Bach Printed Music Database Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Emery, Walter; Wolff, Christoph (eds.): Zweiter Teil der Klavierübung BWV 971, 831. Vierter Teil der Klavierübung BWV 988. Vierzehn Kanons BWV 1087 / Johann Sebastian Bach. NBA 5/ 2 (1977), xi (5p facs), 128p Hrsg. von Walter Emery (BWV 971, 831, 831a) und Christoph Wolff (BWV 988, 1087). - Leipzig: VEB Deutscher Verlag für Musik; Kassel [u.a.]: Bärenreiter, 1977. xi, 128p. Ed.-Nr.: BA 5048. (= Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Hrsg vom Johann-Sebastian-Bach-Institut Göttingen und vom Bach-Archiv Leipzig. Serie V: Klavier- und Lautenwerke. Band 2) [BWV 971, 831] Reviews: Musica xxxi/6 (1977) 552-553 (Gerhard Wienke) MKirche xlvii/5 (1977) 240 (Rolf Nick) PerformPractReview iii/1 (Spring 1990) 58-69 (Erich Schwandt)
	2.	Williams, Peter F.: The Organ Music of J. S. Bach. III: A Background. 3 (1984), 309p Univ. press Cambridge 1984, 309p. Reviews: Notes xli/4 (Jun 1985) 712-713 (Russell Stinson) EarlyM xiii/2 (May 1985) 279-280,283 (John Butt) Mf xxxix/2 (1986) 166 (Raimund W. Sterl) BachJb lxxii (1986) 140-143 (George B. Stauffer) RevueMcol lxxii/2 (1986) 292-294 (Georges Guillard) AmerOrganist(2) xx (1986) 29 (Arthur Lawrence) PerformPractReview ii/1 (Spring 1989) 103-106 (Kimberly Marshall) MLetters lxxi/4 (Nov 1990) 559-561 (Keith Elcombe)
	3.	Stauffer, George B.; May, Ernest (eds.): J. S. Bach as Organist. His instruments, music and performance practices. [ce]JSBOrganist (1986), 308p London: B. T. Batsford Ltd., 1986, 308p. - Repr. edn. Indiana University Press, 2000. xi, 308p. ISBN: 0-253-21386-X Reviews: EarlyM xiv/4 (Nov 1986) 583,585 (John Butt) HetOrgel lxxxii/11 (1986) 423 (Ewald Kooiman) EarlyKeyboardJ iv (1985-86) 68-74 (Robert Parkins) ArsOrgani xxxv/1 (1987) (Hermann J. Busch) Mf xl/3 (1987) 272 (Günther Wagner) CurMcol xliii (1987) 71-76 (Russell Stinson) BachJb lxxiv (1988) 240-243 (Hans-Joachim Schulze) MLetters lxix/4 (Oct 1988) 515-516 (James Dalton) Orgelvriend xxxi/3 (1989) (Jan W. van Spronsen) PerformPractReview iii/1 (Spring 1990) 86-89 (Kimberley Marshall) AmerOrganist(2) xxxv/3 (1 Mar 2001) 65-66 (Frank Morana)
	4.	Buelow, George J. (ed.): Thorough-Bass Accompaniment According to Johann David Heinichen. StudMcol 84 (1986), xvi, 462p Revised edn. - Ann Arbor, Mich.: UMI Research Press, 1986. xvi, 462p. ISBN: 0-8357-1648-1. (= Studies in musicology, 84) Reviews: AmerRecorder xxx/2 (1989) 74 (Bruce Gustafson) PerformPractReview iv/1 (Spring 1991) 85-88 (Philip Russom) CanadianUnivMReview xiv (1994) 210-214 (Sandra Mangsen)
	5.	Houle, George L.: Meter in Music, 1600-1800: Performance, Perception, and Notation. (1987), 174p Bloomington: Indiana Univ. Press. 1987. 174p. ISBN: 0-25-333792-5. (= Music: Scholarship and performance) Reviews: AmerRecorder xxix/2 (1988) 63-65 (Peter F. Williams) Earlym xvi/3 (1988) 423-427 (Robert Donington) MLetters lxx/1 (1989) 93-94 (Erich Schwandt) PerformPractReview ii/1 (Spring 1989) 89-92 (Alexander Silbiger) Tibia xiv/3 (1989) 356 (Nikolaus Delius) JMTheory xxxiii/1 (spring 1989) 222-227 (Eva Linfield)
