Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Picken, Laurence Ernest Rowland | Bach Quotations from the Eighteenth Century. |
MReview |
5 | 2 | 1944 |
83-95 |
|
| 2. | Grout, Donald Jay | Johann Sebastian Bach: An Appreciation. |
MReview |
6 | 2 | 1945 |
131-137 |
|
| 3. | MacKerness, E. D. | Bach's Sinfonie-Satz für Violine Concertirende. |
MReview |
9 | 3 | Aug 1948 |
161-165 |
|
| 4. | Selbiger, Liselotte | Bach on the Piano. |
MReview |
11 | 1 | 1950 |
98-108 |
|
| 5. | Emery, Walter | A Neglected Bach Manuscript. |
MReview |
11 | 3 | Aug 1950 |
169-174 |
|
| 6. | MacKerness, E. D. | Bach's F Major Violin Sonata. |
MReview |
11 | 3 | 1950 |
175-179 |
|
| 7. | Redlich, Hans F. | Two Music Cogresses in Lüneburg: 15th July - 22nd July. |
MReview |
11 | 4 | 1950 |
307-308 |
|
| 8. | Beer, R. | Ornaments in old Keyboard Music. |
MReview |
13 | 1 | 1952 |
3-13 |
|
| 9. | Barford, Philip T. | The Idea of Fugue. |
MReview |
15 | 3 | 1954 |
173-181 |
|
| 10. | Dürr, Alfred | Bach's Magnificat. |
MReview |
15 | 3 | 1954 |
182-190 |
|
| 11. | Briskier, Arthur | Piano Transcriptions of J. S. Bach. |
MReview |
15 | 3 | 1954 |
191-202 |
|
| 12. | Miller, Hugh Milton | Progression in two-part Counterpoint: A Method of Analysis. |
MReview |
16 | 4 | 1955 |
289-299 |
|
| 13. | Satterfield, John | Dissonance and emotional Content in the Bach Two-Part Inventions. |
MReview |
17 | 4 | 1956 |
273-281 |
|
| 14. | Satterfield, John | The emotional Content of the Bach Two-Part Inventions II. |
MReview |
19 | 4 | 1958 |
173-179 |
|
| 15. | Bullivant, Roger | Word-Painting and Chromaticism in the Music of J. S. Bach. |
MReview |
20 | 3 | 1959 |
185-216 |
|
| 16. | Tischler, Hans | Hindemith's Ludus Tonalis and Bach's Well-Tempered Clavier - A Comparison. |
MReview |
20 | 3 | 1959 |
217-227 |
|
| 17. | Barford, Philip T. | The Concept of Bach. |
MReview |
23 | 4 | 1962 |
261-270 |
|
| 18. | Eickhoff, Henry John | Bach's Toccata-Ritornello Forms. |
MReview |
27 | 1 | Feb 1966 |
1-15 |
|
| 19. | Buelow, George J. | The 'Loci Topici' and Affect in late baroque Music: Heinichen's practical Demonstration. |
MReview |
27 | 3 | Aug 1966 |
161-176 |
|
| 20. | Babitz, Sol | 'Concerning the Length of Time that Every Note Must be Held.' |
MReview |
28 | 1 | 1967 |
21-37 |
|
| 21. | Eickhoff, Henry John | Bach's Chorale-Ritornello Forms. |
MReview |
28 | 4 | 1967 |
257-276 |
|
| 22. | Spivakovsky, Tossy | Polyphony in Bach's Works for solo Violin. |
MReview |
28 | 4 | 1967 |
277-288 |
|
| 23. | Neumann, Frederick | Notes on 'Melodic' and 'Harmonic' Ornaments. |
MReview |
29 | 4 | 1968 |
249-256 |
|
| 24. | Sargent, George | Eighteenth-century tuning Directions: precise intervallic Determination. |
MReview |
30 | 1 | 1969 |
27-34 |
|
| 25. | Klenz, William | Per aspera ad astra or The stairway to Jupiter. |
MReview |
30 | 3 | 1969 |
169-210 |
|
| 26. | Vassar, James B. | The Bach two-part Inventions: A Question of Authorship. |
MReview |
33 | 1 | 1972 |
14-21 |
|
| 27. | Curti, Martha | J. S. Bach's Chaconne in D minor: A Study in Coherence and Contrast. |
MReview |
37 | 4 | 1976 |
249-265 |
|
| 28. | Williams, Peter F. | Why do we need a new book on Bach's Organ Music? |
MReview |
38 | 4 | 1977 |
249-257 |
|
| 29. | Bell, A. Craig | The great Mr. Handel. |
MReview |
39 | 1 | 1978 |
22-30 |
|
| 30. | Schenkman, Walter | Mattheson's 'Forty-Eight' and their Commentaries. |
MReview |
42 | 1 | 1981 |
9-21 |
|
| 31. | Gillingham, Bryan | Social and musical matters pertaining to J.C. Bach's third set of keyboard concertos. |
MReview |
42 | 3-4 | 1981 |
225-237 |
|
| 32. | Lam, Basil | The first Kyrie of Bach's B minor Mass. |
MReview |
50 | 1 | 1989 |
45-52 |
|
| 33. | Bryan, Michael | The book of changes and music. |
MReview |
51 | 1 | 1990 |
1-10 |
|
| 34. | Komlós, Katalin | Veränderte Reprise: Aspects of an idea. |
MReview |
51 | 4 | Nov 1990 |
262-267 |
|
| 35. | Poulin, Pamela L. | Niedt's Musicalische Handleitung, Part I and Bach's 'Vorschriften und Grundsätze...': A Comparison. |
MReview |
52 | 3 | Aug 1991 |
171-189 |
|
| 36. | Wollenberg, Susan | Schumann's Piano Quintet in E flat: The Bach Legacy. |
MReview |
52 | 4 | Nov 1991 |
299-305 |
|
| 37. | Nettheim, Nigel | The Derivation of Chopin's fourth 'Ballade' from Bach and Beethoven. |
MReview |
54 | 2 | May 1993 |
95-111 |
|
| 38. | Carruthers, Glen Blaine | William Tritt as teacher. |
MReview |
55 | 1 | Feb 1994 |
37-51 |
|
| 39. | Allis, Michael | Another '48': Stanford and 'historic sensibility'. |
MReview |
55 | 2 | May 1994 |
119-137 |
|