft Schaffhausen, 1966)
MErziehung xxiii (1969/70) 92-93 (Christine Gauster) | ||
180. | Ameln, Konrad: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie III · Band 1. Motetten. Kritischer Bericht. NBA 3/1 (1967), 211p Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1967. 211p. - 2/1997. [Ed.-Nr.: A 5026-41]
Musica xxii/5 (1968) 372-373 (Alfred Dürr) MKirche xxxviii (1968) 233-237 (Alfred Dürr) MTimes cix (Dec 1968) Kmusiker xx (1969) 104-105 (Siegmund Helms) Mf xxiv/3 (1971) 303-309 (Martin Geck) Mf xxv/1 (1972) 74-77 (Alfred Dürr) | ||
181. | Gerstenberg, Walter (ed.): Composers' Autographs. Volume 1. From Palestrina to Beethoven. (1968), 173p [Musikerhandschriften von Palestrina bis Beethoven] Edited and annotated by W. Gerstenberg. Translated, with a new preface by Ernst Roth. London: Cassell, 1968. 173p. ISBN: 0304932493.
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182. | Palisca, Claude V.: Baroque music. (1968), 230p Engewood Cliffs. N.J.: Prentice-Hall, 1/1968. vi, 230p. 2/1981 xiv, 300p. (= Prentice Hall History of Music Series, 3)
MReview xxxii (1971) 83-84 MLetters lxii (1981) 432 (Ian Spink) EarlyM x/4 (1982) 537-539 (Denis Arnold) | ||
183. | Chiapusso, Jan: Bach's World. (1968), x, 338p Bloomington: Indiana Univ.Press. 1965, 1968, R/1970, 1980. x, 338p.
MLetters li/3 (Jul 1970) 323-325 (Ronald Woodham) Notes xxvi/3 (Mar 1970) 524 (Karl Geiringer) | ||
184. | Dähnert, Ulrich: Die Orgeln Gottfried Silbermanns in Mitteldeutschland. BibOrganol 34 (1968), 222p 2nd edition with suppl. Amsterdam: Frits Knuf, 1968, R/1971. 222p. ISBN: 90-6027-141-6. (= Bibliotheca Organologica, 34)
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185. | Powers, Harold S. (ed.): Studies in music history; essays for Oliver Strunk. [fs]Strunk (1968), x, 527p Princeton, N.J.; Princeton U.P., 1968. x, 527p. - repr. 2015. ISBN: 9780691626406 (paper), 9780691652689 (hardcover), 9781400879182 (eBook)
MLetters l/4 (Oct 1969) 488-491 (G. A.) Notes xxvi/2 (Dec 1969) 256-258 ( Henry W. Kaufmann) | ||
186. | Rogg, Lionel; Widdicombe, Gillian: On playing 'The art of Fugue' [interview] MTimes 110/1511 (Jan 1969), 77-79
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187. | Emery, Walter (ed.): A Vocal Companion to Bach's Orgelbüchlein. (1969-75), 22, 23, 26p Edited & Compiled by Walter Emery. 3 vols. - London: Novello & Co., Vol.1: 1969, 22p. Pl.-Nr.: 19827; Vol.2, 1971, 23p. Pl.-Nr.: 19905; Vol.3, 1975, 26p. Pl.-Nr.: 20123.
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188. | Williams, Peter F.: Figured Bass Accompaniment. (1970), 117, 131p Edinburgh: Edinburgh University Press, 1970. in 2 vols. [8], 117p; [6],131p. ISBN: 0-85224-054-6; 0-85224-055-4
MLetters lii/3 (1971) 321-322 (Jack Allen Westrup) JAMSoc xxv/3 (1972) 476-479 (Tharald Borgir) OrganYb iii (1972) 105 (Gustav Leonhardt) MQ lviii/2 (1972) 308-315 (George J. Buelow) AmerRecorder xiv/3 (1973) 91 (Dale Higbee) | ||
189. | Eppstein, Hans (ed.): Sechs Sonaten für Violine und Klavier (Cembalo) / J. S. Bach. (1970), 134p + St Nach zeitgenössischen Abschriften und der Eigenschrift dreier Sätze herausgegeben und mit aussetzung des Generalbasses versehen von Hans Eppstein. Fingersatz der Klavierstimme von Hans-Martin Theopold mit einer weiteren Violinstimme für den praktischen Gebrauch von Karl Röhrig. - München-Duisburg: G. Henle Verlag, 1970. 134p., Vn.St. 43p. (2x) Best.-Nr.: HN 223. [BWV 1014-1019]
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190. | Young, Percy Marshall: The Bachs 1500-1850. (1970), 341p New York: Thomas Y. Crowell; London: J. M. Dent & Sons, 1970, xxii, 341p.
MLetters li/3 (Jul 1970) 323-325 (Ronald Woodham) NZsfM(2) cxxxii/3 (1971) 169-170 (Gustav Adolf Trumpff) | ||
191. | Hindermann, Walter Felix: Wiedergewonnene Schwesterwerke der Brandenburgischen Konzerte Johann Sebastian Bachs. JgIBGSchaffhausen 1972-73 (1970), 72p Hofheim: Hofmeister, 1970. 72p. (= Jahresgabe der Internationalen Bach-Gesellschaft Schaffhausen, 1972/73; Societas Bach internationalis)
Mf xxviii/3 (1975) 347-348 (Martin Geck) | ||
192. | Bullivant, Roger: Fugue. (1971), 198p London: Hutchinson, 1971. 198p. ISBN: 0091084407; 0091084415. (= Hutchinson university library)
MTimes cxiii (1972) 463-464 (Michael Tilmouth) MReview xxxv/2 (1974) 170-172 (A. E. F. Dickinson) | ||
193. | Dürr, Alfred: Die Kantaten von Johann Sebastian Bach. (1971), 754p 2 Bde. Kassel [u.a.]: Bärenreiter; München: Deutscher Taschenbuchverlag, 1971. 322p; 325-753p. ISBN: 3-423-04080-7; 3-423-04081-5 (= dtv. 4080. 4081. Wissenschaftliche Reihe); 2. Aufl., 1975; 3. Aufl. 1979; 4. Aufl. 1981.755p. - [5. überarbeitete Aufl. 'mit ihren Texten', 1985, 2v. 1037p; 6. aktualisierte Aufl. 1995; 7. aktualisierte Aufl. 1999; 8. Auflage mit neu Titel: 'Johann Sebastian Bach: Die Kantaten. Mit ihren Texten', 2000.]
MKirche xli/6 (1971) 312-313 (Walter Blankenburg) Musica xxvi/1 (1972) 66-67 (Wofram Schwinger) Mf xxv/3 (1972) 385 (Alfred Mann) WürttembergBlKm xxxix (1972) 148-150 (Hans Grischkat) NZsfM(2) cxxxiii/9 (1972) 548-549 (G. A. Trumpff) ArsOrgani xx/41 (1972) 1735 Notes xxix/3 (Mar 1973) 458-459 (Karl Geiringer) MSacra xciii (1973) 30 (Robin A. Leaver); 53 (Hans-Georg Enxing) MBildung v [lxiv] (1973) 38-39 AmerRecorder xiv/3 (1973) 92 (Dale Higbee) Kmusiker xxiv (1973) 58-59; 94 (author) StudMcolAcadSciHungaricae xv fasc.1/4 (1973) 382-384 (Márta Szekeres-Farkas) BachSocBul i/1 (1977) 30 (Robin A. Leaver) MTimes cxxi/1649 (Jul 1980) 441-442 (Stephen Daw) MGottesd xxxix/4 (1985) 275-277 (Andreas Marti) | ||
194. | Riedel, Friedrich Wilhelm; Unverricht, Hubert (eds): Symbolae Historiae Musicae. Hellmut Federhofer zum 60. Geburtstag. Überreicht von Freunden, Kollegen und Schülern. [fs]Federhofer60 (1971), 289p Mainz: Schott, 1971, 289p.
NZsfM(2) cxxxiv/3 (1973) 189-190 (Dietrich Kämper) Mf xxvi/2 (1973) 254-255 (Rudolf Flotzinger) Organo xi/1-2 (1973) 190-191 (Oscar Mischiati) Notes xxix/4 (1973) 726-729 (John H. Baron) StudMcolAcadSciHungaricae xviii/1-4 (1976) 392-394 (Géza Papp) | ||
195. | Emery, Walter: Is your Bach playing authentic? MTimes 112/1539, 1541, 1542 (May, Jul, Aug 1971), 483-488; 697-698; 796-797
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196. | Robertson, Alec: The Church Cantatas of J. S. Bach. (1972), xi, 356p N.Y.: Praeger Pub./London, Cassell 1972. xi, 356p.
AmerRecorder xiii/4 (Nov 1972) 133 (Dale Higbee) Notes xxix/3 (Mar 1973) 459-460 (Karl Geiringer) MLetters liv/1 (Jan 1973) 93-94 (J. A. Westrup) EarlyM ii/1 (Jan 1974) 45,47 (Denys Darlow) | ||
197. | Williams, Peter F.: Bach Organ Music. BBCMGuides 20 (1972), 71p London: British Broadcasting Corporation, 1972. R/1974. 71p. ISBN: 0563103485. - Seattle: University of Washington Press, [1972]. ISBN: 0295951990. (= BBC music guide, 20)
OrganYb v (1974) 130-133 (Roger Bullivant) | ||
198. | Abraham, Lars Ulrich (ed.): Erich Doflein. Festschrift zum 70. Geburtstag (7.8.70). [fs]Doflein70 (1972), 131p Mainz: Schott, 1972, 131p.
NZsfM(2) cxxxiii/12 (1972) 743 (Gustav Adolf Trumpff) Musica xxvii/2 (1973) 177 (Hellmut Kühn) Mf xxvii/3 (1974) 358-359 (Reinhold Brinkmann) | ||
199. | Dorfmüller, Kurt (ed.): Quellenstudien zur Musik. Wolfgang Schmieder zum 70. Geburtstag. [fs]Schmieder70 (1972), 204p In Verbindung mit Georg von Dadelsen. - Frankfurt a.M.: Peters, 1972. 204p. ISBN: 3-87626-005-1. (= Edition Peters, 8123)
MSacra xcii/5 (1972) 265-267 (Albrecht Schneider-Klement) Notes xxix/4 (1973) 726-729 (John H. Baron) Zeitschrift für Bibliothekswesen und Bibliographie, xx (1973): 116-118 (Hartmut Schaefer) MLetters liv (1973) 228-229 (J. A. Westrup) ZsfDPhilologie 92 (1973): 466-467 (Horst Brunner) Neue Zeitschrift für Musik, cxxxiv/10 (1973) 671 (Dietrich Kämper) MKirche xlv/1 (1975) 27-28 (Peter L. Voß) Mf xxviii/1 (1975) 105-106 (Imogen Fellinger) | ||
200. | Cooper, Barry: An unknown Bach source. MTimes 113/1558 (Dec 1972), 1167-1169 [BWV 905 (Anh. II), 911, 913, 914, 951a]
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201. | Dürr, Alfred (ed.): Matthäus-Passion BWV 244. Markus-Passion BWV 247 / Johann Sebastian Bach. NBA 2/5 (1972), xiv (5p facs), 309p Hrsg. von Alfred Dürr. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1972. xiv, 309p. - 2/1980, 3/1988, 4/1998, 5/2002. Ed.-Nr.: BA 5038. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie II: Messen, Passionen und Oratorische Werke. Band 5) [BWV 244, 247]
MLetters lv/1 (Jan 1974) 117-118 (Paul Steinitz) MTimes cxvii (1976) 833-834 (Stephen Daw) | ||
202. | Dürr, Alfred (ed.): Johann Sebastian Bach. Matthäus-Passion. Frühfassung BWV 244b. NBA 2/5a (1972), xxviii, 44 bl Kommentierte Faksimile-Ausgabe der Abschrift Johann Christoph Altnickols. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1972. xxvii, 44 bl. Ed.-Nr.: BA 5039. [BWV 244b]
MLetters lv/1 (Jan 1974) 117-118 (Paul Steinitz) MTimes cxvii (1976) 833-834 (Stephen Daw) | ||
203. | Marshall, Robert Lewis: The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. PrincetonStudM 4 (1972), xv, 271p; 189p 2 vols. Princeton, NJ: Princeton Univ. Press, 1972. xv, 271p.; 189p. ISBN: 0-691-09113-7. (= Princeton Studies in Music, 4)
JMTheory xvi/1-2 (Spring-Winter 1972) 220-237 (Felix Salzer) MTimes cxiv/1562 (Apr 1973) 380-381 (Walter Emery) Notes xxix/4 (Jun 1973) 714-716 (Gerhard Herz) JAMSoc xxvi/3 (Autumn 1973) 483-488 (Paul Brainard) MLetters liv/3 (Jul 1973) 362-363 (J. A. Westrup) MQ lx/2 (Apr 1974) 275-279 (Christoph Wolff) SvenskTidskrMf lvi/1 (1974) 77-80 (Hans Eppstein) Mf xxviii/4 (1975) 463-466 (Alfred Dürr) MiscelMcol ix (1977) 218-220 (Andrew D. McCredie) | ||
204. | Ehmann, Wilhelm: Performance practice of Bach's motets. (1973), 25p English adaptation [by] Herman Adler. New York, 1973. 25p.
