Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Morrow, Mary Sue | German music criticism in the late eighteenth century. Aesthetic issues in instrumental music. |
|
| | 1997 |
xiii, 253p |
|
| 2. | Morrow, Mary Sue | The clavichord resounds, or the wider influence of C. P. E. Bach's 'empfindsamer' keyboard style. |
DeClavicordio |
4 | | 2000 |
87-94 |
|
| 3. | Morrow, Mary Sue | Grundlegende Aspekte der deutschen Musikkritik um 1800. |
LeipzigMStadt |
2bis | | 2007 |
82-90 |
|
| 4. | Morrow, Mary Sue | Reclaiming the eighteenth-century symphony. |
[ce]18cSymphony |
| | 2012 |
3-17 |
|
| 5. | Morrow, Mary Sue | Historiography of the eighteenth-century symphony. |
[ce]18cSymphony |
| | 2012 |
18-39 |
|
| 6. | Morrow, Mary Sue | Eighteenth-century viewpoints. |
[ce]18cSymphony |
| | 2012 |
40-74 |
|
| 7. | Morrow, Mary Sue | Patrons and practices. |
[ce]18cSymphony |
| | 2012 |
75-99 |
|
| 8. | Morrow, Mary Sue | Carl Philipp Emanuel Bach. |
[ce]18cSymphony |
| | 2012 |
280-298 |
|
| 9. | Brown, A. Peter; Morrow, Mary Sue; Churgin, Bathia (eds.) | The eighteenth-century symphony. |
[ce]18cSymphony |
| | 2012 |
xvii, 897p |
|
| 10. | Morrow, Mary Sue (ed.) | Music in eighteenth-century culture. |
[cr]Bethlehem2014 |
| | 2016 |
xiii, 206p |
|