Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | HaCohen, Ruth | Between Noise and Harmony: The Oratorical Moment in the Musical Entanglements of Jews and Christians. |
CriticalInquiry |
32 | | 2006 |
250-277 |
|
| 2. | HaCohen, Ruth | Exploring the Limits: the Tonal, the Gestural, and the Allegorical in Bach's Musical Offering. |
UnderstandingBach |
1 | | 2006 |
19-38 |
|
| 3. | Bruckstein, Almut Sh.; HaCohen, Ruth | An experiment in reception and conception: re-texting Bach's St John Passion for Good Friday 2005. |
UnderstandingBach |
1 | | 2006 |
87-88 |
|
| 4. | HaCohen, Ruth | Nineteenth-Century Legacy Projected onto the Twenty First: A German-Israeli Dialogue on Bach's Passions. |
[p]BNUK_Oxford |
| | Jan 2008 |
|
|
| 5. | HaCohen, Ruth | The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Processes in Neo-Platonic Frames. |
[p]BNUK_Oxford |
| | Jan 2009 |
|
|
| 6. | HaCohen, Ruth | The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Process in Neoplatonic Frames. |
UnderstandingBach |
4 | | 2009 |
33-54 |
|
| 7. | HaCohen, Ruth | The Music Libel Against the Jews. |
|
| | 2011 |
532p |
|