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205. | Donington, Robert: A Performers Guide to Baroque Music. (1973), 320p London: Faber & Faber: 1973. 320p.
EarlyM ii/2 (1974) 117-121 (Michael Collins); 121-122 (Trevor Pinnock) MQ lx/4 (1974) 658-664 (Frederick Neumann) AmerRecorder xv/2 (1974) 57-59 (Dale Higbee) MTimes cxvi (1975) 626 (Howard Mayer Brown) MReview xxxvi (1975) 148 (Henry Raynor) American reference books annual vi (1975) 499 (Claude V. Palisca) MEducatorsJ lxii/3 (1975) 101-102 (William Pepper) Notes xxxiii/2 (1976) 296-298 (Gilbert L. Blount) Muzsika xxii/3 (1979) 43-45 (András Wilheim) | ||
206. | Smithers, Don L.: The Music and History of the Baroque Trumpet before 1721. (1973), 323p Dent, 1973. 323p. 2nd Edn. Buren: Fritz Knuf, 1988, 352p
MReview xxxv (1974) 327-328 (Henry Raynor) GalpinSocJ xxviii (1975) 137-138 (Anthony Baines) JAMSoc xxix (1976) 320-323 (Mary Rasmussen) GalpinSocJ xliv (1991) 188-191 (M. T. Wright) | ||
207. | Beechey, Gwilym: Bach's A minor prelude and Fugue. Some textual observations on BWV 543. MTimes 114/1566 (Aug 1973), 831-833
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208. | Daw, Stephen; Anderson, Robert: Bach and Boys. MTimes 114/1568 (Oct 1973), 1010 Letters to the Editor.
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209. | Mendel, Arthur (ed.): Johannes-Passion. BWV 245 / Johann Sebastian Bach. NBA 2/4 (1973), xiii (6 facs), 265p Hrsg. von Arthur Mendel. - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1973. xiii, 265p, facs 11r. - 2/1983, 3/1988, 4/1995, 5/2000. Ed.-Nr.: BA 5037. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie II: Messen, Passionen und Oratorische Werke. Band 4) [BWV 245]
Notes xxxii/1 (Sep 1975) 121-122 (Gerhard Herz) MGesellschaft xxvi/1 (1976) 49-50 (Ingeborg Allihn) MTimes cxvii (1976) 833-834 (Stephen Daw) MKirche xlvi (1976) 235-237 (Gerhard Schuhmacher) | ||
210. | Neumann, Werner: Sämtliche von Johann Sebastian Bach vertonte Texte. (1974), 512p Leipzig: VEB Deutscher Verlag für Musik. 1974. 512p
OrganYb viii (1977) 85-86 (Peter Williams) MGesellschaft xxviii/5 (1978) 308-309 (Ingeborg Allihn) Mf xxxii/2 (1979) 233-234 (Christoph Wolff) TheolLiteraturZ civ/5 (1979) 377-380 (Martin Petzoldt) MTimes cxxi/1649 (Jul 1980) 441-442 (Stephen Daw) | ||
211. | Altenburg, Johann Ernst: Essay on an introduction to the heroic and musical trumpeters' and kettledrummers' art: for the sake of a wider acceptance of the same / described historically, theoretically, and practically and illustrated with examples. (1974), xvii,148p [Versuch einer Anleitung zur heroisch-musikalischen Trompeter- und Pauker-Kunst.] complete English translation by Edward H. Tarr. - Nashville, Tenn.: Brass Press, 1974. xvii, 148p. ISBN: 0914282018.
NACWPIJ xxxii/2 (winter 1983-84) 19-26 (Eugenie Burkett; Steven Trinkle) Notes xxxi/3 (1975) 563-565 (Don L. Smithers) | ||
212. | Chailley, Jacques: Les Chorals pour Orgue de J. -S. Bach. AuDelaNotes 5 (1974), vi, 268p Paris: Alphonse Leduc, 1974. vi, 268p. (= Au-Delà Des Notes, 5)
RevueMcol lxi/2 (1975) 345-346 (Denise Launay) SchweizerischeMzMpädagBl cxv (1975) 270-271 (Lionel Rogg) MTimes cxvi/1586 (Apr 1975) 343 (Peter Williams) Notes xxxii/3 (Mar 1976) 551-552 (Thomas Harmon) | ||
213. | Marshall, Robert L. (ed.): Studies in Renaissance and Baroque music in Honor of Arthur Mendel. [fs]Mendel (1974), 392p Kassel [u.a.]: Bärenreiter; Hackensack, NJ: Joseph Boonin, 1974. 392p. ISBN: 3-7618-0412-1 (Bärenreiter); 0-913574-26-0 (Boonin).
MKirche xlv/4 (1975) 193 (Ulrich Prinz) Kmusiker xxvii (1976) 111-112 (Heinz Lohmann) MLetters lvii (1976) 203-205 (Gerald Abraham) RevueMcol lxii/1 (1976) 157-159 (Jean-Michel Vaccaro) | ||
214. | Mendel, Arthur: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 4. Johannes-Passion. Kritischer Bericht. NBA 2/4 (1974), 356p Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1974. 356p. [Ed.-Nr.: BA 5037-41]
MKirche xliv (1974) 83-85 (Ulrich Prinz) Notes xxxii (1975) 121-122 (Gerhard Herz) Musica xxix (1975) 260 (Lothar Hoffmann-Erbrecht) MLetters lvi (1975) 91-95 (Frederick Hudson) MKirche xlv (1975) 26-27 (Ulrich Prinz) MGesellschaft xxvi/1 (1976) 49-50 (Ingeborg Allihn) MTimes cxvii (1976) 833-834 (Stephen Daw) | ||
215. | Dürr, Alfred: Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie II · Band 5. Matthäus-Passion. Markus-Passion. Kritischer Bericht. NBA 2/5 (1974), 276p Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1974. 276p. [Ed.-Nr.: BA 5038-41]
MKirche xlv (1975) 26-27 (Ulrich Prinz) MTimes cxvii (1976) 833-834 (Stephen Daw) | ||
216. | Ferguson, Howard: Keyboard Interpretation from the 14th to the 19th Century: an Introduction. (1975), ix, 211p London: Oxford University Press, 1975. ix, 211p. ISBN: 0-19-318419-2. - Repr. with corrections and rev. bibliography. Oxford: Oxford University Press, 1987. ix, 215p. ISBN: 0193184192.
SvenskTidskrMf lviii/2 (1976) 69-70 (Gun Fridell) | ||
217. | Blume, Friedrich: Protestant Church Music: A History. (1975), xv, 831p by Friedrich Blume in collaboration with Ludwig Finscher, Georg Feder, Adam Adrio, Walter Blankenburg, Torben Schousboe, Robert Stevenson and Watkins Shaw; foreword by Paul Henry Lang. - N. Y.: Norton; London: Gollancz, 1975. xv, 831p. ISBN: 0575019964.
EarlyM iv (1976) 309-311 (John Caldwell) MLetters lviii (1977) 76-77 (Gerald Abraham) | ||
218. | Glöckner, Andreas: Bach and the Passion music of his contemporaries. MTimes 116/1589 (Jul 1975), 613-616
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219. | Siegele, Ulrich: Kompositionsweise und Bearbeitungstechnik in der Instrumentalmusik Johann Sebastian Bachs. TübingerBeitrMw 3 (1975), 174p [Zugl.: Tübingen, Univ., Diss., 1956] - Neuhausen-Stuttgart: Hänssler, 1975. 174p. Best.-Nr.: Hänssler-Edition 24.103. ISBN: 3-7751-0117-9. (= Tübinger Beiträge zur Musikwissenschaft, 3)
LitMFineArts xi (1978) 245-247 (Friedhelm Krummacher) Mf xxxii/4 (1979) 462-464 (Werner Breig) MTimes cxxi/1649 (Jul 1980) 441-442 (Stephen Daw) | ||
220. | Keller, Hermann: The Well-tempered Clavier by Johann Sebastian Bach. (1976), iii, 207p London: Allen & Unwin; N.Y.: Norton: Trans. by Leigh Gerdine, 1976. iii, 207p.
BSosBul i/1 (1977) 29 (Peter Williams) Bach viii/2 (1977) 23-25 (Paul A. Pisk) AmerMTeacher xxvii/6 (1977/78) 39 (Charles Timbrell) | ||
221. | Schwendowius, Barbara; Dömling, Wolfgang (eds.): Johann Sebastian Bach. Zeit - Leben - Wirken. [ce]JSBZeitLebenWirken (1976), 179p Kassel [u.a.]: Bärenreiter, 1976. 179p. - London: Yale Univ. Press, 1984. 179p. ISBN: 0-300-03268-4.
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222. | Dürr, Alfred: Zur Chronologie der Leipziger Vokalwerke J. S. Bachs. MwArb 26 (1976), 173p Mit Anmerkungen und Nachträgen versehener Nachdruck aus Bach-Jahrbuch 1957. Kassel [u.a.]: Bärenreiter, 2/1976. 173p. (= Musikwissenschaftliche Arbeiten, 26)
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223. | Dürr, Alfred: Studien über die frühen Kantaten Johann Sebastian Bachs. (1977), 264p Verbesserte und erweiterte Fassung der in Jahr 1951 erschienenen Dissertation. - Wiesbaden: Breitkopf & Härtel, 1977, 264p. ISBN: 3-7651-0130-3.
