Bach Printed Music Database
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Series : ^[p]BICB_Salzburg$
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Tomita, YoRevisiting Altnickol's 1744 Copy of the Well-Tempered Clavier, Book II. [p]BICB_Salzburg Jul 2014
2. Stinson, RussellRichard Wagner and the Well-Tempered Clavier: A Closer Look. [p]BICB_Salzburg Jul 2014
3. Tatlow, RuthMetaphor or Reality: Harmonic Proportions, Canons and Compositions in Heaven. [p]BICB_Salzburg Jul 2014
4. Maul, MichaelBach's or Ernesti's Sons? -- New Sources on Bach's Prefects. [p]BICB_Salzburg Jul 2014
5. Alevizos, KonstantinosHidden Forms of Inversion (Mirror) inside the Contrapunctus 'in stylo francese' of The Art of Fugue of Johann Sebastian Bach (BWV 1080, 6). [p]BICB_Salzburg Jul 2014
6. Baker, MichaelA Dorian Middleground Schema in Bach's Minor-Key Fugue Expositions. [p]BICB_Salzburg Jul 2014
7. Carter, ZacharyJ. S. Bach's Violone and the Fundamental Texture: The Contrabass-Bowed Instrument in the Bach Cantata. [p]BICB_Salzburg Jul 2014
8. Shabalina, Tatiana [Shabalina, Tat'jana]Bach's Parody Process: Observations from the Early Leipzig Manuscripts. [p]BICB_Salzburg Jul 2014
9. McCormick, SusanThe Multiple Bass Chorale Tradition: Purpose, Origin and Transmission. [p]BICB_Salzburg Jul 2014
10. Paczkowski, SzymonJ. Ph. Kirnberger and the Musical Patronage of Count Wac³aw Rzewuski in Podhorce. [p]BICB_Salzburg Jul 2014
11. Lindsberger, HerbertIl segno -- a Discussion of Different Manuscripts and Editions of Gavotte 2 from Suite 6 BWV 1012 for Violoncello. [p]BICB_Salzburg Jul 2014
12. Papadopoulou, VasilikiPerformance Practice Aspects of J.S. Bach's Sei Solo for Violin as Reflected in Instructive Editions. [p]BICB_Salzburg Jul 2014
13. Kreinin, YuliaChoosing an Influence, or the Rorschach Test: Images of Bach as Reflected in 20th-Century Compositions. [p]BICB_Salzburg Jul 2014
14. Hall, MatthewContrapuntal Structure as Keyboard Technique in the Pedagogy of J. S. Bach. [p]BICB_Salzburg Jul 2014
15. Marissen, MichaelJ. S. Bach's Church Cantatas and 'the Jews' in the Gospel of John. [p]BICB_Salzburg Jul 2014
16. Golomb, UriThe Passion Animated, Ritualised and Monumentalised: Expressive Engagement and Emotional Distance in Productions of Bach's Matthäus-Passion. [p]BICB_Salzburg Jul 2014
17. Szabó, ZoltánAn Exceedingly Careless Scribe? -- J. P. Kellner's Copy of the Bach String Solo Works. [p]BICB_Salzburg Jul 2014
18. Haberl, HildrunRediscovering Baroque: A Romantic Approach towards Johann Sebastian Bach's Chaconne by Felix Mendelssohn Bartholdy and Robert Schumann. [p]BICB_Salzburg Jul 2014
19. Koska, BerndBach's Students at St. Thomas School as Church Musicians. [p]BICB_Salzburg Jul 2014
20. Bärwald, ManuelFrom Bach to Galuppi -- Musical Transfer across the Alps and Its Influence on Leipzig Concert Life. [p]BICB_Salzburg Jul 2014
21. Medlam, CharlesApproaches to the Bach Violoncello Suites: The Purpose, Origins and Performance of the 'Suites a Violoncello Solo senza Basso composées pas Sr. J. S. Bach Maitre de Chapelle'. [p]BICB_Salzburg Jul 2014
22. O'Loghlin, MichaelMelodic, Harmonic and Structural Symbols in the Labyrinths of J. S. Bach and Marin Marais: Who Was the More Cerebral Composer? [p]BICB_Salzburg Jul 2014
23. Fazekas, GergelyJ. S. Bach and the Two Cultures of Musical Form. [p]BICB_Salzburg Jul 2014
24. Bertoglio, ChiaraInstructive Editions of Bach's Well-Tempered Clavier in Italy. [p]BICB_Salzburg Jul 2014
25. Leisinger, UlrichFrom Keyboard Suite to Keyboard Sonata in the Mid-18th Century. [p]BICB_Salzburg Jul 2014

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