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Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|---|
1. | Schonsleder, Wolfgang | Architectonice musices universalis, ex qua melopoeam per universa et solida fundamenta musicorum, proprio marte condiscere possis. | 235p | ||||||
2. | Ebner, Wolfgang | Eine kurtze Instruction und Anleitung zum General-Bass, ins Herbst, Arte Prattica & poetica. | |||||||
3. | Holder, William | A treatise of the natural grounds, and principles of harmony. | 204p | ||||||
4. | Jones, William | A treatise on the art of music, In which the elements of harmony and air are practically considered, and illustrated by an hundred and fifty examples in notes, many of them taken from the best authors. | 61, 40p | ||||||
5. | Nieuwenhuijsen, W. J. F. | Orgelconcert te geven door den heer J. A. van Eyken in de Domkerk te Utrecht op dinsdag 17 november 1846. | NedMTijdschr | 8 | 12 | 98-99 | |||
6. | Bartholomew, William (arr.) | JOHANN SEBASTIAN BACH'S Six Motetts, IN SCORE, with an adaptation for the Piano forte or Organ, FOR USE AT REHEARSALS. | 143p | ||||||
7. | Meister, Carl Severin; Bäumker, Wilhelm (eds.) | Das katholische deutsche Kirchenlied in seinen Singweisen, von den frühesten Zeiten bis gegen Ende des siebzehnten Jahrhunderts. | xiv, 768; viii, 411; x, 360; xvi, 833p | ||||||
8. | Oppel, W. | Johann Nepomuk Schelble, der Gründer des Cäcilien-Vereins in Frankfurt a. M. IV. Der Cäcilien-Verein zu Frankfurt a. M. seit dem Tode Schelble's und die Jubelfeier dieses Vereines. | AllgMlZ(3) | 3 | 48 | 377-380 | |||
9. | Macfarren, Walter (ed.) | Bourrée: from the second suite anglaise / John Sebastian Bach. | PopularClassics(Ashdown) | 7 | 7p | ||||
10. | Oppel, W. | Seltsame Stellen in den Werken grosser Meister. (Fortsetzung.) (S. Nr. 40.) III. [Weber, Jubel-Ouvertüre]. IV. [J. S. Bach, erster von drei Chorälen zu Trauungen im dreizehnten Jahrgang der von der Bachgesellschaft veranstalteten Gesammtausgabe: 'Was Gott thut, das ist wohlgethan' (wird fortgesetzt)] | AllgMlZ(3) | 10 | 42 | 657-659 | |||
11. | Oppel, W. | Seltsame Stellen in den Werken grosser Meister. (Fortsetzung.) (S. Nr. 42.) V. [J. S. Bach, "Matthäus-Passion"]. VI. [Zur Ausführung der Fermate] | AllgMlZ(3) | 10 | 44 | 694-697 | |||
12. | Fitzenhagen, Wilhelm (arr.) | Sarabande / J. S. Bach. | |||||||
13. | Böttcher, W. | Posen, den 31. März 1877. | AllgDMz | 4 | 15-16 | 123 | |||
14. | Fitzenhagen, Wilhelm (arr.) | [Andante (D) / Bach] | SechsKlassStücke | 1 | |||||
15. | Fitzenhagen, Wilhelm (arr.) | [Andante (Gm.) / Bach] | SechsKlassStücke | 2 | |||||
16. | Fitzenhagen, Wilhelm (arr.) | [Adagio ma non troppo (Dm.) / Bach] | SechsKlassStücke | 3 | |||||
17. | Fitzenhagen, Wilhelm (arr.) | [Adagio (Hm.) / Bach] | SechsKlassStücke | 4 | |||||
18. | Fitzenhagen, Wilhelm (arr.) | [Largo (Dm.) / Bach] | SechsKlassStücke | 5 | |||||
19. | Fitzenhagen, Wilhelm (arr.) | Sarabande / Joh. Seb. Bach. | |||||||
20. | Fitzenhagen, Wilhelm; Rundnagel, C. (arr.) | Sarabande / Joh. Seb. Bach. | AlbumClassischStücke | 7 | 5p + 1 St | ||||
21. | Fitzenhagen, Wilhelm; Rundnagel, C. (arr.) | Andante [D-dur] / Joh. Seb. Bach. | AlbumClassischStücke | 8 | |||||
22. | Fitzenhagen, Wilhelm; Rundnagel, C. (arr.) | Andante [G-moll] / Joh. Seb. Bach. | AlbumClassischStücke | 9 | |||||
23. | Fitzenhagen, Wilhelm; Rundnagel, C. (arr.) | Adagio manon troppo [D-moll] / Joh. Seb. Bach. | AlbumClassischStücke | 10 | |||||
24. | Fitzenhagen, Wilhelm; Rundnagel, C. (arr.) | Adagio [H-moll] / Joh. Seb. Bach. | AlbumClassischStücke | 11 | |||||
25. | Fitzenhagen, Wilhelm; Rundnagel, C. (arr.) | Largo / Joh. Seb. Bach. | AlbumClassischStücke | 12 | |||||
26. | Macfarren, Walter (ed.) | SARABANDE IN E (Suites Françaises.) / JOHANN SEBASTIAN BACH. | PopularClassics(Ashdown) | 11 | 129 | 4p | |||
27. | Macfarren, Walter (ed.) | PRELUDE AND FUGUE IN A MINOR. / JOHANN SEBASTIAN BACH. | PopularClassics(Ashdown) | 12 | 133 | 21p | |||
28. | Macfarren, Walter (ed.) | PRELUDE IN B FLAT. (First Partita.) / JOHN SEBASTIAN BACH. | PopularClassics(Ashdown) | 7 | 78 | 3p | |||
29. | Macfarren, Walter (ed.) | ALLEMANDE IN B FLAT. (First Partita.) / JOHN SEBASTIAN BACH. | PopularClassics(Ashdown) | 7 | 83 | 7p | |||
30. | Macfarren, Walter (ed.) | PRÆAMBULUM. from the fifth 'Partita.' / JOHANN SEBASTIAN BACH. | PopularClassics(Ashdown) | 8 | 87 | 7p | |||
31. | Macfarren, Walter (ed.) | GAVOTTE AND MUSETTE IN G MINOR (Suites Anglaises No. 3.) / JOHANN SEBASTIAN BACH. | PopularClassics(Ashdown) | 8 | 92 | 9p | |||
32. | Macfarren, Walter (ed.) | MENUETTO IN G (5th Partita.) / JOHANN SEBASTIAN BACH. | PopularClassics(Ashdown) | 9 | 100 | 5p | |||
33. | [Görges, W.] | Verzeichnis der in der Stadtbibliothek und in der Bibliothek des Johanneums zu Lüneburg enthaltenen älteren Lehr- und Schulbücher, hauptsächlich aus dem 16. und 17. Jahrhundert. | ProgJohanneumsLüneburg | 266 | 3-28 | ||||
34. | [Görges, W.] | Zur Geschichte der Stadtbibliothek [Lüneburg]. | ProgJohanneumsLüneburg | 266 | 29-38 | ||||
35. | Müller, Wilibald | Gerhard van Swieten: biographischer Beitrag zur Geschichte der Aufklärung in Österreich. | 175p | ||||||
36. | Freystätter, Wilhelm | Die musikalischen Zeitschriften seit ihrer Entstehung bis zur Gegenwart: chronologisches Verzeichniss der periodischen Schriften über Musik. | v, 139p | ||||||
