Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Singer, Otto | Bach's Self-education. |
Etude |
9 | 6 | Jun 1891 |
113 |
|
| 2. | Dwight, John S. | The Fugue. |
Etude |
10 | 6 | Jun 1892 |
115 |
|
| 3. | Prentice, Ridley | A Revolution in the teaching of Fugue. |
Etude |
11 | 2 | Feb 1893 |
32 |
|
| 4. | Marmontel, A. | An Estimate of Johann Sebastian Bach. |
Etude |
23 | 10 | Oct 1905 |
404 |
|
| 5. | [anon.] | The Significance of Bach to Modern Music. |
Etude |
24 | 8 | Aug 1906 |
489 |
|
| 6. | Lagerquist, Charles | A Bach awakening. |
Etude |
24 | 8 | Aug 1906 |
492 |
|
| 7. | Landowska, Wanda | The Interpretation of Bach's Works. |
Etude |
24 | 9 | Sep 1906 |
562-563 |
|
| 8. | Mathews, William Smythe Babcock | A Study of Piano Technic from Bach to Clementi, Field and Cramer. |
Etude |
24 | 10 | Oct 1906 |
630-632 |
|
| 9. | Landowska, Wanda | The Interpretation of Bach's Works |
Etude |
24 | 10 | Oct 1906 |
635 |
|
| 10. | Brower, Harriette | The Inspiration of Bach's Piano Music. |
Etude |
27 | 10 | Oct 1909 |
667 |
|
| 11. | Whiting, George E. | Bach, the Master of Masters. |
Etude |
27 | 12 | Dec 1909 |
814 |
|
| 12. | Palmer, Sarah A. | Why Bach wrote the 'Well-Tempered Clavichord.' |
Etude |
28 | 8 | Aug 1910 |
521 |
|
| 13. | Wilson, Katharine Bemis | The Friends of Johann Sebastian Bach. |
Etude |
29 | 4 | Apr 1911 |
239 |
|
| 14. | [anon.] | The Etude Master Study Page. 1685--The Real Bach--1750. |
Etude |
31 | 12 | Dec 1913 |
863-864 |
|
| 15. | Bird, Arthur | German, French and English Interpretation of Bach's Organ Music. |
Etude |
33 | 2 | Feb 1915 |
140-141 |
|
| 16. | Campbell, Leroy B. | When and How to Begin the Study of Bach. |
Etude |
37 | 2 | Feb 1919 |
77-78 |
|
| 17. | Pierce, Edwin H. | Bach for Beginners. |
Etude |
37 | 2 | Feb 1919 |
78 |
|
| 18. | Hutcheson, Ernest | How to Study the Two-Voiced Inventions of Bach. |
Etude |
37 | 6 | Jun 1919 |
339-340 |
|
| 19. | Hark, Ann | The American Renaissance of Johann Sebastian Bach. |
Etude |
43 | 8 | Aug 1925 |
541f |
|
| 20. | Gordon, Philip | 'Those Horrid Inventions! Those Awful Fugues!' Hints on the Art of Playing the Music of Bach. |
Etude |
44 | 6 | Jun 1926 |
425-426 |
|
| 21. | Full, A. Eaglefield | Fundamentals in Playing Bach. |
Etude |
46 | 1 | Jan 1928 |
54-55 |
|
| 22. | Kinscella, Hazel Gertrude | How Shall We Study Bach? |
Etude |
47 | 8 | Aug 1929 |
570, 613 |
|
| 23. | Weir, R. Stanley | The Beauty of Bach. |
Etude |
48 | 11 | Nov 1930 |
782 |
|
| 24. | Knetzger, Charles | Why Study The Leipzig Cantor's Inventions. |
Etude |
49 | 7 | Jul 1931 |
480 |
|
| 25. | Riemenschneider, Albert | The Heart of Bach. Part I. |
Etude |
51 | 12 | Dec 1933 |
844-845 |
|
| 26. | Riemenschneider, Albert | The Heart of Bach. Part II. |
Etude |
52 | 1 | Jan 1934 |
50-51 |
