Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Hill, Robert | Style and Authenticity in Two Early Suites Attributed to J. S. Bach, BWV 832 and 833. |
[p]AMS_Philadelphia |
| | Oct 1984 |
|
|
| 2. | Hill, Robert | Bach, Händel und Scarlatti in den Augen ihrer Zeitgenossen. |
BachWoche_Ansbach |
| | 1985 |
31-44 |
|
| 3. | Hill, Robert | 'Der Himmel weiss, wo diese Sachen hingekommen sind': Reconstructing the Lost Keyboard Notebooks of the Young Bach and Handel. |
[ce]BHSTercentenaryEssays |
| | 1985 |
161-172 |
|
| 4. | Hill, Robert | 'Echtheit angezweifelt'. Style and authenticity in two suites attributed to Bach. |
EarlyM |
13 | 2 | May 1985 |
248-255 |
|
| 5. | Hill, Robert | Die Herkunft von Bachs 'Thema Legrenzianum'. |
BachJb |
72 | | 1986 |
105-107 |
|
| 6. | Hill, Robert Stephen | The Möller Manuscript and the Andreas Bach Book: Two Keyboard Anthologies from the Circle of the Young Johann Sebastian Bach. |
diss. |
| | 1987 |
xvii, 754 Bl |
|
| 7. | Hill, Robert | Tablature versus Staff Notation: Or, Why Did the Young J. S. Bach Compose in Tablature? |
[ce]ChurchStageStudio |
| | 1990 |
349-359 |
|
| 8. | Hill, Robert (ed.) | Keyboard Music from the Andreas Bach Book and the Möller Manuscript. |
HarvardPubM |
16 | | 1991 |
xlvii, 210p |
|
| 9. | Hill, Robert | In Stile Fantastico. |
Bachfest |
68 | [Bremen] | 1993 |
83, 91-92 |
|
| 10. | Hill, Robert | Johann Sebastian Bach's Toccata in G Major BWV 916/1: A Reception of Giuseppe Torelli's Ritornello Concerto Form. |
[cr]Rostock1990 |
| | 1995 |
162-175 |
|
| 11. | Hill, Robert | Nidan Kenban no Tankyu: 'Goldberg Hensokyoku' no Haikei. |
BachZenshu |
12 | | Jul 1998 |
50-63 |
|
| 12. | Hill, Robert | Vors Clavicimbal mit 2 Manualen': J. S. Bach en vogue? |
[p]ABS_Yale |
| | Apr 1998 |
|
|
| 13. | Hill, Robert | 'Vors Clavicimbal mit 2 Manualen': J. S. Bach en vogue? |
[p]BS_Dortmund |
| | Jan 1998 |
|
|
| 14. | Hill, Robert | Spohr in Berlin -- Musikgeschichte als Geschichte der Aufführungspraxis. |
JbStaatInstMf |
2000 | | 2000 |
46-56 |
|
| 15. | Hill, Robert | Strenge versus Freiheit, Notation versus Spielpraxis in der deutschen Tastenmusik um 1700. |
[p]ISK_Luebeck |
| | Apr 2000 |
|
|
| 16. | Hill, Robert | The role of variation in the architecture of the early organ fugues of J.S. Bach. |
VeröffGOrgelfreunde |
173 | | 2000 |
23-32 |
|
| 17. | Hill, Robert | 'Streng, versus, Frei'. Ein Beitrag zur Analyse der frühen Tastenfugen von Johann Sebastian Bach. |
[cr]Lübeck2000 |
| | 2002 |
176-184 |
|
| 18. | Hill, Robert | 'Indessen führet er das Hauptthema galant ein': Handel's Keyboard Fugues and their 18th-century Audience. |
GöttingerHändelBeitr |
9 | | 2002 |
73-85 |
|
| 19. | Hill, Robert | Carl Reinecke's Performance of Mozart's Larghetto and the Nineteenth-Century Practice of Quantitative Accentuation. |
[ce]AboutBach |
| | 2008 |
171-180 |
|