Bach Printed Music Database Search Result

Series : ^JMcol$
Max number of results shown : 300
Output sorted : chronologically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Berg, Darrell M.	C.P.E. Bach's 'Variations' and 'Embellishments' for his keyboard sonatas.	JMcol	2	2	Spring 1983	151-173
	2.	Clark, Stephen L.	The Letters from Carl Philipp Emanuel Bach to Georg Michael Telemann.	JMcol	3	2	Spring 1984	177-195
	3.	Chafe, Eric T.	Allegorical Music: The 'Symbolism' of Tonal Language in the Bach Canons.	JMcol	3	4	Autumn 1984	340-362
	4.	Silbiger, Alexander	Johann Sebastian Bach: 300th Anniversary Celebration. University of North Carolina at Chapel Hill. [Conference Report].	JMcol	4	1	Winter 1985	114-120
	5.	Dreyfus, Laurence	J. S. Bach and the Status of Genre: Problems of Style in the G-minor sonata, BWV 1029.	JMcol	5	1	Winter 1987	55-78
	6.	Stauffer, George B.	Forkel's letters to Hoffmeister & Kühnel: A Bach Biographical Source Recovered.	JMcol	5	4	Autumn 1987	549-561
	7.	Marissen, Michael	A Critical Reappraisal of J. S. Bach's A-major Flute Sonata.	JMcol	6	3	Summer 1988	367-386
	8.	Stinson, Russell	Toward A Chronology Of Bach's Instrumental Music: Observations On Three Keyboard Works.	JMcol	7	4	Fall 1989	440-470
	9.	Schulenberg, David	Expression and Authenticity in the Harpsichord Music of J. S. Bach.	JMcol	8	4	Fall 1990	449-476
	10.	Sheldon, David A.	The Stretto Principle: Some Thoughts on Fugue as Form.	JMcol	8	4	Fall 1990	553-568
	11.	Butt, John	Bach's Mass in B Minor: Considerations of its Early Performance and Use.	JMcol	9	1	Winter 1991	109-123
	12.	Butler, Gregory G.	J. S. Bach and the Concord-Discord Paradox.	JMcol	9	3	Summer 1991	343-357
	13.	Ladewig, James	Bach and the 'Prima prattica': The Influence of Frescobaldi on a Fugue from the 'Well-Tempered Clavier'.	JMcol	9	3	Summer 1991	358-375
	14.	Miller, Leta E.	C.P.E. Bach's sonatas for solo flute.	JMcol	11	2	Spring 1993	203-249
	15.	Stinson, Russell	Some Thoughts on Bach's Neumeister Chorales.	JMcol	11	4	Autumn 1993	455-477
	16.	Corneilson, Paul	The case of J.C. Bach's Lucio Silla.	JMcol	12	2	Spring 1994	208-220
	17.	Schulenberg, David	Musical Allegory Reconsidered: Representation and Imagination in the Baroque.	JMcol	13	2	Spring 1995	203-239
	18.	Melamed, Daniel R.	J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition.	JMcol	14	4	Autumn 1996	453-474
	19.	Whaples, Miriam K.	Bach's Recapitulation Forms.	JMcol	14	4	Autumn 1996	475-513
	20.	Hill, David	The Time of the Sign: 'O Haupt voll Blut und Wunden' in Bach's St. Matthew Passion.	JMcol	14	4	Autumn 1996	514-543
	21.	Mercer-Taylor, Peter	Rethinking Mendelssohn's historicism: A lesson from St Paul.	JMcol	15	2	Spring 1997	208-229
	22.	Burrows, David	A dynamical systems perspective on music.	JMcol	15	4	Autumn 1997	529-545
	23.	Silbiger, Alexander	Bach and the Chaconne.	JMcol	17	3	Summer 1999	358-385
	24.	Zohn, Steven; Payne, Ian	Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1)	JMcol	17	4	Autumn 1999	546-584
	25.	Cammarota, Robert M.	On the Performance of 'Quia respexit ... omnes generationes' from J. S. Bach's Magnificat.	JMcol	18	3	Summer 2001	458-489
	26.	Bittmann, Antonius	Reconciling God And Satan: Max Reger's Phantasie und Fuge über den Namen B-A-C-H, Op. 46.	JMcol	18	3	Summer 2001	490-515
	27.	Butler, Gregory G.	The Printing History of J. S. Bach's Musical Offering: New Interpretations.	JMcol	19	2	Spring 2002	306-331
	28.	Telesco, Paula	Forward-Looking Retrospection: Enharmonicism in the Classical Era.	JMcol	19	2	Spring 2002	332-373
	29.	Leaver, Robin A.	Brahms's Opus 45 and German Protestant Funeral Music.	JMcol	19	4	Autumn 2002	616-640
	30.	Brown, A. Peter	Eighteenth-century traditions and Mozart's 'Jupiter' symphony K.551.	JMcol	20	2	Spring 2003	157-195
	31.	Wolff, Christoph	Images of Bach in the Perspective of Basic Research and Interpretative Scholarship.	JMcol	22	4	Autumn 2005	503-520
	32.	Bernstein, Lawrence F.	'Singende Seele' or 'unsingbar'? Forkel, Ambros, and the Forces behind the Ockeghem Reception during the Late 18th and 19th Centuries.	JMcol	23	1	Winter 2006	3-61
	33.	Knyt, Erinn E.	'How I compose': Ferruccio Busoni's Views about Invention, Quotation, and the Compositional Process.	JMcol	27	2	Spring 2010	224-263
	34.	Varwig, Bettina	Metaphors of time and modernity in Bach.	JMcol	29	2	Spring 2012	154-190
	35.	Ceballos, Sara Gross	Sympathizing with C.P.E. Bachs Empfindungen.	JMcol	34	1	Winter 2017	1-31
	36.	Steichen, James	Balanchine's 'Bach ballet' and the dances of Rodgers and Hart's On your toes.	JMcol	35	2	Spring 2018	267-293