Bach Printed Music Database Search Result

Author : Schulenberg, David
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Schulenberg, David	Composition as Variation: Style and Theory in the Sonatas of C.P.E. Bach.	[p]AMS_GreaterNewYork			May 1981
	2.	Schulenberg, David	Composition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers.	CurMcol		33	1982	57-88
	3.	Schulenberg, David Louis	The Instrumental Music of Carl Philipp Emanuel Bach.	diss.			1982	viii, 408p
	4.	Schulenberg, David	The Instrumental Music of Carl Philipp Emanuel Bach.	StudMcol	77		1984	192p
	5.	Schulenberg, David	Musical Expression and Musical Rhetoric in the Harpsichord Works of J. S. Bach.	[p]AMS_Vancouver			Nov 1985
	6.	Schulenberg, David	C. P. E. Bach in the 1740s: The Growth of a Style.	[ce]CPEBachStud			1988	217-231
	7.	Schulenberg, David	Performing C. P. E. Bach: Some Open Questions.	EarlyM	16	4	Nov 1988	542-551
	8.	Schulenberg, David	Expression and Authenticity in the Harpsichord Music of J. S. Bach.	JMcol	8	4	Fall 1990	449-476
	9.	Schulenberg, David	Composition and Improvisation in the School of J.S. Bach.	[p]AMS_Chicago			Nov 1991
	10.	Schulenberg, David	The Keyboard Music of J. S. Bach.				1992	473p
	11.	Schulenberg, David	C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism.	Bach	23	2	Fall-Winter 1992	5-30
	12.	Schulenberg, David	Musical Expression and Musical Rhetoric in the Keyboard Works of J. S. Bach.	ContributStudMDance	19		1992	95-109
	13.	Schulenberg, David	Musical Allegory Reconsidered: Representation and Imagination in Baroque Music.	[p]AMS_Montreal			Nov 1993
	14.	Schulenberg, David	Carl Philipp Emanuel Bach.	[ce]18cKeyboardM			1994	191-229
	15.	Schulenberg, David	Composition and Improvisation in the School of J. S. Bach.	BachPerspectives	1		1995	1-42
	16.	Schulenberg, David	Musical Allegory Reconsidered: Representation and Imagination in the Baroque.	JMcol	13	2	Spring 1995	203-239
	17.	Schulenberg, David	Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance Studies Approach.	[p]AMS_Southwest			Feb 1997
	18.	Schulenberg, David	'Partes feminarum': Gender Representation in Baroque Music.	[p]FTM_Virginia			Jun 1997
	19.	Schulenberg, David	A Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491.				1998	4p
	20.	Schulenberg, David	Missing Spitta Manuscript Found. [Berlin, Bibliothek der Hochschule der Künste, Spitta Ms.1491]	AmerBachSocNL			Fall 1998	6-7
	21.	Schulenberg, David	The 'Sonata auf Concertenart': A Modern Invention?	[p]ABS_Yale			Apr 1998
	22.	Schulenberg, David	Genre and Invention in Early Eighteenth-Century Instrumental Music: Sonatas and Concertos from the Bach Circle.	[p]AMS_Boston			Oct 1998
	23.	Schulenberg, David	Versions of Bach: Performing Practice in the Keyboard Works.	BachPerspectives	4		1999	111-135
	24.	Schulenberg, David (ed)	The Music of J. S. Bach. Analysis and Interpretation.	BachPerspectives	4		1999	x, 208p
	25.	Schulenberg, David	Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach.	JMcolResearch	18	2	1999	139-160
	26.	Schulenberg, David	When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music.	DeClavicordio	4		2000	37-53
	27.	Schulenberg, David	Bach no Kenban Ongaku.				2001	727p
	28.	Schulenberg, David	Music of the Baroque.				2001	xiv, 349p
	29.	Schulenberg, David	Performer's View.	AmerBachSocNL			Spring 2002	3, 8-9
	30.	Schulenberg, David	The Last Bach-Family Engraved Print: The Musical Supplement to C.P.E. Bach's Versuch.				2003
	31.	Schulenberg, David	'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach.	[ce]KeyboardInBaroqueEurope			2003	157-168
	32.	Schulenberg, David	Recent Bach Studies.	JMcolResearch	22	4	Oct-Dec 2003	387-402
	33.	Schulenberg, David	The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke.	[p]AMS_Houston			Nov 2003
	34.	Schulenberg, David	The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke.	[p]IS_Memphis			Nov 2003
	35.	Schulenberg, David (ed.)	'Probestücke', 'Leichte' and 'Damen' sonatas / Carl Philipp Emanuel Bach.	CPEBachCW	1	3	2005	xxxiv, 190p
	36.	Schulenberg, David	Seventeenth-Century Keyboard Music in Northern Europe: Germany, Austria, and the Netherlands.	[ce]WorldOfBaroqueMusic			2006	185-212
	37.	Schulenberg, David	Fugues and Fingering: Scales and Other Technical Devices in Bach's Contrapuntal Works.	[p]AMS_RhodeIsland			Sep 2006
