Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Geiringer, Karl | Brahms als Musikhistoriker. |
DieMusik |
25 | 8 | May 1933 |
571-578 |
|
| 2. | Geiringer, Karl (ed.) | Die Familie Bach. |
|
| | 1936 |
48p |
|
| 3. | Geiringer, Karl (ed.) | Alte Meistersonaten für Geige und Klavier |
|
| | 1937 |
48p + St |
|
| 4. | Geiringer, Karl (arr.) | I know that my Redeemer lives ... / [Johann Michael Bach] |
|
| | 1940 |
|
|
| 5. | Geiringer, Karl | Musical Instruments. Their History from the Stone Age to the Present Day. |
|
| | 1943 |
339p |
|
| 6. | Geiringer, Karl | The lost portrait of J. S. Bach. |
|
| | 1950 |
12p |
|
| 7. | Geiringer, Karl | Artistic interrelations of the Bachs. |
MQ |
36 | 3 | Jul 1950 |
363-374 |
|
| 8. | Geiringer, Karl | The Bachs. A family portrait. |
|
| | 1953 |
23p |
|
| 9. | Geiringer, Karl | The Bach Family. Seven generations of creative genius. |
|
| | 1954 |
514p |
|
| 10. | Geiringer, Karl (ed.) | The Music of the Bach Family: An Anthology. |
|
| | 1955 |
248p |
|
| 11. | Geiringer, Karl | Bach et sa Famille. Sept Générations des Génies Créateurs. |
|
| | 1955 |
559p |
|
| 12. | Geiringer, Karl | Symbolism in the music of Bach. A Lecture. |
|
| | 1956 |
16p |
|
| 13. | Geiringer, Karl | Hun naam was Bach. Zeven generaties muzikale scheppingskracht. |
|
| | 1956 |
495p |
|
| 14. | Geiringer, Karl | Unbeachtete Kompositionen des Bückeburger Bach. |
InnsbruckBeitrKulturWiss |
3 | | 1956 |
99-107 |
|
| 15. | Geiringer, Karl | Die Musikerfamilie Bach. Leben und Wirken in drei Jahrhunderten. |
|
| | 1958 |
xiv, 571p |
|
| 16. | Geiringer, Karl | Unbekannte Werke von Nachkommen J. S. Bachs in amerikanischen Sammlungen. |
|
| | 1959 |
110-112 |
|
| 17. | Geiringer, Karl; Geiringer, Irene | La familia de los Bach. Siete generaciones de genio creador. |
|
| | 1962 |
592p |
|
| 18. | Geiringer, Karl | Bach's work-cycle. |
[cr]NewYork1961 |
2 | | 1962 |
129-130 |
|
| 19. | Dadelsen, Georg von; Geiringer, Karl | Bach as 'conservator' vs. Bach as 'pathbreaker'. |
[cr]NewYork1961 |
2 | | 1962 |
131 |
|
| 20. | Geiringer, Karl | Es ist genug. |
|
| | 1965 |
|
|
| 21. | Geiringer, Karl; Geiringer, Irene | Johann Sebastian Bach. The culmination of an era. |
|
| | 1966 |
382p |
|
| 22. | Geiringer, Karl | Bach's Oratorios. |
AmerChoralReview |
9 | 3 | Spring 1967 |
22-25 |
|
| 23. | Geiringer, Karl | Johann Sebastian Bach. |
|
| | 1969 |
339p |
|
| 24. | Geiringer, Karl | Der Einfluß der Aufklärung auf J. S. Bachs künstlerisches Denken. |
StudMcolAcadSciHungaricae |
11 | 1-4 | 1969 |
201-206 |
|
| 25. | Geiringer, Karl; Geiringer, Irene | J. S. Bach. |
|
| | 1970 |
398p |
|
| 26. | Geiringer, Karl; Geiringer, Irene | Johann Sebastian Bach. Sono Shogai to Ongaku. |
|
| | 1970 |
452p |
|
| 27. | Geiringer, Karl; Geiringer, Irene | Johann Sebastian Bach. |
|
| | 1971 |
xii, 376p |
|
| 28. | Geiringer, Karl | Pictorialism and Symbolism in the Music of Bach. |
[p]AMS_PacificNorthwest |
| | May 1973 |
|
|
| 29. | Geiringer, Karl | Johann Sebastian Bach. |
|
| | 1976 |
293p |
|
| 30. | Geiringer, Karl | Die Musikerfamilie Bach. Musiktradition in 7 Generationen. |
|
| | 1977 |
ix, 397p |
|
| 31. | Geiringer, Karl | Bach no Ongaku ni okeru Shochoho. |
BachSosho |
9 | | 1978 |
7-24 |
|
| 32. | Geiringer, Karl | I. Bach. |
|
| | 1981 |
714p |
|
| 33. | Geiringer, Karl; Geiringer, Irene | Johann Sebastian Bach. Culminación de una era. |
|
| | 1982 |
x, 410p |
|
| 34. | Geiringer, Karl | C.P.E. Bach and the Viennese Classical School. |
[p]AMS_PacificSouthwest |
| | Nov 1987 |
|
|
| 35. | Geiringer, Karl | Carl Philipp Emanuel Bach und die Meister der Wiener klassischen Schule. |
OMzs |
43 | 6 | 1988 |
300-306 |
|
| 36. | Geiringer, Karl | Emanuel Bach and the music of the Viennese classical triad. |
DetroitMMcol |
35 | | 2002 |
195-202 |
|
| 37. | Geiringer, Karl | Brahms's performance arrangements of Es ist genug. |
DetroitMMcol |
49 | | 2006 |
379-387 |
|