Bach Printed Music Database
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Author : Leahy, Anne
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
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1. Leahy, AnneThe Organ Chorale Preludes from the Leipzig Autograph (BWV 651-68) by J. S. Bach. [p]RMA_Belfast May 1996
2. Leahy, AnneThe Crucifixion Theme in the Bach B Minor Mass. [p]RMA_Limerick May 1997
3. Leahy, AnneThe opening movements of BWV 78, Jesu, der du meine Seele, yet another demonstration of Bach's preoccupation with matters soteriological. [p]BCB_Exeter Jul 1998
4. Leahy, AnneThe opening movement of BWV 78, Jesu, der du meine Seele, yet another demonstration of Bach's preoccupation with matters soteriological. [p]RMA_Belfast May 1998
5. Leahy, AnneThe Opening Chorus of Cantata BWV 78, Jesu, der du meine Seele; Another Example of Bach's Interest in Matters Soteriological. Bach 30 1 Spring-Summer 1999 26-41
6. Leahy, Anne'Jesus Christus unser Heiland', BWV 665: an investigation into the relationship between the text and music of Bach's chorale prelude. [p]IATB_Logumkloster Oct 1999
7. Leahy, AnneJesus Christus unser Heiland, BWV 666: text/music relationships. [p]RMA_Waterford May 1999
8. Leahy, AnneThe chorals of the P 271 manuscript: musica sub communione, or is it even more? [p]IBS_Utrecht Sep 2000
9. Leahy, Anne MarieText-Music Relationships in the 'Leipzig' Chorales of Johann Sebastian Bach. diss. 2002 xv, 223p
10. Leahy, AnneVor deinen Thron tret ich: the eschatological significance of J.S. Bach's 'Leipzig' chorales. [p]BCB_Logrono Jul 2002
11. Leahy, AnneMusic, Text, and Theology in J.S. Bach's chorale prelude Von Gott will ich nicht lassen BWV 658 [p]IATB_Eisenach Mar 2002
12. Leahy, Anne'Vor deinen Thron tret ich': the eschatological significance of J.S. Bach's 'Leipzig' chorales. [p]SMI_Maynooth May 2003
13. Leahy, Anne; Tomita, Yo (eds.)Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. IrishMStud 8 2004 270p
14. Leahy, AnneThe image of Bach from a German-American perspective: Gerhard Herz and the modern American Bach movement. [p]ABS_NewBrunswick Apr 2004
15. Leahy, Anne; O'Toole, RedmondBach's Prelude, Fugue and Allegro for lute (BWV 998): a Trinitarian statement of faith? [p]BICB_Manchester Jul 2004
16. Leahy, AnneBach's Prelude, Fugue and Allegro for lute (BWV 998): A Trinitarian statement of faith? [p]SMI_Belfast May 2004
17. Leahy, AnneBach's Prelude, Fugue and Allegro for lute (BWV 998): a Trinitarian Statement of Faith? JSMI 1 2005 33-51
18. Leahy, Anne'Vor deinen Thron tret ich': The Eschatological Significance of the Chorale Settings of the P271 Manuscript of the Berlin Staatsbibliothek. Bach 37 2 2006 81-118
19. Leahy, AnneNun komm der Heiden Heiland: settings by the seventeenth-century predecessors of J.S. Bach. [p]BICB_Warsaw Jul 2006
20. Leahy, AnneBach's Setting of the Hymn Tune 'Nun komm, der Heiden Heiland' in His Cantatas and Organ Works. [fs]Leaver65 2007 69-101
21. Leahy, AnneThe American Image of Bach from a German Emigré's Perspective: Gerhard Herz and the Modern American Bach Movement. Bach 40 1 2009 58-79
22. Leahy, AnneJ. S. Bach's 'Leipzig Chorale' Preludes: Music, Text, Theology. ContextBachStud 3 2011 xxviii, 297p

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