Bach Printed Music Database Search Result

Series : ^ContextBachStud$
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Cameron, Jasmin Melissa	The Crucifixion in Music: An Analytical Survey of Settings of the Crucifixus between 1680 and 1800.	ContextBachStud	1		2006	xxiv, 371p
	2.	Elferen, Isabella van	Mystical love in the German Baroque: theology, poetry, music.	ContextBachStud	2		2009	xxvi, 357p
	3.	Leahy, Anne	J. S. Bach's 'Leipzig Chorale' Preludes: Music, Text, Theology.	ContextBachStud	3		2011	xxviii, 297p
	4.	Göncz, Zoltán	Bach's Testament: On the Philosophical and Theological Background of The Art of Fugue.	ContextBachStud	4		2013	xvi, 178p
	5.	Irwin, Joyce L.	Foretastes of heaven in Lutheran church music tradition: Johann Mattheson and Christoph Raupach on music in time and eternity.	ContextBachStud	5		2015	xlix, 162p
	6.	Paczkowski, Szymon	Polish style in the music of Johann Sebastian Bach.	ContextBachStud	6		2017	xvi, 402p
	7.	Bartel, Dietrich (trans.)	Andreas Werckmeister's Musicalische Paradoxal-Discourse: A Well-Tempered Universe.	ContextBachStud	7		2017	xv, 157p
	8.	Rathey, Markus	In Honor of God and the City: Strategies of Theological and Symbolic Communication in Bach's Cantata Gott ist mein König (BWV 71).	ContextBachStud	8		2018	3-22
	9.	Chafe, Eric	Two 'Johannine' Cantatas: Darzu ist erschienen der Sohn Gottes (BWV 40) and Sehet, welch eine Liebe (BWV 64).	ContextBachStud	8		2018	23-50
	10.	Peters, Mark A.	Death to Life, Sorrow to Joy: Martin Luther's Theology of the Cross and J. S. Bach's Eastertide Cantata Ihr werdet weinen und heulen (BWV 103)	ContextBachStud	8		2018	51-73
	11.	Greer, Mary	Toward an Understanding of J. S. Bach's Use of Red Ink in the Autograph Score of the Matthew Passion.	ContextBachStud	8		2018	75-102
	12.	Petzoldt, Martin	The Theological in Bach Research (2007).	ContextBachStud	8		2018	103-118
	13.	Sanders, Reginald L.	Formal and Motivic Design in the Opening Chorus of J. S. Bach's Magnificat.	ContextBachStud	8		2018	121-137
	14.	Lee, Kayoung	The Tonally Open Ritornello in J. S. Bach's Church Cantatas.	ContextBachStud	8		2018	139-151
	15.	Allanbrook, Wye J.	The Christian Believer and the Sleep of Jesus: 'Mache dich, mein Herze, rein' from J. S. Bach's Matthew Passion.	ContextBachStud	8		2018	153-164
	16.	Schulze, Hans-Joachim	Parody and Text Quality in the Vocal Works of J. S. Bach.	ContextBachStud	8		2018	167-176
	17.	Leaver, Robin A.	J. S. Bach's Parodies of Vocal Music: Conservation or Intensification?	ContextBachStud	8		2018	177-203
	18.	Butler, Gregory	J. S. Bach's Dresden Trip and His Earliest Serenatas for Köthen.	ContextBachStud	8		2018	205-214
	19.	Saunders, Steven	Bach's Second Thoughts on the Christmas Oratorio: The Compositional Revisions to 'Bereite dich, Zion,' BWV 248/4.	ContextBachStud	8		2018	215-224
	20.	Tomita, Yo	The Passions as a Source of Inspiration? A Hypothesis on the Origin and Musical Aim of Well-Tempered Clavier II.	ContextBachStud	8		2018	225-242
	21.	Kevorkian, Tanya	The Leipzig Audiences of J. S. Bach's Matthew Passion to 1750.	ContextBachStud	8		2018	245-259
	22.	Grant, Jason B.	The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works.	ContextBachStud	8		2018	261-279
	23.	Scheide, William H.	The Need for a New Music: J. S. Bach in Contemporary Context (1946).	ContextBachStud	8		2018	281-295
	24.	Marshall, Robert L.	Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm.	ContextBachStud	8		2018	297-303
	25.	Peters, Mark A.; Sanders, Reginald L. (eds.)	Compositional Choices and Meaning in the Vocal Music of J. S. Bach.	ContextBachStud	8		2018	xxi, 328p