Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Thistlethwaite, Nicholas | Bach, Mendelssohn and the English organist: 1810-45. |
BIOSJ |
7 | | 1983 |
|
|
| 2. | Sawyer, Philip | Possible textual and thematic references in J. S. Bach's fugue in E flat BWV 552. |
BIOSJ |
14 | | 1990 |
10-13 |
|
| 3. | Schureck, Ralph | The organ concertos of J. S. Bach: their origins and legitimacy. |
BIOSJ |
14 | | 1990 |
16-20 |
|
| 4. | Clark, Relf | Transcriptions. |
BIOSJ |
18 | | 1994 |
126-136 |
|
| 5. | Olleson, Philip | The organ-builder and the organist: Thomas Elliot and Samuel Wesley. |
BIOSJ |
20 | | 1996 |
116-125 |
|
| 6. | Williams, Peter F. | Playing and studying Bach: Where next? |
BIOSJ |
24 | | 2000 |
80-92 |
|
| 7. | Humphreys, David | Towards a revised canon for the organ works of J.S. Bach. |
BIOSJ |
27 | | 2003 |
6-18 |
|
| 8. | Williams, Peter | Some remarks on organs, organ-playing and the studying of music. |
BIOSJ |
28 | | 2004 |
6-25 |
|
| 9. | Speerstra, Joel | Were J.S.Bach's Trio Sonatas written for the pedal clavichord? |
BIOSJ |
28 | | 2004 |
26-46 |
|
| 10. | McCrea, Andrew | Professorial annotations: William Crotch's study of the '48'. |
BIOSJ |
28 | | 2004 |
47-65 |
|
| 11. | Frith, Michael | '... Des Chorales d'orgue, ainsi qu'a fait Bach, mais sur un autre plan': Cesar Franck's Trois Chorales reconsidered. |
BIOSJ |
30 | | 2006 |
30-39 |
|
| 12. | Brennan, John | Music copyright in England, the Statute of Anne (1710) and the case of J.C. Bach versus Longman & Broderip (1777). |
BIOSJ |
35 | | 2011 |
|
|
| 13. | Whiteley, John Scott | New light on the toccata in C BWV 564 and Bach's mordant. |
BIOSJ |
41 | | 2017 |
132-156 |
|
| 14. | Binski, Paul | The Arrangement of Contrapunctus 14 in Bach's Art of Fugue (BWV 1018/19). |
BIOSJ |
47 | | 2023 |
47-62 |
|