37. | Weckbecker, Wilhelm | Variationen über ein Thema von Joh. Seb. Bach für das Pianoforte ; op. 5. | 19p | ||||||
38. | Fitzenhagen, Wilhelm (arr.) | Sarabande für vier Violinen ; op. 64. / von J. S. Bach. | 3 St | ||||||
39. | Macfarren, Walter (ed.) | ALLEMANDE IN E (Suites Françaises.) / JOHANN SEBASTIAN BACH. | PopularClassics(Ashdown) | 11 | 123 | 5p | |||
40. | Weißheimer, Wendelin (arr.) | Eine obligate Violinstimme zu sämmtlichen Praeludien in Joh. Seb. Bach's Wohltemperirtem Klavier. Heft 1: Die 24 Praeludien des ersten Theils. | 20p | ||||||
41. | Bargiel, Woldemar (ed.) | Joh. Seb. Bach's vierstimmige Kirchengesänge. | 286p | ||||||
42. | Fitzenhagen, Wilhelm (arr.) | Sarabande / J. S. Bach. | |||||||
43. | Weißheimer, Wendelin (arr.) | Eine obligate Violinstimme zu sämmtlichen Praeludien in Joh. Seb. Bach's Wohltemperirtem Klavier. Heft 2[: Die 24 Praeludien des zweiten Theils.] | |||||||
44. | Erk, Ludwig; Erk, Friedrich; Greef, Wilhelm (eds.) | Chorbuch des 'Sängerhain'. | 345p | ||||||
45. | Nagel, Wilibald | Zur Geschichte der Musik am Hofe von Darmstadt. | MhMges | 32 | 1,2,3,4,5 | 1-16; 21-36; 41-57; 59-74; 79-89 | |||
46. | Nagel, Wilibald [Willibald] | W. F. Bach's Berufung nach Darmstadt. | SambdIMg | 1 | 2 | 290-294 | |||
47. | Meyer, Waldemar; Schwalm, Robert (arr.) | Adagio aus dem Violinkonzert (E dur) für Violine mit Pianoforte / Joh. Seb. Bach. | |||||||
48. | Nagel, Willibald | Johann Sebastian Bach und die deutsche Musik der Gegenwart. | DieMusik | 1 | 1, 2, 3 | 5-12; 107-112; 204-208 | |||
49. | Fischer, William | Briefe Johann Seb. Bach's an den Rat zu Plauen. | NZsfM | 68 | 40 | 484-485 | |||
50. | Meyer, Waldemar; Schwalm, Robert (arr.) | Konzert in D moll für zwei Violinen und Orchester / Joh. Seb. Bach. | EdSteingräber | 1210 | 21p | ||||
51. | Rachel, Walther | Verwaltungsorganisation und Ämterwesen der Stadt Leipzig bis 1627. | LeipzigStGebietGes | 8 | 4 | 225p | |||
52. | Fitzenhagen, Wilhelm (arr.) | Andante von J. S. Bach. | SamClassStücke | 8 | 3p + 1 St | ||||
53. | Fitzenhagen, Wilhelm (arr.) | Adagio ma non troppo von Joh. Seb. Bach. | SamClassStücke | 10 | 3p + 1 St | ||||
54. | Fitzenhagen, Wilhelm (arr.) | Adagio von Joh. Seb. Bach. | SamClassStücke | 11 | 3p + 1 St | ||||
55. | Burmester, Willy (arr.) | La complaisante / C. Ph. E. Bach | AlteMeister(Burmester) | 1 | 1 | 3p + St | |||
56. | Nagel, Willibald | Die neue Bachgesellschaft und ihre Aufgabe. | BlHausKm | 9 | 2 | 17-19 | |||
57. | Nagel, W. | Das zweite deutsche Bachfest in Leipzig. (1. bis 3. Oktober 1904.) | BlHausKm | 9 | 2 | 37-39 | |||
58. | Weber, Wilhelm | Die Thematik der Chöre in Bachs h moll-Messe. Ein Beitrag zur Bach-Pflege. | NMz(Stuttgart) | 25 | 12, 13 | 251-253; 274-277 | |||
59. | Weber, Wilhelm | Wie studiert man Johann Seb. Bachs 'Wohltemperirten Klavier'? [I - III] | NMz(Stuttgart) | 26 | 1, 3, 5 | 5-7; 49-50, 96-98 | |||
60. | Fischer, Albert; Tümpel, W. | Das deutsche evangelische Kirchenlied des siebzehn Jahrhunderts. | |||||||
61. | Fischer, Walter (arr.) | Air aus dem Orgelpastorale (3. Satz) / Johann Sebastian Bach. | |||||||
62. | Weber, Wilhelm | Wie studiert man Johann Seb. Bachs 'Wohltemperirten Klavier'? [IV] | NMz(Stuttgart) | 26 | 8 | 166-168 | |||
63. | Burmester, Willy (arr.) | Gavotte [E] / J. S. Bach. | AlteMeister(Burmester) | 2 | 9 | 6p + St | |||
64. | Burmester, Willy (arr.) | AIR [auf der G-Saite in C] / J. S. Bach | AlteMeister(Burmester) | 2 | 10 | 3p + St | |||
65. | Burmester, Willy (arr.) | Menuett [in A] / C. Ph. E. Bach | AlteMeister(Burmester) | 3 | 18 | 3p + St | |||
66. | Burmester, Willy; Leeuwen, Ary van (arr.) | La complaisante / C. Ph. E. Bach | AlteMeister(Burmester/Leeuwen) | 1 | 1 | ||||
67. | Burmester, Willy; Leeuwen, Ary van (arr.) | Gavotte [E] / J. S. Bach | AlteMeister(Burmester/Leeuwen) | 2 | 9 | ||||
68. | Burmester, Willy; Leeuwen, Ary van (arr.) | Air (auf der G-Saite) / J. S. Bach | AlteMeister(Burmester/Leeuwen) | 2 | 10 | ||||
69. | Burmester, Willy; Leeuwen, Ary van (arr.) | Menuett [in A] / C. Ph. E. Bach | AlteMeister(Burmester/Leeuwen) | 3 | 18 | ||||
70. | Burmester, Willy; Lier, Jacques van (arr.) | La complaisante / C. Ph. E. Bach | AlteMeister(Burmester/Lier) | 1 | 1 | ||||
71. | Burmester, Willy; Lier, Jacques van (arr.) | Gavotte [E] / J. S. Bach | AlteMeister(Burmester/Lier) | 2 | 9 | ||||
72. | Burmester, Willy; Lier, Jacques van (arr.) | Air (auf der G-Saite) / J. S. Bach. | AlteMeister(Burmester/Lier) | 2 | 10 | 3p + St | |||
73. | Burmester, Willy; Lier, Jacques van (arr.) | Menuett [in A] / C. Ph. E. Bach | AlteMeister(Burmester/Lier) | 3 | 18 | ||||
74. | Stelljes, W. | J. S. Bachs Geburtshaus in Eisenach. | IllustrierteZ | 128 | 3336 | ||||
75. | Weber, Wilhelm | J. S. Bach, der Musiker der Zukunft. | UberLandMeer | 50 | 38 | ||||
76. | Burmester, Willy (arr.) | Gavotte [D] / J. S. Bach | |||||||
77. | Maler, Wilhelm | Geschichte des Bach-Vereins Heidelberg. 1885-1910. | 122p | ||||||
78. | Henley, William (ed.) | 41 preludes and studies / Johann Sebastian Bach. | 51p | ||||||
79. | Werker, Wilhelm | Die Instrumentation der Matthäuspassion von Johann Sebastian Bach. Kritische Plauderei über den Stand der evangelischen Kirchenmusik von 1932. | DieMusik | 9 | 12 | 352-373 | |||
