Bach Printed Music Database Search Result

Author : Butler, Gregory G.
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Butler, Gregory G.	The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750.	diss.			1973
	2.	Butler, Gregory G.	The Fantasia as Musical Image.	MQ	60	4	Oct 1974	602-615
	3.	Butler, Gregory G.	Fugue and Rhetoric.	JMTheory	21	1	Spring 1977	49-109
	4.	Butler, Gregory G.	Konrad Friedrich Hurlebusch and His Influence on J. S. Bach.	[p]AMS_PacificNorthwest			Nov 1977
	5.	Butler, Gregory G.	New Research on J. S. Bach's Dritter Teil der Klavierübung (1739).	[p]AMS_Minneapolis			Oct 1978
	6.	Butler, Gregory G.	Ordering Problems in J. S. Bach's Art of the Fugue Resolved.	[p]AMS_Biltmore			Nov 1979
	7.	Butler, Gregory G.	J. S. Bach and the Schemelli Gesangbuch Revisited.	[p]AMS_PacificNorthwest			Nov 1979
	8.	Butler, Gregory G.	Leipziger Stecher in Bachs Origianldrucken.	BachJb	66		1980	9-26
	9.	Butler, Gregory G.	Music and Rhetoric in early 17th century English sources.	MQ	66	1	Jan 1980	53-64
	10.	Butler, Gregory G.	Mattheson's Der vollkommene Capellmeister and J. S. Bach's Late Fugal Writing.	[p]AMS_Boston			Nov 1981
	11.	Butler, Gregory G.	Borrowings in J. S. Bach's Klavierübung III.	[p]AMS_PacificNorthwest			Apr 1981
	12.	Butler, Gregory G.	Borrowings in J. S. Bach's Klavierübung III.	CanadianUnivMReview	4		1983	204-217
	13.	Butler, Gregory G.	Der vollkommene Capellmeister as a stimulus to J. S. Bach's late fugal writing.	[ce]NewMatthesonStudies			1983	293-305
	14.	Butler, Gregory G.	Ordering Problems in J. S. Bach's Art of Fugue Resolved.	MQ	69	1	Winter 1983	44-61
	15.	Butler, Gregory G.	The Proof Copies of J. S. Bach's Klavierübung III.	[p]AMS_Louisville			Oct 1983
	16.	Butler, Gregory G.	The projection of affect in Baroque dance music.	EarlyM	12	2	May 1984	200-207
	17.	Butler, Gregory G.	J. S. Bach's Klavierübung III: Aspects of its Evolution as Revealed in the Original Print.	[p]AMS_PacificNorthwest			May 1984
	18.	Butler, Gregory G.	J. S. Bach and the Schemelli Gesangbuch Revisited.	StudiMusicali	13	2	1984	241-257
	19.	Butler, Gregory G.	The Engraving and Printing of J. S. Bach's Six Partitas.	[p]AMS_Vancouver			Nov 1985
	20.	Butler, Gregory G.	The engraving of J. S. Bach's six partitas.	JMcolResearch	7	1	1986	3-27
	21.	Butler, Gregory G.	Neues zur Datierung der Goldberg-Variationen.	BachJb	74		1988	219-223
	22.	Butler, Gregory G.	Johann Gotthilf Ziegler: Der Notenstecher der Partiten III bis VI von Johann Sebastian Bach?	[cr]Leipzig1985			1988	277-281
	23.	Butler, Gregory G.	J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print.	Bach	20	2	Summer 1989	4-37
	24.	Butler, Gregory G.	Bach's Clavier-Übung III: The making of a print. With a companion study of the Canonic Variations on 'Vom Himmel hoch', BWV 769.				1990	139p
	25.	Butler, Gregory G.	J. S. Bach's Gloria in Excelsis Deo (BWV 191): Music for a Leipzig Dankfest.	[p]AMS_PacificNorthwest			Mar-Apr 1990
	26.	Butler, Gregory G.	J. S. Bach and the Concord-Discord Paradox.	JMcol	9	3	Summer 1991	343-357
	27.	Butler, Gregory G.	Johann Sebastian Bachs Gloria in excelsis Deo BWV 191: Musik für ein Leipziger Dankfest.	BachJb	78		1992	65-71
	28.	Butler, Gregory G.	The Engravers of Bach's Clavier-Übung II.	[fs]Scheide			1993	57-69
