Bach Printed Music Database Search Result

Series : ^[p]BICB_Belfast$
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Diskin, Kirill	The copies of the Well-tempered Clavier by J.S.Albrechtsberger: to his Bachiana.	[p]BICB_Belfast			Jul 2010
	2.	Estrada, Erasmo	'eine cantable Art im Spielen zu erlangen': some considerations on spiritual praxis in J.S. Bach's pedagogical collections.	[p]BICB_Belfast			Jul 2010
	3.	Fazekas, Gergely	Inner Time, Outer Time and 'Da Capo' Form. Structure and meaning in J.S. Bach's E major violin concerto (BWV 1042).	[p]BICB_Belfast			Jul 2010
	4.	Kovacevic, Tanja; [Kovaèeviæ]	Off the Beaten Track: An Exploration of Bach Reception in Catholic Central Europe.	[p]BICB_Belfast			Jul 2010
	5.	Rathey, Markus	A Leipzig Christmas Music from 1685. Traditions and Transformations of Christmas before Bach's Christmas Oratorio.	[p]BICB_Belfast			Jul 2010
	6.	Segev, Idith; Cohen, Dalia	Significant Occurrence in Even Musical Texture in Bach's Preludes. A Study Using Mathematical Tools.	[p]BICB_Belfast			Jul 2010
	7.	Leaver, Robin A.	Music in Published Books of Emblems.	[p]BICB_Belfast			Jul 2010
	8.	Ledbetter, David	Improvisation Practices in Bach's Instrumental Music.	[p]BICB_Belfast			Jul 2010
	9.	Dirksen, Pieter	Some Observations on Bach's Organ Sonatas.	[p]BICB_Belfast			Jul 2010
	10.	Corduban, Michaela	Bach as a master of the Musica Poetica. A rhetorical approach to the Well-Tempered Clavier (Book I): proposition of a formal model.	[p]BICB_Belfast			Jul 2010
	11.	Crean, Elise	The Fourteen Canons: Foundation or Culmination? A re-evaluation of their position amongst Bach's late works.	[p]BICB_Belfast			Jul 2010
	12.	Dodds, Michael	Ars combinatoria in a Bach Passion Chorus.	[p]BICB_Belfast			Jul 2010
	13.	Ebata, Nobuaki	Four part Chorales of Johann Sebastian Bach's lost sacred cantatas from Picander Jahrgang.	[p]BICB_Belfast			Jul 2010
	14.	Herr, Corinna	'Buß und Reu': a symbol of female sinfulness in Bach's St Matthew Passion?	[p]BICB_Belfast			Jul 2010
	15.	Maul, Michael	New Light on the Controversy between Bach and Scheibe and music life in Leipzig during the late 1730s.	[p]BICB_Belfast			Jul 2010
	16.	Paczkowski, Szymon	Field Marshall Jakob Heinrich Flemming (1667-1728) and his musical patronage.	[p]BICB_Belfast			Jul 2010
	17.	Rifkin, Joshua	Blinding Us with Science? Man, Machine, and the Mass in B Minor.	[p]BICB_Belfast			Jul 2010
	18.	Röder, Matthias	The Permutation Fugue and Johann Sebastian Bach's Compositional Development.	[p]BICB_Belfast			Jul 2010
	19.	Rose, Stephen	Virtuosos or charlatans? Musical talent and social mobility in the German Baroque.	[p]BICB_Belfast			Jul 2010
	20.	Sackmann, Dominik	On the Aesthetics of Perfidia.	[p]BICB_Belfast			Jul 2010
	21.	Schulenberg, David	An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works.	[p]BICB_Belfast			Jul 2010
	22.	Schwalbach, Burkhard	Coffee, Courtship and Counterpoint in Bach's Leipzig: The 'Goldberg Variations' and Women's Clavier Books.	[p]BICB_Belfast			Jul 2010
	23.	Sela, Yael	Anna Magdalena Bach's Clavier-Büchlein and Early Modern Women's Musical Training.	[p]BICB_Belfast			Jul 2010
	24.	Shabalina, Tatiana [Shabalina, Tat'jana]	Texte zur Music by J. S. Bach and his Contemporaries: J. A. Za³uski and his Role in their Preservation.	[p]BICB_Belfast			Jul 2010
	25.	Speerstra, Joel	Emblems in Published Books of Music.	[p]BICB_Belfast			Jul 2010
	26.	Tenkanen, Atte	Quantitative Properties of Invertible Counterpoints in Compositions by Johann Sebastian Bach.	[p]BICB_Belfast			Jul 2010
	27.	Wollny, Peter	Bach's Cantata Performances in the 1730s -- New Findings, New Perspectives.	[p]BICB_Belfast			Jul 2010
	28.	Wollny, Peter	'Meticulous, fine work' or 'reflection of a great school'? -- Wilhelm Friedemann Bach and the protestant church cantata after 1750.	[p]BICB_Belfast			Jul 2010
	29.	Golomb, Uri; Cohen, Dalia	The Crucifixus from Bach's B-minor Mass: The Reflection of the Work in Performance.	[p]BICB_Belfast			Jul 2010
	30.	Meyer, Sarah	Chorton and Kammerton in the Actus Tragicus: A Performance Practice Perspective.	[p]BICB_Belfast			Jul 2010
	31.	Kuhn, Eva	Bach was not the First--a Violoncello for Francesco II d'Este, Duke of Modena.	[p]BICB_Belfast			Jul 2010
	32.	Lutterman, John	'Alles, was man unter der Methode zu spielen verstehet, druckt er mit eigentlichen Noten aus'. Changing attitudes toward notation in the Eighteenth Century: The Scheibe-Birnbaum controversy and Bach's notational practice.	[p]BICB_Belfast			Jul 2010
	33.	Black, David	Some 'New' Bach Documents in Eighteenth-Century Printed Sources.	[p]BICB_Belfast			Jul 2010
	34.	Bärwald, Manuel	Secular music performances in the Leipzig 1740s.	[p]BICB_Belfast			Jul 2010
	35.	Joyce, Elizabeth	The Baroque and Lutheran Views of the World Embodied in Bach's Cantata 'Was frag ich nach der Welt' (BWV 94).	[p]BICB_Belfast			Jul 2010
	36.	Oleskiewicz , Mary	The Bachs in Berlin: The Courts of Brandenburg-Prussia as a Background to Instrumental Works of J. S., W. F., and C. P. E. Bach.	[p]BICB_Belfast			Jul 2010
	37.	Aspden, Suzanne	'Dresden ditties' and the feminised galant.	[p]BICB_Belfast			Jul 2010
	38.	Tomita, Yo	The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication.	[p]BICB_Belfast			Jul 2010
	39.	Tatlow, Ruth	The Goblet of Anise: A Case Study.	[p]BICB_Belfast			Jul 2010