80. | Werker, Wilhelm | Die Instrumentation der Matthäuspassion von Johann Sebastian Bach. | MsGottesdKKunst | 15 | 2 | 47-61 | |||
81. | Sieben, Wilhelm (ed.) | Vier Sonaten für 2 Flöten / Wilhelm Friedemann Bach. | |||||||
82. | Müller, Walther | Johann Adolf Hasse als Kirchenkomponist: ein Beitrag zur Geschichte der neapolitanischen Kirchenmusik. | 2 | 9 | vi, 179p | ||||
83. | Fischer, Walter | Die Entwicklung des Choralvorspiels bei Joh. Seb. Bach. | DieOrgel | 11 | 98-107 | ||||
84. | Fischer, Walter | Die Entwicklung des Choralvorspiels bei Joh. Seb. Bach. | KmlArchiv | 9 | 37p | ||||
85. | Boetticher, Walter von | Geschichte des Oberlausitzischen Adels und seiner Güter 1635-1815. | 961p, 1027p, 730p, 365p | ||||||
86. | Fischer, Wilhelm (ed.) | Wiener Instrumentalmusik vor und um 1750. | DTÖ | 39 | xxxix, 122p | ||||
87. | Gulden, Willem A. van (arr.) | Sarabande / J. S. Bach. | 3p | ||||||
88. | Petzet, Walter | Allerlei über die Matthäus-Passion. | Signale | 71 | 48 | 1769-1772 | |||
89. | Whittaker, William Gillies (ed.) | 'Bright the sunbeams': Aria [for Alto] / J.S. Bach | OxfordSerBachArias | 6p | |||||
90. | Petzet, Walter | Joh. Seb. Bach's Kantatentexte. | Signale | 72 | 33 | 1238-1239 | |||
91. | Petzet, Walter | Das Bach-Jahrbuch 1913. | Signale | 72 | 45 | 1395-1396 | |||
92. | Renner, Willy | Präludien über den Namen 'BACH' für Klavier zu 2 Händen ; op. 6. | EdSteingräber | 2125 | 11p | ||||
93. | Fischer, Wilhelm | Zur Entwicklungsgeschichte des Wiener klassischen Stils. | StMw(BeihDTÖ) | 3 | 24-84 | ||||
94. | Kes, Willem (arr.) | Drei Praeludium [Esm, Bm, D] aus dem Wohltemperierten Klavier | |||||||
95. | Bridge, J. Frederick; Higgs, James, West, John Ebenezer (eds.) | The six 'Schübler' chorale prelude and the 'Clavierübung', pt. 3. | OrgWorks(Novello) | 16 | xi, 88p | ||||
96. | Nagel, Willibald | Bachs Messe in H-Moll. | |||||||
97. | Whittaker, William Gillies (ed.) | Cantatas 212: [Length'ning shadows: aria from the Bavern cantata Mann hahn en neue Oberkeet] | |||||||
98. | Whittaker, William Gillies (ed.) | Thou crownest the year: duet / J. S. Bach | CollAriaDuoChorale(Stainer) | 4 | 8p | ||||
99. | Whittaker, William Gillies (ed.) | Six original chorales / J. S. Bach. | CollAriaDuoChorale(Stainer) | 5 | 11p | ||||
100. | Nagel, Willibald | J. S. Bach und das Deutschtum. | NMz(Stuttgart) | 42 | 18 | 277-281 | |||
101. | Werker, Wilhelm | Studien über die Symmetrie im Bau der Fugen und die motivische Zusammengehörigkeit der Präludien und Fugen des 'Wohltemperierten Klaviers' von Johann Sebastian Bach. | BachSt | 1 | 356p | ||||
102. | Rummel, Walter (arr.) | ERTODT' UNS DURCH DEIN GÜTE! / J. S. BACH | RummelAdaptations | 1 | 1 | 2p | |||
103. | Petzet, Walter | Bachs 'Chromatische'. | Signale | 80 | 7 | 223-226 | |||
104. | Greiner, Wilhelm | Die Seffnersche Rekonstruktion des Bachkopfes über den Totenschädel. | 253-254 | ||||||
105. | Whittaker, William Gillies (ed.) | The angels: cantata for Female Voices. | 47p | ||||||
106. | Werker, Wilhelm | Die Mattäus-Passion. | BachSt | 2 | 96p | ||||
107. | Fischer, Wilhelm (ed.) | 'Ich will den Kreuzstab gerne tragen': Kantate No. 56 / J. S. Bach | 24p | ||||||
108. | Fischer, Wilhelm (ed.) | 'Now Shall the Grace' = 'Nun ist das Heil': Kantate No. 50 / J. S. Bach. | 32p | ||||||
109. | Rummel, Walter (arr.) | WAS GOTT TUT, DAS IST WOHLGETAN / Johann Peter Kellner | 4p | ||||||
110. | Rummel, Walter (arr.) | VOM HIMMEL HOCH DA KOMM' ICH HER / Johann Pachelbel | 4p | ||||||
111. | Rummel, Walter (arr.) | NUN LASST UNS GOTT DEM HERREN DANKSAGEN / Vincent Lübeck | 7p | ||||||
112. | Rummel, Walter (arr.) | Two choral preludes / Johann Nicolaus Hanff | 7p | ||||||
113. | Fischer, Wilhelm (ed.) | 'Schlage doch, gewünschte Stunde': Kantate No. 53 / J. S. Bach. | 8p | ||||||
114. | Whittaker, William Gillies | Fugitive Notes on certain Cantatas and the Motets of J. S. Bach. | xii, 298p | ||||||
115. | Graeser, Wolfgang | Bachs 'Kunst der Fuge'. | BachJb | 21 | 1-104 | ||||
116. | Whittaker, William Gillies (arr.) | 'Sing We the Birth.' | ChurchCantata(Whittaker) | 122 | 32p | ||||
117. | Virneisel, Wilhelm | Christian Benjamin Klein und seine Sammlung musikalischer Handschriften. | diss. | 116 Bl | |||||
118. | Rummel, Walter (arr.) | CHORAL-OUVERTURE: ACH WIE NICHTIG, ACH WIE FLÜCHTIG IST DES MENSCHEN LEBEN / J. S. BACH | RummelAdaptations | 1 | 2 | 5p | |||
119. | Rummel, Walter (arr.) | LIEBSTER JESU WIR SIND HIER / J. S. BACH | RummelAdaptations | 1 | 3 | 3p | |||
120. | Werker, Wilhelm | [Handschriftlicher Nachlass.] | |||||||
121. | Möller, Walter | Von Bach bis Strauß. Musik-Novellen und -Skizzen. | 109p | ||||||
122. | Whittaker, William Gillies (ed.) | False love! Thou traitor perjured!: J.S. Bach's secular cantata 'Amore traditore' | 17p | ||||||
123. | [Willner, Arthur; Fischer, Wilhelm] (ed.) | Kantate No. 106: Gottes Zeit = God's own time: actus tragicus / J. S. Bach. | 44p | ||||||
124. | Whittaker, William Gillies (ed.) | 'Jesu, Joy and Treasure' | 76p | ||||||
125. | Whittaker, William Gillies (arr.) | 'See Now.' | ChurchCantata(Whittaker) | 64 | 38p | ||||
126. | Fischer, Wilhelm | Zur Chronologie der Klaviersuiten J. S. Bachs. | [cr]Basel1924 | 127-130 | |||||
127. | Graeser, Wolfgang | Joh. Seb. Bachs 'Kunst der Fuge'. | [cr]Basel1924 | 151-152 | |||||
