Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Grave, Floyd K. | Abbé Vogler and the Study of Fugue. |
MTheorySpec |
1 | | Spring 1979 |
43-66 |
|
| 2. | Brinkman, Alexander Russel | The melodic process in Johann Sebastian Bach's Orgelbüchlein. |
MTheorySpec |
2 | | Spring 1980 |
46-73 |
|
| 3. | Derr, Ellwood | The two part Inventions: Bach's composers' vademecum. |
MTheorySpec |
3 | | Spring 1981 |
26-48 |
|
| 4. | Berry, Wallace | Metric and rhythmic articulation in music. |
MTheorySpec |
7 | | Spring 1985 |
7-33 |
|
| 5. | Harrison, Daniel | Rhetoric and Fugue: An Analytical Application. |
MTheorySpec |
12 | 1 | Spring 1990 |
1-42 |
|
| 6. | Renwick, William J. | Structural Patterns in Fugue Subjects and Fugal Expositions. |
MTheorySpec |
13 | 2 | Autumn 1991 |
197-218 |
|
| 7. | Burns, Lori | J. S. Bach's Mixolydian Chorale Harmonizations. |
MTheorySpec |
15 | 2 | Autumn 1993 |
144-172 |
|
| 8. | Willner, Channan | Stress and Counterstress: Accentual Conflict and Reconciliation in J. S. Bach's Instrumental Works. |
MTheorySpec |
20 | 2 | Autumn 1998 |
280-304 |
|
| 9. | Petty, Wayne C. | Koch, Schenker, and the Development Section of Sonata Forms by C. P. E. Bach. |
MTheorySpec |
21 | 2 | Autumn 1999 |
151-173 |
|
| 10. | Ferris, David | C. P. E. Bach and the Art of Strange Modulation. |
MTheorySpec |
22 | 1 | Spring 2000 |
60-88 |
|
| 11. | Wason, Robert W. | Two Bach Preludes/Two Chopin Etudes, or Toujours travailler Bach-ce sera votre meilleur moyen de progresser. |
MTheorySpec |
24 | 1 | Spring 2002 |
103-120 |
|
| 12. | Hanninen, Dora A. | A theory of recontextualization in music: Analyzing phenomenal transformations of repetition. |
MTheorySpec |
25 | 1 | Spring 2003 |
59-97 |
|
| 13. | Beach, David W. | Bach's Partita No. 1 in Bb, BWV 825: Schenker's Unpublished Sketches with Commentary and Alternative Readings. |
MTheorySpec |
30 | 1 | Spring 2008 |
1-34 |
|
| 14. | Harrison, Daniel | Heads and Tails: Subject Play in Bach's Fugues. |
MTheorySpec |
30 | 1 | Spring 2008 |
152-163 |
|
| 15. | Väisälä, Olli | Bach's Inventions: Figuration, Register, Structure, and the 'Clear Way to Develop Inventions Properly'. |
MTheorySpec |
31 | 1 | Spring 2009 |
101-152 |
|
| 16. | Neumeyer, David | Thematic Reading, Proto-backgrounds, and Registral Transformations. |
MTheorySpec |
31 | 2 | Fall 2009 |
284-324 |
|
| 17. | Franck, Peter | 'A fallacious concept': Invertible counterpoint at the twelfth within the Ursatz. |
MTheorySpec |
32 | 2 | Fall 2010 |
121-144 |
|
| 18. | Robinson, Jenefer; Hatten, Robert S. | Emotions in Music. |
MTheorySpec |
34 | 2 | Fall 2012 |
71-106 |
|
| 19. | Dethorne, Jeffrey | Colorful plasticity and equalized transparency: Schoenberg's orchestrations of Bach and Brahms. |
MTheorySpec |
36 | 1 | Spring 2014 |
121-145 |
|
| 20. | Bungert, James | Bach and the patterns of transformation. |
MTheorySpec |
37 | 1 | Spring 2015 |
98-119 |
|
| 21. | Haakenson, Matthew | Probing the Properties of the First Eight Notes of Bach's Goldberg Ground Further: Revelations for Replicating the Soggetto and Opening Four Canons of BWV 1087. |
MTheorySpec |
39 | 2 | Fall 2017 |
247-260 |
|
| 22. | Reef, John S. | Subjects and Phrase Boundaries in Two Keyboard Fugues by J. S. Bach. |
MTheorySpec |
41 | 1 | Spring 2019 |
48-73 |
|
| 23. | Brody, Christopher | Second-reprise opening schemas in Bach's binary movements. |
MTheorySpec |
43 | 2 | Fall 2021 |
257-279 |
|