|
| 27. | Riemenschneider, Albert | The Heart of Bach. Part III. |
Etude |
52 | 2 | Feb 1934 |
118-119 |
|
| 28. | [anon.] | Pictorial Visit to the Birthplace, Eisenach, of Johann Sebastian Bach (1685-1750). |
Etude |
54 | 4 | Apr 1936 |
206f |
|
| 29. | Kinscella, Hazel Getrude | Making a Start with Bach: Practical Helps for the Student Why Desires a Better Knowledge of the Great master and His Style. |
Etude |
54 | 10 | Oct 1936 |
621-622 |
|
| 30. | Hulse, Camil van | Bach and Modern Keyboard Technic. |
Etude |
55 | 9 | Sep 1937 |
562 |
|
| 31. | Osgood, Marion G. | Bach's Preludio in E, for Violin. |
Etude |
56 | 7 | Jul 1938 |
476-477 |
|
| 32. | Fleck, Hattice C. | Bach's Musical Helpmate: A Graphic Picture of Anna Magdalena Bach and Her Notenbüchlein. |
Etude |
57 | 5 | May 1939 |
297-298, 356 |
|
| 33. | Douty, Nicholas | Mr. Bach of 1940. |
Etude |
58 | 5 | May 1940 |
296, 348 |
|
| 34. | Steede, Alice M. | Bach and Separate Hand Practice. |
Etude |
59 | 12 | Dec 1941 |
822 |
|
| 35. | Lindquist, Orville | A Master Lesson on a Fascinating Bach Prelude. |
Etude |
62 | 7 | Jul 1944 |
396, 420 |
|
| 36. | Fellowes, Myles | Making Bach Interesting: A Conference with Alexander Borowsky. |
Etude |
63 | 2 | Feb 1945 |
74, 106 |
|
| 37. | Hamilton, William Clyde | The Bachs and the Organ. |
Etude |
64 | 11 | Nov 1946 |
617, 648 |
|
| 38. | Heylbut, Rose | Learning to Understand Bach: A Conference with Rosalyn Tureck. |
Etude |
65 | 10 | Oct 1947 |
549, 586 |
|
| 39. | Tselentis, Raïssa | Why Bach Has Become a 'Must' For Piano Students. |
Etude |
66 | 1 | Jan 1948 |
20, 50 |
|
| 40. | Scheide, William H. | Revival of the Bach Arias. |
Etude |
66 | 9 | Sep 1948 |
536, 564 |
|
| 41. | Beard, Gilbert (arr.) | Prelude in E minor / Johann Sebastian Bach. |
Etude |
67 | 10 | Oct 1949 |
30 |
|
| 42. | Maier, Guy | A Master Lesson on the Sarabande and Bourrées from Bach's 'English' Suite No. 2 in A Minor. |
Etude |
67 | 12 | Dec 1949 |
25-26 |
|
| 43. | Maier, Guy | Joh. Sebast: Bach ... His World |
Etude |
68 | 7 | Jul 1950 |
7-11 |
|
| 44. | Stone, Kurt | What Bach Edition Should I play? |
Etude |
68 | 7 | Jul 1950 |
12-14 |
|
| 45. | Schonberg, Harold C. | What sort of man was J. S. Bach? |
Etude |
68 | 7 | Jul 1950 |
14-15, 57 |
|
| 46. | Forkel, Johann Nicolaus | Joh. Sebast: Bach. The Teacher. |
Etude |
68 | 7 | Jul 1950 |
16-17, 64 |
|
| 47. | | A draft for a Well-Appointed Church Music By Joh. Sebast: Bach. |
Etude |
68 | 7 | Jul 1950 |
18, 63 |
|
| 48. | Schweisheimer, W. | The Search for Bach's grave. |
Etude |
68 | 7 | Jul 1950 |
19, 62 |
|
| 49. | Youngman, Hilary P. | Heirs to Bach's Genius. |
Etude |
68 | 7 | Jul 1950 |
20, 51 |
|
| 50. | | Instruments of Bach's Day. |
Etude |
68 | 7 | Jul 1950 |
21 |
|
| 51. | McCurdy, Alexander | E. Power Biggs - on performing Bach's music. |
