Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Fuller, Robert | A brief study of the Six motets of Johann Sebastian Bach. |
ChoralJ |
8 | 2 | Nov-Dec 1967 |
14-15 |
|
| 2. | Pisano, Richard C. | The Problem of Accompaniment. |
ChoralJ |
9 | 1 | Jul-Aug 1968 |
21-22 |
|
| 3. | Pisano, Richard C. | On Bach's Motets. (The Relationship of Text and Music). |
ChoralJ |
9 | 2 | Sep-Oct 1968 |
19-21 |
|
| 4. | Pisano, Richard C. | On Bach's Motets. Analysis of Compositional Technique used for Double Choir. |
ChoralJ |
9 | 3 | Nov-Dec 1968 |
21-23 |
|
| 5. | Ehmann, Wilhelm | Performance practices in the Baroque period. |
ChoralJ |
11 | 9 | May 1971 |
12-13 |
|
| 6. | Radice, Mark; Radice Jean | Interview with Helmuth Rilling. |
ChoralJ |
16 | 3 | Nov 1975 |
5-6 |
|
| 7. | Spitta, Philipp | The Passion Music of Sebastian Bach and Heinrich Schuetz. |
ChoralJ |
16 | 3 | Nov 1975 |
10-13 |
|
| 8. | Brewer, Richard H. | C. P. E. Bach and his Oratorios. |
ChoralJ |
21 | 5 | Jan 1981 |
34, 36-40 |
|
| 9. | Jamison, Ward | Bach's 'St. John Passion' - a look at the Text and a New Numbering System. |
ChoralJ |
21 | 6 | Feb 1981 |
41-44 |
|
| 10. | Janower, David M. | Aria form in the Bach B-minor Mass. |
ChoralJ |
22 | 4 | Dec 1981 |
17-19,22 |
|
| 11. | Scott, Earl K. | Bach and the twenty-third Psalm. |
ChoralJ |
22 | 8 | Apr 1982 |
39-42 |
|
| 12. | Castle, Conan | The motets of Johann Michael Bach. |
ChoralJ |
24 | 10 | Jun 1984 |
11-21 |
|
| 13. | Steinitz, Paul | Bach in the Thomaskirche. |
ChoralJ |
25 | 10 | Jun 1985 |
6 |
|
| 14. | Rilling, Helmuth | Bach's significance. |
ChoralJ |
25 | 10 | Jun 1985 |
7-14 |
|
| 15. | Ehmann, William | Performance of the cantus firmus 'O Lamm Gottes unschuldig' in the opening chorus of Johann Sebastian Bach's 'St. Matthew Passion'. |
ChoralJ |
25 | 10 | Jun 1985 |
15-19 |
|
| 16. | Hickman, Joe | A Performers Guide To J. S. Bach's Cantata BWV 106. |
ChoralJ |
27 | 2 | Sep 1986 |
15-18 |
|
| 17. | Moses, Don V; Demarec, Robert W. Jr. | Articulation in Late Baroque Choral Music. |
ChoralJ |
27 | 10 | May 1987 |
17-30 |
|
| 18. | Alwes, Chester L. | J. S. Bach's 'Lutheran' Masses: Aspects of Chronology and Structure. |
ChoralJ |
29 | 7 | Feb 1989 |
5-11 |
|
| 19. | Dox, Thurston J. | Samuel Felsted's Jonah - The Earliest American Oratorio. |
ChoralJ |
32 | 7 | Feb 1992 |
27-32 |
|
| 20. | Town, Stephen | Mendelssohn's Lobgesang: A fusion of forms and textures. |
ChoralJ |
33 | 4 | Nov 1992 |
19-26 |
|
| 21. | Griggs-Janower, David | Mendelssohn's Chorale Cantatas: A Well-Kept Secret. |
ChoralJ |
33 | 4 | Nov 1992 |
31-33 |
|
| 22. | Jones, Perry | The Bethlehem Bach Choir approaches its centennial. |
ChoralJ |