OrganYb x (1979) 172 (Peter Williams) MTimes cxxi/1649 (Jul 1980) 441-442 (Stephen Daw) | ||
224. | Bach, Johann Sebastian: Opere per Liuto. [BWV 995-1000, 1006a] (1977), 3 vols: xi, 71p; xiii, 58p; 51p Ed. with Preface by E. Cipriani.] Vol.I: Partitura musicale (xi, 71p); II: Intavolatura strumentale (xiii, 58p); III: Documenti storici (51p). Rovereto (Trento): Stamperia Musicale 1977. [BWV 995-1000, 1006a]
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225. | Chappell, Paul: Dr. S.S. Wesley, 1810-1876: a portrait of a Victorian musician. (1977), x, 210p Foreword by Lionel Dakers. Great Wakering: Mayhew-McCrimmon, 1977. x, 210 p
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226. | Schwendowius, Barbara; Dömling, Wolfgang (eds.): Johann Sebastian Bach: Life, Times, Influence. [ce]JSBLifeTimesInfluence (1977), 179p Trans. by John Coombs, Lionel Salter & Gaynor Nitz. Kassel [u.a.]: Bärenreiter, 1977. 179p. - New Haven: Yale Univ. Press. 1984. 179p. ISBN: 0-300-03268-4.
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227. | Bach, Johann Sebastian: Zerreißet, zersprenget, zertrümmert die Gruft. 'Der zufriedengestellte Aeolus'. Drama per Musica. BWV 205. FaksRBachWS 13 (1977), 8, 86p Faks. nach dem Autograph. hrsg. von Werner Neumann. [Deutsche Staatsbibliothek Berlin, Mus. ms. Bach P 173]. Leipzig: VEB Deutscher Verlag für Musik. 1/1977. 8p (Einleitung), 86p (Faksimile). 2/1978. 8p (text), 78p (Faks.), 8p (Faks.Textdruck). - Also from N.Y.: Alexander Broude. n.d. [BWV 205]
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228. | Burrows, Donald: The St John Passion and the Performer. MTimes 118/1609 (Mar 1977), 198-199, 201-202
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229. | Buttrey, John: Bach in English. MTimes 118/1614 (Aug 1977), 641
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230. | Neumann, Frederick: Ornamentation in Baroque and Post-Baroque Music with Special Emphasis on J. S. Bach. (1978), 630p Princeton, New Jersey: Princeton University Press 1978. 1983. xiv, 630p.
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231. | Roberts, Rosemary: Bach: Complete arias & sinfonias ... for solo voice, oboe, oboe d'amore, oboe da caccia, basso continuo/piano, vols.1-4. Musica Rara. £8 each. MTimes 119/1626 (Aug 1978), 695-696
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232. | Veilhan, Jean-Claude: The Rules of Musical interpretation in the Baroque Era. (1979), ix, 100p Trans. John Lambert. Paris: Leduc, 1979. ix, 100p.
AmerRecorder xxxiii/1 (1982) 29-30 (Betty Bang Mather) | ||
233. | Steinitz, Paul: Bach's Passions. (1979), ix, 137p London: Paul Elek, 1979, ix, 137p. (= Masterworks of choral music)
MLetters lxi/3-4 (Jul-Oct 1980) 365-367 (Basil Smallman) MReview xlii (1981) 56-57 (Malcolm Boyd) | ||
234. | Kirkendale, Warren: Fugue and Fugato in Rococo and Classical Chamber Music. (1979), xxvii, 383p Revised and expanded second edition translated from the German edition by Margaret Bent and the Author. Durham, N. C.: Duke Univ. Press, 1979. xxvii, 383p.
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235. | Neumann, Werner (ed.): Bilddokumente zur Lebensgeschichte Johann Sebastian Bachs. BachDok 4 (1979), 447p Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1979. 447p. [Ed.-Nr.: BVK 250] ISBN: 3-7618-0250-1. (= Bach-Dokumente. Supplement zu Johann Sebastian Bach. Neue Ausgabe sämtlicher Werke, 4)
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236. | Henkel, Hubert: Beiträge zum historischen Cembalobau. BeitrMwFDDR 11 (1979), 182p Leipzig: Deutscher Verlag für Musik, VEB, 1979. 182p. (= Beiträge zur musikwissenschaftlichen Forschung in der DDR, 11) - Teildr. von: Leipzig, Univ., Sekt. Kulturwiss. u. Germanistik, Diss., 1976.
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237. | Wolff, Christoph; et al.: The New Grove: Bach Family. (1980), 372p London: Papermac Macmillan, 1980, 372p - New York; London: W. W. Norton & Comp., 1983. 372p. (= The Composer Biography Series)
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238. | Kirkendale, Ursula: The Source for Bach's Musical Offering: The Institutio Oratoria of Quintilian. JAMSoc 33/1 (Spring 1980), 88-141
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239. | Naylor, C. B.: Solo and Tutti in Bach. MTimes 121/1654 (Dec 1980), 765 Letters to the Editor.
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240. | Forkel, Johann Nicolaus: Sur la vie, l'art et l'oeuvre de Johann Sebastian Bach. (1981), 198p Introd. et notes par Alfred Dürr; traduit de l'allemand par Geneviève Geffray. - Paris: Flammarion 1981. 198p. ISBN: 2080643991. - R/1999, 198p. (= Harmoniques: Sér. Les Goûts réunis)
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241. | Daw, Stephen: The Music of Johann Sebastian Bach: The Choral Works. (1981), 240p Rutherford, N. J.: Fairleigh Dickinson Univ. Press 1981, 240p.
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242. | Lewis, Nigel: Paperchase: Mozart, Beethoven, Bach ... The Search for their Lost Music. (1981), x, 246p London: Hamish Hamilton, 1981. x, 246p. ISBN: 0-241-10235-9.
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243. | Croucher, Trevor (comp.): Early Music Discography: From Plainsong to the Sons of Bach. (1981), xviii, 273p; v, 302p Vol. 1: Record index; Vol. 2:Composer, plainsong, anonymous work and performer indexes - London: Library Association Publishing, 1981. xviii, 273p.; v, 302p.
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244. | McLean, Hugh: Bach and Schwarzschild. MTimes 122/1665 (Nov 1981), 734 [BWV 545; 545b (Anh. II)]
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245. | Donington, Robert: Baroque Music: Style and Performance: A Handbook. (1982), x, 206p London: Faber, 1982. x, 206p. ISBN: 0571100414.
NZsfM(2) cxliii/10 (1982) 76-77 (Barbara Zuber) Notes xxxix/2 (1982) 65-66 (George B. Stauffer) EarlyM xi/4 (1983) 533,535 (Denis Stevens) MLetters lxvii (1986) 65-66 (Julie Anne Sadie) | ||
246. | Rowe, H. P.: The Goldberg Variations. MTimes 123/1677 (Nov 1982), 746 Letters to the Editor.
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247. | Boyd, Malcolm: Bach. (1983), 290p London: J. M. Dent & Sons, 1983. xiv, 290p. - New York: Vintage, 1987. 2nd edition, Oxford Univ. Press, 1990. xiv, 290p - 3rd edition, Oxford Univ. Press, 2000. xvi, 312p. (= Master Musicians Series)
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248. | Humphreys, David: The Esoteric Structure of Bach's Clavierübung III. (1983), ix, 99p Cardiff Univ. Press, 1983, ix, 99p.
MLetters lxv/4 (Oct 1984) 393-394 (Peter Williams) EarlyM xii/2 (May 1984) 243,245,247 (Keith Elcombe) MAnalysis iv/3 (1985) 303-308 (Alan Street) | ||
249. | Krapf, Gerhard: Bach: Improvised Ornamentation and Keyboard Cadenzas. An Approach to Creative Performance. (1983), x, 90p Dayton, OH: Sacred Music Press 1983. x, 90p.
MReview xlv/1 (1984) 61 (Malcolm Boyd) MTimes cxxvi/1711 (Sep 1985) 536 (Peter Williams: 'Creative Pitfalls') picked on by Ralph Leavis in no.1714 (Dec 1985) 712 'Interpreting Bach'. | ||
250. | Heinrich, Adel Verna: Bach's DIE KUNST DER FUGE. A Living Compendium of Fugal Procedures. With a Motivic Analysis of All the Fugues. (1983), xviii, 351p Univ. Press of America, Washington D.C.: CLL, 1983. xviii, 351p. ISBN: 0-8191-2867-8.
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251. | Hopkins, Antony: The Concertgoer's Companion, I: Bach to Haydn. (1984), 289p London: Dent, 1984. 289p. ISBN: 0-460-04634-9.
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252. | Newman, Anthony: Bach and the Baroque. A Performing Guide to Baroque Music with Special Emphasis on the Music of J. S. Bach. (1985), vi, 212p New York: Pendragon Press 1985. vi, 212p.
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253. | Schulze, Hans-Joachim; Wolff, Christoph: Bach Compendium. Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs. (BC). Band I. Teil 1. Vokalwerke I. BC 1/1 (1985), 426p Frankfurt; Leipzig: Edition Peters, 1985, 426p.
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254. | Wolff, Christoph (ed.): Orgelchoräle der Neumeister-Sammlung. Organ Chorales from the Neumeister Collection. (Yale University Manuscript LM 4708) / Johann Sebastian Bach. [NBA] [4] [9] (1985), x, 70p Erstausgabe / first edition. Hrsg von / Edited by Christoph Wolff. - New Haven, London: Yale University Press and Kassel [u.a.]: Bärenreiter, 1985. x, 70p. Ed.-Nr.: BA 5181 (Pre-print of Neue Ausgabe sämtlicher Werke IV/9) [BWV 714, 719, 742, 957, 1090-1120]
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255. | Ottenberg, Hans-Günter: C. P. E. Bach. (1987), xi, 280p Trans. by Philip J. Whitmore. Oxford, New York: Oxford University Press, 1987. xi, 280p. ISBN: 0-19-315246-0.
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256. | Vogt, Hans: Johann Sebastian Bach's Chamber Music. Background, Analyses, Individual Works. (1988), 262p Trans. Kenn Johnson, ed. Reinhard G. Pauly. Portland, Oregon: Amadeus Press, 1988. 262p.
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257. | Wesley, Eliza (ed.): The Wesley-Bach Letters. (1988), 65p A Facsimile Reprint of the First Prited Edition. Introduction by Peter Williams. London: Novello, 1988. xxi, 65p.
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258. | Clark, Stephen L. (ed.): C. P. E. Bach Studies. [ce]CPEBachStud (1988), xv, 346p Oxford: Clarendon Press, 1988. xv, 346p
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259. | Valenti, Fernando: A Performer's Guide to the Keyboard Partitas of J. S. Bach. (1989), 136p New Haven, London: Yale Univ. Press, 1989, viii, 136p
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260. | Stinson, Russell: The Bach Manuscripts of Johann Peter Kellner and His Circle. A Case Study in Reception History. (1989), xvi, 184p Durham, London: Duke Univ. Press, 1989. xvi, 184p. ISBN: 0-8223-1006-6.
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261. | Helm, E. Eugene: Thematic Catalogue of the Works of Carl Philipp Emanuel Bach. [H] (1989), xxvii, 271p New Haven: Yale University Press, 1989. xxvii, 271p. ISBN: 0-300-02654-4.
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262. | Butler, Gregory G.: Bach's Clavier-Übung III: The making of a print. With a companion study of the Canonic Variations on 'Vom Himmel hoch', BWV 769. (1990), 139p Duke University Press, 1990. 139p. ISBN: 0-8223-1009-0.
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263. | Butt, John: Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. (1990), xiii, 278p Cambridge; N.Y.; Port Chester; Melbourne; Sydney: Cambridge University Press, 1990. xiii, 278p.
