Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Yearsley, David Gaynor | Ideologies of learned counterpoint in the northern German Baroque. |
diss. |
| | 1994 |
376p |
|
| 2. | Yearsley, David | The organ music of J. S. Bach. |
[ce]CambridgeCompanion_Organ |
| | 1998 |
236-249 |
|
| 3. | Yearsley, David | Alchemy and Counterpoint in an Age of Reason |
JAMSoc |
51 | 2 | Summer 1998 |
201-243 |
|
| 4. | Yearsley, David | Towards an Allegorical Interpretation of Buxtehude's Funerary Counterpoints. |
MLetters |
80 | 2 | May 1999 |
183-206 |
|
| 5. | Yearsley, David | Bach and the Meanings of Counterpoint. |
|
| | 2002 |
xvi, 257p |
|
| 6. | Yearsley, David | Death Everyday: The Anna Magdalena Bach Book of 1725 and the Art of Dying. |
18cM |
2 | 2 | Sep 2005 |
231-249 |
|
| 7. | Yearsley, David | The concerto in northern Europe to c.1770. |
[ce]CambridgeCompanion_Concerto |
| | 2005 |
53-69 |
|
| 8. | Yearsley, David | C. P. E. Bach and the living traditions of learned counterpoint. |
[ce]CPEBachStud |
| | 2006 |
173-201 |
|
| 9. | Yearsley, David | In Buxtehude's footsteps. |
EarlyM |
35 | 3 | Aug 2007 |
339-353 |
|
| 10. | Yearsley, David | Women at the organ: a fragment. |
[fs]Williams70 |
| | 2007 |
119-141 |
|
| 11. | Richards, Annette; Yearsley, David (eds.) | Organ Works / Carl Philipp Emanuel Bach. |
CPEBachCW |
1 | 9 | 2008 |
xxvi, 123p |
|
| 12. | Yearsley, David (ed.) | Princes of War and Peace and their Most Humble, Most Obedient Court Composer. |
Konturen(Oregon) |
1 | | 2009 |
1-33 |
|
| 13. | Yearsley, David | What is a Sängerin? |
[p]Women_Yale |
| | Oct 2009 |
|
|
| 14. | Yearsley, David | Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach. |
18cM |
7 | 2 | Sep 2010 |
326-329 |
|
| 15. | Yearsley, David | Bernhard the German and the invention of the pedals. |
OrganYb |
39 | | 2010 |
7-25 |
|
| 16. | Yearsley, David | Bach's Feet: the Organ Pedals in European Culture. |
|
| | 2011 |
xiv, 298p |
|
| 17. | Yearsley, David | Exorcising Completeness in the Pedal Exercitium. |
AmerOrganist(2) |
46 | 10 | Oct 2012 |
62-69 |
|
| 18. | Yearsley, David | Hoopskirts, coffee, and the changing musical prospects of the Bach women. |
WomenM |
17 | | 2013 |
27-58 |
|
| 19. | Yearsley, David | 'What's in a Name?' David Yearsley on Writing About the Musical Lives of Anna Magdalena Bach. |
BachNotesABS |
| 26 | Spring 2017 |
1-3 |
|
| 20. | Yearsley, David | Keyboard Music. |
[ce]RoutledgeResearchCompanion |
| | 2017 |
295-316 |
|
| 21. | Yearsley, David; Marshall, Kimberly | Interlude: Recollecting the Westfield Center Bach Organ Tour of 1989. |
KeyboardPerspectives |
10 | | 2017 |
113-118 |
|
| 22. | Yearsley, David | Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks. |
|
| | 2019 |
336p |
|
| 23. | Yearsley, David | Bach the Humorist. |
[ce]RethinkingBach |
| | 2021 |
193-225 |
|