Bach Printed Music Database Search Result |
Author : Marissen, MichaelYour search has generated the following results ...
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Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|---|
1. | Marissen, Michael | A Trio in C major for recorder, violin and continuo by J. S. Bach? | EarlyM | 13 | 3 | 384-390 | |||
2. | Marissen, Michael | Bach-Repertoire für Flötisten. | Tibia | 12 | 3 | 537-540 | |||
3. | Marissen, Michael | A Critical Reappraisal of J. S. Bach's A-major Flute Sonata. | JMcol | 6 | 3 | 367-386 | |||
4. | Marissen, Michael | Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. | [p]AMS_Austin | ||||||
5. | Marissen, Michael | Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. | [p]AMS_MidAtlantic | ||||||
6. | Marissen, Michael | Relationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto. | MLetters | 71 | 4 | 494-504 | |||
7. | Marissen, Michael | Beziehungen zwischen der Besetzung und dem Satzaufbau im ersten Satz des sechsten Brandenburgischen Konzerts von Johann Sebastian Bach. | BeitrBachF | 9-10 | 104-128 | ||||
8. | Marissen, Michael Anthony | Scoring, Structure, and Signification in J. S. Bach's Brandenburg Concertos. | diss. | vii, 251p | |||||
9. | Marissen, Michael | Organological Questions and their Significance in J. S. Bach's Fourth Brandenburg Concerto. | JAmerMInstrSoc | 17 | 5-52 | ||||
10. | Marissen, Michael | On Linking Bach's F-Major Sinfonia and his Hunt Cantata. | Bach | 23 | 2 | 31-46 | |||
11. | Marissen, Michael | J. S. Bach's Brandenburg Concertos as a Meaningful Set. | MQ | 77 | 2 | 193-235 | |||
12. | Marissen, Michael | Religious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. | MQ | 77 | 4 | 718-726 | |||
13. | Marissen, Michael | More Source-Critical Research on J. S. Bach's Musical Offering. | Bach | 25 | 1 | 11-27 | |||
14. | Marissen, Michael | The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. | 160p | ||||||
15. | Marissen, Michael | Concerto Styles and Signification in Bach's First Brandenburg Concerto. | BachPerspectives | 1 | 79-101 | ||||
16. | Marissen, Michael | The theological character of J. S. Bach's Musical Offering. | BachStud | 2 | 85-106 | ||||
17. | Marissen, Michael | Bach and Recorders in G. | GalpinSocJ | 48 | 199-204 | ||||
18. | Marissen, Michael | Lutheranism, Anti-Judaism, and Bach's St. John Passion. | [p]AMS_MidAtlantic | ||||||
19. | Marissen, Michael | Performance Practice Issues that Affect Meaning in Selected Bach Instrumental Works. | [p]AMS_MidAtlantic | ||||||
20. | Marissen, Michael | Penzel Manuscripts of Bach Concertos. | DortmundBachF | 1 | 77-87 | ||||
21. | Marissen, Michael | The Redemptive Interpretation of Matthew 27: 25 in Bach's St. Matthew Passion. | [p]IATB_Chicago | ||||||
22. | Marissen, Michael | Lutheranism, Anti-Judaism, and Bach's St. John Passion. | 127p | ||||||
23. | Melamed, Daniel R.; Marissen, Michael | An introduction to Bach Studies. | xi, 189p | ||||||
24. | Marissen, Michael (ed.) | Creative Responses to Bach from Mozart to Hindemith. | BachPerspectives | 3 | ix, 160p | ||||
25. | Marissen, Michael | Performance Practice Issues that Affect Meaning in Two Bach Instrumental Works. | [p]BS_Dortmund | ||||||
26. | Marissen, Michael | Aufführungspraxis und Bedeutung in zwei Instrumentalwerken Johann Sebastian Bachs. | DortmundBachF | 2 | 291-301 | ||||