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264. | Tatlow, Ruth: Bach and the Riddle of the Number Alphabet. (1991), 186p Cambridge University Press, 1991. 186p
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265. | Little, Meredith; Jenne, Natalie: Dance and the Music of J. S. Bach. (1991), x, 249p Bloomington: Indiana Univ. Press, 1991. x, 249p. ISBN: 0253335140. - Paperback edn. 1998. ISBN: 0253212111. - Revised and expanded edn. Indiana Univ. Press, 2001. 288p. ISBN: 0-253-33936-7.
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266. | Butt, John: Bach: 'Mass in B Minor'. CambridgeMHandb (1991), 126p Cambridge Univ. Press, 1991. 126p. (= Cambridge Music Handbooks)
MTimes cxxxiii/1792 (Jun 1992) 298, 300 (Stephen Daw) ChoralJournal xxxii/9 (1992) 47-49 (John Devorick) ColMSocNL (1993) 2 (James Parakilas) Organists' Review lxxiv (1993) 260 (Paul Hale) Fanfare xvii/4 (1994) 472-473 (Bernard D. Sherman) JMcolResearch xiii/3-4 (1993) 257-272 (George Boyer Stauffer) JMcolResearch xiv/3-4 (1995) 223-234 (Joshua Rifkin) Notes li/4 (Jun 1995) 1321-1323 (Peter Wollny) BachNotesLBS (Sep 2004) [4] (Margaret Steinitz) | ||
267. | Schulenberg, David: The Keyboard Music of J. S. Bach. (1992), 473p New York: Schirmer Books, 1992; London: Victor Gollancz, 1993, 473p. ISBN: 0-575 05518-9. - Second Edition. New York: Routledge, 2006. viii, 535p. ISBN: 0-415-97399-6; 0-415-97400-3; 978-0-415-97399-1; 978-0-415-97400-4.
ContemporaryReview cclxiii (1993) 273-274 (Bruce Pattison) MTimes cxxxiv/1804 (Jun 1993) 333 (Howard Schott) Organists' Review lxxix (1993) 362 (Ivor Keys) Piano&Keyboard No.166 (1994) 82-83 (John Butt) EarlyKeyboardJ xii (1994) 132-136 (Richard Troeger) Fanfare xvii/6 (1994) 355-356 (Bernard D. Sherman) MLetters lxxv/2 (May 1994) 268-270 (Peter Williams) EarlyM xxii/1 (Feb 1994) 137-139 (David Ledbetter) Diapason lxxxv/5:1014 (May 1994) 5-6 (James B. Hartmann) Alison Dunlop, 'On-line Book Review' | ||
268. | Stinson, Russell (ed.): Keyboard Transcriptions from the Bach Circle. RecentResearchMBaroq 69 (1992), xviii, 131p Edited by Russell Stinson. - Madison: A-R Editions, 1992. xviii, 131p. ISBN: 0-89579-269-9; 978-0-89579-269-3. (= Recent researches in the music of the baroque era, B 69)
Notes l/1 (Sep 1993) 376-378 (Peter Wollny) Mf xlvi/3 (1993) 344 (Annette Otterstedt) MLetters lxxiv/4 (Nov 1993) 650-651 (Richard D. P. Jones) OrganYb xxiv (1994) 143 (Peter Williams) NRivistaMItali xxviii/1 (1994) 125-127 (Giorgio Cerasoli) | ||
269. | Boyd, Malcolm: Bach: The Brandenburg Concertos. (1993), x, 111p Cambridge Univ. Press, 1993, x, 111p.
HistBrassSocJ vi (1994) 374-377 (Thomas Hiebert) MusicaAntiqua xi/1 (1994) 42 (Hermann Beaten) Choice. Current Review for Academic Books xxxii (1994) 122-123 (P. G. Swing) MLetters lxxvi/3 (Aug 1995) 436-437 (John Butt) Brio xxxii/1 (1995) 42-43 (Clifford Bartlett) Fanfare xix/2 (1995) 542 (Bernard D. Sherman) | ||
270. | Badura-Skoda, Paul: Interpreting Bach at the Keyboard. (1993), xvi, 573p Trans. by Alfred Clayton. Oxford: Clarendon Press; New York: Oxford Univ. Press, 1993. xvi, 573p. ISBN: 0-19-816155-7.
Choice. Current Review for Academic Books xxxi (1994) 1589 (J. P. Ambrose) MTimes cxxxvi/1826 (Apr 1995) 192-193 (Ton Koopman) MTeacher lxxv/4 (1996) 31 (Michael Round) NRivistaMItali xxxii/1-4 (1998) 464-465. | ||
271. | Butt, John: Music education and the art of performance in the German Baroque. CambridgeMlTextsMonographs (1994), xix, 237p Cambridge: Cambridge Univ. Press, 1994. xix, 237p. (= Cambridge Musical Texts and Monographs)
EarlyM xxiii/2 (May 1995) 315-316 (David Ledbetter) MTimes cxxxvi (1995) 308-309 (George Pratt) Tibia xx (1995) 468-469 (Thomas Seedorf) PerformPractReview viii/2 (Fall 1995) 171-176 (David Schulenberg) Consort li/2 (1995) 153–154 (Peter Wollny) | ||
272. | Poulin, Pamela L. (trans.): J. S. Bach's Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts. Leipzig, 1738. EarlyMSer 16 (1994), 140p Trans. with facsimile, introduction and explanatory notes. Preface by Christoph Wolff. - Oxford: Clarendon Press, 1994. xxvii, 112p. ISBN: 0-19-81625-1. (= Early Music Series, 16)
EarlyMToday iii (1995) 22 MTimes cxxxvi/1831 (Sep 1995) 486-487 (Richard Langham Smith) EarlyM xxiv/1 (Feb 1996) 159 (Malcolm Boyd) Notes lii/4 (Jun 1996) 1165-1166 (F. Ellisworth Peterson) MLetters lxxvii/2 (May 1996) 271-272 (John Butt) Brio xxxiii/1 (1996) 63-64 (Katharine Hogg) Diapason lxxxviii/3:1048 (Mar 1997) 9-10 (Dietrich Bartel) | ||
273. | Marissen, Michael: The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. (1995), 160p Princeton Univ. Press, 1995. 160p. - 2/1999. 150p. ISBN: 0-691-00686-5.
Notes lii/4 (Jun 1996) 1165-1166 (F. Ellisworth Peterson) MLetters lxxvii/3 (Aug 1996) 466-469 (Michael Talbot) EarlyM xxiv/3 (Aug 1996) 503-505 (David Ledbetter) HistBrassSocJ viii (1996) 127-128 (Andrew Parrott) ChurchHist lxv/4 (Dec 1996) 717-718 (Paul Westermeyer) JRMA cxxii/1 (1997) 127-130 (David Humphreys) MTimes cxli/1871 (Summer 2000) 63-67 (Yo Tomita) | ||
274. | Melamed, Daniel R.: J. S. Bach and the German Motet. (1995), xv, 229p Cambridge Univ Press, 1995. xv, 229p - R/2005 (paperback). xv, 229p. ISBN: 0-521-61976-9.
MLetters lxxvii/3 (Aug 1996) 469-470 (Malcolm Boyd) Brio xxxiii/1 (1996) 61 (Katharine Hogg) CanadianUnivMReview xvii/1 (1996) 127-131 (Erich Schwandt) TimesLiterarySuppl 4872 (16 Aug 1996) 20 (Iain Fenlon) JAMSoc l/1 (Spring 1997) 211-217 (John Butt) ChoralJ xxxvii/7 (1997) 44-45 (Edward Lundergan) JMcolResearch xvii/3-4 (1998) 261-269 HNetReviews (Oct 2006) (Janette Tilley) | ||
275. | Webber, Geoffrey: North German church music in the age of Buxtehude. (1996), xii, 236p Oxford: Clarendon Press, 1996. xii, 236p. ISBN: 0-19-816212-X.
EarlyMReview 21 (1996) 2 (Clifford Bartlett) SacredM cxxiii/2 (1996) 27 (Richard J. Schuler) MLetters lxxviii/3 (1997) 421-422 (Gregory S. Johnston) Mf l/3 (1997) 360 (Christoph Albrecht) EarlyMHist xvi (1997) 302-309 (John Butt) MAntiqua xiv/3 (1997) 135-136 (Greta Haenen) J17cM v/1 (1999) (David Yearsley) | ||
276. | Dreyfus, Laurence: Bach and the Patterns of Invention. [ce]Dreyfus (1996), 270p Cambridge, MA: Harvard Univ. Press, 1996. [v], 270p. ISBN: 0674060059; Paperback edn. 2004. 288p. ISBN: 0-674-01356-5
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277. | Sherman, Bernard D.: Inside Early Music: Conversations with Performers. (1997), xi, 414p New York and Oxford: Oxford University Press, 1997. xi, 414p. ISBN: 0-19-516945-X.
MTimes cxxxix/1863 (Summer, 1998) 60-62 (Richard Langham Smith) Notes liv/4 (Jun 1998) 936-938 (Tom Moore) EarlyM xxvii/2 (May 1999) 319-320 (Daniel Leech-Wilkinson) | ||
278. | Clark, Stephen L. (ed.): The Letters of C. P. E. Bach. (1997), xlii, 308p Oxford: Clarendon Press; New York: Oxford University Press, 1997. xlii, 308p. ISBN: 0-19-816238-3.
OrganYb xxvii (1997) 166-167 (Peter F. Williams) MTimes cxxxix/1860 (1998) 34-35 (Robert Anderson) BachJb lxxxiv (1998) 201-202 (Christoph Wolff) MLetters lxxx/3 (Aug.1999) 441-443 (Susan Wollenberg) | ||
279. | Butt, John (ed.): The Cambridge Companion to Bach. [ce]CambridgeCompanion_Bach (1997), xv, 326p Cambridge Univ. Press, 1997. xv, 326p. ISBN: 0-521-45350-X; 0-521-58780-8; 0-521-45962-1. (= Cambridge Companions to Music)
MLetters lxxix/2 (May 1998) 277-278 (Peter Williams) TimesLiterarySuppl 4990 (1998) 11-12 (Peter Williams) OMzs liii/11 (1998) 83-84 (Markus Grassl) MTimes cxxxix/1860 (Feb 1998) 26-28 (Wilfrid Mellers) MusicaAntiqua xvii/3 (2000) 138 (Verstraete, Diederik) | ||
280. | David, Hans T.; Mendel, Arthur; Wolff, Christoph (eds.): The New Bach Reader. A Life of Johann Sebastian Bach in Letters and Documents. (1998), liv, 511p Edited by Hans T. David and Arthur Mendel, revised and enlarged by Christoph Wolff. - New York: W. W. Norton, 1998. liv, 511p. ISBN: 0-393-04558-7.
MTimes cxxix/139 (Winter 1998) 66-67 (Yo Tomita) Brio xxxv/2 (Fall-Winter 1998) 114-115 (Ruth Tatlow) TimesLiterarySuppl 4990 (20 Nov 1998) 3 (Peter Williams) AmerOrganist(2) xxxii/11 (1998) 85 (Frank Morana) EarlyM xxvii/1 (Feb 1999) 126-127 (David Ledbetter) BBCMMag (Feb 1999) 83 (Bryan Northcott) MLetters lxxx/2 (May 1999) 283-286 (John Butt) Notes lv/4 (Jun 1999) 893-894 (Edward McIrvine) Yo Tomita, 'On-line Book Review' | ||
281. | Melamed, Daniel R.; Marissen, Michael: An introduction to Bach Studies. (1998), xi, 189p New York and Oxford: Oxford University Press, 1998. xi, 189p.
