Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Golomb, Uri | András Schiff/Philharmonia Orchestra: Johann Sebastian Bach, 2000. |
|
| | Oct 2000 |
|
|
| 2. | Golomb, Uri | The St. John Passion on stage. |
|
| | Apr 2000 |
|
|
| 3. | Golomb, Uri | Style, expression and performance in the second Kyrie of Bach's B minor Mass. |
[p]BCB_Dublin |
| | Jul 2000 |
|
|
| 4. | Golomb, Uri | Text, music and performative interpretation in Bach's cantata Ich habe genug. |
|
| | Mar 2001 |
|
|
| 5. | Golomb, Uri | Two Easter St. Matthew Passions (Plus One). |
|
| | May 2002 |
|
|
| 6. | Golomb, Uri | Ton Koopman. |
Goldberg |
| 24 | Sep 2003 |
42-51 |
|
| 7. | Golomb, Uri | Sellars Staging. |
|
| | Jan 2004 |
|
|
| 8. | Golomb, Uri | Expression and Meaning in Bach Performance and Reception: An Examination of the B minor Mass on Record. |
diss. |
| | 2004 |
xv, 432p |
|
| 9. | Golomb, Uri | Rhetoric and Gesture in Performances of the 'First Kyrie' from Bach's Mass in B Minor (BWV 232). |
JMMeaning |
3 | | Fall-Winter 2004-05 |
|
|
| 10. | Golomb, Uri | Performance in Theory and in Practice: Helmuth Rilling's Interpretations of Bach's B minor Mass. |
[p]SocMAnalysis_Manchester |
| | Feb 2005 |
|
|
| 11. | Golomb, Uri | El arte de la fuga de Johann Sebastián Bach / Johann Sebastian Bach's The Art of Fugue. |
Goldberg |
| 38 | Feb 2006 |
64-73 |
|
| 12. | Golomb, Uri | El drama litúrgico en la 'Pasión según San Mateo' de Bach / Liturgical drama in Bach's St. Matthew Passion. |
Goldberg |
| 39 | Apr 2006 |
48-59 |
|
| 13. | Golomb, Uri | Intensity, Complexity and Musical Rhetoric in Performances of the B-minor Mass. |
[cr]Belfast2007 |
1 | | 2007 |
258-277 |
|
| 14. | Golomb, Uri | Los Oratorios de Bach / Bach's Oratorio. |
Goldberg |
| 48 | Oct 2007 |
58-71 |
|
| 15. | Golomb, Uri | Performance in Theory and in Practice: Helmuth Rilling's Interpretations of Bach's B minor Mass. |
OrbisMusicae |
14 | | 2007 |
77-116 |
|
| 16. | Golomb, Uri | Rhetoric in the Performance of Baroque Music. |
|
| | Apr 2008 |
|
|
| 17. | Golomb, Uri | Understanding Bach's B-minor Mass: A Participant's Report / Comprender la Misa en Si menor de Bach: informe de un participante. |
Goldberg |
| 49 | Jan 2008 |
16 |
|
| 18. | Golomb, Uri | [Joshua Rifkin: Interview] |
Goldberg |
| 51 | Jun 2008 |
56-57 |
|
| 19. | Golomb, Uri | Keys to the Performance of Baroque Music. |
Goldberg |
| 51 | Apr 2008 |
56-67 |
|
| 20. | Golomb, Uri | Las cuatro 'Misas' de Bach / Bach's four Missae. |
Goldberg |
| 54 | Oct 2008 |
46-59 |
|
| 21. | Golomb, Uri | Hierarchies and continuities in televised productions of Bach's Passions. |
[p]SMA_Glasgow |
| | Apr 2009 |
|
|
| 22. | Golomb, Uri; Cohen, Dalia | The Crucifixus from Bach's B-minor Mass: The Reflection of the Work in Performance. |
[p]BICB_Belfast |
| | Jul 2010 |
|
|
| 23. | Golomb, Uri | Analysis, creativity, and musical rhetoric in performances of the duet Et in unum from Bach's B-minor Mass, BWV 232. |
MinAd |
11 | 2 | 2013 |
22-40 |
|
| 24. | Golomb, Uri | The Passion Animated, Ritualised and Monumentalised: Expressive Engagement and Emotional Distance in Productions of Bach's Matthäus-Passion. |
[p]BICB_Salzburg |
| | Jul 2014 |
|
|
| 25. | Golomb, Uri | Doubting the Resurrection? Questions and dilemmas in performances of the first Et expecto from Bach's Mass in B minor. |
MPerformResearch |
8 | | 2017 |
55-79 |
|