Bach Printed Music Database Search Result

Author : Jerold, Beverly
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Jerold, Beverly	Pedal Technique in Early Music.	AmerOrganist(2)	34	10	Oct 2000	82-85
	2.	Jerold, Beverly	Pitch in the Vocal Works of J. S. Bach.	Bach	31	1	2000	74-95
	3.	Jerold, Beverly	Organ tempo at the time of J.S. Bach.	AmerOrganist(2)	36	7	Jul 2002	56-60
	4.	Jerold, Beverly	Editorial Decisions for Ornaments in Bach's Works.	Bach	33	2	2002	1-14
	5.	Jerold, Beverly	Fasch and the Beginning of Modern Artistic Choral Singing.	Bach	35	1	2004	61-86
	6.	Jerold, Beverly	A Little More Muscle Please, Playing the Organ Before the 20th Century.	AmerOrganist(2)	39	9	Sep 2005	105-108
	7.	Jerold, Beverly	Bach's Lament about Leipzig's Professional Instrumentalists.	Bach	36	1	2005	67-96
	8.	Jerold, Beverly	[On Gertrud Schmeling Mara.]	Bach	36	2	2005	120-122
	9.	Jerold, Beverly	The tromba and corno in Bach's time.	AdParnassum	6	12	Oct 2008	7-39
	10.	Jerold, Beverly	'The 'most indispensable and most pleasing trill''	Consort	64		2008	90-101
	11.	Jerold, Beverly	The French Time Devices Revisited.	TijdschrMtheorie	15	3	Nov 2010	169-189
	12.	Jerold, Beverly	The Bach-Scheibe Controversy: New Documentation.	Bach	42	1	2011	1-45
	13.	Jerold, Beverly	The varied reprise in 18th-century instrumental music: a reappraisal.	MTimes	153	1921	Winter 2012	45-61
	14.	Jerold, Beverly	Johann Philipp Kirnberger versus Friedrich Wilhelm Marpurg: A Reappraisal.	TijdschrMtheorie	17	2	2012	91-108
	15.	Jerold, Beverly	Johann Philipp Kirnberger and Authorship.	Notes	69	4	Jun 2013	688-705
	16.	Jerold, Beverly	Johann Philipp Kirnberger and the Bach Chorale Settings.	Bach	45	1	2014	34-43
	17.	Jerold, Beverly	Notes inégales: a definitive new parameter.	EarlyM	42	2	May 2014	273-289
	18.	Jerold, Beverly	The notable significance of C and ¢ in Bach's era.	MTimes	155	1927	Summer 2014	85-96
	19.	Jerold, Beverly	The complexities of early instrumentation: Winds and brass.				2015	xiii, 160p
	20.	Jerold, Beverly	Fingering and pedalling in the Bach era.	Organ	94	371	Feb-Apr 2015	8-17
	21.	Jerold, Beverly	Quantz and Agricola: A Literary Collaboration.	ActaMcol	88	2	2016	127-142
	22.	Jerold, Beverly	Bach's lament about Leipzig's professional instrumentalists.	[ce]Jerold			2016	25-42
	23.	Jerold, Beverly	Why most a cappella music could not have been sung unaccompanied.	[ce]Jerold			2016	53-62
	24.	Jerold, Beverly	Fasch and the beginning of modern artistic choral singing.	[ce]Jerold			2016	63-80
	25.	Jerold, Beverly	Intonation standards and equal temperament.	[ce]Jerold			2016	105-119
	26.	Jerold, Beverly	Eighteenth-century stringed keyboard instruments from a performance perspective.	[ce]Jerold			2016	121-139
	27.	Jerold, Beverly	The tromba and corno in Bach's time.	[ce]Jerold			2016	141-164
	28.	Jerold, Beverly	The French time devices revisited.	[ce]Jerold			2016	193-214
	29.	Jerold, Beverly	The notable significance of C and ¢ in Bach's era.	[ce]Jerold			2016	215-228
	30.	Jerold, Beverly	Numbers and tempo, 1630–1800.	[ce]Jerold			2016	229-242
	31.	Jerold, Beverly	Notes inégales: A definitive new parameter.	[ce]Jerold			2016	265-286
	32.	Jerold, Beverly	Distinguishing between artificial and natural vibrato in premodern music.	[ce]Jerold			2016	287-298
	33.	Jerold, Beverly	The varied reprise in eighteenth-century instrumental music: A reappraisal.	[ce]Jerold			2016	333-348
	34.	Jerold, Beverly	Music performance issues, 1600–1900.	[ce]Jerold			2016	xii, 348p
	35.	Jerold, Beverly	Performance conditions, standards and Bach's chorus.	MTimes	158	1941	Winter 2017	55-70