Bach Printed Music Database
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Author : Grant, Jason B.
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
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1. Grant, Jason B.The Origins of the Aria 'Ich folge dir, verklärter Held' and the Recurring Chorus 'Triumph!' from the Oratorio Die Auferstehung und Himmelfahrt Jesu by Carl Philipp Emanuel Bach. Bach 44 2 2013 6-24
2. Grant, Jason B.Recently Identified Borrowings in the Hamburg Vocal Music of C. P. E. Bach. Bach 52 1 2021 21-45
3. Grant, Jason B.Die Herkunft des Chors 'Triumph! Triumph! Des Herrn Gesalbter sieget' aus dem Oratorium 'Die Auferstehung und Himmelfahrt Jesu' von C. P. E. Bach. BachJb 97 2011 273-286
4. Crist, Stephen A.; Leaver, Robin A.; Wolff, Christoph; Lee, Kayoung; Grant, Jason B.Tributes to Don Franklin. BachNotesABS 35 Fall 2021 2
5. Grant, Jason BenjaminA borrowing identified in Carl Philipp Emanuel Bach's 1784 St. John Passion and a sketch explained. [ce]SonsOfBach 2016 47-55
6. Grant, Jason B.The Vocal Music of the Bach Family in Carl Philipp Emanuel Bach: The Complete Works. ContextBachStud 8 2018 261-279
7. Grant, Jason B.; Kulukundis, Elias N. (eds.)Keyboard Concertos from Manuscript Sources XI / Carl Philipp Emanuel Bach. CPEBachCW 3 9.11 2017 xxvi, 134p
8. Grant, Jason B. (ed.)Quartalstücke VI / Carl Philipp Emanuel Bach. CPEBachCW 5 2.6 2017 xxxii, 176p
9. Grant, Jason B. (ed.)Einführungsmusiken II / Carl Philipp Emanuel Bach. CPEBachCW 5 3.2 2013 xlii, 198p
10. Grant, Jason B.Chorale arrangements in the late liturgical passions of Georg Philipp Telemann. [cr]Williamsburg2006 2008 228-255
11. Grant, Jason B.Die Choralbearbeitungen in den späten liturgischen Passionen von Georg Philipp Telemann. TelemannKonfBer 16 2011 390-415
12. Grant, Jason B.The Rise of Lyricism and the Decline of Biblical Narration in Georg Philipp Telemann's Lukaspassion (1764). WolfenbüttelArbBarockF 43 2005 ii: 625-637

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