Notes lv/4 (Jun 1999) 890-892 (John Butt) MLetters lxxxi/3 (Aug 2000) 444-446 (Matthew Dirst) | ||
282. | Dürr, Alfred; Kobayashi, Yoshitake; Beißwenger, Kirsten (eds.): Bach-Werke-Verzeichnis: Kleine Ausgabe (BWV2a). (1998), xxvii, 490p Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe, hrsg. von Alfred Dürr und Yoshitake Kobayashi unter Mitarbeit von Kirsten Beißwenger. - Breitkopf & Härtel, 1998. xxvii, 490p. ISBN: 3-7651-0249-0.
MTimes cxxix/139 (Winter 1998) 66-68 (Yo Tomita) Brio xxxv/2 (Fall-Winter 1998) 114-115 (Ruth Tatlow) Concerto xv/138 (Nov 1998) 10 (Bernd Heyder) MGottesd liii/2 (1999) 68-69 (Matthias Hochhuth) Notes lv/4 (Jun 1999) 890-892 (John Butt) AmerOrganist(2) xxxiii/7 (Jul 1999) 70-71 (Frank Morana) MAntiqua xvi/2 (May 1999) 89 (Karolien Selhorst) MLetters lxxx/3 (Aug 1999) 440-441 (Richard D. P. Jones) OrganYb xxix (2000) 195-196 (Peter F. Williams) OMzs xxxiii/4 (2000) 40 (Hans-Joachim Hinrichsen) Mf liv/1 (Jan-Mar 2001) 74-76 (Walter Werbeck) | ||
283. | Thistlethwaite, Nicholas; Webber, Geoffrey (eds.): Cambridge Companion to the Organ. [ce]CambridgeCompanion_Organ (1998), xiv, 340p Cambridge Univ. Press, 1998. xiv, 340p. ISBN: 0-521-57309-2; 0-521-57584-2.
BIOS xxiii (1999) 194-196 (Peter F. Williams) MTimes cxl/1867 (1999) 77 (Ann Bond) JAmerMInstrSoc xxvi (2000) 228-231 (Arthur Lawrence) Notes lvi/3 (2000) 693-694 (Peter V. Picerno) CanadianUnivMReview xx/2 (2000) 105-113 (Lynn Cavanagh) MLetters lxxxi/3 (2000) 441-442 (Keith Elcombe) EarlyKeyboardJ xix (2001) 202-205 (Ardyth J. Lohuis) | ||
284. | Rowland, David (ed.): The Cambridge companion to the piano. [ce]CambridgeCompanion_Piano (1998), xiv, 244p Cambridge University Press, 1998. xiv, 244p. ISBN: 0-521-47470-1; 0-521-47986-X.
McolAustralia xxii (1999) 72-73 (Deborah Crisp) BritishJMEduc xvi/2 (1999) (Richard Crozier) JAmerMInstrSoc xxvi (2000) 221-224 (Stephen Siek) JMusicolResearch xx/1 (2000) 93-96 (Candace Bailey) MLetters lxxxii/2 (2001) 303-307 (Elizabeth Norman McKay) | ||
285. | Lawson, Colin; Stowell, Robin: The historical performance of music: an introduction. (1999), 219p Cambridge; New York: Cambridge University Press, 1999. xiii, 219p. ISBN: 0-521-62193-3; 0-521-62738-9.
HistBrassSocNL xiii (2000) 36 (Jeffrey Nussbaum) BritishJMEduc xvii/3 (2000) 311-312 (Laurence Cummings) EarlyMReview 64[?] (2000) 8 (Clifford Bartlett) Newsletter of AmerMInstrSoc xxx/2 (2001) 2-4 (Louise Lee) | ||
286. | Lester, Joel: Bach's Works for Solo Violin: Style, Structure, Performance. (1999), x, 186p New York: Oxford University Press, 1999. x, 186p. ISBN: 0-19-517144-6. - repr. edn. 2003.
TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze) EarlyMReview 57 (Feb 2000) 6 (Clifford Bartlett) Notes lvii/1 (Sep 2000) 127-131 (David Schulenberg) TheoryPractice xxvi (2001) 117-140 (Karl Braunschweig) MLetters lxxxii/1 (Feb 2001) 106-108 (Peter Walls) TijdschrMtheorie ix/1 (Feb 2004) 67-70 (Clemens Kemme; Johannes Leertouwer) MOpinion (Jul 2005) (David Hazel) | ||
287. | Boyd, Malcolm (ed.): Oxford Composer Companions: J. S. Bach. (1999), xxv, 626p Oxford Univ. Press, 1999. xxv, 626p. ISBN: 0-19-866208-4.
LibraryJ cxxiv/9 (1999) 88 AmerOrganist(2) xxxiv/1 (2000) 99-100 (Frank Morana) EarlyMReview 57 (Feb 2000) 5-6 (Clifford Bartlett) | ||
288. | Payne, Ian: Another Telemann Misattribution: Doubtfully Bred. MTimes 140/1869 (Winter 1999), 37-42
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289. | Cole, Warwick: Reflections on Bach's 'Ich ruf zu dir': Signs and portents. MTimes 140/1869 (Winter 1999), 56-61 [BWV 639]
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290. | Dürr, Alfred: Johann Sebastian Bach's St John Passion: Genesis, Transmission and Meaning. (2000), 182p Translated by Alfred Clayton. Oxford Univ. Press, 2000, xiii, 182p
EarlyM xxix/4 (Nov 2001) 637-640 (David Humphreys) MTimes cxlii/1874 (Spring 2001) 63-64 (Peter Williams) TimesLiterarySuppl 5126 (29 Jun 2001) 19 (John Butt) | ||
291. | Moroney, Davitt: Bach: an extraordinary life. (2000), vi, 122p The Associated Board of the Royal Schools of Music, 2000. vi, 122p. ISBN: 1-86096-190-8.
MTimes cxli (Spring 2000) 61-63 (Ivan Hewett) EarlyMReview 63 (Sep 2000) 5-6 (Clifford Bartlett) MLetters lxxxii/2 (May 2001) 302-303 (Stephen Rose) Goldberg xv (2001) 12 (Eric van Tassel) ClassicalGuitar xix/12 (Aug 2001) 35-36 (Colin Cooper) ClassicalGuitar xx/9 (May 2002) 33 (Colin Cooper) Stringendo xxv/1 (2003) 24 (Martin Jarvis) | ||
292. | Parrott, Andrew: The Essential Bach Choir. (2000), xi, 223p Woodbridge: the Boydell Press, 2000. xi, 223p. ISBN: 0-85115-786-6
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293. | Chafe, Eric T.: Analyzing Bach Cantatas. (2000), xvii, 286p New York: Oxford University Press, 2000, xvii, 286p. ISBN: 0-19-512099-X.
EarlyMReview 65 (Nov 2000) 5 (Clifford Bartlett) MTimes cxli/1872 (Fall 2000) 13-15 (Peter Williams) CurMcol lxx (Fall 2000) 141-158 (John Ito) EarlyM xxix/4 (Nov 2001) 637-640 (David Humphreys) EarlyMHist xxi/1 (2002) 259-290 (John Butt) JAMSoc lv/3 (Fall 2002) 538-547 (Mary J. Greer) MLetters lxxxiv/1 (Feb 2003) 95-97 (Matthew Dirst) Notes lx/4 (Jun 2004) 961-963 (Calvin Stapert) | ||
294. | Wolff, Christoph: Johann Sebastian Bach: The Learned Musician. (2000), xvii, 599p New York: W. W. Norton; Oxford: Oxford University Press, 2000. xvii, 599p. ISBN: 0-19-816534-X (Oxford); 0-393-04825-X (Norton). - paperback edn. 2002. ISBN: 0-19-924884-2 (Oxford); 0-393-32256-4 (Norton). - upd edn. New York [u.a.]: Norton, 2013. xxxv, 599p. ISBN: 978-0-393-32256-9.
New York Times Book Review (9 Apr 2000) 26-27 (Edward Rothstein) NYReviewBooks, xlvii/10 (Jun 15 2000) 47-51 (Robert Marshall) The New Republic (10 & 17 Jul 2000) 33-38 (John Butt) MTimes cxli/1872 (2000) 13-15 (Peter Williams) AmerOrganist(2) xxxiv/12 (2000) 50-51 (Frank Morana) TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze) EarlyMReview 61 (Jun 2000) 5 (Clifford Bartlett) EarlyM xxix/1 (Feb 2001) 128-129 (David Ledbetter) ExecutiveIntelligReview xxviii/11 (March 16, 2001) 62-67 (David Shavin) London Review of Books, xxiii/14 (19 Jul 2001) 11-13 Notes lviii/1 (Sep 2001) 59-62 (David Schulenberg) MLetters lxxxii/4 (Nov 2001) 622-625 (Michael Talbot) JAMSoc liv/2 (Summer 2001) 374-382 (David Yearsley) Tracker xlvi/4 (2002) 19 (John Ogasapian) AmerChoralReview xliv/2 (2002) 6-7 | ||
295. | Smither, Howard E.: A History of the oratorio. Vol.4: The oratorio in the nineteenth and twentieth centuries. (2000), xxiv, 829p Chapel Hill, N.C.; London: University of North Carolina Press, c2000. xxiv, 829p. ISBN: 0807825115.
MTimes cxlii/1875 (2001) 78-80 (Michael Fuller) MLetters lxxxiii/3 (2002) 480-482 Mf lvi/1 (2003) 88-89 (Martin Loeser) | ||
296. | Walker, Paul Mark: Theories of Fugue from the Age of Josquin to the Age of Bach. EastmanStudM 13 (2000), 485p Rochester Univ. Press, 2000. 485p. ISBN: 1-580-46029-1. (= Eastman Studies in Music, 13)
MTimes cxlii/1876 (Autumn 2001) 67-68 (Peter Williams) OrganYb xxx (2001) 232-233 (Peter Williams) Notes lviii/2 (Dec 2001) 332-334 (David Yearsley) MLetters lxxxii/4 (Nov 2001) 613 (Lionel Pike) TimesLiterarySuppl 5131 (2001) 28 AmerOrganist(2) xxxvi/11 (Jan 2002) 105-106 (John Ogasapian) AmerRecorder xliv/1 (Jan 2003) 17 (Scott Paterson) | ||
297. | Olleson, Philip (ed.): The Letters of Samuel Wesley. Professional and Social Correspondence, 1797-1837. (2001), lxiii, 516p Oxford: Oxford University Press, 2001. lxiii, 516p
Tracker xlvi/4 (2002) 23-25 (John Ogasapian) TimesLiterarySuppl 5147 (2001) 5-6 (Judith Weir) MTimes cxliii/1879 (2002) | ||
298. | Rowland, David: Early keyboard instruments: A practical guide. (2001), xi, 154p New York: Cambridge Univ. Press, 2001. xi, 154p. ISBN: 0-521-64366-X.
