Bach Printed Music Database
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Series : ^IrishMStud$
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Devine, Patrick F.; White, Harry (eds.)The Maynooth International Musicological Conference 1995. Selected Proceedings: Part One. IrishMStud 4 1996 444p
2. Crist, Stephen A.J. S. Bach and the Conventions of the Da Capo Aria, or How Original was Bach? IrishMStud 4 1996 71-85
3. Willner, ChannanBach's Periodicities Re-Examined. IrishMStud 4 1996 86-101
4. Kent, ChristopherElgar and J.S. Bach: A Wider Perspective. IrishMStud 5 1996 179-190
5. Olleson, PhilipThe Samuel Wesley letters edition: A report of work in progress. IrishMStud 5 1996 321-335
6. Devine, Patrick F.; White, Harry (eds.)The Maynooth International Musicological Conference 1995. Selected Proceedings: Part Two. IrishMStud 5 1996 409p
7. Abravaya, IdoThe Baroque upbeat: outline of its typology and evolution. IrishMStud 8 2004 17-28
8. White, HarryJohann Joseph Fux and the question of Einbau technique. IrishMStud 8 2004 29-48
9. Stockigt, Janice B.The royal Polish and electoral Saxon court and state calendars, 1728-50. IrishMStud 8 2004 49-64
10. Kan, RebeccaVivaldi, Bach and their concerto slow movements. IrishMStud 8 2004 65-91
11. Butler, Gregory G.The prelude to the third English Suite BWV 808: an allegro concerto movement in ritornello form. IrishMStud 8 2004 93-101
12. Franklin, Don O.Composing in time: Bach's temporal design for the Goldberg Variations. IrishMStud 8 2004 103-128
13. Leaver, Robin A.Eschatology, theology and music: death and beyond in Bach's vocal music. IrishMStud 8 2004 129-147
14. Stephen, J. DrewBach's horn parts: alternatives to nodal venting and hand stopping. IrishMStud 8 2004 149-160
15. Elste, MartinBach in North America during the shellac era (1900-50): early sound documents of art and commerce. IrishMStud 8 2004 161-178
16. Fabian, DorottyaBach performance practice in the twentieth century: recordings, reviews and reception. IrishMStud 8 2004 179-189
17. Butt, JohnBach in the twenty-first century: re-evaluating him from the perspective of performance. IrishMStud 8 2004 191-204
18. Tomita, YoBach's Credo in England: an early history. IrishMStud 8 2004 205-227
19. Boydell, Barra'This most crabbed of all earthly music': the performance and reception of Bach's vocal music in Dublin in the nineteenth and early twentieth centuries. IrishMStud 8 2004 229-246
20. Schulze, Hans-JoachimBach at the turn of the twenty-first century. IrishMStud 8 2004 247-260
21. Leahy, Anne; Tomita, Yo (eds.)Bach Studies from Dublin: Selected papers presented at the ninth biennial conference on Baroque music, held at Trinity College Dublin from 12th to 16th July 2000. IrishMStud 8 2004 270p

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