Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Babitz, Sol | A problem of Rhythm in Baroque music. |
MQ |
38 | 4 | Oct 1952 |
533-565 |
|
| 2. | Babitz, Sol | The Vega Bach Bow. A Reply to Dr. Emil Telmányi. |
MTimes |
96 | 1347 | May 1955 |
251-253 |
|
| 3. | Babitz, Sol | The Need for Authentic Performance of Early Music. A reply to Dr. Telmányi. |
MTimes |
97 | 1355 | Jan 1956 |
39 |
|
| 4. | Babitz, Sol | Differences between 18th century and modern violin bowing. |
Score |
| 19 | Mar 1957 |
34-55 |
|
| 5. | Babitz, Sol | On using J. S. Bach's keyboard fingerings. |
MLetters |
43 | 2 | Apr 1962 |
123-128 |
|
| 6. | Babitz, Sol | Das Violinspiel im 18. Jahrhundert und heute. |
[cr]Kassel1962 |
| | 1963 |
313-315 |
|
| 7. | Babitz, Sol | Recent Findings in 18th Century Performance Style. |
AmerStringTeacher |
15 | 1 | Winter 1965 |
10-12, 14-15 |
|
| 8. | Babitz, Sol | Notes Inégales: A Communication. |
JAMSoc |
20 | 3 | Autumn 1967 |
473-476 |
|
| 9. | Babitz, Sol | 'Concerning the Length of Time that Every Note Must be Held.' |
MReview |
28 | 1 | 1967 |
21-37 |
|
| 10. | Babitz, Sol | On using early keyboard fingering. |
Diapason |
60 | 3:711 | Feb 1969 |
15-28 |
|
| 11. | Babitz, Sol | On using early keyboard fingering. |
Diapason |
60 | 4:712 | Mar 1969 |
21-26 |
|
| 12. | Babitz, Sol | On using early keyboard fingering. |
Diapason |
60 | 5:713 | Apr 1969 |
21-24 |
|
| 13. | Babitz, Sol | On using early keyboard fingering. |
EarlyMLabBul |
3 | | 1969 |
24p |
|
| 14. | Babitz, Sol | 'Anmerkung, welche die Zeit, wie lange jede Note gehalten werden muß, betrifft'. |
Musica |
23 | 1 | Jan-Feb 1969 |
8-14 |
|
| 15. | Babitz, Sol | The Great Baroque Hoax: A Guide to Baroque Performance for Musicians and Connoisseurs. |
|
| | 1970 |
51p |
|
| 16. | Babitz, Sol (trans.) | Treatise on the ornaments of music / Giuseppe Tartini. |
EarlyMLabBul |
6 | | 1970 |
40p |
|
| 17. | Babitz, Sol (ed.) | Facsimile reprint of the first edition (Simrock - Bonn - 1805) of The Six Solos for Violin without Bass Accompaniment by Johann Sebastian Bach. |
EarlyMLabBul |
7 | | 1971 |
43p |
|
| 18. | Babitz, Sol | Commentary on EML tape-recording 2 illustrating Bulletins 1-6. |
EarlyMLabBul |
8 | | 1971 |
39p |
|
| 19. | Babitz, Sol | To the editor of Bach. |
Bach |
3 | 2 | Apr 1972 |
40-43 |
|
| 20. | Babitz, Sol | To the Editor of BACH. |
Bach |
3 | 3 | Jul 1972 |
43-44 |
|
| 21. | Babitz, Sol (ed.) | The Six Solos for Violin without Bass Accompaniment by Johann Sebastian Bach. |
EarlyMLabBul |
9 | | 1972 |
xxviii, 45p |
|
| 22. | Babitz, Sol | Additions & corrections to all bulletins: polemics |
EarlyMLabBul |
12 | | 1975 |
26p |
|
| 23. | Babitz, Sol | Differences between 18th century and modern violin bowing: with corrections and additions from the 1970 edition, and additional material as of 1974, with an appendix on the reconstruction of the baroque, Reinaissance & transition violins. |
EarlyMLabBul |
2a | | 1975 |
iv, 26p |
|
| 24. | Babitz, Sol | Concerning the length of time that every note must be held. |
EarlyMLabBul |
4 | | c 1975 |
37p |
|
| 25. | Babitz, Sol | Note-separation in musical performance, and other matters |
EarlyMLabBul |
13 | | 1976 |
24p |
|