Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Marissen, Michael | Lutheranism, Anti-Judaism, and Bach's St. John Passion. |
|
| | 1998 |
127p |
|
| 2. | Marissen, Michael | The Social and Religious Designs of J. S. Bach's Brandenburg Concertos. |
|
| | 1995 |
160p |
|
| 3. | Marissen, Michael | Bach's Oratorios: The Parallel German-English Texts with Annotations. |
|
| | 2008 |
208p |
|
| 4. | Melamed, Daniel R.; Marissen, Michael | An introduction to Bach Studies. |
|
| | 1998 |
xi, 189p |
|
| 5. | Marissen, Michael | Bach & God. |
|
| | 2016 |
xxi, 257p |
|
| 6. | Marissen, Michael | On Linking Bach's F-Major Sinfonia and his Hunt Cantata. |
Bach |
23 | 2 | Fall-Winter 1992 |
31-46 |
|
| 7. | Marissen, Michael | More Source-Critical Research on J. S. Bach's Musical Offering. |
Bach |
25 | 1 | Spring-Summer 1994 |
11-27 |
|
| 8. | Marissen, Michael | The Lutheran 'Credo' in J. S. Bach's Mass in B Minor. |
Bach |
55 | 2 | 2024 |
242-260 |
|
| 9. | Marissen, Michael | In Memoriam: J. Reilly Lewis (15 September 1944—9 June 2016). |
BachNotesABS |
| 25 | Fall 2016 |
7 |
|
| 10. | Marissen, Michael; Melamed, Daniel R. | BachCantataTexts.org. |
BachNotesABS |
| 37 | Fall 2022 |
14-15 |
|
| 11. | Marissen, Michael | Concerto Styles and Signification in Bach's First Brandenburg Concerto. |
BachPerspectives |
1 | | 1995 |
79-101 |
|
| 12. | Marissen, Michael (ed.) | Creative Responses to Bach from Mozart to Hindemith. |
BachPerspectives |
3 | | 1998 |
ix, 160p |
|
| 13. | Marissen, Michael | The theological character of J. S. Bach's Musical Offering. |
BachStud |
2 | | 1995 |
85-106 |
|
| 14. | Marissen, Michael | Program Notes. [BWV 542, 78, 243] |
BCJ |
| 138 | Dec 2020 |
18-22 |
|
| 15. | Marissen, Michael | Bach. Brandenburg Kyosokyoku. |
BCJ |
| 42 | May 2000 |
8-19 |
|
| 16. | Marissen, Michael | Brandenburg Concertos (Brandenburgische Konzerte). Six Concertos, BWV 1046-1051, which Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in March 1721. |
BCJ |
| 42 | May 2000 |
28-33 |
|
| 17. | Marissen, Michael | Yohane Junankyoku BWV 245 Dai-4-Ko. Johannespassion BWV 245 Fassung IV. Kashi Chushaku. |
BCJ |
| 76 | Apr 2007 |
9-40 |
|
| 18. | Marissen, Michael | Beziehungen zwischen der Besetzung und dem Satzaufbau im ersten Satz des sechsten Brandenburgischen Konzerts von Johann Sebastian Bach. |
BeitrBachF |
9-10 | | 1991 |
104-128 |
|
| 19. | Marissen, Michael | Bach Against Modernity. |
[ce]RethinkingBach |
| | 2021 |
315-335 |
|
| 20. | Marissen, Michael | Bach's St. John Passion and the Jews. |
Colloquium |
4 | | Autumn 2007 |
141-143 |
|
| 21. | Marissen, Michael Anthony | Scoring, Structure, and Signification in J. S. Bach's Brandenburg Concertos. |
diss. |
| | 1991 |
vii, 251p |
|
| 22. | Marissen, Michael | Penzel Manuscripts of Bach Concertos. |
DortmundBachF |
1 | | 1997 |
77-87 |
|
| 23. | Marissen, Michael | Aufführungspraxis und Bedeutung in zwei Instrumentalwerken Johann Sebastian Bachs. |
DortmundBachF |
2 | | 1999 |
291-301 |
|
| 24. | Marissen, Michael | A Trio in C major for recorder, violin and continuo by J. S. Bach? |
EarlyM |
13 | 3 | Aug 1985 |
384-390 |
|
| 25. | Marissen, Michael | Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works. |
EastmanStudM |
28 | | 2004 |
85-94 |
|
| 26. | Marissen, Michael | Historically Informed Rendering of the Librettos from Bach's Church Cantatas. |
[fs]Leaver65 |
| | 2007 |
103-120 |
|
| 27. | Marissen, Michael | Bach and Recorders in G. |
GalpinSocJ |
48 | | Mar 1995 |
199-204 |
|
| 28. | Marissen, Michael | The Character and Sources of the Anti-Judaism in Bach's Cantata 46. |
