Bach Printed Music Database Search Result

Series : ^EastmanStudM$
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Walker, Paul Mark	Theories of Fugue from the Age of Josquin to the Age of Bach.	EastmanStudM	13		2000	485p
	2.	Speerstra, Joel	Bach and the pedal clavichord: an organist's guide.	EastmanStudM	26		2004	280p
	3.	Marvin, Roberta Montemorra	Scholarly Inquiry in Historical Musicology: Sources, Methods, Interpretations.	EastmanStudM	28		2004	1-7
	4.	Stinson, Russell	New Perspectives on Bach's Great Eighteen Chorales.	EastmanStudM	28		2004	40-56
	5.	Crist, Stephen A.	Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48.	EastmanStudM	28		2004	57-84
	6.	Marissen, Michael	Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works.	EastmanStudM	28		2004	85-94
	7.	Kramer, Richard A.	Carl Philipp Emanuel Bach and the Aesthetics of Patricide.	EastmanStudM	28		2004	121-142
	8.	Crist, Stephen A.; Marvin, Roberta Montemorra (eds.)	Historical Musicology: Sources, Methods, Interpretations. Festschrift for Robert L. Marshall.	EastmanStudM	28		2004	448p
	9.	Beach, David W.	Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study.	EastmanStudM	33		2005	xiii, 92p
	10.	Baron, Carol K.	Transitions, Transformations, Reversals: Rethinking Bach's World.	EastmanStudM	37		2006	1-34
	11.	Baron, Carol K.	Tumultuous Philosophers, Pious Rebels, Revolutionary Teachers, Pedantic Clerics, Vengeful Bureaucrats, Threatened Tyrants, Worldly Mystics: The Religious World Bach Inherited.	EastmanStudM	37		2006	35-85
	12.	Cleve, John van	Family Values and Dysfunctional Families: Home Life in the Moral Weeklies and Comedies of Bach's Leipzig.	EastmanStudM	37		2006	86-107
	13.	Irwin, Joyce L.	Bach in the Midst of Religious Transition.	EastmanStudM	37		2006	108-126
	14.	Siegele, Ulrich	Bach's Situation in the Cultural Politics of Contemporary Leipzig.	EastmanStudM	37		2006	127-173
	15.	Kevorkian, Tanya	The reception of the Cantata during Leipzig Church Services, 1700-1750.	EastmanStudM	37		2006	174-189
	16.	Goodman, Katherine R.	From Salon to Kaffeekranz: Gender Wars and the Coffee Cantata in Bach's Leipzig.	EastmanStudM	37		2006	190-218
	17.	Kuhnau, Johann	A Treatise on Liturgical Text Settings (1710).	EastmanStudM	37		2006	219-226
	18.	Scheibel, Gottfried Ephraim	Random Thoughts About Church Music in Our Day (1721).	EastmanStudM	37		2006	227-249
	19.	Baron, Carol K.	Bach's Changing World: Voices in the Community.	EastmanStudM	37		2006	xvi, 264p
	20.	Cooper, John Michael	Mendelssohn, Goethe, and the Walpurgis night: The Heathen Muse in European Culture, 1700 - 1850.	EastmanStudM	43		2007	xvi, 284p
	21.	Saffle, Michael	Czerny and the keyboard fantasy: Traditions, innovations, legacy.	EastmanStudM	53		2008	202-228
	22.	Gramit, David (ed.)	Beyond The art of finger dexterity: Reassessing Carl Czerny.	EastmanStudM	53		2008	xiii, 280p
	23.	Vial, Stephanie D.	The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'.	EastmanStudM	55		2008	xvi, 358p
	24.	Kerman, Joseph	Fugue and its discontents.	EastmanStudM	58		2008	5-13
	25.	Schulenberg, David	Fugues, form, and fingering: Sonata style in Bach's preludes and fugues.	EastmanStudM	58		2008	14-23
	26.	Curry, Robert; Gable, David; Marshall, Robert L. (eds.)	Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday.	EastmanStudM	58		2008	x, 375p
	27.	Rothfarb, Lee	August Halm: A critical and creative life in music.	EastmanStudM	68		2009	xix, 293p
	28.	Schulenberg, David	The Music of Wilhelm Friedemann Bach	EastmanStudM	79		2010	354p
	29.	Melamed, Daniel R.	Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67.	EastmanStudM	102		2013	111-135
