Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Cressy, Thomas | Bahha: Bach and Japan. |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 2. | Cressy, Thomas | The Case of Bach and Japan: Some Concepts and their Possible Significance. |
UnderstandingBach |
11 | | 2016 |
140-146 |
|
| 3. | Cressy, Thomas | 19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. |
diss. |
| | 2017 |
123, 70, 2p |
|
| 4. | Cressy, Thomas | Bach and the samurai aesthetic framework: the implications of the writings of Utagawa Yoan and Kume Kunitake. |
[p]BNUK_Cambridge |
| | Jul 2017 |
|
|
| 5. | Cressy, Thomas | The Reception and Dissemination of Bach's Music in Meiji-Era Japan: Repertoire, Social Agency, and Westernization. |
[p]IMS_Tokyo |
| | Mar 2017 |
|
|
| 6. | Cressy, Thomas | Eighth Johann Sebastian Bach Dialogue Meeting. |
NEMANL |
2 | 1 | Jan 2018 |
80-82 |
|
| 7. | Cressy, Thomas | Bach in the Imaginary Museum and Bach Re-imagined: Contemporary Perspectives on Performing and Re-Creating Bach. Umiversity of Massachusetts Amherst, 12-14 April 2019. |
18cM |
17 | 1 | Mar 2020 |
140-141 |
|
| 8. | Cressy, Thomas | Bahe de yinyue zai 19 shiji de Zhongguo yu Riben: Shouzi youjilu de yanchu. |
ZhongyangYinyueXueyuanXuebao |
| 4:161 | Fall 2020 |
36-48 |
|
| 9. | Cressy, Thomas A. | Baroque Pop and Psychedelia: Bachian Pastness, Prestige, and Hybridity. |
Bach |
54 | 1 | 2023 |
17-75 |
|