Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Gotlieb, Heidi; Konecni, Vladimir J.; [Konečni] | The Effects of Instrumentation, Playing Style, and Structure in the Goldberg Variations by Johann Sebastian Bach. |
MPerception |
3 | 1 | Fall 1985 |
87-102 |
|
| 2. | Batt, Robert | Comments on 'The effects of instrumentation, playing, and structure in the Goldberg variations by Johann Sebastian Bach.' |
MPerception |
5 | 2 | Winter 1987 |
207-213 |
|
| 3. | Huron, David; Fantini, Deborah A. | The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice. |
MPerception |
7 | 1 | Fall 1989 |
43-48 |
|
| 4. | Thompson, William Forde; Cuddy, Lola L. | Sensitivity to change in chorale sequences: A composition of single voices and four-voice harmony. |
MPerception |
7 | 2 | Winter 1989 |
151-168 |
|
| 5. | Huron, David | The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice. |
MPerception |
9 | 1 | Fall 1991 |
93-103 |
|
| 6. | Huron, David | Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities. |
MPerception |
9 | 2 | Winter 1991 |
135-154 |
|
| 7. | Huron, David | Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions. |
MPerception |
10 | 4 | Summer 1993 |
435-443 |
|
| 8. | Vos, Piet G; Geenen, Erwin W. van | A Parallel-Processing Key-Finding Model. |
MPerception |
14 | 2 | Winter 1996 |
185-223 |
|
| 9. | Temperley, David | What's Key for Key? The Krumhansl-Schmuckler Key-Finding Algorithm Reconsidered. |
MPerception |
17 | 1 | Fall 1999 |
65-100 |
|
| 10. | Verkaart, Paul P.; Vos, Piet G. | Inference of Mode in Melodies. |
MPerception |
17 | 2 | Winter 1999 |
223-239 |
|
| 11. | Collins, Denis; Schloss, Andrew | An Unusual Effect in the Canon per Tonos from J.S. Bach's Musical Offering. |
MPerception |
19 | 2 | Dec 2001 |
141-153 |
|
| 12. | Chaffin, Roger; Imreh, Gabriela; Lemieux, Anthony F.; Chen, Colleen | 'Seeing the big picture': Piano practice as expert problem solving. |
MPerception |
20 | 4 | Jun 2003 |
465-490 |
|
| 13. | Toiviainen, Petri; Snyder, Joel S. | Tapping to Bach: Resonance-Based Modeling of Pulse. |
MPerception |
21 | 1 | Sep 2003 |
43-80 |
|
| 14. | Davis, Stacey | Implied Polyphony in the Solo String Works of J. S. Bach: A Case for the Perceptual Relevance of Structural Expression. |
MPerception |
23 | 5 | Jun 2006 |
423-446 |
|
| 15. | Chaffin, Roger; Lemieux, Anthony F.; Chen, Colleen | 'It is different each time I play': Variability in Highly Prepared Musical Performance. |
MPerception |
24 | 5 | Jun 2007 |
455-472 |
|
| 16. | Thompson, Sam; Williamon, Aaron; Valentine, Elizabeth R. | Time-Dependent Characteristics of Performance Evaluation. |
MPerception |
25 | 1 | Sep 2007 |
13-29 |
|
| 17. | Gjerdingen, Robert O. | 'Historically informed' corpus studies. |
MPerception |
31 | 3 | Feb 2014 |
192-204 |
|
| 18. | Battcock, Aimee; Schutz, Michael | Acoustically expressing affect. |
MPerception |
37 | 1 | Sep 2019 |
66-91 |
|