HarvardTheolReview |
96 | 1 | 2003 |
63-99 |
|
| 29. | Marissen, Michael | Organological Questions and their Significance in J. S. Bach's Fourth Brandenburg Concerto. |
JAmerMInstrSoc |
17 | | 1991 |
5-52 |
|
| 30. | Marissen, Michael | A Critical Reappraisal of J. S. Bach's A-major Flute Sonata. |
JMcol |
6 | 3 | Summer 1988 |
367-386 |
|
| 31. | Marissen, Michael | On the Musically Theological in J. S. Bach's Church Cantatas. |
LutherQ |
16 | 1 | 2002 |
48-64 |
|
| 32. | Marissen, Michael | Blood, People, and Crowds in Matthew, Luther, and Bach. |
LutherQ |
19 | 1 | 2005 |
1-22 |
|
| 33. | Marissen, Michael | Relationships between Scoring and Structure in the First Movement of Bach's Sixth Brandenburg Concerto. |
MLetters |
71 | 4 | Nov 1990 |
494-504 |
|
| 34. | Marissen, Michael | J. S. Bach's Brandenburg Concertos as a Meaningful Set. |
MQ |
77 | 2 | Summer 1993 |
193-235 |
|
| 35. | Marissen, Michael | Religious Aims in Mendelssohn's 1829 Berlin-Singakademie Performances of Bach's St. Matthew Passion. |
MQ |
77 | 4 | Winter 1993 |
718-726 |
|
| 36. | Marissen, Michael | Perspectives on the 'St. John Passion' and the Jews. |
NYTimes |
| | 2 Apr 2000 |
|
|
| 37. | Marissen, Michael | Bach and Josephus on the destruction of Jerusalem. |
[p]ABS_Houston |
| | Apr 2002 |
|
|
| 38. | Marissen, Michael | Religious Meaning and Bach Performance. |
[p]ABS_SouthBend |
| | Apr 2016 |
|
|
| 39. | Marissen, Michael | Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. |
[p]AMS_Austin |
| | Oct 1989 |
|
|
| 40. | Marissen, Michael | Relationships Between Form and Scoring in J. S. Bach's Brandenburg Concerto No.6. |
[p]AMS_MidAtlantic |
| | Oct 1989 |
|
|
| 41. | Marissen, Michael | Lutheranism, Anti-Judaism, and Bach's St. John Passion. |
[p]AMS_MidAtlantic |
| | Oct 1995 |
|
|
| 42. | Marissen, Michael | Performance Practice Issues that Affect Meaning in Selected Bach Instrumental Works. |
[p]AMS_MidAtlantic |
| | Apr 1995 |
|
|
| 43. | Marissen, Michael | J. S. Bach's Church Cantatas and 'the Jews' in the Gospel of John. |
[p]BICB_Salzburg |
| | Jul 2014 |
|
|
| 44. | Butt, John; Tomita, Yo; Marissen, Michael; Varwig, Bettina | Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 45. | Marissen, Michael; Varwig, Bettina; Begbie, Jeremy | Bach and God. |
[p]BNUK_Cambridge |
| | Jul 2017 |
|
|
| 46. | Marissen, Michael | Performance Practice Issues that Affect Meaning in Two Bach Instrumental Works. |
[p]BS_Dortmund |
| | Jan 1998 |
|
|
| 47. | Marissen, Michael | The Redemptive Interpretation of Matthew 27: 25 in Bach's St. Matthew Passion. |
[p]IATB_Chicago |
| | Sep 1997 |
|
|
| 48. | Marissen, Michael | Bach, Luther, and Josephus on the Destruction of Jerusalem. |
[p]IATB_Eisenach |
| | Mar 2002 |
|
|
| 49. | Marissen, Michael | Vom Musikalisch-Theologischen in den Kirchenkantaten J. S. Bachs. |
[p]IATB_Logumkloster |
| | Oct 1999 |
|
|
| 50. | Marissen, Michael | Biblical solutions to Certain Problems in Bach Biography. |
[p]IBS_Utrecht |
| | Sep 2000 |
|
|
| 51. | Marissen, Michael | New Theological Research on Bach's Church Cantatas and Oratorios. |
[p]IMS_Middelburg |
| | Mar 2005 |
|
|
| 52. | Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, Christoph | Arthur Mendel and the World of J. S. Bach. |
[p]Mendel60BR |
| | Nov 2005 |
|
|
| 53. | Marissen, Michael | Blood, people and crowds in Matthew's Gospel, Luther's New Testament and Bach's St. Matthew Passion. |
[p]WAfB_Wolfenbüttel |
| | Apr 2003 |
|
|
| 54. | Marissen, Michael | Bach-Repertoire für Flötisten. |
Tibia |
12 | 3 | 1987 |
537-540 |
|