Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Kramer, Richard A. | The 'New' Concept of Modulation in the 1770s and 1780s: C.P.E. Bach in Theory, Criticism, and Practice. |
[p]AMS_Denver |
| | Nov 1980 |
|
|
| 2. | Kramer, Richard A. | The new modulation of the 1770s: C.P.E. Bach in theory, criticism, and practice. |
JAMSoc |
38 | 3 | Autumn 1985 |
551-592 |
|
| 3. | Kramer, Richard A. | 'Gradus ad Parnassum': Beethoven, Schubert, and the Romance of Counterpoint. |
19cM |
11 | 2 | Autumn 1987 |
107-120 |
|
| 4. | Kramer, Richard A. | Lisch aus, mein Licht: Song, fugue, and the symptoms of a late style. |
BeethovenForum |
7 | | 1999 |
67-87 |
|
| 5. | Kramer, Richard A. | Beethovens Opus 90 und die Fenster zur Vergangenheit. |
VeröffBeethovenHausBonn |
4 | 16 | 2002 |
93-119 |
|
| 6. | Kramer, Richard A. | Carl Philipp Emanuel Bach and the Aesthetics of Patricide. |
EastmanStudM |
28 | | 2004 |
121-142 |
|
| 7. | Kramer, Richard A. | Diderot's Paradoxe and C. P. E. Bach's Empfindungen. |
[ce]CPEBachStud |
| | 2006 |
6-24 |
|
| 8. | Kramer, Richard A. | Unfinished music. |
|
| | 2008 |
405p |
|
| 9. | Kramer, Richard | The new modulation of the 1770s : C.P.E. Bach in theory, criticism, and practice. |
[ce]Late18cComposers_CPEB |
| | 2015 |
347-388 |
|