	6.	Mather, Betty Bang; Karns, Dean M.: Dance Rhythms of the French Baroque: a Handbook for Performance. (1987), xiv, 334p Indiana Univ.Press, Bloomington & Indianapolis 1987, xiv, 334p. ISBN: 0-253-31606-5; 0253316065. (= Music: Scholarship and performance) Reviews: JLuteSocAmer 20-21 (1987-1988) 155-157 (Frederick Hammond) EarlyM xvi/3 (1988) 419-421 (David Ledbetter) Notes xlvii/3 (1991) 789-790 (Shirley Wynne) EarlyKeyboardJ 6-7 (1988-1989) 218-220 (Yvonne Kendall) PerformPractReview ii/1 (Spring 1989) 100-102 (Meredith Ellis Little)
	7.	Dreyfus, Laurence: Bach's Continuo Group: Players and Practices in his Vocal Works. StudHistM(Harvard) 3 (1987), xii, 264p Cambridge, Mass; London: Harvard Univ. Press, 1987, xii, 264p. (= Studies in the History of Music, 3) Reviews: JAMSoc xli/2 (Summer 1988) 349-354 (Peter Williams) Concerto vi/44 (1988) 5-6 (Reinhard Goebel) EarlyM xvi/4 (Nov 1988) 563,565,567 (Keith Elcombe) OrganYb xix (1988) 144-145 (Peter F. Williams) Concerto vi/42 (1989) 35-36 (Thomas Synofzik) BachJb lxxv (1989) 238-239 (Christoph Wolff) JAmerMInstrSoc xl (1989) 125-127 (Gordon Sandford) ARecorder xxxii/2 (1991) 21-22 (Howart Schott) IDoubleReedSoc xiv/3 (1991) 67-68 (Daryl Durran) MLetters lxxiii/1 (Feb 1992) 104-105 (David Ledbetter) PerformPractReview v/1 (Spring 1992) 109-112 (Patrick J Rogers)
	8.	Borgir, Tharald: The performance of the basso continuo in Italian Baroque music. StudMcol 90 (1987), 180p [based on PhD diss., Berkeley, Univ. of California, Diss., 1971] Ann Arbor, Mich.: UMI Research Press, 1987. vi, 180p. ISBN: 0-8357-1675-9; 0-8357-1912-X. (= Studies in musicology, 90) Reviews: EarlyKeyboardJ v (1986-1987) 88-91 (Craig Lister) JViolaDaGambaSocAmer xxv (1988) 57-58 (Julie Anne Sadie) Notes xlv/3 (1989) 502-504 (Kent D. Underwood) PerformPractReview ii/1 (Spring 1989) 93-99 (John Walter Hill)
	9.	Neumann, Frederick: New Essays on Performance Practice. StudMcol 108 (1989), x, 257p Ann Arbor: UMI Research Press, 1989. x, 257p. ISBN: 0-8357-1951-0. (= Studies in musicology, 108); Rochester, NY: University of Rochester Press, 1992. x, 257p. ISBN: 1878822128; 1878822136. Reviews: PerformPractReview iv/1 (Spring 1991) 89-95 (Erich Schwandt) Notes xlviii/2 (1991) 482-484 (Thomas E. Binkley) MQ lxxvi/2 (1992) 264-282 (David Montgomery)
	10.	Butt, John: Bach Interpretation. Articulation Marks in Primary Sources of J. S. Bach. (1990), xiii, 278p Cambridge; N.Y.; Port Chester; Melbourne; Sydney: Cambridge University Press, 1990. xiii, 278p. Reviews: EarlyM xix/2 (May 1991) 285-287 (Keith Elcombe) MLetters lxxii/3 (Aug 1991) 435-437 (Peter F. Williams) MTimes cxxxiii/1788 (Feb 1992) 78 (Ton Koopman) Notes xlviii/4 (Jun 1992) 1255-1256 (Jeanne Swack) PerformPractReview v/2 (Fall 1992) 199-202 (Kimberly Marshall) JAMSoc xlv/2 (Summer 1992) 339-352 (Daniel R. Melamed) Notes xlviii/4 (1992) 1255-1256 (Jeanne Swack)
	11.	Huray, Peter Le: Authenticity in Performance. Eighteenth-Century Case Studies. [ce]Huray AuthenticityInPerformance (1990), xvii, 202p Cambridge: Cambridge University Press 1990. xvii, 202p. ISBN: 0-521-39044-3. [BWV 582,106, 870-893] Reviews: PerformPractReview iv/2 (Fall 1991) 208-210 (George Houle) Notes xlviii/3 (1992) 866-867 (Thomas E. Binkley) MQ lxxvi/2 (1992) 264-282 (David Montgomery) Concerto ix/70 (1992) 10 (Thomas Synofzik) Mf xlvi/4 (1993) 427-428 (Dieter Gutknecht)
