Bach Printed Music Database
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Author : Melamed, Daniel R.
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Melamed, Daniel R.Hearing Bach's Passions. 2005 vii, 178p
2. Melamed, Daniel R.; Marissen, MichaelAn introduction to Bach Studies. 1998 xi, 189p
3. Melamed, Daniel R.J. S. Bach and the German Motet. 1995 xv, 229p
4. Melamed, Daniel R.Listening to Bach: the Mass in B minor and Christmas oratorio. 2018 xx, 149p
5. Melamed, Daniel R.Multi-day Passions and J.S. Bach's Christmas oratorio, BWV248. 18cM 11 2 Sep 2014 215-234
6. Melamed, Daniel R.'Parallel Proportions' in J. S. Bach's Music. 18cM 18 1 Mar 2021 99-121
7. Melamed, Daniel R.Response To Ruth Tatlow. 18cM 18 2 Sep 2021 325-326
8. Melamed, Daniel R.How Did J. S. Bach's 'Aus Liebe will mein Heiland sterben,' BWV 244/49, Get to Be So Slow? 19cM 43 1 Summer 2019 3-16
9. Melamed, Daniel R.A Tool from the Late 17th Century for Chorale Research. AmerBachSocNL Fall 2001 6-7
10. Melamed, Daniel R.The Text of 'Gott ist mein König' BWV 71. Bach 32 1 2001 1-16
11. Melamed, Daniel R.The 'Continuo: pro Bassono e Violoncello' Part for In allen meinen Taten BWV 97. Bach 55 2 2024 222-241
12. Melamed, Daniel R.Anonymus Iq bei seinem Namen gerufen. BachJb 108 2022 197-202
13. Melamed, Daniel R.Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. BachJb 75 1989 191-196
14. Melamed, Daniel R.Mehr zur Chronologie von Bachs Weimarer Kantaten. BachJb 79 1993 213-216
15. Melamed, Daniel R.; Sanders, Reginald L.Zum Text und Kontext der 'Keiser'-Markuspassion. BachJb 85 1999 35-50
16. Melamed, Daniel R.Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen. BachJb 88 2002 209-216
17. Melamed, Daniel R.Bach und Palestrina -- Einige praktische Probleme I. BachJb 89 2003 221-224
18. Melamed, Daniel R.Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt? BachJb 92 2006 161-169
19. Melamed, Daniel R.Bachs Schwester. BachJb 94 2008 337-341
20. Melamed, Daniel R.Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi da Palestrina. BachJb 98 2012 73-93
21. Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.Bach & Friends: Three Reviews of Michael Lawrence's New Film. BachNotesABS 13 Fall 2010 1-4
22. Marissen, Michael; Melamed, Daniel R.BachCantataTexts.org. BachNotesABS 37 Fall 2022 14-15
23. Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. BachPerspectives 8 2011 13-41
24. Melamed, Daniel R. (ed.)J. S. Bach and the Oratorio Tradition. BachPerspectives 8 2011 ix, 153p
25. Melamed, Daniel R.A thirty-six voice canon in the hand of C. P. E. Bach. BachStud 2 1995 107-118
26. Melamed, Daniel R. (ed.)Bach Studies 2. BachStud 2 1995 xiv, 238p
27. Melamed, Daniel R.Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. BachZenshu 4 Oct 1998 88-96
28. Melamed, Daniel R.Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs. BeitrBachF 9-10 1991 277-284
29. Melamed, Daniel R.Counterpoint in Mozart's 'Die Entführung aus dem Serail'. CambridgeOperaJ 20 1 2008 25-51
30. Melamed, Daniel R.Choral Unison in J.S. Bach's Vocal Music. [ce]AboutBach 2008 53-60
31. Melamed, Daniel R.Misa Kyoku, Magnificat. [ce]BachJiten 1996 220-224
32. Melamed, Daniel R.Gassho to Koraru Gakkyoku. [ce]BachKantataNoSekai 1 2001 271-296
33. Melamed, Daniel R.Gasshokyoku, Nijushokyoku, Kigakukyoku. [ce]BachKantataNoSekai 2 2002 331-348
34. Melamed, Daniel R.Gasshokyoku. [ce]BachKantataNoSekai 3 2002 299-320
35. Melamed, Daniel R.Rethinking Bach Codes. [ce]RethinkingBach 2021 227-250
36. Melamed, Daniel R.Chor- und Choralsätze. [ce]WeltBachKantaten 1 1996 169-184
37. Melamed, Daniel R.Chöre, Duette und Instrumentalstücke. [ce]WeltBachKantaten 2 1997 201-212