128. | Vetter, Walther | Streiflichter auf die Geschichte der Tonalität. Zugleich ein Beitrag zur Bach-Kunde. | DieMusik | 17 | 12 | 881-890 | |||
129. | Fischer, Wilhelm | 'Barrabam.' | [gs]Scheurleer | 115-118 | |||||
130. | Whittaker, William Gillies (ed.) | Sinfonia from Church Cantata No. 75 ... Chorale 'Was Gott thut, das ist wohlgethan.' | OxfordChoralSongs | 348 | 2p | ||||
131. | Whittaker, William Gillies (ed.) | CONCERTO FROM CHURCH CANTATA No. 152 Tritt auf die Glauben's Bahn / J. S. Bach. | OxfordOrchSer | 8 | 8p | ||||
132. | Whittaker, William Gillies (ed.) | SINFONIAS TO BACH'S CANTATAS Nos. 12 21 156 ('Weinen, Klagen, Sorgen, Zagen') ('Ich hatte viel Bekümmernis') ('Ich steh' mit einem Fuss im Grabe') | OxfordOrchSer | 10 | 8p | ||||
133. | Whittaker, William Gillies (ed.) | SINFONIA TO CHURCH CANTATA No. 42 (Am Abend aber desselbigen Sabbaths) / J. S. Bach | OxfordOrchSer | 11 | 10p | ||||
134. | Whittaker, William Gillies (ed.) | SONATINA (INTRODUCTION) FROM CHURCH CANTATA No. 106 AND SONATA (INTRODUCTION) FROM CHURCH CANTATA No. 182 (Gottes Zeit) (Himmelskonig, sei willkommen) / J. S. BACH. | OxfordOrchSer | 13 | 4p | ||||
135. | Whittaker, William Gillies (ed.) | SINFONIA FROM CHURCH CANTATA No. 18 (Gleich wie der Regen) / J. S. BACH | OxfordOrchSer | 15 | 8p | ||||
136. | Whittaker, William Gillies (ed.) | SINFONIA TO SECULAR CANTATA No. 209 (Non sa che sia dolore) / J. S. BACH. | OxfordOrchSer | 18 | 8p | ||||
137. | Whittaker, William Gillies (ed.) | SINFONIA TO CHURCH CANTATA No.75: (Die Elenden sollen essen) / J. S. Bach | OxfordOrchSer | 19 | 4p | ||||
138. | Whittaker, William Gillies (ed.) | SINFONIA TO CHURCH CANTATA No. 76 Die Himmel erzählen die Ehre Gottes / J. S. Bach | OxfordOrchSer | 20 | 5p | ||||
139. | Whittaker, William Gillies (ed.) | MARCH FROM DRAMMA per MUSICA (Vereinigte Zweitracht der wechselnden Saiten) -- PRELUDE TO CANTATA No. 212 (Mer hahn en neue Oberkeet) -- TRIO / J.S. BACH | OxfordOrchSer | 22 | 10p | ||||
140. | Whittaker, William Gillies (ed.) | SINFONIAS TO CHURCH CANTATAS Nos.150 & 196: (Nach dir, Herr, verlanget mich) (Der Herr denket an uns) / J. S. Bach | OxfordOrchSer | 23 | 5p | ||||
141. | Whittaker, William Gillies (ed.) | CONCERTO FROM CHURCH CANTATA No. 142 Uns ist ein Kind geboren / J. S. Bach [Kuhnau?] | OxfordOrchSer | 24 | 6p | ||||
142. | Whittaker, William Gillies (ed.) | SONATA FROM CANTATA No.31: Die Himmel lacht, die Erde jubilieret / J. S. BACH. | OxfordOrchSer | 53 | 14p | ||||
143. | Whittaker, William Gillies (ed.) | FIRST SINFONIA FROM CHURCH CANTATA No. 35: 'Geist und Seele wird verwirret' | OxfordOrchSer | 59 | 18p | ||||
144. | Graeser, Wolfgang (ed.) | Die Kunst der Fuge 1750 / Johann Sebastian Bach. | BG | 47 | xxxi, 130p | ||||
145. | Whittaker, William Gillies (ed.) | 'Lord Christ, we now Thy praises sing.' | ChurchCantata(Whittaker) | 121 | 38p | ||||
146. | Fischer, Wilhelm | Zur Geschichte des Fugenthemas. | [cr]Leipzig1925 | 246 | |||||
147. | Whittaker, William Gillies (ed.) | God is our friend: trio from Church cantata no.122, Das neugebor'ne Kindelein = 'Sing we the birth' / J.S. Bach | OxfordChoralSongs | 352 | 8p | ||||
148. | Rummel, Walter (arr.) | VATER UNSER IM HIMMELREICH / J. S. BACH | RummelAdaptations | 1 | 4 | 6p | |||
149. | Rummel, Walter (arr.) | WAS GOTT TUT, DAS IST WOHLGETAN / J. S. BACH | RummelAdaptations | 1 | 5 | 9p | |||
150. | Rummel, Walter (arr.) | DAS ALTE JAHR VERGANGEN IST / J. S. BACH | RummelAdaptations | 1 | 6 | 5p | |||
151. | Rummel, Walter (arr.) | JESUS CHRISTUS, GOTTES SOHN / J. S. BACH | RummelAdaptations | 1 | 7 | 6p | |||
152. | Rummel, Walter (arr.) | Aria (Duett): 'WIR EILEN MIT SCHWACHEN; DOCH EMSIGEN SCHRITTEN' / J. S. BACH. | RummelAdaptations | 2 | 1 | 10p | |||
153. | Rummel, Walter (arr.) | Aria: MEIN GLÄUBIGES HERZE FROHLOCKE, SING, SCHERZE / J. S. Bach. | RummelAdaptations | 2 | 3 | 7p | |||
154. | Rummel, Walter (arr.) | Tanzlied des Pan: 'ZU TANZE, ZU SPRUNGE' / J. S. BACH | RummelAdaptations | 2 | 7 | 11p | |||
155. | Whittaker, William Gillies (ed.) | Cantatas 29. | |||||||
156. | Whittaker, William Gillies (ed.) | 'What God Doth, Surely That Is Right': Cantata No. 98. ... | 31p | ||||||
157. | Whittaker, William Gillies (ed.) | 'Jesus called to Him the Twelve.' | ChurchCantata(Whittaker) | 22 | 36p | ||||
158. | Whittaker, William Gillies (ed.) | 'The Heavens shout.' | ChurchCantata(Whittaker) | 31 | 43p | ||||
159. | Whittaker, William Gillies (ed.) | 'Now hath the grace and the strength.' | ChurchCantata(Whittaker) | 50 | 32p | ||||
160. | Whittaker, William Gillies (ed.) | 'What God doth, surely that is right!' | ChurchCantata(Whittaker) | 98 | 31p | ||||
161. | Whittaker, William Gillies (ed.) | 'Lord, enter not into wrath.' | ChurchCantata(Whittaker) | 105 | 44p | ||||
162. | Whittaker, William Gillies (ed.) | Care and sorrow flee before thee: chorale / J. S. Bach. | CollAriaDuoChorale(Stainer) | 13 | 8p | ||||
163. | Whittaker, William Gillies (ed.) | I follow Thee now. Duet. Aria with Chorale. | CollAriaDuoChorale(Stainer) | 14 | |||||
164. | Whittaker, William Gillies (ed.) | Since Thou from death hast risen again = Am i Ti ddod i'r lan o'r Bedd (Weil du vom Tod erstanden bist): the concluding part of the final chorus of Church cantata no.15 'Denn du wirst meine Seele nicht in der Hölle lassen' / [Johann Ludwig Bach] | ExtendedChorales | 1 | 6p | ||||
