Bach Printed Music Database Search Result

Series : ^ColMSymposium$
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Mendel, Arthur	Documentary evidence concerning the aria 'Ich folge dir gleichfalls' from Bach's St. John Passion'.	ColMSymposium	5		Fall 1965	63-67
	2.	Grout, Donald J.	Historical approach. No.13 'Ich folge dir gleichfalls' from Bach Passion according to St. John.	ColMSymposium	5		Fall 1965	68-76
	3.	Cone, E. T.	On the structure of Ich folge dir.	ColMSymposium	5		Fall 1965	77-87
	4.	Lippman, Edward A.	An interpretation of Bach's 'Ich folge dir gleichfalls'.	ColMSymposium	5		Fall 1965	88-96
	5.	Scharf, Warren A.	Baldwin-Wallace College.	ColMSymposium	9		Fall 1969	21-22
	6.	Cahn, Meyer E.	Bach is not enough.	ColMSymposium	12		Fall 1972	47-53
	7.	Godt, Irving	C. P. E. Bach his mark.	ColMSymposium	19	2	Fall 1979	154-161
	8.	Brown, A. Peter	Approaching musical Classicism: understanding styles and style change in eighteenth-century instrumental music.	ColMSymposium	20	1	Spring 1980	7-48
	9.	Brown, Leslie Ellen	Oratorical Thought and the Tragédie lyrique: A Consideration of Musical-Rhetorical Figures.	ColMSymposium	20	2	Fall 1980	99-116
	10.	Seaton, Douglass	A Composition Course with Karl Friedrich Zelter.	ColMSymposium	21	2	Fall 1981	126-138
	11.	Eiseman, David	A structural model for the 'Eroica' finale?	ColMSymposium	22	2	Fall 1982	138-147
	12.	Jordan, Paul	Helmut Walcha: Artist-Teacher.	ColMSymposium	22	2	Fall 1982	148-154
	13.	Harrow, Peter	Bach the humorist.	ColMSymposium	25		1985	48-51
	14.	Dahlhaus, Carl	The Eighteenth Century as a Music-Historical Epoch.	ColMSymposium	26		1986	1-6
	15.	Marshall, Robert L.	The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition.	ColMSymposium	27		1987	198-205
	16.	Nayberg, Alexander	Ode to the Fugue.	ColMSymposium	29		1989	161-163
	17.	Rogers, M. R.	The Rich Messiness of Music. Teaching Theory in Music With Contradictions and Paradox.	ColMSymposium	30	1	Spring 1990	134-141
	18.	Loewy, Andrea Kapell	Frederick the Great: Flutist and composer.	ColMSymposium	30	2	Fall 1990	117-125
	19.	Harrow, Peter	New Solutions to Canon 10 of J. S. Bach's Fourteen Canons BWV 1087.	ColMSymposium	30	2	Fall 1990	90-99
	20.	Crist, Stephen A.	Beyond 'Bach-Centrism': Historiographic Perspectives on Johann Sebastian Bach and Seventeenth-Century Music.	ColMSymposium	33-34		1993-94	56-69
	21.	Lester, Joel	J. S. Bach teaches us how to compose: four pattern Preludes of the Well-Tempered Clavier.	ColMSymposium	38		1998	33-46
	22.	Collins, Denis	'So you want to write a canon?' An historically-informed new approach for the modern theory class.	ColMSymposium	48		2008	108-123
	23.	Bates, Ian	Reading, interpreting, translating: Three transcriptions of a Bach chorale.	ColMSymposium	56		2016
	24.	Larsen, Josquin	Motivic continuity in the instrumental suites, sonatas, and partitas of J.S. Bach.	ColMSymposium	60	1	May 2020