Etude |
68 | 7 | Jul 1950 |
25, 61 |
|
| 52. | Balogh, Ernö | Some thoughts on how to perform Bach. |
Etude |
69 | 1 | Jan 1951 |
22, 51 |
|
| 53. | Saunders, Celia | Bach and Bernie: There's more than one way to win a pupil, as this teacher shows. |
Etude |
70 | 3 | Mar 1952 |
16, 63 |
|
| 54. | Prout, Ebenezer (ed.) | Air from Second French Suite in C minor. |
Etude |
70 | 5 | May 1952 |
48 |
|
| 55. | Riemenschneider, Albert (ed.) | Jesus Christus, unser Heiland / Johann Sebastian Bach. |
Etude |
70 | 8 | Aug 1952 |
39-41 |
|
| 56. | Prout, Ebenezer (ed.) | Sarabande from 'Second French Suite in C minor' / Johann Sebastian Bach. |
Etude |
70 | 10 | Oct 1952 |
27 |
|
| 57. | Levine, Henry (arr.) | In Deepest Grief / Johann Sebastian Bach. |
Etude |
71 | 4 | Apr 1953 |
29-30 |
|
| 58. | Cherniavsky, David | Albert Schweitzer the man and the musician: a keen appraisal of one of the greatest personalities of the twentieth century. |
Etude |
72 | 1 | Jan 1954 |
11, 63-64 |
|
| 59. | Riemenschneider, Albert | The Use of Flutes in the Works of J. S. Bach. Part I. |
Etude |
72 | 3 | Mar 1954 |
11f |
|
| 60. | Riemenschneider, Albert | The Use of Flutes in the Works of J. S. Bach. Part II. |
Etude |
72 | 4 | Apr 1954 |
20f |
|
| 61. | Riemenschneider, Albert | The Use of Flutes in the Works of J. S. Bach. Part III. |
Etude |
72 | 5 | May 1954 |
19f |
|
| 62. | Jonas, Alberto | Bach's Fugue in C-sharp Minor, Book I: A Master Lesson. |
Etude |
72 | 6 | Jun 1954 |
26, 33-35, 62 |
|
| 63. | Pfatteicher, Carl F.; Davison, Archibald T. (eds.) | Von Gott will ich nicht lassen (From God Shall Naught Divide me) (Chorale prelude) / J. S. Bach. |
Etude |
72 | 8 | Aug 1954 |
40-41 |
|
| 64. | [Chilkovsky, Nadia] (ed.) | Bourrée (from French Suite No. 6) / Johann Sebastian Bach. |
Etude |
72 | 10 | Oct 1954 |
30-31 |
|
| 65. | Leonard, Mildred Stanley | On Teaching BACH. |
Etude |
72 | 11 | Nov 1954 |
9, 20 |
|
| 66. | Maier, Guy | A 'Conversation' With Carl Philipp Emanuel Bach. |
Etude |
73 | 1 | Jan 1955 |
21, 56 |
|
| 67. | Pfatteicher, C.; McCurdy Ames, R. (arr.) | Aria Hallejujah, Stärk' und Macht = Hallelujah, Strength and Might ; for Violino Solo; Tenor ; from Cantata No. 29 / Johann Sebastian Bach. |
Etude |
73 | 1 | Jan 1955 |
38-40 |
|
| 68. | Eckard, Walter (arr.) | Sinfonia (from 'church Cantata No. 156') / Johann Sebastian Bach. |
Etude |
73 | 6 | Jun 1955 |
35 |
|
| 69. | Prout, Ebenezer (ed.) | Anglaise from French Suite No. 3 / Johann Sebastian Bach. |
Etude |
73 | 12 | Dec 1955 |
28-29 |
|
| 70. | Briggs, Marion L. | The 'Bach' of High Fidelity--from an interview with Robert D. Darrell. |
Etude |
74 | 10 | Oct 1956 |
13-14 |
|
| 71. | Lang, Paul Henry | Harpsichord or Piano? |
Etude |
75 | 3 | Mar 1957 |
16, 50 |
|