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Bach Printed Music Database Search Result |
Author : Marshall, Robert L.Your search has generated the following results ...
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| Type | List | Author  | Title[further info  ] | Series | Vol | No | Year | Pages | Status |
|---|---|---|---|---|---|---|---|---|---|
 | 1. | Marshall, Robert L. | Bachs Skizzenarbeit und Kompositionsprozeß. Fest-Vortrag, geh. zum 48. Bachfest der NBG Nürnberg 1973. | 31p | |||||
| | 2. | Marshall, Robert L. | Luther, Bach, and the early reformation chorale. | iv, 15p | |||||
| | 3. | Marshall, Robert L.; Marshall, Traute M. | Exploring the World of J. S. Bach: A Travelor's Guide | xxx, 245p | |||||
 | 4. | Marshall, Robert L. | Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. | Bach | 21 | 2 | 3-14 | ||
| | 5. | Marshall, Robert L. | Bach and Mozart: Styles of Musical Genius. | Bach | 22 | 1 | 16-32 | ||
| | 6. | Marshall, Robert L. | Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. | Bach | 43 | 1 | 1-28 | ||
| | 7. | Marshall, Robert L.; Marshall, Traute M. | Bach Family Sites. | Bach | 51 | 1 | 70-121 | ||
| | 8. | Marshall, Robert L. | Late Bach and Late Style Theory. | Bach | 54 | 1 | 1-16 | ||
| | 9. | Marshall, Robert L.; Marshall, Traute M. | Wenig bekannte Dokumente zu J. S. Bachs Ohrdrufer Zeit. | BachJb | 101 | 155-165 | |||
| | 10. | Marshall, Robert L. | Zur Vollständigkeit der Arie 'Mein Jesus soll mein alles sein' aus Kantate BWV 75. | BachJb | 51 | 144-147 | |||
| | 11. | Marshall, Robert L. | Anmerkungen zur späteren Geschichte der alten Bach-Ausgabe: ein kleines bibliographisches Rätsel. | BachJb | 64 | 229-231 | |||
| | 12. | Marshall, Robert L.; Rifkin, Joshua | In Memoriam: Alfred Dürr (March 3, 1918-April 7, 2011). | BachNotesABS | 15 | 1-4 | |||
| | 13. | Marshall, Robert L. | Redeeming the St. John Passion... And J. S. Bach. | BachNotesABS | 17 | 5-11 | |||
 | 14. | Marshall, Robert L. | A Report on the 2019 UMass Amherst Bach Symposium. | BachNotesABS | 31 | 16-17 | |||
| | 15. | Marshall, Robert L. | Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. | BachPerspectives | 11 | 1-23 | |||
| | 16. | Marshall, Robert L. | Bach and Mozart's Artistic Maturity. | BachPerspectives | 3 | 47-79 | |||
| | 17. | Marshall, Robert L. | On the origin of Bach's Magnificat: a Lutheran composer's challenge. | BachStud | 1 | 3-17 | |||
| | 18. | Marshall, Robert L. | Johann Sebastian Bach. | [ce]18cKeyboardM | 68-123 | ||||
| | 19. | Marshall, Robert L. (ed.) | Eighteenth-Century Keyboard Music. | [ce]18cKeyboardM | xvi, 443p | ||||
| | 20. | Marshall, Robert L. | Bach and Luther. | [ce]AstonMagnaAcademy | 229-241 | ||||
| | 21. | Marshall, Robert L. | Bach the Progressive: Observations on His Later Works. | [ce]BaroqueComposers | 399-443 | ||||
| | 22. | Marshall, Robert L. | Postscript [to 'Bach the Progressive'] | [ce]BaroqueComposers | 459-463 | ||||
| | 23. | Marshall, Robert L. | Tempo and Dynamic Indications in the Bach Sources: A Review of the Terminology. | [ce]BHSTercentenaryEssays | 259-276 | ||||
| | 24. | Marshall, Robert L. | Bach, Handel, and the harpsichord. | [ce]CambridgeCompanion_Harpsichord | 263-298 | ||||
| | 25. | Marshall, Robert L. | Organ or 'Klavier'? Instrumental Prescriptions in the Sources of Bach's Keyboard Works. | [ce]JSBOrganist | 212-239 | ||||
| | 26. | Marshall, Robert L. | Prologue. The Century of Bach and Mozart as a Music-Historical Epoch: A Different Argument for the Proposition. | [ce]Marshall | 1-8, 261 | ||||