27. | Marissen, Michael | Vom Musikalisch-Theologischen in den Kirchenkantaten J. S. Bachs. | [p]IATB_Logumkloster | ||||||
28. | Marissen, Michael | Bach. Brandenburg Kyosokyoku. | BCJ | 42 | 8-19 | ||||
29. | Marissen, Michael | Brandenburg Concertos (Brandenburgische Konzerte). Six Concertos, BWV 1046-1051, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in March 1721. | BCJ | 42 | 28-33 | ||||
30. | Marissen, Michael | Perspectives on the 'St. John Passion' and the Jews. | NYTimes | ||||||
31. | Marissen, Michael | Biblical solutions to Certain Problems in Bach Biography. | [p]IBS_Utrecht | ||||||
32. | Marissen, Michael | On the Musically Theological in J. S. Bach's Church Cantatas. | LutherQ | 16 | 1 | 48-64 | |||
33. | Marissen, Michael | Bach and Josephus on the destruction of Jerusalem. | [p]ABS_Houston | ||||||
34. | Marissen, Michael | Bach, Luther, and Josephus on the Destruction of Jerusalem. | [p]IATB_Eisenach | ||||||
35. | Marissen, Michael | The Character and Sources of the Anti-Judaism in Bach's Cantata 46. | HarvardTheolReview | 96 | 1 | 63-99 | |||
36. | Marissen, Michael | Blood, people and crowds in Matthew's Gospel, Luther's New Testament and Bach's St. Matthew Passion. | [p]WAfB_Wolfenbüttel | ||||||
37. | Marissen, Michael | Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works. | EastmanStudM | 28 | 85-94 | ||||
38. | Marissen, Michael | Blood, People, and Crowds in Matthew, Luther, and Bach. | LutherQ | 19 | 1 | 1-22 | |||
39. | Marissen, Michael | New Theological Research on Bach's Church Cantatas and Oratorios. | [p]IMS_Middelburg | ||||||
40. | Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, Christoph | Arthur Mendel and the World of J. S. Bach. | [p]Mendel60BR | ||||||
41. | Marissen, Michael | Yohane Junankyoku BWV 245 Dai-4-Ko. Johannespassion BWV 245 Fassung IV. Kashi Chushaku. | BCJ | 76 | 9-40 | ||||
42. | Marissen, Michael | Bach's St. John Passion and the Jews. | Colloquium | 4 | 141-143 | ||||
43. | Marissen, Michael | Historically Informed Rendering of the Librettos from Bach's Church Cantatas. | [fs]Leaver65 | 103-120 | |||||
44. | Marissen, Michael | Bach's Oratorios: The Parallel German-English Texts with Annotations. | 208p | ||||||
45. | Marissen, Michael | J. S. Bach's Church Cantatas and 'the Jews' in the Gospel of John. | [p]BICB_Salzburg | ||||||
46. | Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina | Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. | [p]BNUK_Cambridge | ||||||
47. | Marissen, Michael | Bach & God. | xxi, 257p | ||||||
48. | Marissen, Michael | In Memoriam: J. Reilly Lewis (15 September 1944—9 June 2016). | BachNotesABS | 25 | 7 | ||||
49. | Marissen, Michael | Religious Meaning and Bach Performance. | [p]ABS_SouthBend | ||||||
50. | Marissen, Michael; Varwig, Bettina; Begbie, Jeremy | Bach and God. | [p]BNUK_Cambridge | ||||||
51. | Marissen, Michael | Program Notes. [BWV 542, 78, 243] | BCJ | 138 | 18-22 | ||||
52. | Marissen, Michael | Bach Against Modernity. | [ce]RethinkingBach | 315-335 | |||||
53. | Marissen, Michael; Melamed, Daniel R. | BachCantataTexts.org. | BachNotesABS | 37 | 14-15 | ||||
54. | Marissen, Michael | The Lutheran 'Credo' in J. S. Bach's Mass in B Minor. | Bach | 55 | 2 | 242-260 |