	12.	Hefling, Stephen E.: Rhythmic Alteration in Seventeenth- and Eighteenth-Century Music. Notes Inegales and Overdotting. (1993), 232p New York: Schirmer, 1993. xvi, 232p. ISBN: 0-02-871035-5 Reviews: PerformPractReview vii/2 (Fall 1994) 120-132 (David R. Fuller); 146-149 (Erich Schwandt) MLetters lxxv/3 (1994) 444-446 (Steven Zohn) HistPerformance vii/1 (1994) 13-26 (Frederick Neumann) Notes l/4 (1994) 1387-1388 (Michael Collins)
	13.	Miehling, Klaus: Das Tempo in der Musik von Barock und Vorklassik. Die Antwort der Quellen auf ein umstrittenes Thema. (1993), 528p PhD diss., Musicology, Freiburg im Breisgau, 1993; Wilhelmshaven: Noetzel, 1993. 528p. (= Heinrichshofen-Bücher) Reviews: Orchester(Mainz) xlii/9 (1994) 64-65 (Konrad Hünteler) MKirche lxv (1995) 219-220 (Diethard Hellmann) PerformPractReview viii/1 (Spring 1995) 96-98 (Wolfgang Auhagen) JbVolksliedF xl (1995) 180-181 (Hartmut Braun)
	14.	Hudson, Richard: Stolen time: The history of tempo rubato. (1994), 473p Oxford: Clarendon, 1994, 473p. Reviews: TimesLiterarySuppl 4839 (29 Dec 1995) 17 (Robert Philip) MLetters lxxvii/2 (May 1996) 257-262 (John Donald Cullington) Tibia xxi/3 (1996) 211-212 (Thomas Seedorf) PerformPractReview ix/2 (Fall 1996) 194-200 (Barton Hudson) EarlyMReview 30 (May 1997) 7 (Clifford Bartlett) BBCMMag v/10 (Jun 1997) 20 (Kenneth van Barthold)
	15.	Butt, John: Music education and the art of performance in the German Baroque. CambridgeMlTextsMonographs (1994), xix, 237p Cambridge: Cambridge Univ. Press, 1994. xix, 237p. (= Cambridge Musical Texts and Monographs) Reviews: Concerto xxii/104 (1995) 16-17 (Thomas Synofzik) EarlyM xxiii/2 (May 1995) 315-316 (David Ledbetter) MTimes cxxxvi (1995) 308-309 (George Pratt) Tibia xx (1995) 468-469 (Thomas Seedorf) PerformPractReview viii/2 (Fall 1995) 171-176 (David Schulenberg) Consort li/2 (1995) 153–154 (Peter Wollny)
	16.	Wainwright, Jonathan; Holman, Peter: From Renaissance to Baroque. Change in Instruments and Instrumental Music in the Seventeenth Century. [cr]York1999 (2005), xx, 321p Proceedings of the national early music association conference held, in association with the department of music, University of York and the York Early Music Festival, at the University College of Ripon and York St John, York, 2-4 Juli 1999. Aldershot: Ashgate, 2005. xx, 321p. ISBN: 0 7546 0403 9; ISBN-13 978-0-7546-0403-7. Reviews: EarlyMReview 109 (2005) 31 (Clifford Bartlett) EarlyM xxxiv/3 (2006) 483-486 (Peter Walls) GalpinSocJ lix (2006) 280-281 (Frances Palmer) EarlyMAmer xii/4 (2006) 52-54 (Tina Chancey) PerformPractReview xii (2007) (Rudolf Rasch) JAmerMInstrSoc xxxiii (2007) 264-268 (James B. Kopp)
	17.	Haynes, Bruce: The End of Early Music: A Period Performer's History of Music. (2007), 304p New York: Oxford Univ. Press, 2007. 304p. ISBN13: 9780195189872; ISBN10: 0195189876 Reviews: Notes lxiv/4 (Jun 2008) 767-769 (David Dolata) EarlyM xxxvi/2 (May 2008) 301-304 (Robert Quinney) TijdschrOudeM xxiii/1 (Feb 2008) 52-53 (Jan van den Bossche) PerformPractReview xiii (2008) (Roland Jackson) EarlyMAmer xiv/2 (Summer 2008) 52 (Maria Coldwell) HistBrassSocJ xx (2008) 223-226 (Steven Plank) AmerRecorder xlix/2 (Mar 2008) 23 (Scott Paterson) Newsletter of the AmerMInstrSoc xxxvii/2 (Summer 2008) 7-8 (Robert Howe) Goldberg 51 (Apr 2008) 18-19 (María del Carmen Gómez Muntané) Bach xl/1 (2009) 82-84 (Ross W. Duffin)