| | 27. | Marshall, Robert L. | Bach, Johann Sebastian. | [ce]Marshall | 3-20 | ||||
| | 28. | Marshall, Robert L. | Young Man Bach: Toward a Twenty-First-Century Bach Biography. | [ce]Marshall | 9-29, 261-266 | ||||
| | 29. | Marshall, Robert L. | Bach the Progressive: Observations on His Later Works. | [ce]Marshall | 23-58, 295-303 | ||||
| | 30. | Marshall, Robert L. | The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. | [ce]Marshall | 30-37, 266-268 | ||||
| | 31. | Marshall, Robert L. | Bach and Luther. | [ce]Marshall | 38-55, 268-269 | ||||
| | 32. | Marshall, Robert L. | Redeeming the St. John Passion--and J. S. Bach. | [ce]Marshall | 56-64, 269-270 | ||||
| | 33. | Marshall, Robert L. | Bach's Orchestre. | [ce]Marshall | 59-63, 303 | ||||
| | 34. | Marshall, Robert L. | Bach's Keyboard Music. | [ce]Marshall | 65-113, 270-276 | ||||
| | 35. | Marshall, Robert L. | On Bach's Universality. | [ce]Marshall | 65-79, 303-304 | ||||
| | 36. | Marshall, Robert L. | 'Composing Scores' and 'Fair Copies'. | [ce]Marshall | 83-110, 304-305 | ||||
| | 37. | Marshall, Robert L. | The Sketches. | [ce]Marshall | 111-129, 305-308 | ||||
| | 38. | Marshall, Robert L. | The Minimalist and Traditionalist Approaches to Performing Bach's Choral Music: Some Further Thoughts | [ce]Marshall | 114-120, 276-277 | ||||
| | 39. | Marshall, Robert L. | Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. | [ce]Marshall | 121-129, 277-278 | ||||
| | 40. | Marshall, Robert L. | Bach at Mid-Life: The Christmas Oratorio and the Search for New Paths. | [ce]Marshall | 130-147, 278-279 | ||||
| | 41. | Marshall, Robert L. | The Autograph Score of Herr, gehe nicht ins Gericht, BWV 105. | [ce]Marshall | 131-142 | ||||
| | 42. | Marshall, Robert L. | The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken,' BWV 105/3. | [ce]Marshall | 143-159, 308-312 | ||||
| | 43. | Marshall, Robert L. | Bach at the Boundaries of Music History: Preliminary Reflections on the B-Minor Mass and the Late-Style Paradigm. | [ce]Marshall | 148-155, 279-280 | ||||
| | 44. | Marshall, Robert L. | Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. | [ce]Marshall | 156-173, 280-284 | ||||
| | 45. | Marshall, Robert L. | On the Origin of the Magnificat: A Lutheran Composer's Challenge. | [ce]Marshall | 161-173, 312-313 | ||||
| | 46. | Marshall, Robert L. | Johann Christian Bach and Eros. | [ce]Marshall | 174-185, 284-286 | ||||
| | 47. | Marshall, Robert L. | The Mass in B Minor: The Autograph Scores and the Compositional Process. | [ce]Marshall | 175-189, 313-314 | ||||
| | 48. | Marshall, Robert L. | Bach and Mozart: Styles of Musical Genius. | [ce]Marshall | 186-196, 286-289 | ||||
| | 49. | Marshall, Robert L. | The Autograph Fair Copies of the Fantasia per il Cembalo, BWV 906. | [ce]Marshall | 193-200, 314-316 | ||||
| | 50. | Marshall, Robert L. | Mozart and Amadeus. | [ce]Marshall | 197-211, 289-292 | ||||
| | 51. | Marshall, Robert L. | The Compositions for Solo Flute: A Reconsideration of Their Authenticity and Chronology. | [ce]Marshall | 201-225, 316-328 | ||||
| | 52. | Marshall, Robert L. | Bach and Mozart's Artistic Maturity. | [ce]Marshall | 212-237, 292-294 | ||||
| | 53. | Marshall, Robert L. | 'Authentic' Performance: Musical Text, Performing Forces, Performance Style (A Review Essay). | [ce]Marshall | 229-239, 328-331 | ||||
| | 54. | Marshall, Robert L. | Mozart's Unfinished: Some Lessons of the Fragments | [ce]Marshall | 238-251, 294-296 | ||||