34 | 9 | Apr 1994 |
13-18 |
|
| 23. | Hansen, Sharon A. | Helmut Rilling celebrates two anniversaries. |
ChoralJ |
35 | 5 | Dec 1994 |
9-15 |
|
| 24. | Thomas, Elmer; Jones, Erik Reid | J. S. Bach's B-Minor Mass: Symbolism and Twentieth-Century Performance Practices. |
ChoralJ |
35 | 8 | Mar 1995 |
21-29 |
|
| 25. | Oglesby, Donald | Index to Bach Cantata Scores: Locations in the Bach Gesellschaft Edition, Neue Bach Ausgabe, Hänssler/Carus Verlag Catalog, and Kalmus Catalog. |
ChoralJ |
35 | 8 | Mar 1995 |
37-39, 42-44 |
|
| 26. | Meredith, Sarah | Wie schön leuchtet der Morgenstern in the Chorale Cantatas of J. S. Bach. |
ChoralJ |
38 | 5 | Dec 1997 |
9-14 |
|
| 27. | Music, David W. | Camille Saint-Saëns' Christmas oratorio: Description, accessibility, comparison. |
ChoralJ |
39 | 5 | Dec 1998 |
49-53 |
|
| 28. | Curtis, John | Bach and Graupner: The Audition Cantatas. |
ChoralJ |
39 | 7 | Feb 1999 |
9-15 |
|
| 29. | Hoekema van Wyck, Helen | Mourning into dancing: Dance rhythms in J.S. Bach's St. Matthew Passion. |
ChoralJ |
40 | 3 | Oct 1999 |
9-22 |
|
| 30. | Crist, Stephen A. | Recitatives and Arias in Bach's Leipzig Church Cantatas. |
ChoralJ |
41 | 4 | Nov 2000 |
9-20 |
|
| 31. | Alwes, Chester L. | J.S. Bach and the Concerto: Ritornello as a Guide to Rehearsal. |
ChoralJ |
41 | 4 | Nov 2000 |
21-28 |
|
| 32. | Hamer, Brian | Bach's Use of the Chiasm in the St John Passion. |
ChoralJ |
41 | 4 | Nov 2000 |
29-36 |
|
| 33. | Sargent, Martha | Bach Cantatas for Choirs. |
ChoralJ |
41 | 4 | Nov 2000 |
39-45 |
|
| 34. | Flannagan, Pat | Selected Examples of Choreinbau in the Cantatas of J.S. Bach. |
ChoralJ |
41 | 5 | Dec 2000 |
25-35 |
|
| 35. | Cook, Grant W., III | Bach in Boston: The Emergence of the St. Matthew Passion, from 1868 to 1879. |
ChoralJ |
41 | 9 | Apr 2001 |
21-33 |
|
| 36. | Johnson, Lani | Examination of movements 4 and 4a of Magnificat in D, Wq 215 (1747-49 1790-82) by Carl Philipp Emanuel Bach. |
ChoralJ |
46 | 5 | Nov 2005 |
16-31 |
|
| 37. | Burns, Brian E. | Elements of Empfindsamkeit in the Heilig Wq. 217 (H.778) of Carl Philipp Emanuel Bach. |
ChoralJ |
46 | 9 | Mar 2006 |
10-23 |
|
| 38. | Rathey, Markus | Christmas 1723. Johann Sebastian Bach's Artistic Evolution. |
ChoralJ |
48 | 1 | Jul 2007 |
14-23 |
|
| 39. | Gingrich, Linda | Hidden Allegory in J.S. Bach's 1724 Trinity Season Chorale Cantatas. |
ChoralJ |
51 | 1 | Aug 2010 |
6-17 |
|
| 40. | Rothlisberger, Rod | In the footsteps of Bach: An interview with Georg Christoph Biller. |
ChoralJ |
54 | 1 | Aug 2013 |
34-43 |
|
| 41. | Rathey, Markus | Between stage and choir loft: Church music and opera in Leipzig before Bach. |
ChoralJ |
61 | 1 | Aug 2020 |
28-40 |
|