	30.	Cypess, Rebecca; Glixon, Beth; Link, Nathan (eds.)	Word, image, and song, Vol. 2: Essays on musical voices.	EastmanStudM	102		2013	288p
	31.	Schulenberg, David	The Music of Carl Philipp Emanuel Bach.	EastmanStudM	114		2014	xv, 416p
	32.	Todd, R. Larry	Mendelssohn and the contrapuntal tradition.	EastmanStudM	118		2014	15-39
	33.	Mercer-Taylor, Peter	Mendelssohn and the legacy of Beethoven's ninth: Vocality in the 'Reformation' symphony.	EastmanStudM	118		2014	61-88
	34.	Little, William A.	Mendelssohn and the Organ.	EastmanStudM	118		2014	91-110
	35.	Stinson, Russell	Some observations on Mendelssohn's Bach recital.	EastmanStudM	118		2014	111-121
	36.	Thistlethwaite, Nicholas J.	'He ought to have a statue': Mendelssohn, Gauntlett, and the English organ reform.	EastmanStudM	118		2014	122-140
	37.	Davidsson, Hans	Mendelssohn's sonatas, op. 65, and the Craighead-Saunders organ at the Eastman School of Music: Aspects of performance practice and context.	EastmanStudM	118		2014	141-210
	38.	Wolff, Christoph	The Bach tradition among the Mendelssohn ancestry.	EastmanStudM	118		2014	213-223
	39.	Thym, Jürgen (ed.)	Mendelssohn, the organ, and the music of the past: Constructing historical legacies.	EastmanStudM	118		2014	x,339p
	40.	Willner, Channan	Ernst Oster's vision of hidden repetitions and motivic enlargements in J.S. Bach's short keyboard works.	EastmanStudM	122		2015	157-170
	41.	Beach, David W.; Goldenberg, Yosef (eds.)	Bach to Brahms: Essays on musical design and structure.	EastmanStudM	122		2015	326p
	42.	Wollny, Peter (ed.)	Bach and the violin.	EastmanStudM	135		2016	95-122
	43.	Riggs, Robert (ed.)	The violin.	EastmanStudM	135		2016	xviii, 306p
	44.	Burkhart, Charles	A letter about the C-major fugue from The well-tempered clavier, Book I.	EastmanStudM	136		2016	3-11
	45.	Anson-Cartwright, Mark	The opening tonal complex of Bach's St. Matthew passion: A linear view.	EastmanStudM	136		2016	12-25
	46.	Samarotto, Frank	Recurrence and fantasy in C.P.E. Bach's rondo in G major.	EastmanStudM	136		2016	26-41
	47.	Beach, David W.; Mak, Su-yin (eds.)	Explorations in Schenkerian analysis.	EastmanStudM	136		2016	xii, 359p
	48.	Kirkpatrick, Meredith (ed.)	Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick.	EastmanStudM	140		2016	x, 199p
	49.	Kirkpatrick, Ralph	On editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973)	EastmanStudM	140		2017	99-101
	50.	Kirkpatrick, Ralph	Bach and Mozart for violin and harpsichord (ca. 1944)	EastmanStudM	140		2017	110-142
	51.	Kirkpatrick, Ralph	Bach and keyboard instruments.	EastmanStudM	140		2017	121-129
	52.	Goozé, Marjanne E.	What was the Berlin Jewish salon around 1800?	EastmanStudM	145		2018	21-38
	53.	Helfer, Martha B.	Lessing and the limits of enlightenment.	EastmanStudM	145		2018	99-121
	54.	Sacks, Elias	Poetry, music, and the limits of harmony: Mendelssohn's aesthetic critique of christianity.	EastmanStudM	145		2018	122-146
	55.	Sela-Teichler, Yael	Longing for the sublime: Jewish self-consciousness and the 'St. Matthew Passion' in Biedermeier Berlin.	EastmanStudM	145		2018	147-177
	56.	Cypess, Rebecca	Duets in the collection of Sara Levy and the ideal of 'unity in multiplicity'.	EastmanStudM	145		2018	181-204
	57.	Cypess, Rebecca; Sinkoff, Nancy (eds.)	Sara Levy's world: gender, Judaism, and the Bach tradition in Enlightenment Berlin.	EastmanStudM	145		2018	x, 292p
	58.	Near, John Richard	Widor on organ performance practice and technique.	EastmanStudM	156		2019	xvi, 151p
	59.	Dokter, Julia	Tempo and Tactus in the German Baroque: Treatises, Scores, and the Performance of Organ Music.	EastmanStudM	178		2021	544p
	60.	Anderson, Christopher	Karl Straube (1873-1950): Germany's master organist in turbulent times.	EastmanStudM	182		2022	x, 558p