| | 55. | Marshall, Robert L. | 'Editore traditore': Suspicious Performance Indications in the Bach Sources. | [ce]Marshall | 241-254, 331-333 | ||||
| | 56. | Marshall, Robert L. | Had Mozart Lived Longer: Some Cautious (and Incautious) Speculations. | [ce]Marshall | 252-259, 296-298 | ||||
| | 57. | Marshall, Robert L. | Tempo and Dynamics: The Original Terminology. | [ce]Marshall | 255-269, 333-337 | ||||
| | 58. | Marshall, Robert L. | Organ or 'Klavier'? Instrumental Prescriptions in the Sources of the Keyboard Works. | [ce]Marshall | 271-293, 337-339 | ||||
| | 59. | Marshall, Robert L. | Bach and Mozart: Essays on the Enigma of Genius. | [ce]Marshall | xxi, 331p | ||||
| | 60. | Marshall, Robert L. | The Music of Johann Sebastian Bach. The Sources, The Style, The Significance. | [ce]Marshall | xxiii, 375p | ||||
| | 61. | Marshall, Robert L. | Bach and Mozart: Styles of musical genius. | [ce]PsychoanalyticExplorations | 2 | 153-169 | |||
| | 62. | Marshall, Robert L. | The Eighteenth Century as a Music-Historical Epoch: A Different Argument for the Proposition. | ColMSymposium | 27 | 198-205 | |||
| | 63. | Marshall, Robert L. | Redeeming the St. John Passion: How modern sensitivity has clouded Bach's masterpiece. | Commentary | 36-39 | ||||
| | 64. | Marshall, Robert L. | Bach at the Boundaries of Music History: Preliminary Thoughts on the B-minor Mass and the Late Style Paradigm. | ContextBachStud | 8 | 297-303 | |||
| | 65. | Marshall, Robert L. | Orgel oder 'Klavier'? Instrumentenangaben in den frühen Quellen der Bachschen Tastenmusik. | [cr]Leipzig1985 | 303-314 | ||||
| | 66. | Marshall, Robert L. | Zur Echtheit und Chronologie der Bachschen Flötensonaten: Biographische und stilistische Erwägungen. | [cr]Marburg1978 | 48-71 | ||||
| | 67. | Marshall, Robert L. | On Bach's Universality. | [cr]Philadelphia1985 | 50-81 | ||||
 | 68. | Marshall, Robert Lewis | The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal Works. | diss. | 660p | ||||
| | 69. | Marshall, Robert L. | Bach's 'Orchestre'. | EarlyM | 13 | 2 | 176-179 | ||
| | 70. | Marshall, Robert L. | Belated Thoughts on Bach's Chorus: A Reexamination of the Minimalist and Traditional Approaches to performing the choral music of Bach. | EarlyMAmer | 15 | 4 | 24-27 | ||
| | 71. | Curry, Robert; Gable, David; Marshall, Robert L. (eds.) | Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. | EastmanStudM | 58 | x, 375p | |||
| | 72. | Marshall, Robert L. | The Notebooks for Wilhelm Friedemann and Anna Magdalena Bach: Some Biographical Lessons. | [fs]AlvinJohnson | 192-200 | ||||
| | 73. | Marshall, Robert L. | Bach's 'tempo ordinario:' A Plaine and Easie Introduction to the System. | [fs]Brainard | 249-278 | ||||
| | 74. | Marshall, Robert L. | Editore traditore: Ein weiterer 'Fall Rust'? | [fs]Dürr65 | 183-191 | ||||
| | 75. | Marshall, Robert L. | The Genesis of an Aria Ritornello: Observations on the Autograph Score of 'Wie zittern und wanken' BWV 105/3. | [fs]Mendel | 165-182 | ||||
| | 76. | Marshall, Robert L. (ed.) | Studies in Renaissance and Baroque music in Honor of Arthur Mendel. | [fs]Mendel | 392p | ||||
| | 77. | Marshall, Robert L. | Truth and Beauty: J. S. Bach at the Crossroads of Cultural History. | [fs]Scheide | 179-188 | ||||
| | 78. | Marshall, Robert L. | Wenn Mozart länger gelebt hätte. Eine wissenschaftliche Fantasie. | [fs]Schulze65 | 270-281 | ||||
| | 79. | Marshall, Robert L. | Musical sketches in J. S. Bachs cantata autographs. | [fs]Strunk | 405-427 | ||||