	38.	Schulenberg, David	Why we know so little about Bach's early works: a case study of two keyboard fugues.	[fs]Williams70			2007	169-203
	39.	Schulenberg, David	C.P.E. Bach in Zerbst: The six sonatas of fall 1758 with contributions on the early biography and compositions of Carl Fasch.	Schr_MittDMges	14		2007	131-152
	40.	Schulenberg, David	The Sonate auf Concertenart: A Postmodern Invention?	BachPerspectives	7		2008	55-96
	41.	Schulenberg, David	Fugues, form, and fingering: Sonata style in Bach's preludes and fugues.	EastmanStudM	58		2008	14-23
	42.	Schulenberg, David	Modifying the Da Capo? Through-Composed Da Capo Arias in Cantatas and Oratorios of Bach and Handel.	[p]ABS_Bethlehem			May 2008
	43.	Schulenberg, David	El clave bien temperado, parte I.	Quodlibet		42	Sep-Dec 2008	115-130
	44.	Schulenberg, David (ed.)	Keyboard Concertos from Manuscript Sources II / Carl Philipp Emanuel Bach.	CPEBachCW	3	9. 2	2009	xviii, 225p
	45.	Schulenberg, David	An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach.	Bach	41	2	2010	24-60
	46.	Kulukundis, Elias N.; Schulenberg, David (eds.)	Keyboard Concertos from Manuscript Sources VIII / Carl Philipp Emanuel Bach.	CPEBachCW	3	9. 8	2010	xvi, 8, 271p
	47.	Schulenberg, David	Crossing the Rhine with Froberger: Suites, symbols, and seventeenth-century musical autobiography.	DetroitMMcol	55		2010	271-302
	48.	Schulenberg, David	J.S. Bach, C.P.E. Bach, and the invention of the concerto for keyboard and strings.	EarlyKeyboardJ	25-26		2010	29-59
	49.	Schulenberg, David	The Music of Wilhelm Friedemann Bach	EastmanStudM	79		2010	354p
	50.	Schulenberg, David	Editing Bach's 'preludes and fugues' for organ.	OrganYb	39		2010	59-72
	51.	Schulenberg, David	An Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784).	[p]ABS_Wisconsin			May 2010
	52.	Schulenberg, David	An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works.	[p]BICB_Belfast			Jul 2010
	53.	Schulenberg, David	Modifying the Da Capo? Through-composed arias in vocal works by Bach and other composers.	18cM	8	1	Mar 2011	21-51
	54.	Schulenberg, David	An enigmatic legacy: Organ music and the Berlin Bach traditions.	KeyboardPerspectives	4		2011	153-174
	55.	Schulenberg, David	An Eighteenth-Century Organ Is Reconstructed at Cornell.	Soc18cMNL		18	Oct 2011	8-9
	56.	Schulenberg, David	Bach's temperament.	EarlyM	40	1	Feb 2012	166-167
	57.	Schulenberg, David	Preludes and Fugues by Bach? Questions of Text, Genre, and Attribution in the Organ Works.	[p]ABS_Rochester			Sep 2012
	58.	Schulenberg, David	Performing C. P. E. Bach: some questions answered?	EarlyM	41	1	Feb 2013	119-122
	59.	Schulenberg, David (ed.)	Preludes and Fugues I / Johann Sebastian Bach.	SämtOrgW(Breitkopf2)	1		2013	140p
	60.	Schulenberg, David	C. P. E. Bach in America.	BachNotesABS		21	Fall 2014	4-6
	61.	Schulenberg, David	A tale of two brothers: Friedemann and Emanuel Bach.	[cr]Brooklyn2010			2014	78-102
	62.	Schulenberg, David	Carl Philipp Emanuel Bach: a tercentenary assessment.	EarlyM	42	3	Aug 2014	335-345
	63.	Schulenberg, David	The Music of Carl Philipp Emanuel Bach.	EastmanStudM	114		2014	xv, 416p
	64.	Schulenberg, David	C. P. E. Bach Turns Three Hundred.	Soc18cMNL		24	Fall 2014	1, 11-12
	65.	Schulenberg, David (ed.)	Preludes and Fugues II / Johann Sebastian Bach.	SämtOrgW(Breitkopf2)	2		2014	148p
	66.	Schulenberg, David	When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style, and medium in 18th-century keyboard music.	[ce]Late18cComposers_CPEB			2015	477-492
	67.	Schulenberg, David (ed.)	C. P. E. Bach.	[ce]Late18cComposers_CPEB			2015	xxv, 505p
	68.	Schulenberg, David	Expression and Discrétion: Bach and Froberger.	BachNotesABS		26	Spring 2017	5-8
	69.	Schulenberg, David	C. P. E. Bach's Keyboard Music and the Question of Idiom.	BachPerspectives	11		2017	83-112
	70.	Tomita, Yo; Schulenberg, David; Lewis, Daniel Martyn	Bach's quaver notation and performance implications.	[p]BNUK_Cambridge			Jul 2017
	71.	Schulenberg, David	Bach and the Beaming of Small Note Values.				28 May 2018	24p
	72.	Schulenberg, David	Eighth J.S. Bach dialogue meeting: Madingley Hall, Cambridge, 10–15 July 2017.	18cM	15	1	Mar 2018	130–131
	73.	Schulenberg, David	Bach.				2020	xi, 413p
	74.	Schulenberg, David	Mozart, J. C. Bach, and the Bach Tradition.	BachPerspectives	14		2022	72-106
	75.	Schulenberg, David	C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century.	18cM	21	1	2024	33-63