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Author : Chapin, Keith
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Chapin, Keith MooreFrom tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. diss. 2002 322p
2. Chapin, KeithHuman Work with Divine Material: A Work Concept in the Theory of Christoph Bernhard. [p]SSCM_Winston-Salem Apr 2003
3. Chapin, KeithClassicist Terms of Sublimity: Christian Friedrich Michaelis, Fugue, and Fantasy. AdParnassum 4 8 Oct 2006 115-139
4. Chapin, KeithScheibe's Mistake: Sublime Simplicity and the Criteria of Classicism. 18cM 5 2 Sep 2008 165-178
5. Chapin, KeithThe Rhythms of Counterpoint and the Representation of Time: Bach, Haydn, and the Et vitam venturi Fugue in the Missa in tempore belli. [p]AMS_Nashville Nov 2008
6. Chapin, Keith M.Bach's silence, Mattheson's words: Professional and humanist ways of speaking of music. 2013 49-69
7. Chapin, KeithTemporal Modes and Symbolic Stakes: Strict Composition in Early Nineteenth-Century Europe. Musurgia 21 1-2-3 Oct 2014 29-41
8. Chapin, Keith M.C.P.E. Bach and the neoclassical sublime: Revisions of a concept. [ce]MSonorousSublime 2020 91-119

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