| | 80. | Marshall, Robert L. | Bach the progressive: Observations on his later works. | GarlandLibHistWestM | 6 | ||||
| | 81. | Marshall, Robert L. | The Nathan Bequest: Payment Receipts in the Hand of Johann Sebastian Bach, 1746 to 1748 (With a Fragment for the Year 1749 in the Hand of His Son). | [gs]Moldenhauer | 81-85 | ||||
| | 82. | Marshall, Robert L. | Bach's 'choruses' reconstituted. | HiFi | 32 | 10 | 64-66, 94 | ||
| | 83. | Marshall, Robert L. | J. S. Bach's Compositions for Solo Flute: A Reconsideration of their Authenticity and Chronology. | JAMSoc | 32 | 3 | 463-498 | ||
| | 84. | Marshall, Robert L. | Beobachtungen am Autograph der h-moll-Messe: Zum Kompositionsprozeß J. S. Bachs. | MKirche | 50 | 5 | 230-239 | ||
| | 85. | Marshall, Robert L. | How J. S. Bach composed four-part Chorales. | MQ | 56 | 2 | 198-221 | ||
| | 86. | Marshall, Robert L. | Bach the Progressive: Observations on His Later Works. | MQ | 62 | 3 | 313-357 | ||
| | 87. | Marshall, Robert L. | Toward a Twenty-First-Century Bach Biography. | MQ | 84 | 3 | 497-525 | ||
| | 88. | Marshall, Robert L. | Bach's Chorus: A preliminary reply to Joshua Rifkin. | MTimes | 124 | 1679 | 19-22 | ||
| | 89. | Marshall, Robert L. | Johann Sebastian Bach. Neue Ausgabe Sämtlicher Werke. Serie I · Band 19. Kantaten zum 9. und 10. Sonntag Nach Trinitatis. Kritischer Bericht. | NBA | 1 | 19 | 255p | ||
 | 90. | Marshall, Robert L. (ed.) | Kantaten zum 9. und 10. Sonntag Nach Trinitatis / Johann Sebastian Bach. | NBA | 1 | 19 | xii (6p facs), 276p | ||
| | 91. | Emery, Walter; Marshall, Robert L. | Bach, Johann Sebastian. | NEncyclBritannica | 2 | 556-561 | |||
 | 92. | Marshall, Robert L. | Bach 2000: Tue Rechung! | [p]ABS_Washington | |||||
| | 93. | Marshall, Robert L. | The Genesis of an Aria Ritornello: Observations on the Autograph Score of J. S. Bach's 'Wie zittern and Wanken', BWV 105/3. | [p]AMS_GreaterNewYork | |||||
| | 94. | Marshall, Robert L. | Towards a Chronology of J. S. Bach's Sonatas and Partitas for Solo Flute. | [p]AMS_Midwest | |||||
| | 95. | Marshall, Robert L. | Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. | [p]AMS_NewEngland | |||||
| | 96. | Marshall, Robert L. | A Lutheran Composer's Challenge: The Genesis of Bach's Magnificat. | [p]AMS_NewEngland | |||||
| | 97. | Marshall, Robert L. | Organ or 'Klavier'? Instrumental Prescriptions in the Early Sources of Bach's Keyboard Music. | [p]AMS_Vancouver | |||||
| | 98. | Marshall, Robert L. | Bach's Tempo ordinario: A Plaine and Easie Introduction to the System. | PerformPractReview | 13 | 1 | 1-33 | ||
| | 99. | Scheide, William H.; Marshall, Robert L.; Marissen, Michael; Wolff, Christoph | Arthur Mendel and the World of J. S. Bach. | [p]Mendel60BR | |||||
| | 100. | Marshall, Robert Lewis | The Compositional Process of J. S. Bach. A study of the Autograph Scores of the Vocal works. | PrincetonStudM | 4 | xv, 271p; 189p | |||
| | 101. | Marshall, Robert L. | Bachs h-Moll-Messe. Zur Quellensituation und Überlieferung. | SchrRIBachAkadStuttgart | 3 | 48-67 | |||
| | 102. | Marshall, Robert L. | Beobachtungen am Autograph der h-Moll-Messe. Zum Kompositionsprozeß J. S. Bachs. | SchrRIBachAkadStuttgart | 3 | 68-82 | |||
| | 103. | Marshall, Robert L. | Bachs h-moll-Messe. Zur Quellensituation und Überlieferung. | SommerAkadJSBach | 2-12 | ||||
| | 104. | Marshall, Robert L. | Beobachtungen am Autograph der h-moll-Messe zum Kompositionsprozeß J. S. Bachs. | SommerAkadJSBach | 13-21 |