Bach Printed Music Database
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Author : Cressy, Thomas
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Cressy, ThomasBahha: Bach and Japan. [p]BNUK_Cambridge Jul 2015
2. Cressy, ThomasThe Case of Bach and Japan: Some Concepts and their Possible Significance. UnderstandingBach 11 2016 140-146
3. Cressy, Thomas19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. diss. 2017 123, 70, 2p
4. Cressy, ThomasBach and the samurai aesthetic framework: the implications of the writings of Utagawa Yoan and Kume Kunitake. [p]BNUK_Cambridge Jul 2017
5. Cressy, ThomasThe Reception and Dissemination of Bach's Music in Meiji-Era Japan: Repertoire, Social Agency, and Westernization. [p]IMS_Tokyo Mar 2017
6. Cressy, ThomasEighth Johann Sebastian Bach Dialogue Meeting. NEMANL 2 1 Jan 2018 80-82
7. Cressy, ThomasBach in the Imaginary Museum and Bach Re-imagined: Contemporary Perspectives on Performing and Re-Creating Bach. Umiversity of Massachusetts Amherst, 12-14 April 2019. 18cM 17 1 Mar 2020 140-141
8. Cressy, ThomasBahe de yinyue zai 19 shiji de Zhongguo yu Riben: Shouzi youjilu de yanchu. ZhongyangYinyueXueyuanXuebao 4:161 Fall 2020 36-48
9. Cressy, Thomas A.Baroque Pop and Psychedelia: Bachian Pastness, Prestige, and Hybridity. Bach 54 1 2023 17-75

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