38. Melamed, Daniel R.Chorsätze. [ce]WeltBachKantaten 3 1999 177-192
39. Melamed, Daniel R.Cantatekoren en koralen. [ce]WereldBachCantates 1 1995 168-183
40. Melamed, Daniel R.Koren, duetten en instrumentale delen. [ce]WereldBachCantates 2 1997 202-213
41. Melamed, Daniel R.Koren. [ce]WereldBachCantates 3 1998 176-191
42. Melamed, Daniel R.Choruses and Chorales. [ce]WorldOfBachCantatas 1 1997 155-170
43. Melamed, Daniel R.Bach's St. John Passion: Can We Really Still Hear the Work--and Which One? [ce]WorldOfBaroqueMusic 2006 235-252
44. Melamed, Daniel R.Staffing J. S. Bach's St. Matthew Passion Then and Now. Colloquium 4 Autumn 2007 145-150
45. Melamed, Daniel R. (ed.)Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach. CPEBachCW 4 6.1 2009 xxiii, 8, 132p
46. Goldberg, Randall E.; Melamed, Daniel R. (eds.)Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach. CPEBachCW 4 6.2 2011 xxx, 153p
47. Melamed, Daniel RichardJ. S. Bach and the German motet. diss. 1989 x, 333 Bl
48. Melamed, Daniel R.Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67. EastmanStudM 102 2013 111-135
49. Melamed, Daniel R.Two Unusual Cues in J. S. Bach's Performing Parts. [fs]Leaver65 2007 141-146
50. Melamed, Daniel R.Der Text der Kantate 'Gott ist mein König' (BWV 71). [fs]Schulze65 1999 160-172
51. Melamed, Daniel R.The Passions: Versions and Problems / Las pasiones: versiones y problemas. Goldberg 34 Jun 2005 30-37
52. Melamed, Daniel R.The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. HarvardPubM 22 2008 189-205
53. Melamed, Daniel R.The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159). JAMSoc 41 3 Autumn 1988 491-526
54. Melamed, Daniel R.The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244. JAMSoc 57 1 Spring 2004 3-50
55. Melamed, Daniel R.J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. JMcol 14 4 Autumn 1996 453-474
56. Melamed, Daniel R.Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren. LeipzigerBeitrBachF 5 2002 289-308
57. Melamed, Daniel R.Constructing Johann Christoph Bach (1642-1703). MLetters 80 3 Aug 1999 345-365
58. Melamed, Daniel R.Bach Revived: If Wishes Were Passions. NYTimes 2 Apr 2000
59. Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. [p]ABS_Bethlehem May 2008
60. Melamed, Daniel R.Joh. Christoph Bach, org. [p]ABS_California Apr 1996
61. Melamed, Daniel R.Did Bach's Listeners Analyze? [p]ABS_Ohio May 2014
62. Melamed, Daniel R.Two Sanctus Settings by Johann Christoph Altnickol. [p]ABS_SouthBend Apr 2016
63. Melamed, Daniel R.The Text of Gott ist mein König BWV 71. [p]ABS_Washington Apr 2000
64. Melamed, Daniel R.Problems of Chronology, Style, and Function in J. S. Bach's Motets. [p]AMS_Baltimore Nov 1988
65. Melamed, Daniel R.J. S. Bach and the Altbachisches Archiv. [p]AMS_Oakland Nov 1990
66. Melamed, Daniel R.How Did J.S. Bach Teach Vocal Composition? [p]AMS_Pittsburgh Nov 1992
67. Melamed, Daniel R.; Parrott, Andrew; Fehleisen, FredPrinciples and potential for the development of the performance-academic discourse. [p]BNUK_Cambridge Jul 2017
68. Melamed, Daniel R.Did J. S. Bach’s Listeners Analyze? [p]BNUK_Warsaw Jul 2013
69. Melamed, Daniel R.Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century. [p]CWolff_Harvard Sep 2005
70. Melamed, Daniel R.Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67. [p]SMA_Glasgow Apr 2009
71. Melamed, Daniel R.Bach's Leipzig performances of the Hamburg St. Mark Passion. [p]WK_Leipzig Jan 2000
72. Melamed, Daniel R. (ed.)Motets / Johann Ludwig Bach. RecentResearchMBaroq 108 2001 xix, 203p
73. Melamed, Daniel R.Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. SommerAkadJSBach Almanach 1990 ii: 14 - 17

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