Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bent, Ian | The 'Compositional process' in music theory 1713-1850. |
MAnalysis |
3 | 1 | Mar 1984 |
29-55 |
|
| 2. | Drabkin, William | A lesson in analysis from Heinrich Schenker: the C Major prelude from Bach's Well-tempered Clavier, Book 1. |
MAnalysis |
4 | 3 | Oct 1985 |
241-258 |
|
| 3. | Wintle, Christopher | 'Skin and Bones': The C minor Prelude from J. S. Bach's Well-tempered Clavier, Book 2. |
MAnalysis |
5 | 1 | Mar 1986 |
85-96 |
|
| 4. | Street, Alan | The Rhetorico-Musical Structure of the 'Goldberg' Variations: Bach's Clavierübung IV and the Institutio Oratoria of Quintilian. |
MAnalysis |
6 | 1-2 | Mar-Jul 1987 |
89-131 |
|
| 5. | Cook, Nicholas | Structure and Performance Timing in Bach's C major Prelude (WTC I): An Empirical Study. |
MAnalysis |
6 | 3 | Oct 1987 |
257-272 |
|
| 6. | Plum, Karl-Otto | Towards a Methodology for Schenkerian Analysis. |
MAnalysis |
7 | 2 | Jul 1988 |
143-164 |
|
| 7. | Monelle, Raymond | Structural Semantics and Instrumental Music. |
MAnalysis |
10 | 1-2 | Mar-Jul 1991 |
73-88 |
|
| 8. | Renwick, William | Modality, Imitation and Structural Levels: Bach's Manualiter Kyries from Clavierübung III. |
MAnalysis |
11 | 1 | Mar 1992 |
55-74 |
|
| 9. | Puffett, Derrick | ... an Analytical Offering (A.G. 1992)...: On Goehr's Homage to Bach. |
MAnalysis |
11 | 2-3 | Jul-Oct 1992 |
177-200 |
|
| 10. | Siegele, Ulrich | Bach's Theological Concept of Form and the F major Duet. |
MAnalysis |
11 | 2-3 | Jul-Oct 1992 |
245-278 |
|
| 11. | Renwick, William J. | Hidden Fugal Paths: A Schenkerian View of Handel's F major Fugue (Suite II). |
MAnalysis |
14 | 1 | Mar 1995 |
49-67 |
|
| 12. | Cumming, Naomi | The Subjectivities of 'Erbarme Dich' |
MAnalysis |
16 | 1 | Mar 1997 |
5-44 |
|
| 13. | Renwick, William | Bach and the 'Old' Musicology. |
MAnalysis |
16 | 2 | Jul 1997 |
255-269 |
|
| 14. | McKee, Eric | Influences of the Early Eighteenth-Century Social Minuet on the Minuets from J. S. Bach's French Suites, BWV 812-17. |
MAnalysis |
18 | 2 | Jul 1999 |
235-260 |
|
| 15. | Anson-Cartwright, Mark | Elision and the Embellished Final Cadence in J. S. Bach's Preludes. |
MAnalysis |
26 | 3 | Oct 2007 |
267-288 |
|
| 16. | Butt, John | Emotion in the German Lutheran Baroque and the development of subjective time consciousness. |
MAnalysis |
29 | 1-3 | Mar-Oct 2010 |
19-36 |
|
| 17. | Bent, Ian D. | Schenker and Bach's French suite in E major. |
MAnalysis |
34 | 2 | Jul 2015 |
155-174 |
|
| 18. | Stoia, Nicholas R. | Triple counterpoint and six-four chords in Bach's sinfonia in F minor. |
MAnalysis |
34 | 3 | Oct 2015 |
305-334 |
|