Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Smithers, Don L. | Number and Symbolism in Bach's B-minor Mass. |
[p]AMS_NewYorkState |
| | Apr 1972 |
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| 2. | Lo, Vivien | Schumann and Bach's Well-Tempered Clavier. |
[p]AMS_NewYorkState |
| | Sep 1978 |
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| 3. | Hardwick, Peter | Nineteenth-Century B-A-C-H Works: A Link Between Bach and Schoenberg. |
[p]AMS_NewYorkState |
| | Apr 1979 |
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| 4. | Cowdery, William | Similar Symmetries in J.S. Bach's Magnificat, Passions, and Mass. |
[p]AMS_NewYorkState |
| | Apr 1980 |
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| 5. | Mitchell, Alice L. | Czerny's View of Bach. |
[p]AMS_NewYorkState |
| | Sep 1984 |
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| 6. | Williams, Isabelle | Metric Complexity in Bach's Cantata No.182. |
[p]AMS_NewYorkState |
| | Mar 1986 |
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| 7. | Livingstone, Ernest F. | Thematic Relationships and Mathematical Structures as Ordering Principles in Bach's Art of the Fugue. |
[p]AMS_NewYorkState |
| | Apr 1987 |
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| 8. | Cowdery, William | J. S. Bach's Cantata 61, Nun komm, der Heiden Heiland, and His Audition for Halle in 1713. |
[p]AMS_NewYorkState |
| | Sep 1990 |
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| 9. | Renwick, William | When Motive and Mode Diverge: Bach's Manualiter 'Kyries' from Clavierübung III. |
[p]AMS_NewYorkState |
| | Sep 1990 |
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| 10. | Renwick, William | Praeludia et Fugen del Signor Johann Sebastian Bach?: The Origins and Content of MS P-296. |
[p]AMS_NewYorkState |
| | Oct 1994 |
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| 11. | Carpenter, Alexander | What I Really Wrote About Bach: Shaw and Deconstruction. |
[p]AMS_NewYorkState |
| | Apr 1997 |
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