Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Oleskiewicz, Mary | Like father, like son? Emanuel Bach and the writing of biography. |
[ce]Late18cComposers_CPEB |
| | 2015 |
23-50 |
|
| 2. | Spányi, Miklós | Appreciating the music of C.P.E. Bach today. |
[ce]Late18cComposers_CPEB |
| | 2015 |
3-4 |
|
| 3. | Schering, Arnold | C.Ph.E. Bach und das redende Prinzip in der Musik. |
[ce]Late18cComposers_CPEB |
| | 2015 |
5-22 |
|
| 4. | Wollny, Peter | C.P.E. Bach, Georg Philipp Telemann und die Osterkantate 'Gott hat den Herrn auferwecket' Wq 244. |
[ce]Late18cComposers_CPEB |
| | 2015 |
51-68 |
|
| 5. | Clark, Stephen L. | C.P.E. Bach as a publisher of his own works. |
[ce]Late18cComposers_CPEB |
| | 2015 |
69-82 |
|
| 6. | Berg, Darrell M. | Carl Philipp Emanuel Bachs Umarbeitungen seiner Claviersonaten. |
[ce]Late18cComposers_CPEB |
| | 2015 |
83-122 |
|
| 7. | Wade, Rachel | Carl Philipp Emanuel Bach, the restless composer. |
[ce]Late18cComposers_CPEB |
| | 2015 |
123-138 |
|
| 8. | Parkinson, John A.; Baldwyn, Rodney | Two notes on C.P.E. Bach. |
[ce]Late18cComposers_CPEB |
| | 2015 |
139-140 |
|
| 9. | Helm, Eugene | The 'Hamlet' fantasy and the literary element in C.P.E. Bach's music. |
[ce]Late18cComposers_CPEB |
| | 2015 |
141-160 |
|
| 10. | Fox, Pamela | Toward a comprehensive C.P.E. Bach chronology: Schrift-Chronologie and the issue of Bach's 'late hand' / |
[ce]Late18cComposers_CPEB |
| | 2015 |
161-178 |
|
| 11. | Stevens, Jane | Untitled introductions to two audio CDs containing recordings of Bach's keyboard concertos and ensemble sonatinas. |
[ce]Late18cComposers_CPEB |
| | 2015 |
179-184 |
|
| 12. | Richards, Annette | Picturing the moment in sound: C.P.E. Bach and the musical portrait. |
[ce]Late18cComposers_CPEB |
| | 2015 |
185-218 |
|
| 13. | Wollenberg, Susan | A new look at C.P.E. Bach's musical jokes. |
[ce]Late18cComposers_CPEB |
| | 2015 |
219-238 |
|
| 14. | Corneilson, Paul | C.P.E. Bach's evangelist, Johann Heinrich Michel. |
[ce]Late18cComposers_CPEB |
| | 2015 |
239-262 |
|
| 15. | Wolff, Christoph | C.P.E. Bach's unknown late collections of songs. |
[ce]Late18cComposers_CPEB |
| | 2015 |
263-276 |
|
| 16. | Will, Richard | Reason and revelation in C.P.E. Bach's resurrection oratorio. |
[ce]Late18cComposers_CPEB |
| | 2015 |
277-310 |
|
| 17. | Christensen, Thomas | C.P.E. Bach's Versuch and its context in 18th-century thorough-bass pedagogy / |
[ce]Late18cComposers_CPEB |
| | 2015 |
311-336 |
|
| 18. | Mitchell, William J. | Modulation in C.P.E. Bach's Versuch. |
[ce]Late18cComposers_CPEB |
| | 2015 |
337-346 |
|
| 19. | Kramer, Richard | The new modulation of the 1770s : C.P.E. Bach in theory, criticism, and practice. |
[ce]Late18cComposers_CPEB |
| | 2015 |
347-388 |
|
| 20. | Schenker, Heinrich | Die Kunst der Improvisation. |
[ce]Late18cComposers_CPEB |
| | 2015 |
389-412 |
|
| 21. | Christensen, Thomas | Nichelmann contra C.Ph.E. Bach: harmonic theory and musical politics at the court of Frederick the Great. |
[ce]Late18cComposers_CPEB |
| | 2015 |
413-446 |
|
| 22. | Hogwood, Christopher | "Our old great favourite" : Burney, Bach, and the Bachists / |
[ce]Late18cComposers_CPEB |
| | 2015 |
447-476 |
|
| 23. | Schulenberg, David | When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style, and medium in 18th-century keyboard music. |
[ce]Late18cComposers_CPEB |
| | 2015 |
477-492 |
|
| 24. | Spányi, Miklós | Performers remarks for four audio CDs containing recordings of Bach's keyboard concertos and ensemble sonatinas. |
[ce]Late18cComposers_CPEB |
| | 2015 |
493-498 |
|
| 25. | Schulenberg, David (ed.) | C. P. E. Bach. |
[ce]Late18cComposers_CPEB |
| | 2015 |
xxv, 505p |
|