165. | Whittaker, William Gillies (ed.) | Awake us, Lord, and hasten = Bywhâ ni, Iôr tragywydd (Ertödt uns durch dein' Gute); the closing number of Church Cantata no.22 | ExtendedChorales | 2 | 9p | ||||
166. | Whittaker, William Gillies (ed.) | O ever-faithful God = O fythol-ffyddlon Dduw (O Gott, du frommer Gott): the closing number of Church cantata no.24, Ein ungefärbt Gemüthe / [J.S. Bach] | ExtendedChorales | 3 | 7p | ||||
167. | Whittaker, William Gillies (ed.) | Thine is alone the glory = Ti'n unig biau'r moliant (Dein ist allein die Ehre). Chorale: the final number of church cantata no.41, 'Jesu, nun sei gepreiset', for the Feast of the Circumcision (New Year's Day) (c.1736) | ExtendedChorales | 4 | 8p | ||||
168. | Whittaker, William Gillies (ed.) | O Lord Thou God of truth = O Dduw gwirionedd glân (O grosser Gott der Treu): the closing number of Church Cantata no.46 | ExtendedChorales | 5 | 6p | ||||
169. | Whittaker, William Gillies (ed.) | Lord, in thy love = Duw, yn dy ras (Es woll' uns Gott genädig sein) from church cantata no.76 (Die Himmel erzählen die Ehre Gottes) for second Sunday after Trinity, 1723 | ExtendedChorales | 6 | 17p | ||||
170. | Whittaker, William Gillies (ed.) | Content, my God = O'm bodd, fy Nuw (Ei nun, mein Gott) from Church Cantata no.92 'Ich hab' in Gottes Herz und Sinn' for Septuagesima Sunday (c.1740). | ExtendedChorales | 8 | 10p | ||||
171. | Whittaker, William Gillies (ed.) | What God doth, that alone is right = A wnelo'r Arglwydd, cyfiawn yw (Was Gott thut, das ist wohlgethan): from Church Cantata no.100. | ExtendedChorales | 9 | 5p | ||||
172. | Whittaker, William Gillies (ed.) | To God give thanks and praise = Cydgenwch 'Iddo ef' (Nun danket Alle Gott): closing number of Church Cantata no.79 | ExtendedChorales | 17 | 8p | ||||
173. | Whittaker, William Gillies (arr.) | STRING SUITE No. 1 [in C major] / J.S. Bach | OxfordOrchSer | 36 | 12p | ||||
174. | Whittaker, William Gillies (ed.) | STRING SUITE No. 2 [in B minor] / J. S. Bach | OxfordOrchSer | 37 | 11p | ||||
175. | Whittaker, William Gillies (ed.) | STRING SUITE No. 3 [in D major] / J. S. Bach | OxfordOrchSer | 38 | 9p | ||||
176. | Whittaker, William Gillies (ed.) | STRING SUITE No. 4 [in D major] / J. S. Bach | OxfordOrchSer | 39 | 11p | ||||
177. | Whittaker, William Gillies (ed.) | STRING SUITE No. 5 / J. S. Bach. | OxfordOrchSer | 40 | 4p | ||||
178. | Whittaker, William Gillies (ed.) | SINFONIA TO CHURCH CANTATA No. 29 'Wir danken dir, Gott, Wir danken dir.' / [J. S. Bach] | OxfordOrchSer | 42 | 18p | ||||
179. | Whittaker, William Gillies (ed.) | 'Cease, sad eyelids': Soprano aria from church cantata no.98 'What God doth, surely that is right' / J. S. Bach | OxfordSerBachArias | 10 | 9p | ||||
180. | Rummel, Walter (arr.) | ORCHESTRAL OVERTURE. 'THROUGH AFFLICTION WE ENTER THE KINGDOM OF HEAVEN' / J. S. BACH | RummelAdaptations | 3 | 1 | 19p | |||
181. | Rummel, Walter (arr.) | LEOPOLD SERENATA: 'THY NAME LIKE UNTO THE SUN...' / J. S. BACH | RummelAdaptations | 3 | 2 | 7p | |||
182. | Rummel, Walter (arr.) | CEMBALO OBBLIGATO 'CHI IN AMORE HA NEMICA LA SORTE' / J. S. BACH | RummelAdaptations | 3 | 3 | 11p | |||
183. | Graeser, Wolfgang (ed.) | Die Kunst der Fuge 1750 / Johann Sebastian Bach. | VeröffNBG | 28 | 1 | 130p | |||
184. | Whittaker, William Gillies | Some Problems in the Performance of Bach's Church Cantatas. | ProceedRMA | 54 | 35-61 | ||||
185. | Meyer, W. | Charakterbilder großer Tonmeister. Persönliches und Intimes aus ihrem Leben und Schaffen. Erster Band: Bach/Händel/Haydn/Mozart. | 182p | ||||||
186. | Upmeyer, Walter (ed.) | XX kleine Fugen; so wohl auf der Orgel, als auf dem Claviere zu spielen / von G. P. Telemann. | 24p | ||||||
187. | Hensel, Walther | Schönster Herr Jesu: Weise 1677. | 2p | ||||||
188. | Kes, Willem (arr.) | Sechs Violin-Sonaten / Joh. Seb. Bach. | 44p | ||||||
189. | Hess, Myra; Whittaker, William Gillies (arr.) | Jesu, joy of man's desiring: the chorale from Cantata no.147. | 4p + St | ||||||
190. | Whittaker, William Gillies (ed.) | 'Who thanks offers, he praiseth Me.' | ChurchCantata(Whittaker) | 17 | 36p | ||||
191. | Whittaker, William Gillies (ed.) | 'In thee do I rejoice.' | ChurchCantata(Whittaker) | 133 | 38p | ||||
192. | Whittaker, William Gillies (ed.) | 'King of Heaven, be Thou welcome.' | ChurchCantata(Whittaker) | 182 | 55p | ||||
193. | Matthes, Wilhelm | Nürnberg: Das Nürnberger Bach-Fest. | DieMusik | 21 | 1 | 73-74 | |||
194. | Eickemeyer, Willy (ed.) | Konzert für Cembalo in D-moll / Joh. Seb. Bach. | EdSteingräber | 118 | [new edn] | 44p | |||
195. | [Whittaker, William Gillies] | Some Problems in the Performance of Bach's Church Cantatas. | MTimes | 69 | 1024 | 544-545 | |||
196. | Whittaker, William Gillies (ed.) | Chorale from church cantata no.137: Praise to the highest: Lobe den Herren / J. S. Bach | OxfordChoralSongs | 1437 | 6p | ||||
197. | Whittaker, William Gillies (ed.) | Lord Christ above: chorale from church cantata no.166, 'Wo gehest du hin' / J. S. Bach | OxfordChoralSongs | 1438 | 5p | ||||
198. | Whittaker, William Gillies (ed.) | Duet: Et misericordia = And his mercy, from the Magnificat / J.S. Bach | OxfordChoralSongs | 1439 | 7p | ||||
