Bach Printed Music Database Search Result

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Epstein, David: Beyond Orpheus: studies in musical structure. (1979), xiv, 244p Foreword by Milton Babbitt. - Cambridge (Mass.); London: M.I.T. Press, 1979. xiv, 244p. ISBN: 0262050161. - Oxford: Oxford University Press, 1987. xiv, 244p. ISBN: 0193151502. Reviews: Notes xxxvi/2 (1979) 357-358 (Larry Stempel) Journal of the Arnold Schoenberg Institute, iii/2 (1979) 194-202 (Jonathan Mark Dunsby) JMTheory xxv/2 (1981) 319-325 (Arnold Whittall) MTheorySpec iii (1981) 150-157 (Gary E. Wittlich) TheoryPractice vi/2 (1981) 47-53 (William Rothstein) MAnalysis ii/2 (1983) 225-227 (Jonathan Harvey) MLetters lxix/3 (1988) 407-409 (Victor Kofi Agawu)
	2.	Todd, R. Larry: Mendelssohn's Musical Education. A Study and Edition of His Exercises in Composition. Oxford, Bodleian Ms Margaret Deneke Mendelssohn C. 43. (1983), 260p Cambridge: Cambridge University Press, 1983. 260p. ISBN: 0-521-24655-5. (= Cambridge studies in music); paperback, 2009. ISBN-13: 978-0521106337. Reviews: Composer lxxx (1983) 28 (Nigel Burton) NZsfM(2) cxliv/7-8 (1983) 66 (Hans Christoph Worbs) TheoryPractice viii/2 (1983) 49-52 (Floyd K. Grave) Notes xl/4 (1984) 784-786 (Eric Werner) CurMcol 37-38 (1984) 224-228 (Douglass Seaton) MLetters lxv/3 (1984) 288-290 (Jeffrey Hollander) RevueMcol lxxi/1-2 (1985) 206-208 (Jean-Alexandre Ménétrier) Mf xxxviii/4 (1985) 323-324 (Gerhard Schuhmacher)
	3.	Siegel, Hedi (ed.): Schenker Studies. [ce]SchenkerStud (1990), xii, 206p New York: Cambridge University Press, 1990. xii, 206p. ISBN: 0-521-36038-2. Reviews: McolAustralia xiv (1991) 89-92 (Michael Kassler) MTheorySpec xiii/2 (1991) 265-273 (Matthew Gordon Brown) MLetters lxxii/1 (1991) 141-144 (Nicholas Marston) Mf xlv/2 (1992) 177-178 (Hellmut Federhofer) MQ lxxvi/2 (1992) 242-263 (Timothy L. Jackson) Notes xlix/3 (1993) 1048-1053 (Allan R. Keiler) TheoryPractice xix (1994) 121-152 (Walter Everett) RevueMcol lxxxii/2 (1996) 374-375 (Serge Gut)
	4.	Dreyfus, Laurence: Bach and the Patterns of Invention. [ce]Dreyfus (1996), 270p Cambridge, MA: Harvard Univ. Press, 1996. [v], 270p. ISBN: 0674060059; Paperback edn. 2004. 288p. ISBN: 0-674-01356-5 Reviews: MTimes cxxxviii/1852 (Jun 1997) 34-36 (Ivan Hewett) BBCMMag v/12 (Aug 1997) 19 (Malcolm Boyd) NYReviewBooks xliv/15 (9 Oct 1997) 51-55 (Charles Rosen) TimesLiterarySuppl 4934 (24 Oct 1997) 22 (Peter F. Williams) EarlyM xxvii/1 (Feb 1998) 145-147 (John Butt) Fanfare (Jul-Aug 1998) 343-345 (Bernard D. Sherman), online JAMSoc lii/3 (Autumn 1999) 627-633 (Stephen A. Crist) MousikosLogos i/1 (Spring 2000) (Adam Panagiotis) TheoryPractice xxvi (2001) 117-140 (Karl Braunschweig) EarlyMReview 104 (Dec 2004) 12 (Clifford Bartlett)
