Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Whitmore, Philip | Towards an Understanding of the Capriccio. |
JRMA |
113 | 1 | 1988 |
47-56 |
|
| 2. | Butt, John | Improvised Vocal Ornamentation and German Baroque Compositional Theory - An Approach to 'Historical' Performance Practice. |
JRMA |
116 | 1 | 1991 |
41-62 |
|
| 3. | Cook, Nicholas | The Editor and the Virtuoso, or Schenker versus Bülow. |
JRMA |
116 | 1 | 1991 |
78-95 |
|
| 4. | Winter, Robert S. | Of Realizations, Completions, Restorations and Reconstructions: From Bach's 'The Art of Fugue' to Beethoven's Tenth Symphony. |
JRMA |
116 | 1 | 1991 |
96-126 |
|
| 5. | Maunder, Richard | J.C. Bach and the early piano in London. |
JRMA |
116 | 2 | 1991 |
201-210 |
|
| 6. | Williamson, Rosemary | Sterndale Bennett's Lost Piano Concerto Found. |
JRMA |
119 | 1 | 1994 |
115-129 |
|
| 7. | Cowgill, Rachel | The London Apollonicon Recitals, 1817-32: A Case-Study in Bach, Mozart and Haydn Reception. |
JRMA |
123 | 2 | 1998 |
190-228 |
|
| 8. | Garratt, James | Prophets Looking Backwards: German Romantic Historicism and the Representation of Renaissance Music. |
JRMA |
125 | 2 | 2000 |
164-204 |
|
| 9. | Varwig, Bettina | Death and Life in J. S. Bach's Cantata Ich habe genung (BWV 82). |
JRMA |
135 | 2 | 2010 |
315-356 |
|
| 10. | Cenciarelli, Carlo | Dr Lecter's Taste for 'Goldberg', or: The Horror of Bach in the Hannibal Franchise. |
JRMA |
137 | 1 | 2012 |
107-134 |
|