199. | Whittaker, William Gillies (ed.) | Aria, Et exultavit = My soul rejoices: from the Magnificat / J.S. Bach | OxfordChoralSongs | 1440 | 6p | ||||
200. | Whittaker, William Gillies (ed.) | Love, ye faithful: aria from church cantata no.76 / J. S. Bach | OxfordChoralSongs | 1441 | 5p | ||||
201. | Whittaker, William Gillies (ed.) | Chorale from Church cantata no.147: Herz und Mund und That und Leben = Jesu joy of man's desiring = Wohl mir, dass ich Jesum habe / J.S. Bach | OxfordChoralSongs | 1443 | 3p | ||||
202. | Whittaker, William Gillies (ed.) | SINFONIA FROM THE EASTER ORATORIO Kommt, eilet und laufet. FIRST MOVEMENT / J. S. BACH | OxfordOrchSer | 55 | 14p | ||||
203. | Whittaker, William Gillies (ed.) | SINFONIA FROM THE EASTER ORATORIO Kommt, eilet und laufet. SECOND MOVEMENT / J. S. BACH | OxfordOrchSer | 56 | 3p | ||||
204. | Whittaker, William Gillies (ed.) | 'Jesu, joy of man's desiring' = 'Wohl mir, dass ich Jesum habe': Chorale from Church Cantata no.147, 'Herz und Mund und That und Leben' / J.S. Bach | OxfordOrchSer | 57 | 4p | ||||
205. | Whittaker, William Gillies (ed.) | SECOND SINFONIA FROM CHURCH CANTATA No. 35 'Geist und Seele wird verwirret' / [J. S. Bach] | OxfordOrchSer | 60 | 6p | ||||
206. | Rummel, Walter (arr.) | Sinfonia 'Weinen, klagen, sorgen, zagen' / J. S. BACH | RummelAdaptations | 2 | 2 | 6p | |||
207. | Rummel, Walter (arr.) | OH MENSCHEN, DIE IHR TÄGLICH SÜNDIGT / J. S. BACH | RummelAdaptations | 2 | 4 | 6p | |||
208. | Rummel, Walter (arr.) | 'DAS BRAUSEN VON DEN RAUHEN WINDEN' / J. S. BACH | RummelAdaptations | 2 | 5 | 6p | |||
209. | Rummel, Walter (arr.) | ARIA-PRELUDE 'DIE WELT IST NUR EIN RAUCH UND SCHATTEN' / J. S. BACH | RummelAdaptations | 2 | 6 | 6p | |||
210. | Rossel, W. | Der Christus in der Matthäus- und Johannespassion. | SchweizerischeMzSängerBl | 68 | |||||
211. | Engel, W. (arr.) | Air / J. S. Bach. | |||||||
212. | Whittaker, William Gillies (arr.) | Pastorella / J. S. Bach. | 12p | ||||||
213. | Whittaker, William Gillies; Wiseman, Herbert; Wishart, J. (eds.) | The Clarendon classical song books. Volume II. [Voice-part edition] | 30p | ||||||
214. | Whittaker, William Gillies (ed.) | Chorale Prelude, 'Wir Glauben all'in eimem Gott, Vater' = 'We all believe in one God the Father' / J. S. Bach. | 3p | ||||||
215. | Whittaker, William Gillies (ed.) | Aria from the Pastorella | 4p | ||||||
216. | Whittaker, William Gillies; Wiseman, Herbert; Wishart, J. (eds.) | The Clarendon classical song books. Volume II. [Piano edition] | 58p | ||||||
217. | Whittaker, William Gillies (ed.) | Jesu, joy of man's desiring from cantata No. 147 / J. S. Bach. | 8p | ||||||
218. | Whittaker, William Gillies (ed.) | 'Ah how fleeting.' | ChurchCantata(Whittaker) | 26 | 30p | ||||
219. | Whittaker, William Gillies (ed.) | 'Why Art Cast Down Within Me?' | ChurchCantata(Whittaker) | 107 | 28p | ||||
220. | Whittaker, William Gillies (ed.) | 'Take what thine is, and go thy way.' | ChurchCantata(Whittaker) | 144 | 24p | ||||
221. | Whittaker, William Gillies | Notes on Bach's Orchestration. | Consort | 1 | 1-4 | ||||
222. | Eickemeyer, Willy (arr.) | Zwei Fugen in D-moll für zwei Klaviere aus 'Die Kunst der Fuge' / Joh. Seb. Bach | EdSteingräber | 2419 | 8p + 2 St | ||||
223. | Whittaker, William Gillies (ed.) | Now I know that Thou art loving = 'Nawr mi wn mai cariad ydwyt (Nun, ich weiss, du wirst mir stillen): the final chorus of Church Cantata no.105 | ExtendedChorales | 10 | 4p | ||||
224. | Whittaker, William Gillies (ed.) | So let me sing God's praises = Rhof glod i Dduw gan hynny (Herr, gieb, dass ich dein' Ehre): the final chorus of Church Cantata no.107, 'Was willst du dich betru?ben', for the seventh Sunday after Trinity (c.1735). | ExtendedChorales | 11 | 6p | ||||
225. | Whittaker, William Gillies (ed.) | With praises unto God = Mae llysoedd Nef yn llawn (Dem wir das Heilig itzt): the final chorus of Church Cantata no.129. | ExtendedChorales | 12 | 5p | ||||
226. | Whittaker, William Gillies (ed.) | Alleluja! = Haleliwia: The final chorus of church cantata No. 142 / Bach [Kuhnau?] | ExtendedChorales | 13 | 5p | ||||
227. | Whittaker, William Gillies (ed.) | Jesu, Joy of man's desiring = Iesu, drud ddifyrrwch dynion (Wohl mir, dass ich Jesum habe) from Church cantata no.147 Herz und Mund und That und Leben / [J.S. Bach] | ExtendedChorales | 14 | 8p | ||||
228. | Whittaker, William Gillies (ed.) | All glory, thanks, and blessing = Gogoniant ac anrhydedd (Sei lob und Preis mit Ehren): the final chorus of Church Cantata no.92 | ExtendedChorales | 15 | 11p | ||||
229. | Whittaker, William Gillies (ed.) | Our foes press on us far wide = Mae grym gelynion ar bob tu (Augspreeen sie den Rachen weit): the fifth movement from Church Cantata no.178 | ExtendedChorales | 16 | 7p | ||||
230. | Whittaker, William Gillies (ed.) | Lord, we give praise to Thee = Ti, Iôr a folwn ni (Herr Gott, dich loben wri): the second movement of Church Cantata no.190 | ExtendedChorales | 18 | 5p | ||||
231. | Whittaker, William Gillies (ed.) | Why art cast down within me? = Pa ofn yw hwn, fy nghalon (Was willst du dich betrüben): the first chorus of Church Cantata no.107 | ExtendedChorales | 19 | 7p | ||||
232. | Whittaker, William Gillies (ed.) | Who hopes in God = Yr hwn obeithia (Wer hofft in Gott); the final chorus of Church Cantata no.109 | ExtendedChorales | 20 | 16p | ||||
233. | Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.) | Menuett - ... - Marsch - Ballett / Bach. ... | GradusAdSymphoniam | 1 | 12p + 6 St | ||||
234. | Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.) | ... 10 000 Dukaten / Bach ... | GradusAdSymphoniam | 2 | 12p + 6 St | ||||
235. | Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.) | Air - ... - Polonaise / Bach ... | GradusAdSymphoniam | 3 | 12p + 6 St | ||||
236. | Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.) | Rondo - Aria aus Concerto grosse No. 23 - Bourrée / Bach | GradusAdSymphoniam | 4 | 19p | ||||
237. | Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.) | Gavotte und Musette / Bach. | GradusAdSymphoniam | 6 | 12p | ||||
238. | Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.) | Präludium und Fuge -- Finale / Bach. | GradusAdSymphoniam | 7 | 13p + 6 St | ||||
239. | Whittaker, William Gillies (ed.) | Aria: My heart, ever faithful = Mein gläubiges Herze: from Church Cantata no.68 Also hat Gott die Welt geliebt / J.S. Bach | OxfordChoralSongs | 1455 | 6p | ||||
240. | Whittaker, William Gillies (ed.) | 'Lord, wide as the Heaven above': Soprano Aria from Church Cantata No. 17 ... | OxfordSerBachArias | 1 | |||||
241. | Whittaker, William Gillies (ed.) | 'Thereupon one of the Lepers', 'Lord, Blessings rich in plenty come from Thee': Tenor Recitative and Aria from Church Cantata No. 17 ... | OxfordSerBachArias | 2 | |||||
242. | Whittaker, William Gillies (ed.) | 'Lord Jesus, draw me unto Thee': Contralto Aria from Church Cantata No. 22. ... | OxfordSerBachArias | 3 | |||||
243. | Whittaker, William Gillies (ed.) | 'O Treasure of Treasures': Tenor Aria from Church Cantata No. 22 ... | OxfordSerBachArias | 4 | |||||
244. | Whittaker, William Gillies (ed.) | 'O longed-for Day!', 'Prince eternal': Bass Recitative and Aria from Church Cantata No. 31 ... | OxfordSerBachArias | 5 | |||||
245. | Whittaker, William Gillies (ed.) | 'He who would in Christ be living': Tenor Aria from Church Cantata No. 31 ... | OxfordSerBachArias | 6 | |||||
246. | Whittaker, William Gillies (ed.) | 'As Members by their Head are guided', 'Life's last Moment': Soprano Recitative and Aria from Church Cantata No. 31 ... | OxfordSerBachArias | 7 | |||||
247. | Whittaker, William Gillies (ed.) | 'Little Worth is found on Earth': Soprano Aria from Church Cantata No. 64 ... | OxfordSerBachArias | 8 | |||||
248. | Whittaker, William Gillies (ed.) | 'Of this world I ask for nought': Contralto Aria from Church Cantata No. 64 ... | OxfordSerBachArias | 9 | |||||
249. | Whittaker, William Gillies (ed.) | 'Never Jesus will I leave': Bass Aria from Church Cantata No. 98 ... | OxfordSerBachArias | 11 | |||||
250. | Whittaker, William Gillies (ed.) | 'Thoughts fearful and haunting': Soprano Aria from Church Cantata No. 105 ... | OxfordSerBachArias | 12 | |||||
251. | Whittaker, William Gillies (ed.) | 'If my Lord Jesus only deigns to love me': Tenor Aria from Church Cantata No. 105 ... | OxfordSerBachArias | 13 | |||||
252. | Whittaker, William Gillies (ed.) | 'Thou Son of Man': Tenor Aria from Church Cantata No. 121 ... | OxfordSerBachArias | 14 | |||||
253. | Whittaker, William Gillies | 'John filled with Joy': Bass Aria from Church Cantata No. 121 'Lord Christ, we now thy praises sing' / J. S. Bach | OxfordSerBachArias | 15 | 13p | ||||
254. | Whittaker, William Gillies (ed.) | 'We Mortals': Bass Aria from Church Cantata No. 122, 'Sing we the birth' / J. S. Bach | OxfordSerBachArias | 16 | |||||
255. | Whittaker, William Gillies (ed.) | 'Be glad': Contralto Aria from Church Cantata No. 133 ... | OxfordSerBachArias | 17 | |||||
256. | Whittaker, William Gillies (ed.) | 'How sweetly ringing in my Hearing': Soprano Aria from Church Cantata No. 133 ... | OxfordSerBachArias | 18 | |||||
257. | Whittaker, William Gillies (ed.) | 'Lo, I come', 'Great Thy Love, Lord': Bass Recitative and Aria from Church Cantata No. 182 'King of heaven, be thou welcome'] / J. S. Bach. | OxfordSerBachArias | 19 | 9p | ||||
258. | Whittaker, William Gillies (ed.) | 'Lowly bend before the Saviour': Contralto Aria from Church Cantata No. 182 ... | OxfordSerBachArias | 20 | |||||
259. | Whittaker, William Gillies (ed.) | 'Jesu, Paths of Weal and Woe': Tenor Aria from Church Cantata No. 182 ... | OxfordSerBachArias | 21 | |||||
260. | Whittaker, William Gillies (ed.) | 'Comfort sweet, Lord Jesus comes' = 'Süsser Trost, mein Jesus kommt': Soprano Aria from church cantata No.151 of the same title / J.S. Bach | OxfordSerBachArias | 22 | 7p | ||||
261. | Whittaker, William Gillies (ed.) | 'As rapid, rushing rivulets': Tenor Aria from Church Cantata no.26 'Ah, how fleeting' (= Ach wie flüchtig, ach wie nichtig) / J. S. Bach | OxfordSerBachArias | 24 | 11p | ||||
262. | Whittaker, William Gillies (ed.) | 'The Riches and Treasures': Bass Aria from Church Cantata No. 26, 'Ah, how fleeting' (= Ach wie flüchtig, ach wie nichtig) / J. S. Bach. | OxfordSerBachArias | 25 | 10p | ||||
263. | Whittaker, William Gillies (ed.) | 'Yea, God no Man forsaketh', 'Upon His Strength relying': Bass Recitative and Aria from Church Cantata No. 107 'Why art cast down within me' (Was willst du dich betrüben) / J.S. Bach | OxfordSerBachArias | 26 | 9p | ||||