	18.	Schröder, Jaap: Bach's Solo Violin Works: A Performer's Guide. (2007), x, 190p New Haven: Yale University Press, 2007. x, 190p. ISBN: 9780300124668; ISBN-10: 030012466X. Reviews: Tanja Kovacevic, 'On-line Book Review' PerformPractReview xii (2007) (Peter Walls) J18cStud xxxiii/1 (Mar 2010) 118-119 (Alberto Sanna)
	19.	Carrington, Jerome: Trills in the Bach Cello Suites: A Handbook for Performers. (2009), xvi, 195p Foreword by Lynn Harrell. - Norman, Okla: University of Oklahoma Press, 2009. xvi, 195p. ISBN-10: 0806140011; ISBN-13: 978-0806140018 Reviews: EarlyMReview 130 (May 2009) 31 (Clifford Bartlett, Barbara Sachs) PerformPractReview xiv (2009) (Marc Vanscheeuwijck) Strings xxiv/5:176 (Dec 2009) 71 (Robert Battey) Strad cxxi/1447 (Sep 2010) 112 (Jeffrey Solow)
	20.	Watkins, Timothy D. (ed.): Performance practice: Issues and approaches. [cr]Memphis2007 (2009), xv, 267p [Conference, Memphis 2007] Edited by Timothy D. Watkins, Foreword by Christopher Hogwood. - Ann Arbor, MI: Steglein Publishing, 2009. xv, 267p. ISBN: 978-0-9719854-9-0. Reviews: PerformPractReview xiv (2008) (Roland Jackson)
	21.	Fabian, Dorottya; Ornoy, Eitan: Identity in violin playing on records: Interpretation profiles in recordings of solo Bach by early twentieth-century violinists. PerformPractReview 14/1 (2009), 1-40 Reviews: PerformPractReview xv/1 (2010) 1-3 (Roland Jackson)
	22.	Schulenberg, David: The Music of Wilhelm Friedemann Bach EastmanStudM 79 (2010), 354p by David Schulenberg. - Woodbridge: Boydell & Brewer; 2010, 354p. ISBN-978-1-58046-359-1. (= Eastman studies in music, No. 79) Reviews: EarlyMReview 140 (Feb 2011) 3 (Clifford Bartlett) Consort lxvii (Summer 2011) 125-126 (Thomas Cooper) Stringendo xxxiii/2 (Oct 2011) MTimes clii/1916 (Autumn 2011) 109-113 (Peter Williams) Soc18cMNL 18 (Oct 2011) 6-8 (Douglas A. Lee) PerformPractReview xvi/1 (2011) (David Ledbetter) 18cM ix/2 (Sep 2012) 267-270 (John Butt) The British Clavichord Society newsletter, no.54 (2012) 18-20 (Christopher Hogwood) FontesArtisM lx/2 (2013) 132-134 (Balázs Mikusi) Tanja Kovacevic, 'On-line Book Review' EarlyM xlii/1 (Feb 2014) 126-128 (Nigel Springthorpe)
	23.	Walls, Peter (ed.): Baroque music. [ce]BaroqueMusic (2011), xxxiv, 553p Farnham: Ashgate, 2011. xxxiv, 553p. ISBN: 0-7546-2882-5; 978-0-7546-2882-8. (= Library of essays on music performance practice; No. 3) Reviews: PerformPractReview xvii/1 (2012) (David Schulenberg)
	24.	Ritchie, Stanley: The accompaniment in 'unaccompanied' Bach: Interpreting the Sonatas and Partitas for violin. (2016), xiii, 120p Bloomington, IN: Indiana University Press, 2016. xiii, 120p. ISBN: 978-0-253-02198-4. (= Publications of the Early Music Institute) Reviews: MRefServicesQ xx/3-4 (Jul-Dec 2017) 232-233 (Christen Blanton) AmerMTeacher lxvi/5 (Apr-May 2017) 53 (William Terwilliger) PerformPractReview xxi/1 (2016) 7p (Stanley ritchie)

24 matches.