Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Abravaya, Ido | Bach's tempo practices: tempo changes. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 2. | Beißwenger, Kirsten; Kobayashi, Yoshitake | Work in progress: the copyists' catalogue of the Neue Bach-Ausgabe. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 3. | Cameron, Jasmin M. | Vivaldi's Crucifixus in its descriptive and rhetorical context. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 4. | Crist, Stephen A. | When is an aria not an aria? Terminological and generic distinctions among the solos in Bach's vocal works. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 5. | Dirksen, Pieter | J.S. Bach and the tradition of the moto contrario. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 6. | Elferen, Isabella van | 'Seuffzen und Thränen': of sighs and tears in Bach's vocal works. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 7. | Fehleisen, Fred | BWV 245/12b: a practical issue with compositional implications. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 8. | Franklin, Don O. | Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 9. | Tomita, Yo | Re-examining the role of Kirnberger in the compilation and dissemination of Bach's Well-Tempered Clavier II. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 10. | Wollny, Peter | Archival research and the identification of copyists |
[p]BICB_Manchester |
| | Jul 2004 |
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| 11. | Hartinger, Anselm | Mendelssohn and early nineteenth-century Bach reception. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 12. | Kevorkian, Tanya | J. S. Bach, the Baroque and pietism in Leipzig in the 1720s and 1730s. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 13. | Kokole, Metoda | Diffusion and circulation of the 18th-century Italian opera between Gorizia, Trieste and Graz. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 14. | Leaver, Robin A. | Theological Bach Studies: towards a working bibliography. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 15. | Paczkowski, Szymon | Singet dem Herrn ein neues Lied (BWV 225) by Johann Sebastian Bach - functions and meaning. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 16. | Wolff, Christoph | The Bach-Archiv and source-critical research: an introduction. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 17. | Leahy, Anne; O'Toole, Redmond | Bach's Prelude, Fugue and Allegro for lute (BWV 998): a Trinitarian statement of faith? |
[p]BICB_Manchester |
| | Jul 2004 |
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| 18. | Maul, Michael | New Bach documents from central German archives. |
[p]BICB_Manchester |
| | Jul 2004 |
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| 19. | Lutterman, John | Works in progress: Bach's Suites for Solo Cello as artifacts of improvisational practices. |
[p]BICB_Manchester |
| | Jul 2004 |
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