	29.	Butler, Gregory G.	J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History.	Bach	25	1	Spring-Summer 1994	5-10
	30.	Butler, Gregory G.	J. S. Bach's reception of Tomaso Albinoni's mature concertos.	BachStud	2		1995	20-46
	31.	Butler, Gregory G.	Johann Gottlob Immanuel Breitkopf: The Formative Years.	BachPerspectives	2		1996	159-168
	32.	Butler, Gregory G.	Toward a More Precise Chronology for Bach's Concerto for Three Violins and Strings BWV 1064a: The Case for Formal Analysis.	DortmundBachF	1		1997	235-247
	33.	Butler, Gregory G.	Fasch and the canonic trio sonata.	FaschSt	6		1997	249-262
	34.	Butler, Gregory G.	The Galant Style in Bach's Musical Offering: Widening the Dimensions	[p]BS_Dortmund			Jan 1998
	35.	Butler, Gregory G.	The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto.	BachPerspectives	4		1999	9-32
	36.	Butler, Gregory G.	Johann Sebastian Bach und Johann Gottlieb Graun.	[fs]Schulze65			1999	186-193
	37.	Butler, Gregory G.	Using Chronological Markers to Establish Connexes of Bach's Concerto Movements.	[p]AMS_PacificNorthwest			Apr 1999
	38.	Butler, Gregory G.	J. S. Bachs Kanonische Veränderungen über 'Vom Himmel hoch' (BWV 769). Ein Schlußstrich unter die Debatte um die Frage der 'Fassung letzter Hand'.	BachJb	86		2000	9-34
	39.	Butler, Gregory G.	The Prelude to J. S. Bach's Third English Suite BWV 808/1: An Allegro Concerto Movement in Ritornello Form.	[p]BCB_Dublin			Jul 2000
	40.	Butler, Gregory G.	Bachs Musicalisches Opfer. Neue Entdeckungen am Originaldruck.	[p]WK_Leipzig			Jan 2000
	41.	Butler, Gregory G.	The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions.	Bach	33	1	2002	57-68
	42.	Butler, Gregory G.	The Printing History of J. S. Bach's Musical Offering: New Interpretations.	JMcol	19	2	Spring 2002	306-331
	43.	Butler, Gregory G.	Eine neue Interpretation der Druckgeschichte des Musikalischen Opfers.	LeipzigerBeitrBachF	5		2002	309-320
	44.	Butler, Gregory G.	Der äesthetische und pädagogische Kontext des Italienischen Konzerts.	[p]BS_Dortmund			Jan-Feb 2002
	45.	Butler, Gregory G.	Toward an Aesthetic and Pedagogical Context for J. S. Bach's Italian Concerto BWV 971.	DortmundBachF	6		2003	223-230
	46.	Butler, Gregory G.	The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form.	IrishMStud	8		2004	93-101
	47.	Butler, Gregory G.	J. S. Bach's Concerted Ensemble Music, The Ouverture.	BachPerspectives	6		2007	xi, 163p
	48.	Butler, Gregory G.	Bach's Preluding for a Leipzig Academic Ceremony.	[fs]Leaver65			2007	51-67
	49.	Butler, Gregory G.	The origins of J.S. Bach's 'Wie jammern mich doch die verkehrten Herzen,' BWV 170/3.	[fs]Williams70			2007	227-236
	50.	Butler, Gregory G.	Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053).	BachPerspectives	7		2008	1-20
	51.	Butler, Gregory G. (ed.)	J. S. Bach's Concerted Ensemble Music, The Concerto.	BachPerspectives	7		2008	xi, 121p
	52.	Butler, Gregory G.	Scribes, Engravers, and Notational Styles: The Final Disposition of Bach's Art of Fugue.	[ce]AboutBach			2008	111-123
	53.	Butler, Gregory G.; Stauffer, George B.; Dalton Greer, Mary (eds.)	About Bach.	[ce]AboutBach			2008	xi, 216p
	54.	Butler, Gregory G.	The Choir Loft as Chamber: Concerted Movements by Bach from the Mid- to Late 1720s.	Bachperspectives	10		2016	76-86