Bach Printed Music Database Search Result

Series : ^[ce]KeyboardInBaroqueEurope$
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Moroney, Davitt	Couperin, Marpurg and Roeser: a Germanic 'Art de Toucher le Clavecin', or a French 'Wahre Art'?	[ce]KeyboardInBaroqueEurope			2003	111-130
	2.	Wolff, Christoph	Invention, composition and the improvement of nature: apropos Bach the teacher and practical philosopher.	[ce]KeyboardInBaroqueEurope			2003	133-139
	3.	Williams, Peter F.	Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'?	[ce]KeyboardInBaroqueEurope			2003	140-156
	4.	Schulenberg, David	'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach.	[ce]KeyboardInBaroqueEurope			2003	157-168
	5.	Wollny, Peter	'... welche dem größten Concerte gleichen': the polonaises of Wilhelm Friedemann Bach.	[ce]KeyboardInBaroqueEurope			2003	169-183
	6.	Delft, Menno van	'Schnellen': a quintessential articulation technique in eighteenth-century keyboard playing.	[ce]KeyboardInBaroqueEurope			2003	187-197
	7.	Levin, Robert D.	Mozart's non-metrical keyboard preludes.	[ce]KeyboardInBaroqueEurope			2003	198-216
	8.	Mortensen, Lars Ulrik	J. S. Bach: Keyboard Partita in A minor after BWV 1004.	[ce]KeyboardInBaroqueEurope			2003	218-236
	9.	Butt, John	Towards a genealogy of the keyboard concerto.	[ce]KeyboardInBaroqueEurope			2003	93-110
	10.	Hogwood, Christopher (ed.)	The Keyboard in Baroque Europe.	[ce]KeyboardInBaroqueEurope			2003	xviii, 245p