AmerOrganist(2) xxxv/9 (2001) 82-88 (John K. Ogasapian) Notes lix/1 (2002) 94-97 (Tom Beghin) Consort lviii (2002) 83-84 (Gerald Gifford) EarlykeyboardJ xx (2002) 209-212 (Max H. Yount) EarlyM xxx/2 (2002) 285 (John Kitchen) MLetters lxxxiv/1 (Feb 2003) 89-91 (Dorothy De Val) | ||
299. | Williams, Peter F.: Bach: The Goldberg Variations. CambridgeMHandb (2001), 101p Cambridge: Cambridge Univ. Press, 2001. 101p. ISBN: 0-521-80735-2; 0-521-00193-5. (= Cambridge music handbooks)
Yo Tomita, 'On-line Book Review' Notes lix/2 (Dec 2002) 346-348 (Matthew Dirst) TimesLiterarySuppl 5163 (15 Mar 2002) 21 (Martin J. Smith) EarlyKeyboardJ xxi (2003) 113-118 (William Cowdery) MLetters lxxxiv/1 (Feb 2003) 95-97 (Stephen Rose) 18cM i/2 (Sep 2004) 318-319 (Denis Collins) | ||
300. | Tilmouth, Michael; Kimbell, David; Savage, Roger (eds.): The classics of music: talks, essays, and other writings previously uncollected Donald Francis Tovey. [ce]Tovey (2001), li, 821p New York: Oxford Univ. Press, 2001. li, 821p. ISBN: 0-19-816214-6; 978-0-19-816214-8.
TimesLiterarySuppl 5155 (18 Jan 2002) 25 (Charles Rosen) BMSNews 93 (Mar 2002) 252-253 (Peter Shore) AdParnassum i/1 (Apr 2003) 169-174 (William M. Drabkin) MLetters lxxxiv/3 (Aug 2003) 500-502 (William M. Drabkin) | ||
301. | Jones, Richard D. P. (ed.): The art of fugue BWV 1080 / J. S. Bach. (2002), 127p London: The Associated Board of the Royal Schools of Music, 2002. 127p with 2 CDs. ISBN: 1-85472-870-9. [BWV 1080]
Stringendo xxv/1 (2003) 26 (Martin Jarvis) | ||
302. | Hochreither, Karl: Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach. (2002), xiii, 217p Trans. by Melvin Unger. Lenham: Scarecrow Press, 2002. xiii, 217p. ISBN: 0-8108-4258-0.
AmerOrganist(2) xxxvii/2 (2003) 87-88 (James L. Wallmann) Diapason xciv/4:1121 (Apr 2003) 7-8 (James B. Hartman) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) AmerOrganist(2) xxxvii/2 (2003) 87-88 (James L. Wallmann) 18cM i/1 (Mar 2004) 92-93 (Yo Tomita) MLetters lxxxv/4 (Nov 2004) 629-631 (Andrew Parrott) | ||
303. | Garratt, James: Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music. (2002), xiv, 318p Cambridge: Cambridge University Press, 2002. xiv, 318p. ISBN: 0-511-02917-9 (e-book); 0-521-80737-9 (hardback) (= Musical Performance and Reception)
MTimes cxliv (Fall-Winter 2003) 64 (Peter Phillips) JAMSoc lviii/2 (Summer 2005) 458-467 (David Gramit) Notes lx/3 (Mar 2004) 666-668 (Richard Boursy) MLetters lxxxvi/1 (Feb 2005) 139-142 19cMReview i/1 (2005) 176-179 (Stefano Mengozzi) | ||
304. | Butt, John: Playing with History: The Historical Approach to Musical Performance. (2002), xv, 265p Cambridge: Cambridge University Press, 2002. xv, 265p. ISBN: 0-521-81352-2 (hardback); 0-521-01358-5 (paperback); 0-511-03020-7 (eBook).
MTimes cxliii (Fall-Winter 2002) 68-69 (Peter Williams) EarlyKeyboardJ xxi(2003) 89-93 (Richard T. Semmens) TijdschriftOudeMuziek xviii/1 (Feb 2003) 32-33 (Johannes Boer) EarlyMAmer x/1 (Spring 2004) 55-56 (Tina Chancey) JAMSoc lix/2 (Summer 2006) 482-488 (Bernard D. Sherman) | ||
305. | Yearsley, David: Bach and the Meanings of Counterpoint. (2002), xvi, 257p Cambridge UP, 2002. xvi, 257p. ISBN: 0-521-80346-2. - repr. 2010. ISBN: 978-0-521-09099-5.
TijdschrMtheorie viii/2 (May 2003) 168-169 (Thomas Op de Coul) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) EarlyM xxxi/2 (May 2003) 275-276 (David Humphreys) JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg) ColMSymposium xliv (2004) (Jane Solose) McolAustralia xxvii (2004) 135-138 (Denis Collins) 18cM i/1 (Mar 2004) 100-104 (James Currie) MEducatorsJ xc/4 (Mar 2004) 77-78 (Michelle Barnes) CanadianUnivMReview xxiv/2 (2004) 87-90 (Janette Tilley) BachNotesABS 3 (Spring 2005) 6-7 (Paul M. Walker) MTheorySpec xxvii/1 (Spring 2005) 113-117 (Daniel K. L. Chua) JAMSoc lviii/3 (Fall-winter 2005) 710-717 (George B. Stauffer) MTheoryOnline xii/1 (Feb 2006) (Peter N Schubert) | ||
306. | Ledbetter, David: Bach's Well-tempered Clavier: The 48 Preludes and Fugues. (2002), xvi, 414p New Haven and London: Yale University Press, 2002. xvi, 414p. ISBN: 0-300-09707-7.
EarlyMReview 87 (Feb 2003) 3-4 (Clifford Bartlett) AmerBachSocNL (Spring 2003) 4 (Matthew Dirst) AmerMTeacher lii/6 (Jun 2003) 98 (Andrew Hisey) MTimes cxliv/1883 (Summer 2003) 64-66 (Peter Williams) JMcolResearch xxii/4 (2003) 387-402 (David Schulenberg) MLetters lxxxv/2 (2004) 278-280 (Stephen Rose) EarlyKeyboardJ xx (2004) 104-108 (David Yearsley) ZsfLateinamerWien lxxxv/2 (May 2004) 278-280 (Stephen Rose) | ||
307. | Samson, Jim (ed.): The Cambridge history of nineteenth-century music. [ce]CambridgeHist19cM (2002), xv, 772p Cambridge: Cambridge University Press, 2002. xv, 772p. ISBN: 0-521-59017-5.
MTimes cxliii (Winter 2002) 70-72 (Chris Walton) AdParnassum ii/1 (Oct 2003) 152-154 (George Biddlecombe) 19cMReview i/1 (2004) 145-153 (Julian M. Johnson) 19cM xxix/2 (Fall 2005) 185-207 (Richard Taruskin) | ||
308. | Applegate, Celia; Potter, Pamela Maxine (ed.): Music and German national identity. [ce]MGermanNatIdentity (2002), x, 319p Chicago, IL: University of Chicago Press, 2002. x, 319p. ISBN: 0-226-02130-0; 0-226-02131-9.
LiedPopuläreKultur xlviii (2003) 343-346 (Elmar Juchem) MTimes cxliv (Fall 2003) 62-63 (Arnold Whittall) 19cMReview ii/2 (2005) 163-165 (T.J. Hochstrasser) JAMSoc lviii/2 (Summer 2005) 467-472 (Sebastian Klotz) RevueMcol xc/1 (2004) 159-161 (Esteban Buch) Canadian Journal of History xxxix/1 (Apr 2004) 143-145 (David Monod) Kurt Weill newsletter, xxi/2 (Fall 2003) 17-18 (Jürgen Thym) | ||
309. | Cooper, John Michael; Prandi, Julie D. (eds.): The Mendelssohns: Their music in history. [ce]TheMendelssohns (2002), xxii, 382p Oxford: Oxford University Press, 2002. xxii, 382p. ISBN: 0-19-816723-7; 978-0-19-816723-5.
Notes lx/3 (Mar 2004) 678-680 (Marian Wilson Kimber) | ||
310. | Dibble, Jeremy; Zon, Bennett (eds.): Nineteenth-century British music studies. II. [cr]Durham1999 (2002), 342p [2nd biennial conference of the Society for the Study of Music in Nineteenth-Century Britain; Durham; 1999] Aldershot: Ashgate, 2002. 342p. ISBN: 0-7546-0641-4; 978-0-7546-0641-3.
Mf lvi/4 (Oct-Dec 2003) 464-465 (Jürgen Schaarwächter) | ||
311. | Holloway, Robin: Two on Bach-performances. (2003), 3-6 In: On music: Essays and diversions 1963-2003. Brinkworth: Claridge, 2003. xiii, 438p. ISBN: 1-87062-674-5; pp.3-6.
MTimes cxlv/1886 (Spring 2004) 97-101 (Arnold Whittall) NoviZvuk 25 (2005) 81-84 (Chris Walton) NewSound 25 (2005) (Chris Walton) 20cM ii/1 (Mar 2005) 150-156 (Anthony Powers) Tempo 59 (Jul 2005) 63-65 (John L. Pickard) | ||
312. | Troeger, Richard: Playing Bach on the Keyboard: A Practical Guide. (2003), 306p Pompton Plains, NJ: Amadeus Press, 2003. 306p. ISBN: 1-57467-084-0.
ClavichordInternat viii/2 (Nov 2004) 60-61 (Francis Knights) EarlyMAmer xi/2 (Summer 2005) 45 (Tina Chancey) EarlyKeyboardJ xxiii (2005) 128-132 (Joyce Lindorff) | ||
313. | Kassler, Michael: Charles Edward Horn's Memoirs of his Father and Himself. (2003), ix, 131p Aldershot: Ashgate, 2003. ix, 131p. ISBN: 0-7546-3174-5.
McolAustralia xxvii (2004-2005) 133-134 (Maria McHale) MLetters lxxxvi/2 (May 2005) 297-298 (Nicholas Temperley) | ||
314. | Fabian, Dorottya: Bach Performance Practice, 1945-1975: A Comprehensive Review of Sound Recordings and Literature. (2003), xiv, 314p Aldershot: Ashgate, 2003. xiv, 314p. ISBN: 0-7546-0549-3; 978-0-7546-0549-2.
EarlyMReview 96 (Dec 2003) 2-3 (Clifford Bartlett) MTimes cxlv/1887 (Summer 2004) 107-110 (Peter Williams) ARSCJ xxxv/2 (Fall-Winter 2004) 249-252 (Rob Haskins) MagyarZene xliii/1 (Feb 2005) 94-98 (Miklós Spányi) Muzsika xlxviii/8 (Aug 2005) 43 (Gergely Fazekas) MScientiae x/1 (Spring 2006) 138-143 (David Milsom) | ||
315. | Heartz, Daniel: Music in European capitals: The galant style, 1720-1780. (2003), xxiv, 1078p New York: W.W. Norton. 2003, xxiv, 1078p. ISBN: 0-393-05080-7; 978-0-393-05080-6.
EarlyMReview 97 (Feb 2004) 9 (Clifford Bartlett) MTimes cxlv (Spring 2004) 112-116 (Patricia Howard) AdParnassum ii/3 (Apr 2004) 191-194 (Michael Talbot) Notes lx/4 (Jun 2004) 958-961 (Mary Sue Morrow) Goldberg 32 (Feb 2005) 12 (Brian Robins) MEducatorsJ xcii/1 (Sep 2005) 25-26 (Ralph D. Converse) MozartJb (2005) 307-311 (Henning Bey) JAMSoc lix/1 (Spring 2006) 196-202 (Susan Wollenberg) 18cM iii/1 (Mar 2006) 148-153 (David Charlton) Mf lix/4 (Oct-Dec 2006) 393-394 (Ludwig Finscher) SaggiatoreM xiv/2 (2007) 448-451 (Raffaele Mellace) | ||
316. | Todd, R. Larry: Mendelssohn: a life in music. (2003), xxix, 683p Oxford [u.a.]: Oxford Univ. Press, 2003. xxix, 683p. ISBN: 0-19-511043-9; 978-019517988-0 (paper).