264. | Whittaker, William Gillies (ed.) | 'Hell's despite, nay, nor Satan': Tenor Aria from Church Cantata no.107, 'Why art cast down within me' / J. S. Bach | OxfordSerBachArias | 27 | 7p | ||||
265. | Whittaker, William Gillies (ed.) | 'For his ends God designed thee': Soprano Aria from Church Cantata no.107, 'Why art cast down within me' / J. S. Bach | OxfordSerBachArias | 28 | 6p | ||||
266. | Whittaker, William Gillies (ed.) | 'Myself to God resigning': Tenor Aria from Church Cantata no.107, 'Why art cast down within me' / J. S. Bach | OxfordSerBachArias | 29 | 6p | ||||
267. | Whittaker, William Gillies (ed.) | 'O sweet Content': Soprano Aria from Church Cantata No. 144 ... | OxfordSerBachArias | 31 | |||||
268. | Giesen, W. (arr.) | Kein Hälmlein wächst auf Erden / Friedemann Bach. | 1 Bl | ||||||
269. | Whittaker, William Gillies; Wiseman, Herbert; Wishart, J. (eds.) | The Clarendon classical song books. Volume VI. [Piano edition] | 55p | ||||||
270. | Fischer, Wilhelm | Instrumentalmusik von 1600-1750. | [ce]HandbuchMges_Adler | 540-573 | |||||
271. | Fischer, Wilhelm | Instrumentalmusik von 1750-1828. | [ce]HandbuchMges_Adler | 795-833 | |||||
272. | Whittaker, William Gillies (ed.) | 'Now hath the Grace and the Strength.' = 'Weithion trwy ras a thrwy rym a thrwy nerth.' | ChurchCantata(Whittaker) | 50 [var] | |||||
273. | Whittaker, William Gillies (ed.) | Now Comfort take, good Christians all ... Chorale. | CollAriaDuoChorale(Stainer) | 15 | |||||
274. | Whittaker, William Gillies (ed.) | Lord Jesu Christ, pure Source of Good ... Chorale. | CollAriaDuoChorale(Stainer) | 16 | |||||
275. | Whittaker, William Gillies (ed.) | Four Original Chorales. | CollAriaDuoChorale(Stainer) | 17 | |||||
276. | Whittaker, William Gillies (ed.) | Five Original Chorales. | CollAriaDuoChorale(Stainer) | 18 | |||||
277. | Apel, Willi | Bachs Kunst der Fuge. | DieMusik | 22 | 4 | 267-286 | |||
278. | Whittaker, William Gillies (ed.) | Jesu, joy of man's desiring = Iesu, drud ddifyrrwch dynion (Wohl mir, dass ich Jesum habe): from church cantata no.147, 'Herz und Mund und That und Leben' | OxfordChoralSongs | 1495 | 6p | ||||
279. | Whittaker, William Gillies (ed.) | Four Chorales from the Schemelli Gesang-Buch. ... | OxfordChoralSongs | 1506 | 8p | ||||
280. | Rummel, Walter (arr.) | STÜRZE ZU BODEN / J. S. BACH | RummelAdaptations | 3 | 4 | 11p | |||
281. | Rummel, Walter (arr.) | DICH HAB' ICH JE UND JE GELIEBT / J. S. BACH | RummelAdaptations | 3 | 5 | 11p | |||
282. | Rummel, Walter (arr.) | CHORAL-OUVERTÜRE: O GOTT, DU FROMMER GOTT! / J. S. BACH | RummelAdaptations | 3 | 6 | 10p | |||
283. | Rummel, Walter (arr.) | ESURIENTES IMPLEVIT BONIS (MAGNIFICAT) / J. S. BACH | RummelAdaptations | 3 | 7 | 6p | |||
284. | Petzet, Walter | Wiedergeburt: Von Bach bis Offenbach. | Signale | 88 | 15 | 437-439 | |||
285. | Höckner, Hilmar; Höckner, Walter (eds.) | Sonate für Klavier und Violine oder Flöte, Op. 18, Nr. 1, C-Dur / Johann Christian Bach. | 13p + 1 St | ||||||
286. | Upmeyer, Walter (ed.) | Konzert für Cembalo mit 2 Violinen, Viola und Baß in ein- oder mehrfacher Besetzung / Wilh. Friedemann Bach. | 39p + 7 St | ||||||
287. | Whittaker, William Gillies (ed.) | Thirty-five Chorale Preludes / J.S. Bach. Book 4. | xi, 20p | ||||||
288. | Whittaker, William Gillies (ed.) | Thirty-five Chorale Preludes / J.S. Bach. Book 2. | xii, 19p | ||||||
289. | Whittaker, William Gillies (ed.) | Thirty-five Chorale Preludes / J.S. Bach. Book 3. | xii, 23p | ||||||
290. | Whittaker, William Gillies (ed.) | Thirty-five Chorale Preludes / J.S. Bach. Book 1. | xii, 24p | ||||||
291. | Whittaker, William Gillies (ed.) | A short passion: (from St Matthew's Gospel) / Johann Sebastian Bach. | xxiii, 135p | ||||||
292. | Apel, Willi | Die alte Klaviermusik: eine Übersicht und Wertung vom heutigen Standpunkt. | DieMusik | 23 | 7 | 500-509 | |||
293. | Eickemeyer, Willy (ed.) | Concerto c moll ; do minore ; für Cembalo (oder Klavier) und Streichorchester von Wilhelm Friedemann Bach | EdSchott | 2165 | 27p | ||||
294. | Whittaker, William Gillies | The 'St. Matthew' Passion. | MTimes | 72 | 1060 | 541 | |||
295. | Parker, W. Wigham | Bach's Accompaniments. | MTimes | 72 | 1062 | 739 | |||
296. | Whittaker, William Gillies (arr.) | Jesu, joy of man's desiring = Iesu, drud ddifyrrwch dynion (Wohl mir, dass ich Jesum habe): from Church Cantata No. 147, Herz und Mund und That unb Leben / J.S. Bach | OxfordChoralSongs | 1518 | 6p | ||||
297. | Whittaker, William Gillies (ed.) | Jesu, joy of man's desiring = Iesu, drud ddifyrrwch dynion (Wohl mir, dass ich Jesum habe): from church cantata no.147, 'Herz und Mund und That und Leben'. | OxfordChoralSongs | 1519 | 8p | ||||
298. | Whittaker, William Gillies (ed.) | Murmur not / J. S. Bach. | OxfordChoralSongs | 1527 | 8p | ||||
299. | Whittaker, William Gillies (ed.) | 'Murmur not, O my Soul': Alto Aria from Church Cantata No. 144 'Take what thine is and go thy way' / J. S. Bach. | OxfordSerBachArias | 30 | |||||
300. | Graeser, Wolfgang (ed.) | Die Kunst der Fuge 1750 / Johann Sebastian Bach. | |||||||
301. | Whittaker, William Gillies; Wiseman, Herbert; Wishart, J. (eds.) | The Clarendon classical song books. Volume IIA. [Piano edition] | 62p |
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