	5.	Lester, Joel: Bach's Works for Solo Violin: Style, Structure, Performance. (1999), x, 186p New York: Oxford University Press, 1999. x, 186p. ISBN: 0-19-517144-6. - repr. edn. 2003. Reviews: MTimes cxli/1871 (Summer 2000) 63-67 (Yo Tomita) TimesLiterarySuppl 5094 (17 Nov 2000) 8 (Andrew Manze) EarlyMReview 57 (Feb 2000) 6 (Clifford Bartlett) Notes lvii/1 (Sep 2000) 127-131 (David Schulenberg) TheoryPractice xxvi (2001) 117-140 (Karl Braunschweig) MLetters lxxxii/1 (Feb 2001) 106-108 (Peter Walls) TijdschrMtheorie ix/1 (Feb 2004) 67-70 (Clemens Kemme; Johannes Leertouwer) MOpinion (Jul 2005) (David Hazel)
	6.	Schachter, Carl; Siegel, Hedi (eds.): Schenker studies. II. [ce]SchenkerStud 2 (1999), xiii, 319p ed. Carl Schachter and Hedi Siegel. - Cambridge: Cambridge University Press, 1999. xiii, 319p. ISBN: 0-521-47011-0. Reviews: Notes lvii/1 (Sep 2000) 99-101 (Jack Boss) JMTheory xlv/2 (Fall 2001) 470-483 (James William Sobaskie) TheoryPractice xxvii (2002) 123-131 (John P. Ferri)
	7.	Stein, Deborah (ed.): Engaging Music: Essays in Music Analysis. [ce]EngagingMusic (2004), 368p New York, Oxford: Oxford University Press, 2004. xiv, 346p. ISBN13: 9780195170108; ISBN10: 0195170105 . Reviews: Theoria xiii (2006) 127-137 (Peter Kaminsky) TheoryPractice xxxi (2006) 225-237 (Elizabeth West Marvin) MTheorySpec xxix/2 (Fall 2007) 263-275 (J. Kent Williams) JMTheoryPedag xxi (2007) 161-178 (Gordon Sly)
	8.	Beach, David W.: Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. EastmanStudM 33 (2005), xiii, 92p Rochester, NY: University of Rochester Press, 2005. xiii, 92p. ISBN: 1-58046-202-2. (= Eastman studies in music, 33) Reviews: JMTheory xlix/1 (Spring 2005) 181-188 (Robert P. Morgan) EarlyMReview 111 (Feb 2006) 33 (Clifford Bartlett) TheoryPractice xxxii (2007) 203-212 (David Gagné) MAnalysis xxvi/1-2 (Mar-Jul 2007) 217-245 (Matthew McDonald) JSchenkerStud iii (2008) 159-210 (Olli Väisälä)
	9.	Gjerdingen, Robert O.: Music in the galant style. (2007), ix, 514p Being an essay on various schemata characteristic of eighteenth-century music for courtly chambers, chapels, and theaters, including tasteful passages of music drawn from most excellent chapel masters in the employ of noble and noteworthy personages, said music all collected for the reader's delectation on the World Wide Web. - New York, NY: Oxford University Press, 2007, ix, 514p. ISBN: 0-19-531371-2; 978-0-19-531371-0. Reviews: JMTheory l/2 (Fall 2006) 277-290 (David Temperley) TijdschrMtheorie xiii/2 (May 2008) 175-177 (Hans Aerts) JSMI iv (2008) 101-105 (Martin Adams) MLetters xc/3 (Aug 2009) 468-473 (W. Dean Sutcliffe) EarlyM xxxvii/4 (Nov 2009) 669-671 (Matthew Pritchard) JMcolResearch xxix/1 (Jan-Mar 2010) 73-79 (Donald R. Boomgaarden) TheoryPractice xxxvi (2011) 225-235 (Paul Moravitz Sherrill) JAMSoc lxiv/1 (Spring 2011) 244-253 (Mary Sue Morrow)

9 matches.