MTimes cxlv (Summer 2004) 93-103 (Michael Graubart) NYReviewBooks li/17 (4 Nov 2004) 44-46 (Lewis Lockwood) Diapason xcv/11 (Nov 2004) 12-13 (James B. Hartman) 19cMReview ii/2 (2005) 190-193 (Monika Hennemann) AdParnassum iv/7 (Apr 2006) 121-127 (Pietro Zappalà) | ||
317. | Latham, Alison; Anderson, Julian (eds.): Sing, Ariel: Essays and thoughts for Alexander Goehr's seventieth birthday. [fs]Goehr70 (2003), xxii, 369p Aldershot: Ashgate, 2003. xxii, 369p. ISBN: 0-7546-3497-3; 978-0-7546-3497-3.
Tempo lviii/228 (Apr 2004) 42-44 (Edward Venn) 20cM iii/1 (Mar 2006) 150-154 (David Beard) The Delian (Oct 2006) 28-29 (Bill Marsh) MLetters lxxxix/2 (May 2008) 287-290 (Christopher Mark) | ||
318. | Maunder, Richard: The scoring of Baroque concertos. (2004), vii, 287p Woodbridge: Boydell & Brewer, 2004. vii, 287p. ISBN: 1-8438-3071-X.
MTimes cxlv/1889 (winter 2004) 85-89 (Peter Williams) MLetters lxxxvi/2 (May 2005) 287-290 (Michael Talbot) EarlyM xxxiii/3 (Aug 2005) 506-508 (Andrew Manze) | ||
319. | Williams, Peter F.: The Life of Bach. (2004), viii,219p Cambridge Univ. Press, 2004. viii, 219p. ISBN: 0-5221-82636-5 / 0-521-53374-0. (= Musical Lives)
Yo Tomita, 'On-line Book Review' MagyarZene xlii/2 (May 2004) 214-216 (Katalin Komlós) EarlyMReview 101 (Jun 2004) 11 (Clifford Bartlett) BachNotesLBS (Sep 2004) [4] (Margaret Steinitz) Notes lxi/3 (Mar 2005) 772-774 (Daniel Boomhower) BachNotesABS 3 (2005) 7-9 (Jan-Piet Knijff) WeeklyStandard xii/23 (26 Feb 2007) (George B. Stauffer) | ||
320. | Horton, Peter: Samuel Sebastian Wesley: A Life. (2004), xx, 385p Oxford: Oxford University Press, 2004. xx, 385p. ISBN: 0-19-816146-8.
Brio xli/2 (Fall-Winter 2004) 63-64 (Timothy Storey) MLetters lxxxvi/2 (May 2005) 298-299 (Michael Hurd) Diapason xcvi/2 (Feb 2005) 16 (John K. Ogasapian) | ||
321. | Kassler, Michael (ed.): The English Bach Awakening. Knowledge of J. S. Bach and his Music in England 1750-1830. [ce]EnglishBachAwakening (2004), xxi, 455p Aldershot: Ashgate Publishing, 2004. xxi, 455p. ISBN: 1-84014-666-4. (= Music in 19th-Century Britain)
Organ no.331 (2005) 50 (David Baker) EarlyMReview 107 (Jun 2005) 30 (Clifford Bartlett) BachNotesLBS (Sep 2005) [4] (Margaret Steinitz) MTimes cxlvi/1892 (Autumn 2005) 98-100 (Peter Williams) BachJb xci (2005) 311-315 (Anselm Hartinger) Mf lviii/4 (Oct-Dec 2005) 445-446 (Jürgen Schaarwächter) Brio xlii/2 (Autumn/Winter 2005) 39 (Katherine Hogg) McolAustralia xxviii (2005-6) 127-130 (Dorottya Fabian) MLetters lxxxvii/2 (May 2006) 321-322 (Nicholas Temperley) OrganYb xxxv (2006) 166-167 (Peter Williams) 18cStud xl/2 (2007) 330-334 (Matthew Dirst) | ||
322. | Applegate, Celia: Bach in Berlin: Nation and Culture in Mendelssohn's Revival of the 'St. Matthew Passion'. (2005), xii, 288p Ithaca and London: Cornell University Press, 2005. xii, 288p. ISBN: 080144389X.
American historial review. Class I. cxi/5 (2006) 1616-1617 (Pamela M. Potter) Sehepunkte vi/11 (2006) Nations and Nationalism xiii/2 (2007) 355-356 (Mark-Daniel Schmid) Central European History xl/2 (2007) 345-347 (Robert Benzucha) Ian Mills, 'On-line Book Review' BachNotesABS 7 (2007) 12 (Matthew Dirst) MLetters lxxxviii/2 (May 2007) 364-367 (James Garratt) ZsfGesWiss lv/7 (2007) 681 (Hansjakob Ziemer) TimesLiterarySuppl 5423 (Mar 2007) 18 (Richard Coles) JRMA cxxxiii/2 (2008) 334-352 (Ryan Minor) GermHist xxvi/2 (Apr 2008) 319-320 (Matthew Jeffries) | ||
323. | Ellis, Katharine: Interpreting the Musical Past: Early Music in Nineteenth-Century France. (2005), xxii, 298p New York and Oxford: Oxford University Press, 2005. xxii, 298p. ISBN: 0-19-517682-0.
H-France Review vi/61 (May 2006) (William Weber) MTimes cxlvii/1896 (Autumn 2006) (Richard Langham Smith) Notes lxiii/2 (Dec 2006) 355-358 (John Wagstaff) DrammaturgiaM iii (Spring 2007) 108-109 (Giovanni Paolo Di Stefano) CurMcol 86 (2008) 179-184 (Karen Henson) JMcolResearch xxxvii/3 (Jul-Sep 2008) 286-290 (Elinor Olin) | ||
324. | Brüstle, Christa; Heldt, Guido (eds.): Music as a bridge: Musikalische Beziehungen zwischen England und Deutschland 1920-1950. StMaterMw 37 (2005), xv, 263p Christa Brüstle; Guido Heldt (Hg.) - Hildesheim [u.a.]: Georg Olms, 2005. xv, 263p. ISBN: 348712962-0; 978-348712962-4. (= Studien und Materialien zur Musikwissenschaft, 37)
ElgarSocJ xiv/6 (2006) 45-48 (Aidan J. Thomson) | ||
325. | Frisch, Walter: German modernism: Music and the arts. (2006), x, 322p Berkeley, CA: University of California Press, 2005. x, 322p.ISBN: 0-520-243-01-3. (= California studies in 20th-century music, 3) [Chapter 4: Bach, Regeneration, and Historicist Modernism: Bach as Healthy, Bach as Healer; Bach Reception around 1900; Bach and Music Theory; Reger’s Historicist Modernism; Reger’s Organ Suite, op. 16; Reger’s Bach Variations, op. 81; Reger’s Piano Concerto, op. 114; Busoni’s Bach; Toward Irony: Mahler and Bachian Counterpoint]
MTimes cxlvii/1894 (Spring 2006) 102-103 (Arnold Whittall) MLetters lxxxvii/4 (Nov 2006) 658-663 (Nick Chadwick) DrammaturgiaM iii (Spring 2007) 109-112 (Angela Fodale) Mf lx/4 (Oct-Dec 2007) 404-406 (Markus Böggemann) | ||
326. | Thym, Jürgen (ed.): Construction of freedom and other writings / Luca Lombardi. CollEtudesMcol 97 (2006), 631p Transl. by Thomas Donnan and Jürgen Thym. Ed. by Jürgen Thym. With lists of the composer's writings and works by Gabriele Becheri. - Baden-Baden: Koerner, 2006. 631p. ISBN: 3-87320-597-1; 9783873205970. (= Collection d'études musicologiques/Sammlung musikwissenschaftlicher Abhandlungen, 97)
NZsfM(2) clxvii/6 (Nov-Dec 2006) 88 (Torsten Möller) MTimes cxlix/1902 (Spring 2008) 105-108 (Arnold Whittall) | ||
327. | Baron, Carol K.: Bach's Changing World: Voices in the Community. EastmanStudM 37 (2006), xvi, 264p Rochester, NY: Univ. of Rochester Press, 2006. xvi, 264p. ISBN: 1-58046-190-5. (= Eastman studies in music, 37)
EarlyMReview 104 (Aug 2006) 20-21 (Clifford Bartlett) MTimes cxlvii/1898 (Winter 2006) (Peter Williams); 'Letter', cxlviii/1899 (Summer 2007) 2 (Carol Baron; response: Peter Williams) Elise Crean, 'On-line Book Review' EarlyM xxxv/1 (Feb 2007) 118-120 (Stephen Rose) Consort lxiii (Summer 2007) 107-110 (Thomas Cooper) EarlyMHist xxvi (2007) 271-282 (John Butt) J18cStud xxxi/4 (Dec 2008) 622-624 (Elise Crean) | ||
328. | Fuchs, Ingrid (ed.): Festschrift Otto Biba zum 60. Geburtstag. [fs]Biba60 (2006), 812p hrsg. von Ingrid Fuchs. - Tutzing: H. Schneider, 2006. 812p. ISBN: 3-7952-1214-6.
MTimes cxlix/1903 (2008) 109-110 (Chris Walton) | ||
329. | Hinrichsen, Hans-Joachim; Lütteken, Laurenz (eds.): Bruckner--Brahms: Urbanes Milieu als kompositorische Lebenswelt im Wien der Gründerzeit--Symposien zu den Zürcher Festspielen 2003 und 2005. SchweizerBeitrMf 5 (2006), 173p Kassel: Bärenreiter, 2006. 173p. ISBN: 3-7618-1916-1. (= Schweizer Beiträge zur Musikforschung, 5)
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330. | Williams, Peter F.: J.S. Bach: A Life in Music. (2007), xi, 405p Cambridge: Cambridge University Press, 2007. xi, 405p. ISBN: 0-521-87074-7. - 2nd ed. 2012. xi, 405p. ISBN: 978-0-521-30683-6.
BachNotesLBS (Sep 2007) [2] (Margaret Steinitz) MTimes cxlviii/1901 (Winter 2007) 108-109 (Patricia Howard) FontesArtisM lv/1 (2008) 88-89 (Kathryn Lowerre) MLetters lxxxix/4 (2008) 622-625 (John Butt) JAMSoc lxii/2 (Summer 2009) 475-482 (Matthew Dirst) OrganistsReview xcix/1 (Mar 2013) 64 (Paul Hale) | ||
331. | Berger, Karol: Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. (2007), xi, 420p Berkeley, CA: University of California Press, 2007. xi, 420p. ISBN: 978-0-520-25091-8 (hardcover); 978-0-520-25797-9 (paperback).
MTimes cxlix/1903 (Summer 2008) 116-118 (Peter Williams) ActaMozartiana lv/1-2 (Jun 2008) 76-77 (Laurenz Lütteken) BachNotesABS 10 (Fall 2008) 6-7 (Gregory Butler) 19cMReview vi/1 (2009) 91-94 (Marianne Tettlebaum) TimesLiterarySuppl 5524 (13 Feb 2009) 23 (Nicholas Kenyon) Notes lxv/3 (Mar 2009) 503-505 (Bertil van Boer) Modernism/Modernity xvi/2 (Apr 2009) 435-437 (Mary Hunter) IReviewAesthSociolM xl/2 (Dec 2009) 353-359 (Edward Green) 18cM vii/1 (Mar 2010) 107-109 (Matthias Schmidt) FontesArtisM lvii/1 (2010) 126-128 (Bryan Proksch) JAMSoc lxiii/3 (Fall 2010) 658-684 (Robert D. Levin) | ||
332. | Jones, Richard D. P.: The Creative Development of Johann Sebastian Bach. Volume 1: 1695-1717. Music to Delight the Spirit. (2007), xiv, 335p Oxford: Oxford University Press, 2007. xiv, 335p. ISBN13: 978-0-19-816440-1; ISBN10: 0-19-816440-8.
BachNotesLBS (Sep 2007) [3] (Yo Tomita) MTimes cxlviii/1900 (Fall 2007) 97-99 (Peter Williams) EarlyM xxxv/4 (Nov 2007) 634-635 (David Ledbetter): 'Early Bach' MLetters lxxxix/4 (Nov 2008) 618-620 (Stephen Rose) BachNotesABS 12 (Winter 2010) (Matthew Dirst) | ||
333. | Rifkin, Joshua: The 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067. BachPerspectives 6 (2007), 1-98
MTimes cxlviii/1900 (Autumn 2007) 4-6 (Eric Altschuler): 'Flute or Lute?' [Letters] | ||
334. | Perrey, Beate (ed.): The Cambridge companion to Schumann. [ce]CambridgeCompanion_Schumann (2007), xx, 302p Ed. Beate Perrey. - Cambridge: Cambridge University Press, 2007. xx, 302p. ISBN: 0-521-78341-0; 978-0-521783-41-5; 0-521-78950-8; 978-0-521-78950-9.
Intersections xxviii/2 (2008) 128-137 (Glen Carruthers) MTimes cxlix/1902 (Spring 2008) 99-104 (Leo Black) AdParnassum vi/11 (Apr 2008) 103-109 (Claudia Macdonald) Notes lxv/1 (Sep 2008) 64-67 (John Michael Cooper) MLetters xc/3 (Aug 2009) 491-492 (James Garratt) | ||
335. | Cooper, John Michael: Mendelssohn, Goethe, and the Walpurgis night: The Heathen Muse in European Culture, 1700 - 1850. EastmanStudM 43 (2007), xvi, 284p Rochester, NY [u.a.]: Univ. of Rochester Press, 2007. xvi, 284p. ISBN: 1-58046-252-9; 978-1-58046-252-5 (= Eastman studies in music, 43)
TimesLiterarySuppl 5458 (9 Nov 2007) 11 (Hugh Macdonald) Notes liv/3 (Mar 2008) 500-502 (Siegwart Reichwald) JMcolResearch xxvii/2 (Apr-Jun 2008) 200-203 (Jason Geary) 19cMReview v/2 (2008) 109-112 (James Garratt) Mf lxiii/1 (Jan-Mar 2010) 75-76 (Martin Loeser) | ||
336. | Peters, Mark A.: A Woman's Voice in Baroque Music: Mariane von Ziegler and J. S. Bach. (2008), xviii, 192p Aldershot, England; Burlington, VT: Ashgate Publishing, 2008. xviii, 192p. ISBN: 978-7546-5810-8.
Tanja Kovacevic, 'On-line Book Review' MTimes cl/1906 (2009) 104-106 (Patricia Howard) Consort lv (summer 2009) 100-101 (Tom Cooper) MLetters xci/1 (Feb 2010) 100-102 (Bettina Varwig) J18cStud xxxiv/1 (2011) 130-131 (Tanja Kovacevic) | ||
337. | Kassler, Michael: A.F.C. Kollmann's Quarterly Musical Register (1812). An Annotated Edition with an Introduction to his Life and Works. (2008), xviii, 307p Aldershot: Ashgate Publishing, 2008. xviii, 307p. ISBN: 978-0-7546-6064-4.
MTimes cl/1909 (Winter 2009) 115-116 (Peter Williams) BIOSJ xxxiii (2009) 205-206 (Katharine Pardee) BeethovenJ xxiv/1 (Summer 2009) 41 McolAustralia xxxii/1 (Jul 2010) 141-143 (Jason Stoessel) OrganYb xxxix (2010) 159-161 (Peter Williams) | ||
338. | Manning, David (ed.): Vaughan Williams on music. [ce]VaughanWilliamsOnMusic (2008), xix, 435p New York, NY: Oxford University Press, 2008. xix, 435p. ISBN: 0-19-518239-1; 978-0-19-518239-2.
British Music Society news 119 (Sep 2008) 28 (Robert Barnett) Notes lxv/2 (Dec 2008) 319-321 (Julian Onderdonk) 20cM vi/2 (Sep 2009) 260-264 (Ryan Ross) | ||
339. | Gramit, David (ed.): Beyond The art of finger dexterity: Reassessing Carl Czerny. EastmanStudM 53 (2008), xiii, 280p [Carl Czerny International Symposium; Alberta, Canada; 2002] Rochester, NY: University of Rochester, 2008. xii, 280p. ISBN: 1-58046-250-2; 978-1-58046-250-1. (= Eastman studies in music, 53)
AdParnassum vi/12 (Oct 2008) 155-161 (Rohan H. Stewart-MacDonald) MTimes cxlix/1904 (Fall-Winter 2008) 97-104 (Peter Williams) JMcolResearch xxviii/4 (Oct-Dec 2009) 340-346 (Kenneth Hamilton) | ||
340. | Vial, Stephanie D.: The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'. EastmanStudM 55 (2008), xvi, 358p Rochester: University of Rochester Press, 2008. xvi, 358p. ISBN-13: 978-1-58046-034-7. (= Eastman Studies in Music, 55)
TijdschrMtheorie xiv/3 (Nov 2009) 202-205 (Hans Maas) JMcolResearch xxix/1(Jan-Mar 2010) 73-79 (Donald R. Boomgaarden) 18cM vii/2 (Sep 2010) 293-295 (Thomas Irvine) | ||
341. | Altschuler, Eric Lewin: Enharmonics in Bach. MTimes 149/1903 (Summer 2008), 2-4 Letters. [BWV 542/1, 637, 1005/1, 968]
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342. | Ledbetter, David: Unaccompanied Bach. Performing the Solo Works. (2009), xii, 348p New Haven and London: Yale University Press, 2009. xii, 348p. ISBN: 0-300-978-141511.
MTimes cli/1912 (Autumn 2010) 115-116 (Peter Williams) MLetters xciii/2 (2012) 234-236 (John Butt) | ||
343. | Todd, R. Larry: Fanny Hensel: The other Mendelssohn. (2010), xxviii, 426p Oxford [u.a.]: Oxford Univ. Press, 2010. xxviii, 426p. ISBN: 978-0-19-518080-0.
MTimes cli/1912 (Fall 2010) 113-117 (Patricia Howard) Notes lxvii/3 (Mar 2011) 537-540 (Camilla Cai) | ||
344. | Schulenberg, David: The Music of Wilhelm Friedemann Bach EastmanStudM 79 (2010), 354p by David Schulenberg. - Woodbridge: Boydell & Brewer; 2010, 354p. ISBN-978-1-58046-359-1. (= Eastman studies in music, No. 79)
Consort lxvii (Summer 2011) 125-126 (Thomas Cooper) Stringendo xxxiii/2 (Oct 2011) MTimes clii/1916 (Autumn 2011) 109-113 (Peter Williams) Soc18cMNL 18 (Oct 2011) 6-8 (Douglas A. Lee) PerformPractReview xvi/1 (2011) (David Ledbetter) 18cM ix/2 (Sep 2012) 267-270 (John Butt) The British Clavichord Society newsletter, no.54 (2012) 18-20 (Christopher Hogwood) FontesArtisM lx/2 (2013) 132-134 (Balázs Mikusi) Tanja Kovacevic, 'On-line Book Review' EarlyM xlii/1 (Feb 2014) 126-128 (Nigel Springthorpe) | ||
345. | Rose, Stephen: The Musician in Literature in the Age of Bach. (2011), ix, 237p Cambridge: Cambridge University Press, 2011. ix, 237p. ISBN: 978-1-107-00428-3. - Paperback edn. 2014. ISBN 978-1107428041.
EarlyM xxxix/4 (Nov 2011) 613-614 (Bettina Varwig) MTimes clii/1917 (Winter 2011) 115-116 (Peter Williams) EarlyMAmer xvii/4 (Winter 2011) 51-52 (Robert L. Marshall) Bach xliii/1 (2012) 90-93 (Mark A. Peters) 18cM ix/2 (Sep 2012) 265-267 (Celia Applegate) | ||
346. | Curtis, Gordon D. W.: A provincial organ builder in Victorian England: William Sweetland of Bath. (2011), xix, 307p Farnham: Ashgate, 2011. xix, 307p. ISBN 978-1-4094-1752-1.
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347. | Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.): Music at German courts, 1715-1760: Changing artistic priorities. [ce]MusicGermanCourts (2011), xx, 484p Woodbridge: Boydell, 2011. xx, 484p. ISBN: 1-84383-598-3; 978-1-84383-598-1.
MTimes clii/1917 (Winter 2011) 114-115 (Peter Williams) | ||
348. | Chafe, Eric: J. S. Bach's Johannine Theology: The St. John Passion and the Cantatas for Spring 1725. (2014), 656p New York: Oxford University Press, 2014. 656p. ISBN 978-0-19-977334-3.
MTimes clvi/1930 (Spring 2015) 101-104 (Peter Williams) Jennifer Kleeman Dieffenbach, 'On-line Book Review' EarlyM xliv/1 (Feb 2016) 152-155 (Robert Quinney) | ||
349. | Thym, Jürgen (ed.): Mendelssohn, the organ, and the music of the past: Constructing historical legacies. EastmanStudM 118 (2014), x,339p Rochester, NY: University of Rochester, 2014. x,339p. ISBN: 978-1-58046-870-1; 978-1-58046-474-1. (= Eastman studies in music, No. 118)
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350. | Schleuning, Peter: Vom Kaffeehaus zum Fürstenhof - Johann Sebastian Bachs Weltliche Kantaten. StMaterMw 79 (2014), 183p 1. Aufl. - Hildesheim: Olms, 2014. 183p. ISBN: 978-3-487-15111-3; 3-487-15111-1. (= Studien und Materialien zur Musikwissenschaft, 79)
MTimes clvi/1930 (Spring 2015) 101-104 (Peter Williams) Tonkunst ix/2 (Apr 2015) 237-238 (Petra Mengeringhausen) | ||
351. | Traut, Donald G.: Stravinsky's 'great passacaglia': Recurring elements in the concerto for piano and wind instruments. (2016), x, 161p Rochester, NY: University of Rochester, 2016. x, 161p. ISBN: 978-1-58046-513-7; 1-58046-513-7.
Notes lxxv/1 (Sep 2018) 95-98 (Scott C. Schumann) | ||
352. | Williams, Peter: Bach: A Musical Biography. (2016), xiv, 704p Cambridge: Cambridge University Press, 2016. xiv, 704p. ISBN 978-1-107-13925-1.
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353. | Shute, Benjamin: Sei Solo: Symbolum? The Theology of J. S. Bach's Solo Violin Works. (2016), xxvii, 267p Eugene, OR: Pickwick Publications, 2016. xxvii, 267p. ISBN 978-1-4982-3941-7 (paperback), 978-1-4982-3943-1 (hardcover), 978-1-4982-3942-4 (ebook)
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354. | Isserlis, Steven: The Bach Cello Suites: A Companion. (2021), xii, 228p London: Faber & Faber, 2021. xii, 228p. ISBN: 978-0-571-36624-8; 0-571-36624-4.
MTimes clxiii/1959 (Summer 2022) 113-117 (Judith Chernaik) |
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